Axel-In-Charge: Facing the 'Divided' Marvel NOW! Future
Superheroes | Dave Itzkoff looks at the growing interest in female superheroes in comics as well as in TV and movies. The article includes interviews with writers Gail Simone and G. Willow Wilson, and Wilson speaks poignantly about Ms. Marvel: “If you wanted to work in the business, you kept your head down – you did not want to be seen as having an agenda. I would never have pitched that, because I frankly would have worried that it would have prevented me from getting other work.” [The New York Times]
Manga | Dark Horse has announced the September release of Astro Boy Omnibus Volume 1, an oversized collection featuring nearly 700 pages of Osamu Tezuka’s most popular creation, billed as the first in a series. The news follows the recent announcement of the publisher’s oversized editions of The Kurosagi Corpse Delivery Service. [Dark Horse]
Publishing | David Carter takes a hard look at Vertigo as part of his analysis of DC Comics’ December sales. He notes that most of the series are selling poorly (under — often well under — 15,000 copies) and speculates that the reason may be that creators, even those who do work for DC, are taking their creator-owned books to Image Comics. He also thinks Vertigo’s trade policy isn’t working, as releasing the trades early and pricing the first one low encourages readers to skip the monthly comics — but then there’s a high probability they will forget about a new series altogether. [The Beat]
Brett Ewins, the influential British artist perhaps best known for his work on Judge Dredd and Rogue Trooper, has passed away at age 59.
An early collaborator of Peter Milligan, whom he met at Goldsmiths College, and Brendan McCarthy, Ewins began providing covers for 2000 AD before soon reteaming with McCarthy on Future Shocks and Judge Dredd. His other 2000 AD work included ABC Warriors, Bad Company, Judge Anderson and the aforementioned Rogue Trooper.
Creators | “This is really a government of the cartoon, for the cartoon and by the cartoon,” Malaysian cartoonist Zunar said in an interview following the police raid on his Kuala Lumpur office. Zunar was in London at the time of the raid but expects to be summoned to the police station on his return to face charges under the Printing Presses Act, Sedition Act and Penal Code. “Why are the police involved in this?” he said. “If it is true I have defamed certain people, why not filed a civil suit? The government condemned Charlie Hebdo’s attacker but now they are ‘attacking’ me.” He also sent out some photos of the raid. [Malaysian Digest]
Freedom of Speech | Phil Robertson, deputy director of Human Rights Watch Asia, called the raid Zunar’s office “shocking and outrageous” and demanded the government to return the confiscated books and drop all charges against him. [The Malaysian Insider]
Crime | Police have surrounded an industrial park in the town of Dammartin-en-Goele, France, 25 miles north of Paris, where the two suspects in Wednesday’s massacre at the offices of satire magazine Charlie Hebdo are believed to be hiding. Police say brothers Cherif and Said Kouachi have taken over a print shop and are holding a hostage, and have reportedly told negotiators they wish to die as martyrs. The Associated Press reports that a second, apparently linked siege at a kosher supermarket in eastern Paris is believed to involve Amedy Coulibaly, suspected of killing a police officer on Thursday. Police say he’s holding at least six hostages. [The Guardian]
Analysis | Rob Salkowitz kicks off the new year with big-picture questions about “geek culture”: With the popularity of comics-based movies, will continuity and nostalgia become less important? And will comics themselves become less important? “Putting out comics is a relatively costly and troublesome process with limited revenue potential relative to other ways of exploiting the intellectual property. A fan base that buys licensed merchandise and watches entertainment programming without needing a monthly fix of new art and story is probably considered a feature of the new comics economy, not a bug.” [ICv2]
Creators | Chew artist Rob Guillory, who will appear this weekend at Wizard World New Orleans, talks about the strange comics that he read as a kid (The Adventures of Kool-Aid Man) and the unexpected success of Chew, which will end next year with its 60th issue: “In the beginning, John and I were kind of like, ‘Well, best-case scenario, we can go 60 issues. Worst-case scenario, we can do five and go our separate ways and never speak again.’ I don’t know if we’ve seen the peak of our reception. I don’t think we’ll see how popular we’ve been until it’s over. When it’s wrapped and it’s the complete thing, I think people will start missing us.” [Best of New Orleans]
Publishing | The British independent publisher Great Beast, which has released the work of Dan Berry, Marc Ellerby and Isabel Greenberg, among others, will close on Jan. 7. Founded in 2012 by Ellerby and Adam Cadwell, the publisher was something of a victim of its own success, as Cadwell explains: “As the group got bigger, as the books became more successful and as we widened the range of shops we sold to there became more of a need for the management and promotion to come from one or two people and Marc Ellerby and I (Adam Cadwell) happily took up that role. However, as time went on we found that the time spent working for the benefit of the group was getting in the way of us actually making our own comics, which is why we started the group in the first place… We looked at many ways of monetising the group so we could pay someone to run things whilst still giving the creators the bulk of the profits but we just couldn’t find a fair way to make it work.” [Great Beast Blog]
Passings | Brian Jacoby, owner of the Tallahassee, Florida, comic shop Secret Headquarters and a well-known presence on Twitter and comics discussion boards, died suddenly on Thanksgiving. The news was first released in a tweet from the store. His memorial service will be held Tuesday. [ICv2]
Editorial cartoons | Bob Staake’s New Yorker cover showing a broken Gateway Arch in St. Louis, a commentary on the events in nearby Ferguson, Missouri, received a lot of attention just before Thanksgiving — and even more when it got around that syndicated cartoonist R.J. Matson had drawn a similar cartoon in August. Matson brushes that aside, however, pointing out that editorial cartoonists often come up with similar visuals: “Finding a good joke is like solving a puzzle and very often there is one very best solution to the puzzle. Any cartoonist worth his salt would kick himself or herself for not finding that solution.” And when five cartoonists do it on the same day, he said, “we call it a Yahtzee.” [The Washington Post]
Creators | Isabel Greenberg has announced she’s working on a “sort-of” sequel to The Encyclopedia of Early Earth, her British Comic Award-winning debut graphic novel. She also posted her new comic Dreadful Wind and Rain, which is being published as a limited edition by Gosh! Comics, and will be included in her follow-up to Early Earth. [Isabel Greenberg, via Digital Spy]
Manga | Yen Press associate editor and letterer Abigail Blackman talks about her job: “I see that the editor has a twofold obligation – to the original creator and to the reader. I think everyone in the process has to be most careful of not imposing his or her own sensibilities onto the material. I and Yen feel very strongly about preserving the meaning and intent of the original and making sure it translates clearly to the reader. It’s so easy for a rewriter to get carried away with his or her own voice, or for a letterer to get too cutesy with the fonts and placing emphasis.” [Organization Anti-Social Geniuses]
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
Crime | A man was spotted on security video last week at New York Comic Con stealing a one-of-a-kind, 20-inch Dunny figure hand-painted by by Jon-Paul Kaiser valued at $2,000, plus two other items, from the Clutter Magazine booth. [DNAinfo New York]
Legal | Chinese cartoonist Wang Liming, who uses the pen name “Biantai Lajiao” (Perverted Chili Pepper), has applied for a visa to remain in Japan, saying he’s afraid to return to China. Liming’s account on the Chinese social media site Weibo, where he published his cartoons, was shut down in August, and the People’s Daily newspaper has called him a traitor and accused him of being pro-Japan. Last year, he was arrested and held overnight on charges of “suspicion of causing a disturbance.” “China’s situation surrounding freedom of speech has worsened during these six months,” Wang said in an interview. “I have no idea where the borderline is (between what is permissible and what is not anymore).” [The Asahi Shimbun]
Awards | The finalists for the inaugural Kirkus Prize literary awards include two graphic novels: Roz Chast’s Can’t We Talk About Something More Pleasant? is one of six nominees in the Nonfiction category, and Cece Bell’s El Deafo is one of the picks for the Young Readers award. The winners in all three categories, who will receive $50,000 each, will be announced during a ceremony held Oct. 23 in Austin, Texas. [The Washington Post]
Manga | A prequel to Osamu Tezuka’s classic Astro Boy manga is in the works for the Japanese magazine Monthly Hero’s. Tezuka’s son, Makoto Tezuka, is supervising the production of the story, which focuses on the time before the “birth” of the iconic robot boy. [Anime News Network]
Conventions | Salt Lake Comic Con may have achieved near-San-Diego proportions in just two years, with an estimated 120,000 attendees, but most of those seem to be locals, according to Scott Veck of Visit Salt Lake: Just 800 hotel rooms were booked through the local tourist organization, as opposed to 3,000 for the big Outdoor Retailers trade show. About 15 percent of Salt Lake Comic Con attendees were from out of state. [Fox News 13]
Creators | Mumbai, India, editorial cartoonist Kanika Mishra was infuriated when controversial religious leader Asaram Bapu said the victim of a highly publicized gang rape shared responsibility for the crime. When the news broke that Asaram was accused of raping the 16-year-old daughter of one of his followers, Mishra drew a series of cartoons about it — and then, when his supporters threatened and harassed her, she drew about that, too: “I decided not to send this message that I am afraid of these goons. I made more and more cartoons on Asaram as his followers abused and threatened me.” Mishra is one of two recipients of this year’s Cartoonists Rights Network International Award for Courage in Editorial Cartooning. [India West]
Back-issue bins are a treasure trove of oddities and forgotten treasures, and one rarity from the United Kingdom may be making its return.
During a special Comica Conversations event held Sunday at the British Library, veteran writer Pat Mills revealed there’s been talk of collecting serials from the long out-of-print horror anthology Misty — “Moonchild” by Mills and John Armstrong, and “The Four Faces of Eve” by Malcolm Shaw and Brian Delaney. If successful, this would be the first proper printing of material from Misty since the magazine’s closing in 1984; in 2009 Titan announced a collection, but sadly it never materialized.
Passings | Egyptian cartoonist Mostafa Hussein died Saturday following a lengthy battle with cancer. He was 79. Hussein had been a cartoonist for the state-owned Al Akbar newspaper since 1974, and was often accused of being sympathetic to those in power. His final cartoon, published in Al Akbar two days before he died, was inscribed “I ??don’t have time to finish this cartoon, forgive me. I will miss you.” [Ahram Online]
Awards | The Cartoonist Rights Network International (CRNI) has announced the winners of this year’s Award for Courage in Editorial Cartooning, and for the first time in the history of the award they are women: Indian cartoonist Kanika Mishra and Palestinian cartoonist Majda Shaheen. Mishra faced death threats for her cartoons about a religious leader who raped a 16-year-old (and eventually went to prison); Shaheen also was threatened with violence after she drew a cartoon depicting the Al-Quds Brigades as a dog in a cartoon critiquing Gaza Prime Minister Ismail Haniyeh’s relationship with the organization. [Comic Riffs]