The Twitter tirade unleashed by Rob Liefeld last week when he announced his abrupt departure from three DC Comics titles boiled over this weekend as the outspoken creator took aim at Batman writer Scott Snyder and Marvel’s Senior Vice President of Publishing Tom Brevoort.
On Wednesday Liefeld, who had been writing and penciling Deathstroke and plotting Grifter and The Savage Hawkman, criticized DC for what he described as ‘massive indecision, last minute and I mean LAST minute changes that alter everything” and “editor pissing contests,” singling out Associate Editor Brian Smith as “a little bitch” and “a big dick.”
Snyder, among other creators, came to Smith’s defense on Twitter, writing that, “from my small experience with him, [Smith] has been a great guy to work with. To be fair, I know absolutely nothing of what went on on Rob’s books (Rob has always been really supportive of me and Jeff and others). But I’d feel bad, having worked with Smitty on N.O.T.O. ["Night of the Owls"] and now Joker, [...] if I didn’t say that he’s been a stand-up guy to deal with. Again, nothing against anyone, just deal w/Smitty every week now, and I’d feel bad not saying.”
About that time Liefeld tweeted to his followers, “It’s not you. It never has been. It’s Batman.” That apparently triggered a direct-message exchange with Snyder that Liefeld later made public, first by copying the writer’s private comment, “I can assure you Batman doesn’t sell the way it does because it’s Batman. It sells that way because of me and Greg [Capullo],” and then by posting screencaps (below).
Former Marvel editor Aubrey Sitterson has made the leap to the wonderful world of freelance writing. To mark this critical career jump, Sitterson stopped by Talking Comics with Tim to discuss his transition from editor to writer, as well as his current and upcoming projects — namely the Gear Monkey tale (by Sitterson with art by Nate Lovett) that appears in DoubleFeature Comics‘ digital release Fantasy Double Feature #3, and Redakai (for Viz Media). I was interested to learn why Sitterson lettered his own Gear Monkey tale, as well as to discuss his love of wrestling.
Tim O’Shea: You started out in the industry on the editorial side, but am I correct in assuming it was always in hopes of pursuing a full-time writing career?
Aubrey Sitterson: You’re ab-so-lutely correct, sir. While I really enjoyed my time editing comics, the goal has always been to transition into a comics writer. It was all part of my devious master plan to start at Marvel as an intern in college, get hired as an Assistant Editor, stick my finger in as many pies as I could, learn at the knee of two of comics’ best editors (Tom Brevoort and Axel Alonso) then strike out on my own in pursuit of Complete and Utter Comics Domination. I’m still working on that last part.
Had anyone suggested a year ago — heck, a month ago — that not only “Green Lantern” but also “Alan Scott” would be U.S. trending topics on Twitter, they’d likely have been soundly mocked. But on the day that DC Comics launched its full-on media assault officially announcing that the 72-year-old superhero will be reintroduced in Earth 2 #2 as the gay-billionaire leader of the Justice Society, “Green Lantern” and “Alan Scott” are on Twitter, sandwiched between “National Donut Day” and “CNBC.”
Granted, “Hal Jordan” is now trending worldwide, with many commenters trying to sort out just which Green Lantern everyone is talking about. One person tweeted, “I’m imagining Hal Jordan spending all day saying ‘No, not me, the other one. Not that there’s anything wrong with that.”
Although it’s clear to most fans of superhero comics that the character in question is the Golden Age Green Lantern — the only Green Lantern on Earth 2 — the finer points of continuity and parallel universes seem to be lost on the general public. (Right about now a DC publicity person is probably struggling to give an ABC News correspondent a crash course in DC Comics history, the New 52 and the Green Lantern Corps, frustrating both of them.)
Whether all of the publicity and social-media interest will result in rapid sellouts for Earth 2 #2 obviously won’t be known until next week, but it’s probably safe to presume DC will start the presses rolling on a second printing any moment now.
What on earth did we do before there was an internet? Sit around the fire and swap stories? This is so much better than that.
Horse_eBooks is a Twitter spambot that tries to gin up business for a site that sells, remarkably, e-books about horses. In order to elude detection, it also serves up random bits of text taken from God knows where. I used to get e-mails full of this stuff, but it turns out that what is merely tedious in long form is sheer genius when confined to 140 characters, and Horse_eBooks now has over 52,000 followers, many of whom see the text Tweets as bits of Dada poetry.
Enter Burton Durand, who has taken the whole thing to the next level with Horse-eComics, a gag comic that uses Horse_eBooks Tweets as a starting point. Durand’s sense of humor is almost as twisted as a spambot’s, and the comics have the same surreal feeling as the Tweets they are based on.
(Found via this article, which also tracks down the genius behind the spambot.)
We’ve seen comic creators take to twitter like mad as witnessed in CBR’s Comic Twitter Directory, but a popular manga cartoonist from Japan is taking it to a whole new level. Manga artist Yusuke Murata posted installments of a short manga story on his togetter account (the Japanese version of Twitter) over the course of seven days starting Tuesday, Feb. 21.
Starring the cartoonist himself, this off-the-cuff creation pits the manga-ka against all sorts of obstacles using inventive techniques such as lighting on the paper and even folding (as seen at right) to bring a unique experience not replicable to printed comics you’d see in a book.
For American audiences, Murata is best known for Eyeshield 21 which just finished American publication via Viz last October. His current manga, Donton Prism Solar Car has yet to be officially translated for English-speaking audiences.
In a novel use of Twitter, Marvel live-tweeted a class from the curriculum of the Jean Grey School for Higher Learning, straight from the pages of Wolverine & The X-Men. Taking part in the class were Headmistress Kitty Pryde, students Genesis, Kid Gladiator, Quentin Quire, Idie Okonkwo, Broo, Rockslide and Anole, and guest lecturer Deathlok.
Warning: Potential spoilers follow.
While much of the class consisted of banter from the students insulting each other and gossiping about campus events, there were a few pieces of information gleaned from the guest lecture in “Future History 101.” After the lecture officially began, Quentin Quire and Rockslide engaged in a debate as to what was different about Headmistress Pryde.
Over the past several years, writer John Jackson Miller has built a loyal base of Star Wars comic book readers, through his work on Dark Horse’s Star Wars comics line. This Wednesday, January 11, marks the release of the first issue in the Star Wars: Knights of the Old Republic-War five-issue miniseries (a project which teams Miller with artist Andrea Mutti). While I had Miller’s attention in this email interview, I also opted to pick his brain about the realm of circulation and its related implications. Once you’ve read the interview, please be sure to peruse Dark Horse’s preview of the first issue.
Tim O’Shea: What’s the most enjoyable aspect of returning to the Knights of the Old Republic world?
John Jackson Miller: Zayne Carrick is a fun character to write. He was the Jedi student that didn’t make the grade, but who became a hero in spite of those low expectations. Zayne starred in the fifty-issue Knights of the Old Republic series — available in digital and nine TPB collections — and it’s fun to return to him here, where, once again, he’s completely out of his depth. This time, he’s been drafted into the Republic’s war against the armored Mandalorians. Not good — especially if, like Zayne, you’re against killing under any circumstances. That, too, makes it fun to return to telling Zayne stories — he has to think his way out of situations. Brute force is rarely an option for him.
Let’s not mince words, the online presence of Tom Brevoort has provided hours of great reading for Robot 6 readers. Given his constant and unflagging willingness to interact with consumers via social media, Brevoort is a quote machine (His Twitter bio? “A man constantly on the verge of saying something stupid–for your entertainment!?”). There’s always a directness (some would say bluntness) to his manner online–making him the ideal subject for an interview. Last year saw Marvel promote Brevoort to senior vice president for publishing. 2011 was a year of some major successes for Marvel, as well as a year where some hard business decisions were made. In this interview, conducted in mid-December via email, I tried to cover a great deal of ground (we even briefly discuss DC’s New 52 success)–and Brevoort did not hold back on any of his answers. For that, I am extremely grateful. Like any high profile comics executive, Brevoort has his fans and his critics (and many in between), but I like to think this exchange offers some perspectives everyone can enjoy.
Tim O’Shea: Whether it’s in your job description or not, fan outreach via social media is definitely part of your job–clearly by your own choice. What benefit or enjoyment do you get from interacting with the fans/consumers?
Tom Brevoort: I’m not sure that I get a particular benefit, except maybe just being the center of attention for a few minutes—maybe everything I do is motivated by ego! I’m a whore for the spotlight! But I started doing this kind of outreach back in the formative days of internet fandom, largely because I like the idea of internet fandom. I know that, if the internet had existed when I was a young comic book reader, I’d have been on those message boards and in those chat rooms all the time, obsessively—just like a certain portion of the audience today. So I like the idea of giving back, of being accessible enough that anybody who has a question or a concern knows where to find me, or at least to find somebody with an insider’s track who might have the background and knowledge to speak to their point. In a very real way, it’s all an outgrowth of what Stan Lee did in his letters pages and Bullpen pages. Joe Q, I think, was really the first person to perfect that approach for the internet age. As EIC he was incredibly available to the audience in a myriad of ways. It’s a philosophy that’s very much woven into our DNA at Marvel. And for the most part, our fans are interesting, vibrant, cool people, especially when you meet them in person.
Sometimes when you interview a creator, you get the distinct impression that person would rather be promoting a new film or a new novel, anything but a comic book. Other times you are fortunate enough to talk to a creator like artist Jamal Igle who relishes his craft, loves comic books and is almost as much a booster of his fellow creators as the typical comic book fan. This Wednesday (December 14) marks the release of The Ray 1, the first installment of the four-issue DC miniseries by Igle with the writing team of Jimmy Palmiotti and Justin Gray. My thanks to Igle for the email interview. Once you’ve enjoyed this interview, be sure to check out CBR’s late November interview with Palmiotti and Gray, as well as the preview that CBR offered of issue 1.
Tim O’Shea: When the initial 52 DC Books were announced there was a great deal of displeasure voiced about the fact you were not on the list of creators. Two-fold question: How gratifying was it to see your fans support you so vocally on this front. Secondly, without going into details, were you offered a New 52 assignment and passed on it (please feel free to skip the first part and only answer the first part, if you prefer not to delve into it)
Jamal Igle: It was very flattering and humbling at the same time. It was a little difficult for me to respond to all of the inquiries, because I didn’t know, frankly, how to respond. I was still working on Superman at the time, so I hadn’t been assigned anything. It was a really weird, with all of the assignments being announced, not being able to say anything. The offer for The Ray came just as I was finishing up Superman # 713, prepping #714 and getting ready for San Diego.
Say the name “Scarlet Spider” to a longtime Marvel reader and you’re bound to get a range of reactions. But come the new year, Marvel is hoping all the reactions will be positive and numerous when the new Scarlet Spider series launches on January11. As recently confirmed in Marvel’s Point One one-shot, the new Scarlet Spider is none other than Kaine, the Peter Parker clone recently cured during the Spider Island event. Unlike many of Marvel’s series set in New York, Scarlet Spider will enjoy the unique cityscape of Houston, Texas — one of many factors that has me looking forward to reading it. Before the series gets started though, series artist Ryan Stegman stepped away from his drawing table to take part in this Q&A. In addition to this interview, CBR also is offering a preview of the first issue. After reading this (and enjoying the preview), be sure to check out the recent installment of Comic Book Resources’ “Axel-in-Charge,” where Alonso interviewed Stegman.
Tim O’Shea: How did Marvel approach you about joining the Scarlet Spider creative team? Was getting to work with [series writer] Chris Yost a deciding factor in joining the project?
Ryan Stegman: I had been working on an issue of Amazing Spider-Man and I made it clear as I could to editorial that this is the type of stuff I wanted to be doing. I practically begged. And Steve Wacker said that he would love to have me back and but that ASM was booked up artist-wise for the foreseeable future. I couldn’t argue this, because the artists that they have are fantastic. So one day, out of the blue he called me up and told me about this idea and I was sold. No offense to Chris, but that wasn’t a selling point because I think I was hired before him! Chris turned out to be the icing on the cake.
Looks like Wizard Magazine/Wizard Entertainment/Wizard World founder Gareb Shamus is taking a more hands-on approach to the internet component of his comics-related empire. After years of communicating with his audience (or at least putting his signature on these communications) solely through press releases, editor’s letters, and the occasional confrontation over unrefunded subscriptions to the now-defunct Wizard magazine with a white Lando Calrissian cosplayer, Shamus has started a blog and opened a Twitter account. Meanwhile, Wizard Magazine’s much-ballyhooed digital incarnation — previously touted by Shamus as “the smartest business decision I’ve ever made” — appears to have disappeared from the Internet.
On Twitter, Shamus is following a dozen people, including Brian Michael Bendis, Jim Lee, Kevin Smith, and Whitney Cummings of the NBC comedy Whitney. So far his only tweet is a retweeted link to an interview with Siggy Flicker, matchmaker and star of VH1′s Why Am I Still Single? (Ironically, perhaps, that last bit reminds me of the weird fake Gareb Shamus twitter account that’s been following virtually all of us ex-Wizard employees for a couple of years now.)
On his blog, Shamus has posted interviews with creators Bill Sienkiewicz, David Mack, Marv Wolfman, Phil Jimenez, Greg Capullo, and Kevin Maguire, as well as his thoughts on chocolate chip cookies. That’s actually a pretty fun line-up.
But Wizard World, the digital magazine that replaced Wizard‘s print iteration after it and sister publication ToyFare were unceremoniously canceled? Nowhere to be found on its dedicated URL WizardWorldDigital.com. And on Wizard’s main site, currently billing itself as the place “Where Pop Fi Comes to Life,” Wizard World‘s death has gone unnoted as well. Perhaps White Lando can direct inquiries about this matter to @gareb.
The Return of the Dapper Men and Hawkeye: Blindspot writer Jim McCann appears to have some news breaking about a new project at the New York Comic Con, and he’s not waiting for the weekend to share artwork from it. He shared the above image on Twitter without any additional hints. So, what could it be? I guess we’ll find out in New York.
This afternoon on Twitter, Marvel Editor Steve Wacker teased two pages of stunning art by Marco Checchetto from “the next Punisher.” Presumably that’s Issue 4, with writer Greg Rucka, which arrives Oct. 12. “Easily one of the best books around,” Wacker wrote. Check out both pages below.
It’s been a big week for the trading-card game Magic: The Gathering. Let’s recap:
On Monday, Gizmodo intern Alyssa Bereznak briefly took the crown as most despised person on Twitter when she revealed that she was matched up with Jon Finkel on a computer date and rejected him once she learned that he was a former M:TG world champion. This got Bereznak a ton of hate Tweets and Finkel a lot of sympathy on geek and mainstream blogs.
On Wednesday, Dark Horse released The Last Dragon, a truly gorgeous fairy tale-style fantasy illustrated by M:TG artist Rebecca Guay.
And Thursday, IDW Publishing announced it’s teaming up with Hasbro to launch a Magic: The Gathering comic book. It’s not the first M:TG comic (here’s a list), but it is the first in more than 10 years. The series launches with a four-issue miniseries about “a unique, new Planeswalker, a powerful mage with the ability to travel between worlds in the Magic Multiverse,” which of course allows for lots of flexibility when it comes to stories. Game designer Matt Forbeck is writing the comic, and Martín Cóccolo will handle the art. The comic will be available digitally as well as in print, and it will be collected into graphic novels. And naturally —y ou know they had to do this — it comes with “exclusive, playable, alternate-art cards for the MAGIC: THE GATHERING TCG,” in “select issues” of the comic.
Just … if you read it, be sure to mention that in your computer dating profile, or you might be accused of being a stealth geek. On the other hand, that apparently isn’t all bad.
If you’ve been following along all week, you know the drill — artwork from DC’s September relaunch pops up on Twitter, we post it here for you to peruse. Like the above Stormwatch piece by by Miguel Sepulveda and Allen Passalaqua, featuring a very angry moon, which was posted today by the indispensable David Macho.
Follow along on Twitter at #52splash, and I’ll add any additional artwork I see today after the jump. And if you’d like to see what’s come before, check out my posts from Monday, Tuesday, Wednesday and Thursday.