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Political cartoons | The artist who drew the iconic “Je Suis Charlie” cover for Charlie Hebdo says he’s no longer interested in drawing the Prophet Muhammad. In an interview with a French magazine, Rénald Luzier, who goes by the pen name Luz, said “I am tired of him, just like [former French President Nicolas] Sarkozy. I am not going to spend my life drawing them.” Luz was running late the day that two gunmen attacked the Paris offices of Charlie Hebdo and killed 12 people, and his tardiness saved his life. [Comic Riffs]
Continuing with our annual “Looking Forward, Looking Back,” we asked creators and other industry figures what they liked in 2014, what they’re looking forward to in 2015, and what projects they have planned for the coming year.
In this installment, we hear from G. Willow Wilson, Tom Spurgeon, Paul Maybury, Chris Roberson, Carla Speed McNeil, Claire Connelly, Patrick Dean, Michael Allred, Amy Chu, Jamie S. Rich, David Lopez and Jeff Loveness!
Creators | Osamu Tezuka, the “godfather of manga,” has been dead for 25 years, but his influence lives on, not just in manga and anime but in his old neighborhood, where a restaurant features his favorite dish and merchants have their own local currency, Astro Money. There’s even a group of inventors who were inspired by Astro Boy to design a “power-assisted hand.” [The Yomiuri Shimbun]
Creators | Ivan Brunetti tried to draw Nancy and failed, but he learned how to be a cartoonist in the process: “Nancy is a harsh taskmaster; resuscitating it was a grueling task, but the challenge was invigorating and edifying. By drawing Nancy, I realized that every character (even the environment) in a strip is the cartoonist and is invested and imbued with the cartoonist’s life force. This is perhaps why continuing a strip after a creator’s death is so misguided, and it also explains the precious few exceptions that prove the rule: those cartoonists made the preexisting characters truly their own, commandeering their ink-on-paper souls.” [BoingBoing]
Bone cartoonist Jeff Smith and comics journalist Tom Spurgeon are the driving force behind Cartoon Crossroads Columbus, an annual four-day comics festival set to debut in fall 2016 in Columbus, Ohio.
That will be preceded next year by a two-day CXC Launch Event held Oct. 2, 2015, at the Billy Ireland Cartoon Library & Museum and Oct. 3 at the Columbus Cultural Arts Center (the second day is characterized as a comics expo with up to 35 exhibitors).
Smith, who lives in Columbus, will serve as the festival’s president and artistic director. Spurgeon, editor of The Comics Reporter, will be festival director; he plans to relocate to Columbus early next year.
“We’re extremely excited to try and bring a first-class comics festival to Columbus, Ohio,” Smith said in a statement. “I’ve attended and enjoyed so many great shows over the years, and hope that CXC can take its place alongside them.”
Smith and Spurgeon are joined on the CXC executive committee by Lucy Caswell, founder of the Billy Ireland Cartoon Library & Museum, and Vijaya Iyer, president and co-publisher of Cartoon Books. More details are promised in early 2015.
Legal | Hirofumi Watanabe has withdrawn the appeal of his conviction last month on charges of sending more than 400 threatening letters to venues in Japana connected with the manga Kuroko’s Basketball. The 37-year-old former temporary worker admitted to all charges during his first day in court, but mpoved to have his conviction overturned after he was sentenced to four and a half years in prison. Watanabe, who said he doesn’t feel guilty for what he did and won’t apologize, acknowledged that he sent the letters out of jealousy of the success of Kuroko’s Basketball creator Tadatoshi Fujimaki. [Anime News Network]
Manga | The most promising new market for manga right now? India, where the comics market in general is exploding. Kevin Hamric of Viz Media says manga is already well known there and fans can’t get enough, while Lance Fensterman of ReedPOP, the company behind New York Comic Con, talks about the planned collaboration with Comic Con India. The one obstacle: the same one that afflicted the American manga market, Japanese publishers’ reluctance to license their properties. [The Japan Times]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
When writer/artist Mike Dawson shared how weakly his graphic novels sold (as part of a larger self-examination of where his comics career currently stands), it struck a chord with a variety of industry members and pundits.
A great deal of attention was paid to the perceived tone of Abhay Khosla’s initial response to Dawson. I have to admit I struggle to read Khosla’s essays with any regularity, as I never feel like he is writing as himself, but rather is projecting an exaggerated version of himself. He is a lawyer by profession, so I have always assumed his comics coverage is a way to write about a medium he clearly loves, but also to burn off some of the tension of his legal work (pure speculation on my part, admittedly). That being said, Khosla’s tone (whether it clicks with you or not) makes some valid points.
Digital comics | Ethan Gach contemplates what the popularity of tablets means for the comics industry, with a particular focus on comiXology. He points out that the digital distributor offers not only bestsellers but also titles that appeal to a broader audience — and has brought success to some indie creators via its comiXology Submit program. [Forbes]
Academia | Tom Spurgeon talks to Professor Benjamin Saunders, director of the Comics & Cartoon Studies Program at the University of Oregon, which just received a major donation that will serve as an endowment for the program. [The Comics Reporter]
Manga | Kodansha will release a second printing of the January issue of Aria magazine, which features the debut of Hikaru Suruga and Gan Sunaaku’s Attack on Titan spinoff No Regrets. The first printing was five times greater than the magazine’s usual press run — Aria has a verified circulation of 13,667 copies — so with this new printing, the January issue will have 10 times the number of copies of the average issue. [Anime News Network]
“This old version of To Kill a Mockingbird where Atticus kills a rabid dog isn’t *my* Atticus”
– Max Robinson, commenting on fan complaints about Man of Steel
I’ll try to keep this as non-spoilery for Man of Steel as possible, but if you haven’t seen it yet and don’t want to know anything about it, you may want to skip this.
There’s been a lot of discussion the past week about certain choices Superman makes in Man of Steel and whether those are things that character would/should do. Mark Waid describes being so upset by Superman’s actions that he stood up and yelled in the theater. In that review, the writer talks about “the essential part of Superman that got lost in Man of Steel.” And while I agree with what Waid describes as essential, not everyone does. In fact, some folks – like Robinson – question whether readers have the right to make those kinds of statements about someone else’s characters.
Creators | Pickles creator Brian Crane, who was recently named Outstanding Cartoonist of the Year by the National Cartoonist Society, talks about how he was ready to give up on his dream of being a cartoonist after his pitches were rejected by three syndicates, but his wife wanted him to keep going: “To prove her wrong, I sent it to The Washington Post Writers Group. She proved to be right. Since then, I’ve learned: She’s almost never wrong.” [Comic Riffs]
Comics | Chicago City Council recently passed an ordinance, which takes effect in July, regarding wage theft, and Interfaith Worker Justice, a Chicago organization, has put together a 32-page comic explaining workers’ legal rights and what recourse they have if their employers illegally withhold their wages. [Crain’s Chicago Business]
Conventions | Comic-Con International in San Diego is about six weeks away, so it’s time for Tom Spurgeon to post his massive list of tips for those planning to attend: “It helps to remember that the hassle of going to Comic-Con is mostly an accident of our recent cultural history — All those spectacle movies! All those fantasy franchise books! Marvel’s post-bankruptcy comeback! All those graphic novels! The toy explosion! The rise of manga and anime! — rather than something the convention itself enjoys or endorses or requires or was ever shooting for. I honestly don’t have any more fun going now than I did in ’96 or ’01, back when it was so much easier to attend the con that the worst-case scenario was registering on-site and staying in a $65 hotel ten blocks away. It wasn’t that long ago! But I also can’t stress this enough. I still have fun.” [The Comics Reporter]
Passings | The New Yorker cartoonist Ed Fisher has died at the age of 86. Mike Lynch has a nice appreciation, with a sampling of cartoons and links to other obituaries. Fisher was diagnosed with Alzheimer’s in 2000, Lynch says, but even so, he often came to the New Yorker offices on “look day”: “He would be sitting on the couch, in the cartoonists’ waiting room, with his portfolio, ready to chat. I introduced myself and was really glad to meet him. More than once he pulled out his roughs and showed them to me. Ed treated me like an equal.” [Mike Lynch Cartoons]
Legal | Palestinian cartoonist Muhammad Saba’aneh, who was detained by Israeli authorities in early March, has been sentenced to five months in jail and must pay a fine of 10,000 shekels. Saba’aneh was charged with contacting “enemy entities,” according to his lawyer. He was originally arrested and held without specific charges, raising fears that he would be detained indefinitely. [FARS News Agency]
I walked into MoCCA Arts Fest a few minutes after it opened, with my friend Erica Friedman, and we noticed the difference right away: The last two shows have had an improvised, “Let’s have a comics show! We can use my father’s barn!” kind of feeling. They weren’t disorganized, exactly, and the talent has always been top-notch, but the show floor felt crowded, cluttered, and confusing.
This was the first year that the Society of Illustrators was running the event. Organizers had a lot to prove, and they proved it. The show felt professional. The aisles were wider. A very simple addition — a bright red backdrop that ran behind the tables — made a huge difference, giving visitors more focus and eliminating the distraction of looking out across that cavernous space. The red curtains also set off a small gallery at the back of the armory that featured original comics art from the Society’s collection, a gentle reminder that they have been welcoming comics creators for more than 100 years. Visitors could buy a slick, nicely produced catalog for $5, and there was a modest cafe downstairs, a pleasant addition that allowed friends who met at the show to sit down and have a bite and a chat without disrupting the experience too much.
Awards | The National Press Foundation has named political cartoonist Robert Ariail, who draws for Universal UClick and the Spartanburg, South Carolina, Herald-Journal, as the winner of this year’s Berryman Award. [The Washington Post]
Creators | Brothers Wesley and Bradley Sun discuss their upcoming graphic novel, Chinatown; Wesley is a hospital chaplain in Chicago, and Bradley quit his job in Florida to join his brother and work on the book. [Hyde Park Herald]
Publishing | DC Comics may no longer hold the rights to create new stories about The Spirit and other pulp heroes like Doc Savage and The Avenger, but it does retain the license to publish The Spirit Archives for “the foreseeable future,” according to Denis Kitchen, agent for the Will Eisner estate. Most of the hardcover collections are out of print. [The Beat]
Digital comics | Third time’s the charm for retailer Steve Bennett, as he goes through three different tablets (one was stolen, one malfunctioned) on his way to the ideal digital comics experience. [ICv2]
Creators | Tom Spurgeon kicks off his annual round of holiday interviews with a lengthy conversation with Alison Bechdel, creator of Fun Home and Are You My Mother? [The Comics Reporter]
“It’s instructive to read something about a family wanting certain rights returned or better rewarded when most people really like what’s been done with those rights as opposed to their either not caring or actively hating the result. One of the reasons a lot of our comics-related issue discussions remain unsophisticated is that we frequently choose to fight our battles along fundamental “I like it”/”I hate it” lines and then kind of furiously stare at the other issues involved until we can find a way to make them comply to our initial impression. It’s no way to move forward.”
Spurgeon’s observation is helpful, because the first step in solving the problem is acknowledging the problem.