Tokyopop Archives | Robot 6 | The Comics Culture Blog

Comics A.M. | Stu Levy on Tokyopop’s return to print

tokyopop-alice

Publishing | As Tokyopop returns to the graphic novel market, CEO Stu Levy talks about what he learned when the company stopped doing print in 2011, what happened with Tokyopop Germany, and how he sees the market now. Tokyopop is relaunching in print with three manga based on Disney properties, which Levy compares to the Korean tacos popularized by the food truck Kogi in Los Angeles: “To me that’s the epitome of fusion food done right, and I think what we’re doing with Disney manga is along those lines. It’s Japanese manga artists interpreting Disney characters and stories in a way that makes it uniquely manga, but it also retains the essence of Disney and the beloved characters that are a worldwide brand for a reason.” [ICv2]

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Comics A.M. | Tokyopop returns with first books in five years

tokyopop-alice

Manga | Pioneering U.S. manga publisher Tokyopop is back with its first new books in five years, and all three are tie-ins with other media. Alice in Wonderland: Special Collector’s Manga is a hardcover collection of Jun Abe’s manga adaptation of Tim Burton’s film, which will be released just before the premiere of Disney’s Alice Through the Looking Glass. Similarly, Finding Nemo: Special Collector’s Manga, Ryuichi Hoshino’s adaptation of the Pixar blockbuster, will be released a week before the sequel Finding Dory. The third property is the five-volume series Kilala Princess, a shoujo manga series featuring Disney princesses. Tokyopop published the first two volumes of Kilala Princess during its earlier incarnation. [ICv2]

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Comics A.M. | What sets ‘Fairy Tail’ apart from other shonen manga?

Fairy Tail

Fairy Tail

Creators | Fairy Tail creator Hiro Mashima explains what sets his series apart from other shonen manga: “It actually goes back to the series I worked on before, Rave Master. In one episode, there was a scene where a group of guys are hanging out at a bar. That was fun to draw. So I wanted to draw a manga with the feel of guys hanging out at a bar. I thought it’d be interesting to enter a world where characters have established relationships, like friendship. Usually a shonen manga starts with just a main character, who then slowly accumulates his or her allies as the story progresses. But in the world of Fairy Tail, everybody pretty much knows each other at the beginning. [Kodansha Comics]

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Comics A.M. | ‘Charlie Hebdo’ to mark anniversary of attack with special issue

 

Publishing | French satirical magazine Charlie Hebdo will release a special double-size issue on Jan. 6 commemorating the one-year anniversary of the  jihadist attack on its Paris office by that left 12 people dead. One million copies will be produced of the issue, which will feature drawings by the cartoonists killed in the massacre, as well as illustrations by current staff members. A special “survivors issue” released after the attack sold 7.5 million copies worldwide. [The Guardian]

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Comics A.M. | Snyder explains ‘Wytches’ spelling; ‘Charlie Hebdo’ says no more Muhammad cartoons

Scott Snyder and Jock's "Wytches"

Scott Snyder and Jock’s “Wytches”

Creators | Scott Snyder discusses his horror comic Wytches, starting with why he used the unusual spelling: “We wanted to do something that basically would announce that we were trying to make the classic monster our own. For me, it separated the witches that you knew from what we were going to do in our book. It was an aesthetic thing and it made it look a little more ancient.” [Suicide Girls]

Political Cartoons | Laurent Sourisseau, the editor of Charlie Hebdo, says he will not draw any more cartoons of the Prophet Muhammad. “We’ve done our job. We have defended the right to caricature,” Sourisseau told the German magazine Stern, but he also said, “We have drawn Muhammad to defend the principle that one can draw whatever they want. It is a bit strange though: we are expected to exercise a freedom of expression that no one dares to.” Sourisseau was in the Charlie Hebdo offices when they were attacked in January by armed gunmen who killed eight of his colleagues and four other people. He survived by pretending to be dead. “[W]hen it was over, there was no sound. No complaints. No whining. That is when I understood that most were dead,” he said. Sourisseau is the second Charlie Hebdo staffer to declare he will no longer draw cartoons of the Prophet Muhammad; the cartoonist Luz said in April that “I am tired of him, just like [former French President Nicolas] Sarkozy. I am not going to spend my life drawing them.” [Deutsche Welle]

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Comics A.M. | Audience ‘hungry’ for diverse characters, DiDio says

We Are Robin #1

We Are Robin #1

Comics | In advance of a radio show titled “White Men in Capes,” to be broadcast Tuesday, BBC News looks at diversity in comics and finds it lacking; as DC Entertainment Co-Publisher Dan DiDio says, there “doesn’t seem to really be a proper representation of ethnic characters across the entire industry.” He talks about DC’s efforts to bring diversity to its line, and he explains why: “There’s a very hungry audience, excited audience and the reason why we know that exists is because we go to the conventions and we hear from our stores and you hear the make-up of the people shopping in those stores.” [BBC News]

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Comics A.M. | Tokyopop announces publishing relaunch

Tokyopop

Tokyopop

Manga | Tokyopop announced Thursday at Anime Expo that it will return to publishing new manga from Japan, and it has also acquired some anime licenses. In addition, it is launching an app, PopComics, that will allow users to upload and share their own comics. Tokoyopop was the largest manga publisher in the United States at the height of the manga boom, but it closed down its publishing program in 2011. In the past few years it has been making a slow-motion comeback, selling some of its properties as e-books and print-on-demand books and publishing three new volumes of Hetalia: Axis Powers. [Anime News Network]

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Comics A.M. | Is Tokyopop planning a comeback?

Tokyopop

Tokyopop

Manga | Is former manga powerhouse Tokyopop coming back? Once the largest publisher of manga in North America, the company stopped publishing new manga in 2011, but didn’t go bankrupt and never really went away. Tokyopop is selling many of its “global manga” titles digitally and in print, on demand, and it ‘s planning panels at both Anime Expo in Los Angeles and Comic-Con International in San Diego. On his blog, CEO Stu Levy drops a few hints, saying he’s “rebuilding” Tokyopop. [Tokyopop]

Digital comics | Rob Salkowitz analyzes the latest news from Amazon and comiXology and suggests there’s more to the story than meets the eye. While fans may view the renewal of Marvel’s deal with comiXology as a story about a digital comics service, Salkowitz says it’s really about bringing comics to the mass market through Amazon: “Kindle isn’t Amazon’s platform for reaching comic book readers. It’s Amazon’s platform for reaching all readers. comiXology counts its revenues in millions. Amazon counts its revenues in billions. Moving these titles from a superior specialty app to an inferior mainstream app isn’t a big deal for existing fans but it’s a huge potential expansion of the market.” [ICv2]

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Comics A.M. | Nostalgia, franchises and the new comics economy

Howard the Duck

Howard the Duck

Analysis | Rob Salkowitz kicks off the new year with big-picture questions about “geek culture”: With the popularity of comics-based movies, will continuity and nostalgia become less important? And will comics themselves become less important? “Putting out comics is a relatively costly and troublesome process with limited revenue potential relative to other ways of exploiting the intellectual property. A fan base that buys licensed merchandise and watches entertainment programming without needing a monthly fix of new art and story is probably considered a feature of the new comics economy, not a bug.” [ICv2]

Creators | Chew artist Rob Guillory, who will appear this weekend at Wizard World New Orleans, talks about the strange comics that he read as a kid (The Adventures of Kool-Aid Man) and the unexpected success of Chew, which will end next year with its 60th issue: “In the beginning, John and I were kind of like, ‘Well, best-case scenario, we can go 60 issues. Worst-case scenario, we can do five and go our separate ways and never speak again.’ I don’t know if we’ve seen the peak of our reception. I don’t think we’ll see how popular we’ve been until it’s over. When it’s wrapped and it’s the complete thing, I think people will start missing us.” [Best of New Orleans]

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Comics A.M. | U.K. publisher Great Beast to close

Great Beast

Great Beast

Publishing | The British independent publisher Great Beast, which has released the work of Dan Berry, Marc Ellerby and Isabel Greenberg, among others, will close on Jan. 7. Founded in 2012 by Ellerby and Adam Cadwell, the publisher was something of a victim of its own success, as Cadwell explains: “As the group got bigger, as the books became more successful and as we widened the range of shops we sold to there became more of a need for the management and promotion to come from one or two people and Marc Ellerby and I (Adam Cadwell) happily took up that role. However, as time went on we found that the time spent working for the benefit of the group was getting in the way of us actually making our own comics, which is why we started the group in the first place… We looked at many ways of monetising the group so we could pay someone to run things whilst still giving the creators the bulk of the profits but we just couldn’t find a fair way to make it work.” [Great Beast Blog]

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Comics A.M. | Turkish cartoonist speaks out about prosecution

Musa Kart

Musa Kart

Political cartoons | Turkish cartoonist Musa Kart, who was acquitted last month on charges of insulting President Recep Tayyip Erdogan, speaks out: “It’s a well known fact that Erdogan is trying to repress and isolate the opponents by reshaping the laws and the judiciary and by countless prosecutions and libel suits against journalists.” Kart faced a possible penalty of nine years in prison if he had been found guilty, and it’s not clear the case is over yet, as Erdogan could appeal the acquittal.“Unfortunately, day by day, life is getting harder for independent and objective journalists in Turkey,” Kart said. [Index on Censorship]

Political cartoons | Syrian Kurdish cartoonist Dijwar Ibrahim talks about his anti-ISIS cartoons, which are on exhibit in Iraq. [Al-Shorfa]

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Comics A.M. | Bestselling ‘One Piece’ spawns a spinoff series

One Piece

One Piece

Manga | Eiichiro Oda’s One Piece, the bestselling manga in Japan, is getting a spinoff: Starting with the January issue, which ships in December, the manga magazine Saikyo Jump will carry a series focusing on Monkey D. Luffy and the Straw Hat Pirates. There doesn’t seem to be any information yet on who the creators will be. [Anime News Network]

Publishing | In a business-oriented interview, Mark Waid talks about the strategy behind his digital comics site Thrillbent, especially its appeal to diverse groups of readers. The key is flexibility, Waid said, in terms of platforms and content. His goal is to make the comics readable on any digital device, which he says is not difficult once the site is set up. In terms of content, he says, “Pay attention to the audience, let them tell you who you’re clearly not serving, and go after them.” [The Wall Street Journal]

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Comics A.M. | Judge places hold on Hastings sale

Hastings

Hastings

Retailing | A federal judge has issued a temporary restraining order halting the $21.4 million purchase of retail chain Hastings Entertainment by Joel Weinshanker, president and sole shareholder of Wizkids parent National Entertainment Collectibles Association. The order was granted at the request of two Hastings shareholders who sued to stop the sale, insisting the price paid for the retailer is too low; it will remain in effect until a hearing can be held on June 12. Hastings issued a statement Monday pledging to “vigorously dispute these claims.” Hastings operates a chain of 149 stores that sells books, comics, video games and more. [Amarillo Globe-News, via ICv2]

Retailing | Amazon may be charging full price for Hachette’s graphic novels as part of its continuing contract dispute with the publisher, but Barnes & Noble has leaped into the breach with big discounts and a buy-two-get-one-free promotion on Hachette’s Yen Press manga and Little, Brown’s Tintin books. [ICv2]

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Viz to publish new ‘Battle Royale’ graphic novel

BattleRoyale-AngelsBorderBefore there was The Hunger Games, there was Battle Royale, the novel, manga and film about a teenagers subjected to a deadly elimination game. And now there’s more.

Viz Media has announced it will publish Battle Royale: Angels’ Border, a new graphic novel by Koushun Takami, author of the original Battle Royale novel. The two-chapter story is complete in a single volume and features artwork by Mioko Ohnishi and Youhei Oguma. It’s a stand-alone story about six of the girls who lock themselves in a lighthouse during the competition, and like all of Battle Royale, it deals with the precarious balance between the need to unite with others and the need to kill them in order to survive.

In the original, an authoritarian government transported a high-school class to a deserted island, gave them deadly weapons and instructed them to fight each other to the death; only one student could survive. Viz published the original novel in 2003, and this year released a new translation, Battle Royale: Remastered, under its Haikasoru science fiction imprint. The manga was published in 2003 by Tokyopop, which re-released it four years later in Ultimate Edition format.

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Comics A.M. | Phoenix Comicon to cap attendance for first time

Phoenix Comicon

Phoenix Comicon

Conventions | Phoenix Comicon, which in 2013 drew a record 55,000 people, has placed a limit on attendance for the June 5-8 show, raising the possibility that the convention could sell out for the first time. However, convention director Matt Solberg said organizers have been working with the fire marshal to increase capacity at the Phoenix Convention Center. This year’s guests include Andy Kubert, Andy Runton, Camilla d’Errico, Chris Claremont, Christopher Golden, Dennis Calero, Don Rosa, Francis Manapul, John Layman, Katie Cook, Kevin Maguire, Marc Andreyko and Mark Bagley. [Facebook, via Modern Times]

Manga | Lillian Diaz Przybyl, who was the senior editor at Tokyopop until shortly before its demise, talks about her early days in fandom, her experiences at the company when it was a market leader, and the issue of piracy and creators’ rights. She also sheds some light on why the manga publishers were so slow to go to digital: The Japanese licensors were reluctant to put content from different publishers together and worried that their books would be re-imported back to Japan. [Organization Anti-Social Geniuses]

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