Todd McFarlane Archives - Robot 6 @ Comic Book Resources
Image Comics co-founder Todd McFarlane has made it a habit of late to open up his archives via his Facebook page, sharing everything from early Spawn designs to evolutionary charts. But this weekend, he held court on some of his publishing philosophy as it applies to his past life as a Marvel Comics superstar.
“Here’s the the answer to a question I get asked a lot: ‘NO!… I WILL NEVER DRAW for Marvel or DC Comics AGAIN!'” the artist wrote in a new post. “But it’s not why you might think…”
Skottie Young has revealed his variant cover for the landmark 250th issue of Spawn, set for release Jan. 28 from Image Comics.
The 64-page issue, written by Spawn creator Todd McFarlane and illustrated by Szymon Kudranski, marks the climax of the current story, clearing the way for the return of Al Simmons and the introduction of the new creative team of Paul Jenkins and Jonboy Meyers.
Ahead of the arrival of the landmark 250th issue, Todd McFarlane has unveiled “The Evolution of Spawn,” a graphic tracing the character’s numerous costumes, from the original design to the Greg Capullo-drawn Commando Spawn to Jonboy Meyers’ upcoming interpretation.
“And if you’re doing the math, that’s 24 YEARS. TWENTY-FOUR!!!!!!!!” McFarlane writes on Facebook. “It’s cool to look back and see how things have changed since 1992….it’s hard to believe we’re already coming up on our #250th issue.”
Todd McFarlane frequently uses his Facebook page to inspire fans with lessons he’s learned in his own life, and his latest post is little different — except that it features the first piece of Spawn promo art, drawn on the day he left Marvel in 1991.
“When I left Marvel … I JUMPED OFF THE CLIFF into the unknown to start Image Comics and then McFarlane Toys,” he writes. “But I knew in that by following my heart, I would be a better husband and father. No amount of money could be buy me that!!!
Todd McFarlane’s original cover art for The Amazing Spider-Man #300 is expected to sell for more than $250,000 when it goes up for auction later this month.
The 1988 issue not only marked the 25th anniversary of the Marvel comics series but also the first full appearance of Venom, the popular villain created when Spider-Man’s black symbiote suit merged with Eddie Brock. The cover is signed by McFarlane three times on the front, and includes a handwritten note on the back from the artist (presumably to series editor Jim Salicrup).
Counting down to the landmark 250th issue of Spawn, Todd McFarlane has given fans a glimpse into the cover process for Issue 248 — “only two more issues until AL SIMMONS returns!!” — penciled by Syzmon Kudranski and inked by McFarlane himself, which goes on sale Nov. 5.
“It’s pretty COOL to see how it all comes together,” he wrote on his Facebook page. “There’s a lot of work that goes into this comic stuff.” He also offered a reminder about the art contest for Spawn #250, noting that he’ll start collecting submissions on Nov. 1.
The biggest comics news Thursday out of Comic-Con International was undoubtedly that, after years of debate, comiXology has introduced DRM-free backups of titles purchased from its storefront, with Image Comics, Dynamite Entertainment, MonkeyBrain Comics, Thrillbent, Top Shelf Productions and Zenescope Entertainment signing on to the program.
An email went out last night notifying customers that books they’ve purchased can be downloaded and stored as PDF or CBZ files, and pointing them to an FAQ on the subject.
“This has been an oft-requested feature,” comiXology CEO David Steinberger said during the company’s Comic-Con panel. “It’s a real backup file — it’s a fairly plain PDF or CBZ. They are high resolution, not a lot of bells and whistles, and my feeling is that people will continue to use the cloud-based reader to do their reading.”
The other big announcement was that Marvel will publish Avengers: Age of Ultron, an in-continuity graphic novel by the Uncanny X-Force team of Rick Remender, Jerome Opeña and Dean White scheduled to arrive in April 2015, ahead of the premiere of Avengers: Age of Ultron.
Over the course of his 30-year career, Todd McFarlane has spoken frequently about his lone road into the comics industry, one dotted with more than 700 submissions and 350 rejection letters. If you thought that was an apocryphal story akin to tales of having to walk five miles to school … uphill … both ways, think again.
On his Facebook page, the creator of Spawn shares a few photos from his submission days, featuring a sampling of his rejection letters, including one from former Marvel Editor-in-Chief Jim Shooter, as well as a chart he created to track where he sent the packages, and whether he received responses.
Three weeks after Marc Silvestri and Todd McFarlane pulled back the curtain on their collaboration process for a Skybound cover, Image Comics has unveiled the final product: a variant for Manifest Destiny #7. It’s colored by series colorist Owen Gieni.
The issue kicks off a new arc in the series by Chris Dingess and Matthew Roberts, which tells the hidden story of the Lewis & Clark expedition (one filled with monsters).
Manifest Destiny #7, which arrives June 11, can be ordered now with Diamond Code APR140575; the Silvestri/McFarlane variant is MAR148175.
On his Facebook page, Marc Silvestri pulls back the curtain on his collaboration with Todd McFarlane on a cover for an unidentified Robert Kirkman comic. It’s a work in progress, with McFarlane inking over Silvestri’s loose pencils — and providing a bit of commentary about the role of the inker and how this collaboration came about.
“Robert was able to convince Marc Silvestri to pencil the cover and since I happen to be on the phone with him when he mentioned he was doing this cover, I offered to ink it for him,” McFarlane explains. “I also told Marc to ‘loosen up on your pencils, I’ll do some of the artistic lifting on the page.’ So, what you have is a female character riding a giant insect creature as they battle in the sky.”
There’s more at the link.
Sequart has premiered a clip from its upcoming documentary The Image Revolution in which Image Comics founders Rob Liefeld and Todd McFarlane recount the fateful meeting they and Jim Lee had 22 years ago this month with then-Marvel Comics Publisher Terry Stewart. It’s an oft-repeated tale — it’s part of Image’s origin story, after all — that benefits from Liefeld’s animated storytelling and impressions.
Funded in part through Kickstarter, the documentary from director Patrick Meaney, Sequart and Respect! Films traces the 20-year history of Image, “from its founders’ work at Marvel, through Image’s early days, the ups and downs of the ’90s, and the publisher’s new generation of properties like The Walking Dead.”
You can preorder The Image Revolution for $4.99 digital download at Sequart.
Retailing | Following a price war during which it lost $11,000 a day, Overstock.com has vowed to match Amazon’s price on books, including graphic novels, going forward. Overstock CEO Patrick Byrne thinks he can get better prices from publishers who want to boost competition for Amazon. However, as ICv2 points out, Overstock’s graphic novel selection is smaller than Amazon’s, and prices overall have risen since their recent price war. [ICv2]
Creators | Todd McFarlane recently claimed no work that was “trying to get across a message” has succeeded as a comic, but Laura Sneddon finds proof to the contrary at the Stripped festival in Edinburgh, where she talked to Joe Sacco, Paul Cornell, Stephen Collins and Grant Morrison about the ideas that drive their comics. [New Statesman]
NPR television critic Linda Holmes has spent the past couple of weeks tweeting from the Television Critics Association press tour, which ended with a panel on the PBS documentary Superheroes: The Never-Ending Battle. Debuting Oct. 8, the three-part miniseries was directed by Michael Kantor, who was on the panel with comic book writers Todd McFarlane, Len Wein and Gerry Conway.
Holmes noted that the panelists asked about the lack of diversity in superhero comics, but unfortunately, the response to that question wasn’t very satisfying. She paraphrases four reasons cited by the panel:
With Comic-Con International now just a week away, Todd McFarlane and McFarlane Toys have rolled out a rundown of panels, signings, convention exclusives and giveaways.
McFarlane will appear on July 19 with Stan Lee at the Crazy Cat Collectibles booth to sign the Spider-Man Limited Venom Edition Guitar, featuring the artists cover art from Spider-Man #13, and July 19 and 20 at the Assassin’s Creed IV: Black Flag Pirate Ship for the free poster giveaway (McFarlane Toys’ Assassin’s Creed action figures will also be on display).
McFarlane Toys’ limited-edition The Walking Dead Comic Governor in Riot Gear action figure will be available at the Skybound booth (#2729), while Toys “R Us and Entertainment Earth (booth #2343) will debut The Walking Dead Comic Penny Blake The Governor’s Zombie Daughter, complete with fish tank and a bucket of body parts.
You can see the full McFarlane Comic-Con schedule below:
Game publisher Ubisoft has debuted Todd McFarlane’s poster for Assassin’s Creed IV: Black Flag, accompanied by a behind-the-scenes video of the artist energetically explaining how he approached the illustration. The limited-edition poster is available only to customers who pre-order the game through GameStop.
On sale Oct. 29 in North America, Assassin’s Creed IV features a new hero, Edward Kenway, who falls from privateering to piracy during the 18th century before becoming embroiled in the ancient war between the Assassins and the Templars.