"Justice League": Exploring How Superman Returns (Again)
Film, Comic Books
This will not be a post about how Saga is awesome. I’ve written 30 of those already. No thrilling over Lying Cat here, no desperation for the next issue, none of my hopes to see The Will return to action or for [SPOILER] to [SPOILER] and [SPOILER SPOILER SPOILER].
Nor will I lose my cool over the fact that, right now, my bookshelf contains two excellent and weird and hilarious China Mieville (China Mieville!)-penned trades of Dial H, complete with blink-and-you’ll-miss-‘em anti-MPAA digs. Or that Neil Gaiman, in the – yikes — almost two decades since I picked up my first Sandman trade, has evolved from Sensational Comic Book Writer Neil Gaiman to MechaGaiman, Devourer of Worlds, Savior of Publishing and Champion of Art. Or that Genevieve Valentine is writing Catwoman!
I won’t flip out about The Wicked + The Divine or Chew or either Marvel, Ms. or Captain.
We’re in the final hours of the 2012 Presidental Election, and while it may seem comics are far removed from the nitty-gritty of politics, they’re not. Many presidents past and present have stepped into comics, from Barack Obama in The Amazing Spider-Man to a time-traveling Teddy Roosevelt in Tales From the Bully Pulpit. But comics also home to a number of shocking (and sometimes shockingly good) commanders-in-chief for the good ol’ U.S. of A. We thought, given the time of year, to rack our brains and come up with the six craziest heads of state for these United States.
The Comic Book Legal Defense Fund is using the funding site Kickstarter to raise money to publish a Transmetropolitan art book. Transmetropolitan, for those who may not be familiar with it, was a Vertigo series that starred Spider Jerusalem, a gonzo journalist in a depraved future, who, along with his assistants and a three-eyed cat, battled corrupt politicians, crazy cults and castrated police officers. Written by Warren Ellis and drawn by Darick Robertson, the book was published from 1997 to 2002.
Both creators are participating in the new art book, with Robertson providing a cover and Ellis a foreword. In addition, the book will include artwork by Cliff Chiang, Cully Hamner, Milo Manara, Jeff Lemire, Sam Kieth and many more.
Susan Auġér, the project manager for the art book, and Charles Brownstein, executive director of the CBLDF, were kind enough to answer my questions about the project.
JK: Where did the initial idea to do a benefit book come from?
Susan: A fan approached Darick Robertson’s table at Emerald City Comic Con, the best comics convention out there to meet and greet with creators. Darick agreed that it was a good idea, and the plan took shape shortly after that. You could say it was the perfect jumping off point: a book suggested by a fan, populated by many fans, produced for the fans.
Charles: Shortly after Darick appeared to benefit the CBLDF at WonderCon last year, we sparked up a correspondence with Susan, who had been organizing a project involving a variety of great pieces inspired by Darick and Warren’s iconic series. She did the legwork to get approval from DC Comics to make this book happen as a benefit for CBLDF, and we’re thrilled to be a part of it. There’s some great stuff coming through, and we’re gonna be thrilled to see it, to spread the word, and to do some good for people in comics with the funds that come from it.