Tokyopop Archives - Page 2 of 9 - Robot 6 @ Comic Book Resources
Creators | Following the appearance of the Infinity Gauntlet in Thor and the cameo by Thanos in The Avengers, Marvel appears poised to expand the cosmic elements of its cinematic universe with The Guardians of the Galaxy. While some fans eagerly await a movie announcement next week at Comic-Con International, Thanos creator Jim Starlin (who had to buy his own tickets to Thor and The Avengers) may be laying the groundwork for a legal challenge: Heidi MacDonald points out that Starlin has posted an early drawing of the Mad Titan on his Facebook page, writing, “This is probably one of the first concept drawings of Thanos I ever did, long before I started working at Marvel. Jack Kirby’s Metron is clearly the more dominant influence in this character’s look. Not Darkseid. Both D and T started off much smaller than they eventually became. This was one of the drawings I had in my portfolio when I was hired by Marvel. It was later inked by Rich Buckler.” [The Beat]
Comics | Tim Marchman, author of that much-discussed Wall Street Journal article, is at it again, this time interviewing Watchmen editor Len Wein about his work on Before Watchmen, and including the interventions of DC Comics Publicity Manager Pamela Mullin as part of the story. Between the embargo on the comic and Mullin doing her job, it sounds like the most interesting parts of the interview never made it into the final product. [The Daily Beast]
Passings | Dr. Scott Henson, who retired from a career as a neurosurgeon and became a cartoonist, has died at the age of 52. Henson, who treated Superman actor Christopher Reeve after his fall, took up the pen after his health problems forced him to leave the medical field and created the panel cartoon Natural Selection under the pen name Russ Wallace. The cartoon was picked up by Creators Syndicate and syndicated nationwide. [The Charleston Gazette]
Publishing | Deb Aoki provides a thorough analysis of Tokyopop’s Anime Expo panel, in which the once-shuttered manga publisher announced a new title and hinted at more. [About.com]
Creators | Paul Levitz discusses Worlds’ Finest, his buddy comic featuring Power Girl and Huntress: “There’s always been a certain level of humor and cool confidence in a light way associated with Power Girl that’s been fun, and the Huntress has always been the more determined of the women in the DC Universe — a woman with a sense of mission and a crossbow ready to take your eye out. [USA Today]
Conventions | A group of 21 events companies, including New York Comic Con and BookExpo America organizer Reed Exhibitions, are opposing a plan by New York Gov. Andrew Cuomo to tear down the Jacob K. Javits Convention Center. In a letter to the governor that was also distributed to 600 other officials, the Friends of Javits said they would not patronize the much larger venue that’s to be built in Ozone Park, Queens, primarily because of its distance from Manhattan. [Crain's New York Business, via ICv2]
Conventions | Comic-Con International is just six weeks away, and you know it’s coming when Tom Spurgeon posts his annual list of tips for enjoying the convention. It’s a wealth of information, compiled over 17 years of con-going, so go, learn. [The Comics Reporter]
Remember when Tokyopop shut down its publishing operations? The pioneering manga publisher closed its doors two years ago (although it didn’t entirely go out of business), but recently it announced it would co-publish Hetalia as a print-on-demand book with the anime/manga retail site RightStuf.
Now there’s another book on the horizon: The eighth volume of M. Alice LeGrow’s Bizenghast. Where Hetalia was a Japanese manga, Bizenghast is an OEL (Original English Language) manga, and Tokyopop has struck a similar deal with RightStuf to publish it. The book was originally scheduled for publication last year, and I’ll make an educated guess that all the production had already been done, as was the case with several other books.
Which raises the question: What other books might we expect? Daniela Orihuela-Gruber, who was a freelance editor for Tokyopop, wrote in September that production had been completed on new volumes of Maid Sama, Gakuen Alice and Skyblue Shore, all Japanese series. Others were in various stages of production; looking at the books in the Previews order forms for April and May 2011, one could make an educated guess that Vol. 4 of Aion, Vol. 6 of Deadman Wonderland, Vol. 3 of The Secret Notebook of Lady Kanoko, Vol. 13 of VB Rose and Vol. 10 of Silver Diamond would be close to ready to go. With the license fees paid and the editorial work done, these books could be quickly brought into print — some may have already been printed, in fact.
Publishing | Continuing its domination of the graphic novel sales in bookstores, The Walking Dead laid claim to seven of the Top 10 spots on BookScan’s April chart. The series, by Robert Kirkman, Tony Moore and Charlie Adlard, took the first four positions. What’s more, 12 of the Top 20 graphic novels were volumes of The Walking Dead. [ICv2.com]
Publishing | Robot 6 contributor Brigid Alverson talks to Right Stuf director of marketing and communications Alison Roberts about that company’s announcement earlier this week that it will be publishing the first three volumes Hetalia: Axis Powers as a print-on-demand books. The series was originally licensed by Tokyopop, which is co-branding the books with Right Stuf. [MTV Geek]
More than a year after Tokyopop pulled the plug on its publishing division, the one-time manga giant is returning from the dead to release the first three volumes of Hidekazu Himaruya’s popular series Hetalia: Axis Powers through an arrangement with distributor Right Stuf and Japanese publisher Gentosha Comics.
This will mark the first time the third volume has been published in English; production had just been completed on the book when Tokyopop shut down its North American operations.
“The North American publishing market has been changing rapidly, and I am proud to partner with Right Stuf and Gentosha Comics to finally bring the long-awaited latest volume of Hetalia to our fans,” Tokyopop founder Stu Levy said in a statement. “Thanks to everyone for your patience!”
The return of Hetalia doesn’t come as a total surprise, as Levy began teasing the possibility in September, saying that the series could be released through limited channels. It was even suggested last night on the Tokyopop Twitter account that similar arrangements may be made with other titles. (“But no promises yet!”)
Reprints of the first two volumes will be available immediately on the Right Stuf website for $15.99 each (they originally sold for $10.99). The third volume will be released in late June, also with a $15.99 cover price; however, fans who pre-order can get theirs for $10.99 for a limited time.
Hetalia: Axis Powers debuted as a Japanese webcomic personifying the countries of the Axis and Allies of World War II as cute boys in spiffy military uniforms. The original comic, and subsequent manga and anime, use satire and lighthearted comedy to reinterpret historical events and poke fun of cultural stereotypes.
Legal | The Arizona legislature passed a sweeping bill last week that would make it a crime to communicate via electronic means speech that is intended to “annoy,” “offend,” “harass” or “terrify.” While the law was intended to update the state’s telephone harassment laws to encompass the Internet, it’s not limited to one-to-one communications and thus, as the Comic Book Legal Defense Fund notes, could criminalize “all manner of writing, cartoons, and other protected material the state finds offensive or annoying.” Media Coalition, a trade association that includes the CBLDF among its members, has sent a letter to Gov. Jan Brewer urging her to veto the bill. [Comic Book Legal Defense Fund, Media Coalition]
Passings | Rex Babin, editorial cartoonist for the Sacramento Bee and a Pulitzer Prize finalist, has died of cancer. [The Daily Cartoonist]
Almost a year after Tokyopop suspended its manga publishing program, some of the OEL (Original English Language) projects are starting to see the light of day again. This one, Orange Crows, caught my eye because of the quality of the art and because the creator, James Perry II, had managed to succeed where others have failed: He got the rights to continue his series indefinitely and to post the entire first volume online. Perry is funding the publication of the second volume via Kickstarter, and although he reached his goal of $8,000 yesterday, it’s still worth checking out his pitch, which includes a link to a digital version of the first volume.
I asked Perry to tell me about the series, his dealings with Tokyopop, and his plans for the future.
Tokyopop may be defunct as a manga publisher, but someone is still posting on its Facebook page, and it makes for some pretty entertaining reading. Because it’s Facebook, a lot of the readers are teenagers, and I think it is more representative of that segment of the manga audience than any other site.
So when whoever posts as Tokyopop asked, “How do you read manga — digitally or as a physical copy? Which do you prefer and why?” I was interested enough to tally up the answers. The responses were almost comically lopsided, with only 18 out of more than 250 commenters preferring digital; some said both, but the vast majority, almost 200, said they liked to read their manga on paper, not pixels.
Of course, what they mean by “digital” is online manga sites, almost all of which are bootleg. People read manga online because it is free and because it’s the only way to read series that haven’t been licensed in English. But they don’t like it very much. Complaints about digital included eyestrain, slow load times, and that you can’t keep the manga or take it with you. Many commenters simply said they liked the feeling of a book in their hands.
“We had a record amount of entries from publishers this year with more than forty-five different titles” said FCBD spokesperson Leslie Jackson. “Retailers on the committee had a tough time deciding on which titles to choose for Gold sponsorship, but we’re sure fans will be pleased with the line-up for next year.”
While the choices may have been difficult, it’s hard to imagine that someone couldn’t come up with something more enticing than what Image has to offer: “An anthology featuring all-new stories with a mix of Image’s old and new best loved characters!” Could you possibly get any vaguer than that? They don’t even have a cover design. If my comic got bumped for that, I’d be steaming. On the other hand, Archaia’s 48-page hardcover, featuring new material (not reprints or bits of something to come) looks mighty sweet, all the more so because they name names: A Mouse Guard story from David Petersen, a Jim Henson’s Labyrinth story by Ted Naifeh and Cory Godbey, a side story from Royden Lepp’s new graphic novel Rust, a Cursed Pirate Girl story from Jeremy Bastian, a Cow Boy story by Chris Eliopoulos and Nate Crosby, and a Dapper Men tale from Jim McCann and Janet Lee. There’s this year’s wow factor.
The line-up actually seemed pretty obvious to me, so I went back and looked at the Gold Sponsors for the past five years. Sure enough, six of the publishers are there every year: Archie, Dark Horse, DC, IDW, Image, Marvel. Since five of these are also Diamond’s premier publishers, and Archie is a newsstand juggernaut, there’s no surprise there. BOOM! Studios has been a Gold Sponsor for the past four years and Archaia for the past three. The other slots vary: Ape Entertainment was a Gold Sponsor in 2011 and 2010 but is missing this year, and Bongo and Oni are back after a two-year absence. Others who have popped up once or twice in the past five years: NBM/Papercutz (2011), Drawn & Quarterly (2010), Viz (2008 and 2009), Dynamite (2008), Virgin (2008), Gemstone (2007), and Tokyopop (2007).
There’s more to come: The Silver Sponsors will be announced next week.
Back when Tokyopop was churning out stacks of manga-style graphic novels (a.k.a. “global manga”), Jen Lee Quick’s OffBeat was one of the best. It was a bit like a high school version of Harriet the Spy with a touch of yaoi intrigue — a teenage boy spies on his mysterious new neighbor and gradually becomes fascinated with him. The story was supposed to run for three volumes, but after the first two came out, Tokyopop dropped most of its global manga line, and OffBeat was one of the casualties. By then it had attracted quite a following, and it was one of the few books that fans actually clamored for more of.
Well, good news: Last week, Quick revealed on her Deviantart page that the third volume of OffBeat will be published in 2012. Quick doesn’t name the publisher, but in the comments to the post she says “it’s a new publisher aimed at young women,” which is good news in and of itself. It’s interesting that she has the rights to the book at all, as most of the Tokyopop global manga creators have not been able to get their rights back and have had to leave their projects unfinished as a result.
Quick has done a significant amount of work on the third volume, but a computer virus wiped out much of what she had done. She will be re-scanning and re-toning the lost pages, and she says she will rewrite and edit them along the way, which should make the book stronger in the long run.
(via Comics Worth Reading)
Creators | Sarah Glidden, creator of How to Understand Israel in 60 Days or Less, chronicles her time at Occupy Miami Nov. 15-21 in a sketchbook. [Cartoon Movement]
Creators | Corey Blake follows up on the Bill Mantlo story published by LIfeHealthPro, including some clarifications of issues raised in the story and additional details on various fundraisers over the years to help pay for Mantlo’s care. [Corey Blake]
Creators | Harvard’s Berkman Center for Internet & Society Podcast interviews Skullkickers writer Jim Zubkavich about piracy and the Stop Online Piracy Act. [Berkman Center for Internet & Society Podcast]
Former manga publisher TOKYOPOP and the pop culture e-newsletter GeekChicDaily announced today that they’re teaming up to launch a new email newsletter, called TOKYOPOP, that will focus on “the hottest Asian pop culture news and trends.”
So, yeah … it’s a little confusing, if you only knew TOKYOPOP as the manga publisher that went under earlier this year, but TOKYOPOP founder Stu Levy explains why it isn’t completely out of left field.
“Back in 2000, TOKYOPOP magazine introduced all aspects of Asian Pop Culture to the English-speaking world,” said Levy in an open letter. “Over the past decade, the print magazine gave way to other endeavors, but I am excited that through a new partnership with our friends at GeekChicDaily, the original TOKYOPOP magazine concept can be revived and refreshed – rebooted actually – in a much more modern, exciting, and accessible format.”
Some manga publishers do social media very well. Others don’t. Kodansha Comics took forever to even put up a website (and the one they have is pretty bare-bones—I think they just added a “News” section this week), and they told fans at San Diego Comic-Con that they expected to have Facebook and Twitter accounts by the end of the year—hardly an ambitious schedule. So an impatient fan has done it for them, creating a Kodansha USA fan page on Facebook, complete with logo and the note “I’m hoping if we can make a good fan page it will inspire the real Kodansha Comics USA will make one for them self.”
Until Kodansha’s recent re-release of the first volume, Sailor Moon had been out of print in the United States for six years. What’s more, the original English-language edition suffered from many of the sins of early manga — bad translation, flipped pages, etc. Since it is, despite this, one of the most popular manga of all time, it’s not surprising that there are scanlations of it all over the web.
But when a Sailor Moon fan site linked to scans of Kodansha’s new edition, readers who clearly had no problem with posting scanlations were strongly critical of the site owner for linking to rips of an American edition. Here’s a comment that sums up much of the discussion:
This is so sad! The new books are really beautiful and it’s shame to rip them off this way. I understand why the Tokyopop translations were circulated because the copyright expired but this is very different. Really disappointing and I have to say I hope you remove them from your site.
But the person who posted the links, Elly, shoots right back: