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What’s this? DC Digital Editor Jim Chadwick doubling down on the delayed debut of television’s Two-Face? An unproduced script from the immortal Harlan Ellison to be adapted for the Batman ’66 digital-first series?
That was the word from the DC Digital panel at this year’s Comic-Con. Not to be outdone by IDW’s adaptation of Ellison’s original “City on the Edge of Forever” script, writer Len Wein, penciller Jose Luis Garcia-Lopez, and inker Joe Prado are bringing Two-Face into the Batman ’66 world.
Last year Black Beetle creator Francesco Francavilla blew minds with his rendition of “Batman ’72,” the first case of “BATPLOITATION,” as he put it. Now he’s back with a few more images, including a ’70s-era car for Gotham’s Finest and a groovy Two-Face.
“GROOVIEST COMICBOOK OF 2014? (let’s hope it happens),” he said on Tumblr. Yes, let’s hope!
This tidbit seems perfectly timed, considering both the success of DC Comics’ digital-first Batman ’66, and Tom Bondurant’s recent column about DC-inspired movies and television series that should make their way to comics: Author and screenwriter Harlan Ellison wrote a (fittingly) two-part Two-Face story for the classic Batman TV show that, alas, was never produced.
Neil Gaiman discovered that detail over the weekend — “WHY IS THIS NOT NEWS?” he tweeted — in the description for the fifth volume of Harlan Ellison’s Brain Movies, a series that collects his original teleplays.
The listing reads: “SEE ELLISON’S FIRST ADVENTURE WITH THE CAPED CRUSADER: Though Harlan’s written numerous comic book scripts for the Dark Knight, his first slide down the Bat-Pole was in 1966 when he pitched an episode to ABC’s Batman, starring Adam West and Burt Ward. Tragically—for reasons explained in the editor’s notes—’The Two-Way Crimes of Two-Face’ treatment was never produced, but now you can read what the Unrepentant Harlequin had in mind for the Dynamic Duo and their Bifurcated Foe.”
If you’ve been keeping up with the events in the DC Universe, then you know things are looking particularly grim for the good guys.
At the conclusion of “Trinity War,” the Justice Leagues faced an invasion from the Crime Syndicate of Earth-3 — “The birthplace of all evil,” as one character called it — evil counterparts of the Justice League. In the first issue of Forever Evil, these villains claimed to have killed all of the Justice Leaguers, they freed all the supervillains from all the super-prisons and organized them into an army called The Secret Society, they did some awful things to Nightwing and then even moved the moon to permanently block out the sun.
To mark the occasion of evil temporarily winning (again), DC declared September Villains Month, and is interrupting the ongoing adventures of its heroes with special “.1″ issues starring various villains. Each of these was to bear a fancy plastic 3D cover that jacked the price up a buck and ultimately created shortages, an artificial collectors/speculators market and irritated a whole bunch of retailers, many of whom were already pretty irritated by having to figure out how to order something like, say, Justice League #23.3: Dial E, which fused one of the publisher’s best selling comics with one of its worst.
We — and by that I mean you and I, for the course of this post — aren’t going to concern ourselves with that aspect of the books, however. Instead, let’s look under those covers, whether they’re the fancy plastic 3D ones or the regular, cheaper “standard edition” ones and concern ourselves with the quality of the comics concealed behind the covers.
Conventions | The New York Post previews what’s now called the Wizard World Comic Con NYC Experience, which kicks off in about three hours at Basketball City (Pier 36) in New York City: “Wizard cons, which are kind of a traveling road show hitting cities across the country, tend to focus more on celebrity appearances and (paid) meet-and-greets than other shows. But they still have plenty of programming that will scratch a given itch. And there will be plenty of comics/memorabilia/ephemera dealers to help empty your wallet. [Parallel Worlds]
Editorial cartoons | The Cartoonists Rights Network International will honor Syrian cartoonist Akram Raslan, who has been imprisoned on charges of sedition for the past seven months because of his cartoons critical of Syrian President Bashar al-Assad. [The Salt Lake Tribune]
I first came across Ming Doyle’s work when she illustrated a new Michael Moorcock Elric short story in Weird Tales #349, the series’ 85th birthday issue. I’m something of a Moorcock nut, and prone to strong opinions about his artistic collaborators, but Doyle’s work more than passed muster: Here was an artist whose progress I was going to have to keep a close eye on.
Since then, Doyle’s career trajectory has been consistently upward, from the Star Trek-loving webcomic Boldly Gone with Kevin Church, to her current work on the Image comic Mara with Brian Wood. Every time some editor at DC Comics or Marvel claims he isn’t employing female creators because there just aren’t any out there fit for purpose, she’s always one of the first names that pops into my head as I mentally compose a list as long as your arm of women one big gig away from comics super-stardom.
Anyway, it’s convention season, that happy time when my favorite artists post lots of lovely sketches on their blogs, Instagram timelines, Facebook and the like — y’know, that newfangled social media the kids are all talking about. The collective Doyle belongs to, Out of Step Arts, has posted several sketches done at last weeks HeroesCon, some of which can also be seen at her own site, along with more May’s Phoenix Comicon. There’s a selection of my favorites after the break, including probably the most smouldering-est rendering of Bones McCoy ever.
(Note: The headline has been changed to better reflect the intention of this post, which is to celebrate Ming Doyle’s artwork. We apologize if our meaning wasn’t clear.)
Answering one of the questions raised by yesterday’s announcement the expansion of Batman and Detective Comics to 40 pages, DC Comics revealed this afternoon that April’s Detective #8 will kick off a multi-part backup story featuring Two-Face.
The 10-page stories reunite series writer Tony S. Daniel and artist Szymon Kudranski (Spawn, Penguin: Pain and Prejudice), who collaborated on the “Russian Roulette” one-shot in Detective Comics #5. The Two-Face spotlights are intended to reveal the history of a rogue who’s only appeared briefly since the launch in August of DC Comics: The New 52.
“I’m really looking forward to working with Szymon Kudraski, who’ll no doubt capture the dark mood and tone I’m reaching for in Detective Comics,” Daniel said on DC’s Source blog. “I’m going deep into the character of Harvey Dent and the inner conflicts and demons he must confront. I’m approaching the characters and story the way I would a multi-layered psychological thriller, one that covers a man at the losing end of a battle within himself.”
The same month that Two-Face spotlight debuts in Detective, Batman will launch back-up stories centering on the Court of Owls, the shadowy organization that has plagued the Dark Knight and Gotham City in the first arc of the relaunched comic. Scott Snyder and James Tynion IV will write the stories, with American Vampire artist Rafael Albuquerque providing the art.
London’s Metro has unveiled a new render of Two-Face from Batman: Arkham City, the eagerly anticipated sequel to Warner Bros. Interactive Entertainment’s bestselling 2009 video game Batman: Arkham Asylum.
Developed by Rocksteady Studios, Arkham City is set inside the newly constructed fortified walls that have transformed part of Gotham’s slums into a sprawling maximum-security prison for the city’s gangsters, thugs and criminally insane. As earlier screenshots suggest, and Metro confirms, the disfigured Harvey Dent holds Catwoman hostage in Arkham City, and is prepared to execute her — something that players, as Batman, must stop.
Arkham City will be released Oct. 18 in North America and Oct. 21 in Europe.