Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
Manga | The first printing of One Piece, Vol. 77, may have dropped below 4 million, but its sales aren’t slacking. According to Japanese market research firm, the latest volume of Eiichiro Oda’s hit manga has sold nearly 1.67 million copies since its release on Friday, more than seven times that of the No. 2 title on the weekly sales chart, the 67th volume of Tite Kubo’s Bleach. That’s marks a new weekly sales record for the year, surpassing the 67th volume of One Piece, which sold 1.6 million copies upon its release in January. [Crunchyroll]
Manga | Tadatoshi Fujimaki is bringing his manga Kuroko’s Basketball to an end. The final chapter will run in the Sept. 1 issue of Shonen Jump, followed in October by the release of the 29th and final collection. The manga isn’t licensed in North America (although the anime is), but it became famous worldwide after more than 400 threat letters were sent to venues in Japan hosting Kuroko’s Basketball events and to retailers selling the series. The perpetrator confessed to the crimes, and was sentenced last week to four and half years in prison. [Anime News Network]
Creators | Brian Truitt interviews two creators of Cloaks: actor David Henrie, who created the main character Adam, a street magician in New York who is recruited by a black-ops group, and Caleb Monroe, who wrote the comic. Says Monroe, “As a magician, Adam looks for underlying realities, those things many of us have forgotten or deceived ourselves about. Then he develops ways to slip those back into people’s lives disguised as entertainment.” The first issue is due out next week from BOOM! Studios. [USA Today]
According to Bolling, the comic was canceled due to “severe budget constraints” rather than lack of traffic — indeed, as Bolling points out, Tom is frequently one of the site’s most-read features. He later added that Salon, which had hosted the strip since the site’s 1995 inception, seems unlikely to reverse the decision regardless of reader outcry.
I’m sure Tom Spurgeon will have further analysis, but even for someone with my casual dislike and distrust of all political cartooning, the cancellation seems notable for two reasons. First, Bolling is an obvious talent whose imaginative end-runs around the cliché-ridden visual vocabulary of your average political cartoonist made his comics that much more entertaining and his points that much more hard-hitting. Second, it’s almost creepy to think that editorial cartoonists may have just as hard a time making a go of things online as they do amid the staggering carcasses of America’s newspaper industry.
At least he’ll have an easier time getting health care.
(via Greg Pak)