"Tomb Raider" Finds Its Lara Croft in "Ex Machina's" Alicia Vikander
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After suffering a massive heart attack less than two weeks ago, writer/artist Ty Templeton is home from the hospital with a new Bun Toons strip that both pokes fun at his health scare and underscores just how serious it was.
“Last week I died three times,’ he wrote in Saturday’s strip, which purports to be a Daredevil primer. “That’s pretty goddamn frightening.” In the text below, Templeton added, “I’m not kidding about dying three times, by the way … I’ve now checked out more times that Professor X during a summer crossover, and I don’t seem to have any insight into the experience.
Batman ’66 Meets the Green Hornet artist Ty Templeton has been removed from a ventilator and is able to talk as he awaits a second surgery after suffering a heart attack earlier this week.
“Is it fair to have a kidney stone after a major heart attack? Ty says no, no it is not,” his wife, colorist and letterer KT Smith, wrote last night in a Facebook update. “The second angioplasty is being delayed until the kidney stone can be dealt with … tomorrow. The doctors are currently looking for a pain med that works (the standard, morphine, doesn’t work on him at all).”
“The plan is to take him off both the sedatives and the ventilator tomorrow,” his wife, colorist and letterer KT Smith, wrote overnight on Facebook. “[…] He is in critical but stable condition. His location will change in the next few days depending on his condition.”
Inducted last year into the Canadian Comic Book Hall of Fame, the 52-year-old Templeton has a long list of credits that also includes Simpsons Comics, The Batman and Robin Adventures, Batman: The Brave and the Bold, Star Trek: Mission’s End and Spider-Man/Human Torch. An Eisner nominee and Shuster Award winner, he’s known in Toronto for his writing and drawing classes “Ty Templeton’s Comic Book Boot Camp.”
Smith encouraged well-wishers to email Templeton, saying, “I will make sure he sees them when he is able.”
Kevin Smith has unveiled Michael Allred’s variant cover for the first issue of Batman ’66 Meets the Green Hornet, the upcoming 12-part DC Comics/Dynamite Entertainment digital-first crossover.
Written by Smith and Ralph Garman and illustrated by Ty Templeton, the biweekly series is being treated by the creative team as a lost sequel to the two-part 1967 Batman episode that brought Green Hornet and Kato to Gotham City to break up Colonel Gumm’s counterfeit-stamp ring.
Batman ’66 Meets the Green Hornet debuts May 21 in digital format and June 4 in print.
The nominees have been announced for the 2013 Joe Shuster Awards, and faithful readers of Robot 6 will notice many familiar names on the list, including Fiona Staples, Brandon Graham, Jim Zubkavich, Ryan North and Darwyn Cooke. As you can see from that sampling, the nominees are broad in terms of styles and genres.
Named in honor of Superman co-creator Joe Shuster, the awards recognize the best of the Canadian comics world; nominees must be either Canadian citizens or permanent residents in Canada. The nominees are chosen by a committee and the winners by a jury, so there is no public vote. The awards will be presented Aug. 25 at a location to be announced later.
And with no further ado, here are the nominees:
• Isabelle Arsenault – Jane, le renard & moi (La Pastèque)
• Patrick Boutin-Gagné – Brögunn (Soleil)
• Stuart Immonen – All-New X-Men #1-4, AvX: VS #1, #6, Avenging Spider-Man #7, Secret Avengers #21 (Marvel Comics)
• Yanick Paquette – Swamp Thing #5, 7-9, 13-14 (DC Comics)
• Ramón K. Pérez – John Carter and the Gods of Mars #1-5, AvX:VS #6 (Marvel Comics)
• Fiona Staples – Saga #1-8 (Image Comics)
• Marcus To – Batwing #9-15, 0, The Flash #10,15, Huntress #4-6 (DC Comics)
How does Captain America manage to look the same as he did in the closing days of World War II? It may not be entirely due to Abraham Erskine’s Super-Soldier serum.
In one of the more unusual team-ups in recent memory, cosmetics retailer Kiehl’s has turned to Marvel to produce a comic promoting its new Heavy Lifting anti-aging moisturizer for men. If any superhero knows about remaining ageless, even if it requires drugs and staying frozen for decades, it’s Captain America (and if anyone needs moisturizer, it’s probably Steve Rogers; all that time in ice is bound to leave the skin dry and flaky).
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
Wait. Which talk were you thinking about?
Anyway, Templeton has the answer to his son’s age-old question and he’ll kindly share it with you. All you gotta do is click.
It’s never too early to learn what a cesspool of shady business practices and money-driven infighting the industry responsible for creating and promoting your favorite noble champions of justice really was.
That’s the thought that kept running through my head as I made my way through Bill the Boy Wonder: The Secret Co-Creator of Batman, author Marc Tyler Nobleman’s follow-up to his 2008 Boys of Steel: The Creators of Superman.
Like his previous work, Boy Wonder is a non-fiction picture book aimed at children. At least in presentation; I can’t imagine very young children being as interested in it as grown-ups though, and for grown-ups, there’s an excellent all-prose, six-page article marked “Author’s Note” at the end, fleshing out the more simplified story that fills the bulk of the page count with plenty of detail and discussing Nobleman’s process of research for the book.
The story of the late Bill Finger — who is, of course, the Bill in the title — doesn’t quite fit into a picture book format as easily as that of young Jerry Siegel and Joe Shuster. There are a lot of similarities between the creators of Superman and the uncredited co-creator of Batman, including their backgrounds, the settings their stories occurred in, the impact of their creation and their unfortunate lack of participation in the rewards of that success, but Finger’s story is a lot more complicated than that of the boys from Cleveland, and lacks the natural melodrama of their hard-luck childhood and the epiphany nature of their hero’s inception (as presented in Boys of Steel, following Siegel’s own accounts, Superman’s transformation from a concept the young writer toyed with over the years into the world’s first superhero came in a sort of fever dream fit of inspiration one night).
Hello and welcome to another edition of What Are You Reading? Our special guest this week is Matthew Thurber of 1-800 Mice and Infomaniacs fame. To see what Matthew and the Robot 6 crew have been reading, click below.
If you are a fan of all-ages comics, odds are pretty good you enjoyed a fair share of comics involving Ty Templeton. So it did not surprise me when Marvel launched a new Ultimate Spider-Man comic (based on the new Disney XD series that premiered recently) and tapped Templeton and Dan Slott to co-write and draw a story for the first issue (which came out last week). Templeton will also be teaming with Slott on Avenging Spider-Man 8 (set for release on June 20). That just scratches the surface of what Templeton is working on–or as he put it in this email interview: “There’s always something else going on.” I’m hard-pressed to pick which of his new upcoming projects I am most enthused about, but the prospect of seeing him work as a live talkshow/webcast host nears the top of the list. Also, I am overjoyed to know that Templeton (a great creator with a wealth of knowledge and experience) is passing along that love of storytelling by teaching folks. Over the years, I have always relished interviewing Templeton and cannot believe this marks the first time we have done an interview for Robot 6.
Tim O’Shea: Did you contact Marvel, or did they contact you for this new Ultimate Spider-Man series?
Ty Templeton: They contacted me, but I’ve done a few things for the Spider-Man office here and there, so they were already in touch with me. I did a small chapter for an issue of Amazing about eight months ago, and a couple of one-page Spider-Man stories for Age of Heroes, and things like that.
Hello and welcome to What Are You Reading? Today our special guest is Tim Seeley, whose work you may know from Hack/Slash, Bloodstrike, Witchblade, Colt Noble, the upcoming Ex Sanguine and Revival, and much more.
To see what Tim has been reading lately, click below.
Creators | Daniel Kalder looks at the state of French comics tradition following the death last month of Jean Giraud, the influential artist widely known as Moebius, and finds it’s in the capable hands of David B (“one of the most sophisticated cartoonists in the world”) and Nicolas de Crecy (“the ‘mad genius’ of French comics”). [The Guardian]
Creators | Tom Spurgeon talks to Michael Cho about what sounds like a really interesting project, his book Back Alleys and Urban Landscapes: “Because I don’t have an affinity for drawing a pastoral landscape. [laughs] You know what I mean? I’ve never lived in that environment, so I can’t draw that thing with confidence. When I close my eyes I don’t visualize that with any confidence. But a city is something I’m surrounded with constantly. With alleyways and lane ways and how light poles connect up to transformer towers which have extra leads leading down to the basement apartment. I can see that when I close my eyes, you know?” [The Comics Reporter]
The internet was teeming with momentous announcements on Sunday, but since it was April Fools Day, most are of dubious truth value. Here’s a sampling of my favorites; feel free to leave more suggestions in the comments.
Several things about this announcement are suspicious, including the quote from Scalzi:
“I have to admit at first I was skeptical,” said author John Scalzi of the adaptation decision. “Could the medium of manga truly contain all the deep layers that are the Shadow War series? All the writing craft, all the trenchant allusion, all the subtle yet pointed social commentary that the series’ readers had come to expect — nay, demand? But then Tor backed up the money truck, and I suddenly realized that, yes, in fact, manga was the perfect medium for Shadow War. I could not be more richly proud of this edition.”
Ten points to Scalzi (or whoever) for commissioning three very nice covers from Rosca, though; click over and spend a little time looking at the details to fully appreciate the humor of all this. Plus an awful lot of people would totally buy these books.
And then there’s the mysteriously unsourced announcement that Alan Moore is giving the middle finger to DC with Legal Squad, a vicious parody of Justice League that features stupidly named superheroes and super villains. That’ll teach ‘em!
Reacting to analysis of Marvel’s much-publicized dispute with Ghost Rider creator Gary Friedrich, Joe the Barbarian artist Sean Gordon Murphy has announced he’ll no longer sell convention sketches or commissions of characters he doesn’t own, and encourages other creators to do the same.
“Am I rolling over in fear of Marvel? Maybe, but […] they’re in their legal right to come after me if there’s ever a dispute,” Murphy wrote this morning on deviantART. “I love to complain about the Big Two, but I can’t (in good conscience) get upset at them if I’m breaking the rules myself. Being DC exclusive, maybe I can get a waiver that allows me to sketch DC characters, so I’ll keep you updated.”
Friedrich sued Marvel, Sony Pictures and other companies in 2007, claiming the rights to Ghost Rider had reverted to him six years earlier because the publisher never registered the character’s first appearance in 1972′s Marvel Spotlight #5 with the U.S. Copyright Office. Marvel counter-sued in 2010, seeking damages from Friedrich who, through Gary Friedrich Enterprises LLC, had produced and sold unauthorized Ghost Rider posters, cards and T-shirts at conventions and online. The company also asserted that Friedrich had “aided and abetted third parties” in reproducing and selling “graphic and narrative elements” of Ghost Rider comics.