In Slott's "Amazing Spider-Man," With Great Wealth Comes Global Responsibility
Passings | Eisner Hall of Fame nominee Fred Kida has died at the age of 93. Kida was an active comics artist for almost 50 years; he got his start drawing Airboy for Hillman Comics in about 1940 and went on to work for Lev Gleason and then Marvel. He assisted Will Eisner occasionally on The Spirit and also drew a number of newspaper strips, including Flash Gordon and The Amazing Spider-Man. “He was a good, dependable artist who drew beautiful women, handsome heroes and some of the ugliest villains in comics,” said Mark Evanier. [News from ME]
Publishing | ICv2 has a two-part interview with Dynamite Entertainment CEO Nick Barrucci, who has plenty to say about variant covers, the launch of Twilight Zone and Legenderry, their Gold Key properties, and what’s coming in the year ahead. [ICv2]
Conventions | WonderCon organizers have announced that next year’s show, set for April 18-20, will again be held in Anaheim, California. This will be the third year for the event at that location, after having been uprooted from its longtime home at San Francisco’s Moscone Center first because of remodeling and now because of scheduling conflicts. [Los Angeles Times]
Publishing | Nick Barrucci, CEO and publisher of Dynamite Entertainment, looks back on 10 years in the business, and discusses some upcoming comics, including J. Michael Straczynski’s Twilight Zone and the new kids’ line Li’l Dynamites. [Previews World]
Awards | Sean Phillips was named as best artist and Saga, by Brian K. Vaughan and Fiona Staples, as best comic/graphic novel at the 2013 British Fantasy Awards, presented Sunday at the World Fantasy Convention in Brighton, alongside the World Fantasy Awards. [British Fantasy Society]
Publishing | Tim Pilcher of Humanoids talks about his company’s new plans to distribute its graphic novels in the United Kingdom through Turnaround Publisher Services. [ICv2]
Conventions | Italy’s Lucca Fest had a record-breaking show, with 200,000 tickets sold and 300,000 attendees in all. [The Hollywood Reporter]
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Today we welcome Jamie S. Rich, writer of You Have Killed Me, Spell Checkers, Bobby Pins and Mary Janes, A Boy And A Girl, and It Girl & the Atomics — for which he has given us an exclusive preview of issue #7, featuring the art of Mike Norton. It arrives in stores this Wednesday.
Now let’s get to it …
Less than a month ago (and just before the 10th anniversary of 9/11), Rick Veitch‘s latest project (published by Image), The Big Lie, was released. While the one-shot has already been released, it’s clear that Veitch hopes the comic can foster discussion. As a storyteller who began pursuit of his craft in the early 1970s, Veitch has a perspective and creative voice shaped by a wealth of experience that few active current creators possess. In that spirit, I interviewed Veitch via email about his latest collaboration with artist Gary Erskine. While it was a one-shot so far, Veitch clearly intends to do more with The Big Lie platform. Here’s Image’s official description of the story: “A lab tech travels back in time on the morning of Sept. 11, 2001 to try and get her husband out of the world trade center before it falls, but will the facts convince him before it’s too late?” For additional context on The Big Lie, be sure to also read CBR’s August interview with Veitch as well the preview we ran in late July.
Rick Veitch: Only in the sense that the “Truther” name lumps together everyone who doubts the government’s version of what happened. I think there’s a huge difference between the architects and engineers who’ve put their professional careers on the line by speaking out and those who are claiming space aliens were responsible.