There just has to be a better way to do this every month. Not only is seeing previews for comics three months ahead of time a little tricky to keep up with and stay hyped for (kind of like finding out your Christmas presents on Halloween and remembering to act surprised on Dec. 25), but it’s also weird in a numbering sense. I know I’ve talked about this before, but Marvel’s Tom Brevoort has been handling some questions on how new NOW! is when there’s a bunch of No. 1 issues on the horizon. Some, like the new Wolverine #1 debuting in February, aren’t even new; the title will continue with its current writer and follow up on the current storyline. When you remember that comics are internally dated months ahead of the date they actually hit the stands, it’s amazing we ever know what is going on in comics.
But back to the numbering issue: Brevoort has talked about this on his Formspring-turned Tumblr account thusly:
“It might, if what DC was doing was impacting on their sales at all — but it really isn’t. Doesn’t mean we’re going to change the way we go about our business or anything, but for all that there’s a lot of uproar on the internet about whatever decisions DC is making, their sales remain constant. Sends a very clear signal to folks in charge both over there and elsewhere that it really doesn’t matter who works on what series, or how well or poorly they’re treated. So as a whole, the readership will reap what it sows.”
– Tom Brevoort, Marvel’s senior vice president-executive editor, responding to a fan who wondered if, “with DC continuing on their weird way of interfering with creative teams and basically hating people does this kinda give you guys a new sense of that you’re on target for the quality of product and creative composure that needs to help make the industry thrive.”
This morning, Marvel held a press call to confirm that this week’s promotion of a new team only referred to as “Mighty” would in fact be a new Mighty Avengers title, set to debut in September. Now, you’d think a new team of heroes that includes both She-Hulk (Jen Walters flavor) and Adam the Blue Marvel (lost hero of color) is and tied to Jonathan Hickman’s turn at bat in the latest event series Infinity would be pretty cool. Hickman has assembled Avengers these days for big, mind-bending reasons. These are characters who don’t get enough screen time (if any) and might not get the chance at their own solo title, so why not enjoy this young new team for a chance to see more heroes?
Shouldn’t we be grateful? Don’t we need another Avengers team? How’s that hole-in-your head collection coming?
Comics | Regina, the capital of Saskatchewan, appears to be embracing its role in this week’s Avengers#1 as a target of an alien “origin bomb” that struck the city, changing its biosphere and altering billions of years of evolution in mere minutes. Tom Brevoort, Marvel’s senior vice present and executive editor, tells a local newspaper he’s unsure why Regina and Perth, Australia, were selected, but local retailer Chad Boudreau seems glad it happened. “We had no advanced notice of it,” he said. “It just happened that someone reading the comic saw it in there.” He expects strong sales at Comic Readers, with those who don’t typically follow comics buying the issue out of curiosity. [The Star Phoenix]
On his always-raucous Formspring page, Marvel Senior Vice President of Publishing Tom Brevoort displays a heartening and invigorating amount of patience while responding to boatloads of questions, diatribes and thinly veiled insults. In between, there’s sometimes some interesting information shared, including this photograph of the whiteboard planning of the third act of Avengers vs. X-Men from a year before the series’ debut.
The post was in response to a question from a fan who felt that over the course of Avengers vs. X-Men there seemed to be a shifting toward a different ending than originally planned. Not so, said Brevoort, who showed the photograph as proof.
“The ending that we did was very much what had been planned at the outset,” he explained. “Some individual story details shifted as we went a little bit, but the main points were always the same. Here — attached is a photograph of the wipe board outline of Act Three that we hammered out at the very first AVX retreat, the one we did in Portland a year before AVX #1 came out — now that the series is concluded, I can show it to you. As you can see, while some details changed (Magneto’s role, for one), the broad strokes of what is there is what we ended up doing.”
In addition to clarifying that one fan’s assumption, it also gives us an alternate name for the Phoenix Five, in the “HeX-Men.” It also points to a slightly different ending where all of the mutants on Utopia are transformed into Phoenixes apparently, before failing and giving their powers to Cyclops. Also no mention of Professor X’s death, or even him at all.
Comics | Ahead of Joe Quesada’s appearance tonight on ABC’s Jimmy Kimmel Live, and the debut Wednesday of Uncanny Avengers, Marvel unpacks its Marvel NOW! initiative for the national press. “This ain’t a reboot, we’re simply hitting the refresh button. ‘Marvel NOW!’ simply offers a line-wide entry-point into the Marvel Universe that you’re already reading about,” Editor-in-Chief Axel Alonso says. Tom Brevoort, senior vice president of publishing, calls it “a game of musical chairs” for creators, who will be switched around to make things interesting. [The Associated Press]
Creators | Writer Gail Simone discusses the coming battle between Batgirl and Knightfall in Batgirl #13, as well as the impending return of The Joker: “The Joker is really the Elvis of comic-book villains. There’s no one with his primal star power, there’s no one else anywhere who has sent more chills up the spines of readers, because there genuinely is something terrifying about him.” [USA Today]
The Twitter tirade unleashed by Rob Liefeld last week when he announced his abrupt departure from three DC Comics titles boiled over this weekend as the outspoken creator took aim at Batman writer Scott Snyder and Marvel’s Senior Vice President of Publishing Tom Brevoort.
On Wednesday Liefeld, who had been writing and penciling Deathstroke and plotting Grifter and The Savage Hawkman, criticized DC for what he described as ‘massive indecision, last minute and I mean LAST minute changes that alter everything” and “editor pissing contests,” singling out Associate Editor Brian Smith as “a little bitch” and “a big dick.”
Snyder, among other creators, came to Smith’s defense on Twitter, writing that, “from my small experience with him, [Smith] has been a great guy to work with. To be fair, I know absolutely nothing of what went on on Rob’s books (Rob has always been really supportive of me and Jeff and others). But I’d feel bad, having worked with Smitty on N.O.T.O. ["Night of the Owls"] and now Joker, [...] if I didn’t say that he’s been a stand-up guy to deal with. Again, nothing against anyone, just deal w/Smitty every week now, and I’d feel bad not saying.”
About that time Liefeld tweeted to his followers, “It’s not you. It never has been. It’s Batman.” That apparently triggered a direct-message exchange with Snyder that Liefeld later made public, first by copying the writer’s private comment, “I can assure you Batman doesn’t sell the way it does because it’s Batman. It sells that way because of me and Greg [Capullo],” and then by posting screencaps (below).
“After that Twitter flame-out, I can’t say I’d be in a hurry to get onto that train.”
– Tom Brevoort, Marvel senior vice president and executive editor, responding to a question on Formspring about whether, following Rob Liefeld’s abrupt exit from DC Comics, there’s a chance the creator could return to the House of Ideas.
Brevoort is, of course, referring to the flurry of tweets that began early Wednesday with Liefeld announcing he had walked off Deathstroke, Grifter and The Savage Hawkman because of “massive indecision, last minute and I mean LAST minute changes that alter everything” and “editor pissing contests.” The tirade, which included Liefeld referring to an editor as “a little bitch” and “a big dick,” and giving his name, has continued through this morning.
Publishing | Dark Horse editor Scott Allie explains the publisher’s plan to start numbering B.P.R.D. sequentially, starting with #100, rather than as “an ongoing series of miniseries”: “The reason to make the change was in part how many times [San Francisco retailer and industry pundit] Brian Hibbs told me, ‘Well, really B.P.R.D. is an ongoing…’ And he’s right. Another part of the reason is that as we’ve moved into doing more short stories — two- or three-issue stories — we get those new issue #1′s too often. You do new #1′s to give readers jumping on points, but when they’re coming so quickly it becomes more confusing than anything else. Depending on how retailers rack, you could have two or three B.P.R.D. #1′s on the shelf at a time, and it’s hard for readers or retailer to know what to read next. So while I know it will cause a little confusion to suddenly have #100 out there, a few months down the road it’ll make everything simpler.” [Comics Alliance]
Artist Mike Wieringo and Marvel editor Mark Gruenwald passed away more than a decade apart, but both of them died on Aug. 12–now known as “M Day.” To celebrate the lives of both men, Marvel Executive Editor Tom Brevoort has set up a fundraiser on Razoo.com for the Hero Initiative.
“This year, we’d like the celebrate the spirit of generosity and camaraderie amongst the comic book community that both of these creators embodied by encouraging their friends and fans to make a donation to the Hero Initiative,” Brevoort wrote. “The Hero Initiative is a non-profit organization dedicated to helping out those members of the comic book creative community who have fallen on hard times financially. Assistance from the Hero Initiative has made a difference in the lives and situations of many great practitioners of our art. This is something that we believe both Mark and Mike would be behind.”
Head on over to Razoo.com to support the fundraiser.
“No, because different characters require different things. This is similar to arguing that it’s unfair that Reed Richards is so smart–that works for his character, but wouldn’t work as well for, say, Ben Grimm. Different character. Also, and take this from somebody who was there as a reader and watched it happen, the marriage of Peter and MJ was absolutely as forced and sudden, probably more so. It’s just had the advantage of having been a status quo for so long that a lot of readers grew up with it and accepted it. We’ve never said that no characters should be married, the point is that Spider-Man, the most popular youth-based character in the entertainment world, probably shouldn’t be married.”
– Tom Brevoort, Marvel’s senior vice president of publishing, responding to a fan who asked, “Do you not think there’s hypocrisy in undoing the editorially mandated marriage of Peter and Mj and then doing something like the marriage of Storm and BP and Northstar and Kyle? The marriage of Peter and Mj felt far less forced or sudden.”
When a 4-year-old from New Hampshire didn’t want to wear his hearing aid, Hawkeye came to the rescue — with a lot of help from the Marvel Bullpen.
As we reported yesterday, Christina D’Allesandro’s son Anthony Smith didn’t want to wear his “blue ear” hearing aid because he said superheroes didn’t wear them. So she sent a blind email to Marvel, hoping that maybe that wasn’t true and they could point to one who did.
“Christina sent her touching letter in to the firstname.lastname@example.org address, a general ‘fan mail’ account which is shared by a group of us in editorial,” Marvel Editor Bill Rosemann told Robot 6. “She didn’t know a specific person to write to here at Marvel, and even figured it might get caught in our spam filters, but she sent it in anyway, because that’s the kind of great parent Christina is. And it was her inspiring effort to help her son that touched so many of us here. As a fellow parent of a toddler, I can understand where she’s coming from, so I forwarded the email around the rest of Editorial, asking what we could do to help, and like when Cap yells, ‘Avengers Assemble,’ the gang leapt into action.”
Rosemann said the mail account gets a lot of traffic, the majority of which are messages from fans about specific issues or stories.
Conventions | Thousands of fans were locked out of the Calgary Comic & Entertainment Expo after the local fire marshal declared that the building had reached capacity. The big draw was not actually comics but a reunion of the cast of Star Trek: The Next Generation. [Calgary Herald]
Awards | The Thrill Electric, an online comic created by Leah Moore and John Reppion, Emma Vieceli, Windflower Studio and LittleLoud for the U.K.’s Channel 4, has been nominated for best website in the 2012 Broadcast Digital Awards. [Broadcast]
Creators | Jay Faerber talks about his early ambitions, his current comic Near Death, and what is so special about being published by Image: “The thing about Image is you have absolute creative freedom. Once Near Death was approved, I just wrote it. There were no notes from Eric or anyone else at Image telling me what they think I should do, which is awesome. But it can also be a burden, because if a book sucks, I can’t say, ‘Well, if I had been able to do it my way…’ – because I did do it my way. So working at Image has made me become my own editor. The buck stops here, you know?” [Broken Frontier]
Just as they promised, Marvel announced the return of X-Treme X-Men at Wondercon today. But if you were looking forward to the return of Slipstream, Lifeguard or any of the other characters who starred in the series that ran from 2001 to 2004, you might be a tad disappointed. However, if you were an Exiles fan, like myself, you’ll probably be pretty happy.
Announced during Marvel Senior Vice President and Executive Editor Tom Brevoort’s Talk to the Hat panel at WonderCon, X-Treme X-Men will spin out of Greg Pak’s recent run on Astonishing X-Men and will feature some of the alternate reality X-Men he introduced. The art for the series is by Steve Segovia.
“Dazzler is the Marvel Universe character in it,” said Marvel’s Arune Singh. “There is a threat in existence but they have to stop a threat to reality. It’s Greg and that crazy ‘Planet Hulk’ mind of his. If you liked Exiles, you’ll like this.”
Exiles ran for 100 issues and featured the work of Judd Winick, Mike McKone, Chuck Austen, Jim Calafiore, Tony Bedard and several others, but it’s those first issues written by Winick that were really great. The team included alternate reality versions of various X-characters over the course of its run, like the Age of Apocalypse Blink and Sabretooth; Nocturne, the daughter of Nightcrawler and Scarlet Witch; a female Sunfire and the shape-changing Morph. It remains to be seen how this series will be set up, but if Pak can capture the fun of those early Exiles issues, I’m on board.
Carol Danvers has gone by Binary, Warbird and of course Ms. Marvel, but later this year she’ll be promoted to Captain Marvel in a new series by Kelly Sue DeConnick and Dexter Soy.
Marvel Senior Vice President and Executive Editor Tom Brevoort revealed what those teasers were about during his Talk to the Hat panel at WonderCon today. Brevoort said the series spins out of this year’s big Avengers vs. X-Men event. Click over to CBR to see some pages from the new book.