Strong Talks Merging "Super-Cute" with "Super-Psycho" for "Arkham Knight's" Harley Quinn
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After all, Swamp Thing just happened to be the title for which Len Wein hired young British writer Alan Moore, leading to a run whose importance and influence is difficult to overstate. And Man-Thing, the Marvel character that shared so much in common with Swamp Thing, just so happened to be one of the first vehicles for writer Steve Gerber, introducing that weird and wild talent to mainstream comics audiences.
It’s therefore not that surprising that TwoMorrows Publishing found it worth devoting an entire 200-page book to the swamp monster subgenre, from its Golden Age origins to its late-’80s climax, the result being editors Jon B. Cooke and George Khoury’s Swampmen: Muck-Monsters and Their Makers.
Legal | Forbes profiles Michael Wolk, a lawyer who’s organized the financial backing for Stan Lee Media’s prolonged, and so far unsuccessful, multibillion-dollar lawsuits against Marvel and Disney over the rights to the characters co-created by Stan Lee. Wolk’s primary investor is Elliott Management, one the nation’s largest hedge funds. SLM, which is no longer affiliated with its co-founder and namesake, asserts Lee didn’t properly assign ownership of the works to Marvel, and that Disney didn’t file its Marvel agreement with the U.S. Copyright Office. “We are in the right here,” says Wolk, who’s not actually a Stan Lee Media shareholder. “No court has ever addressed or ever decided who is the owner of the characters — all of the prior litigation got dismissed for reasons that have nothing to do with who owns the characters.” [Forbes.com, via The Beat]
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Comic Book Creator #1 (TwoMorrows, $8.95): I still fondly remember the now-defunct Comic Book Artist magazine from years ago, and now the creator of that magazine, Jon Cooke returns with a new 80-page offering to take its place. With a first issue filled with Jack Kirby, Kurt Busiek and Alex Ross, this is a must-read for me.
Mark Waid’s The Green Hornet #1 (Dynamite, $3.99): Waid has been having a career renaissance, in terms of recognition at least, and that led to getting his name on the title of this new revamp of Dynamite’s Green Hornet line (art is by Daniel Indero). I dig the creator, I dig the character, and I’m looking forward to seeing what happens when the two collide.
The Secret History of Marvel Comics HC (Fantagraphics, $35.00): I’ve been looking forward to this one since I first heard about it. Blake Bell looks at the non-comics material being published by the company that would one day become Marvel Comics, including pulp and girlie mag work by Jack Kirby, Bill Everett and Dan DeCarlo. It’s like the perfect companion for Sean Howe’s Marvel Comics: The Untold Story!
Star Wars: Legacy — Prisoner of the Floating World #1 (Dark Horse, $2.99): As if the Brian Wood series wasn’t enough to get me back into Star Wars comics, now we get a new series from the Planet of the Apes team of Corinna Bechko and Gabriel Hardman? If these are the final days of Dark Horse’s Star Wars license as many are rumoring, then they’re definitely going out with a bang.
Wake Up, Percy Gloom HC (Fantagraphics, $24.99): I fell madly in love with Cathy Malkasian’s beautiful Percy Gloom graphic novel a few years back, which was as beautiful as it was unexpected, so there is little to no way that I am not eagerly anticipating this follow-up. For those who like gorgeously-illustrated, melancholy and touching books: This is for you.
The Quality Companion is a great book for lovers of comics history. It starts out with nine comics featuring heroes such as The Ray, Phantom Lady and The Human Bomb, with art by Jack Cole, Lou Fine and other comics luminaries, and then there is a detailed account of the history of the company. You may not have heard of Quality Comics (I hadn’t), but it was one of the early comics publishers and the original home of Jack Cole’s Plastic Man. Many of Quality’s characters were eventually absorbed by DC. The book is well-written and detailed, and the comics in the front are at once cheesy and fascinating.
TwoMorrows makes the book, and most of its other titles, available in two formats, a hardcover print book and a digital version. The digital book is a PDF, which means it can be downloaded and read on any device, without any concern about the distributor disappearing and taking it with them. That also means it could be easily pirated, and there’s a note in the front of the book telling people that if they downloaded it for free, they did so illegally. “Go ahead and read this digital issue, and see what you think,” the note continues. “If you enjoy it enough to keep it, please do the right thing and go to our site and purchase a legal download of this issue …” This makes so much sense that I don’t know why everyone else doesn’t do it.
It seems as if TwoMorrows has found a digital/print balance that works, at least for this type of book. The print edition is priced at $31.95 (marked down to $27.16 at the moment), and if you spring for it, you get the digital edition free. That’s quite a reasonable price for a book like this. Even better, the digital edition is priced at only $10.95. The print edition will obviously appeal to collector, but for someone like me, who wants to read the book and have it as a reference, the digital edition is a great deal, especially with no DRM.