Graphic novels | The top-selling graphic novel in bookstores in February was the 60th volume of Naruto, according to Nielsen BookScan; four other manga made the chart as well. Actually, it’s an interestingly eclectic mix, with eight volumes of The Walking Dead, the first volume of Saga, Alison Bechdel’s Fun Home, and Chris Ware’s Building Stories making the list, as well as The Book of Revelation from religious publisher Zondervan. Marvel was entirely absent, but two of DC’s New 52 collections appearing. [ICv2]
Comics | Former DC Comics President Paul Levitz talks about the new edition of 75 Years of DC Comics: The Art of Modern Myth-Making, which has been broken out into five volumes and expanded to include more art and an additional creator interview in every volume; the first volume, The Golden Age of DC Comics, is out now. Levitz also touches on the history of the company, the importance of characters, and the impact of young readers on the early comics: “It wasn’t adults tending to what they wanted their child to read or libraries selecting. It was the kids of America who said I love Uncle Scrooge as its done by Carl Barks, I love the Superman comics that are coming from Mort Weisinger’s team at DC, I love the Marvel comics that Stan Lee, Jack Kirby and Steve Ditko are creating. And they really got to choose those things that became trendsetters in the culture and ultimately leading to the massive success of the superhero movies in more recent years.” [Complex Art + Design]
Ahead of the Jan. 21 season premiere of Ultimate Spider-Man, Disney XD has released a preview of “Marvel Comics Close-Up,” a new series of interstitials that uses Marvel comics in an effort to encourage kids to read.
As we noted last month, the spots are hosted by Marvel’s Chief Creative Officer Joe Quesada (aka “Marvel Master”) and Dylan Riley Snyder (“Kickin’ It”), who offer viewers an inside look at 10 of the publisher’s comics. In the segment below, which arrives courtesy of The Hollywood Reporter, they tie in the debut of the Lizard in the animated series with his appearance in Ultimate Spider-Man #7, by Brian Michael Bendis and Mark Bagley. Viewers will be able to read the comics they discuss on the Disney XD website.
One of the most interesting things about the big plot development in this week’s Amazing Spider-Man #700 isn’t its effects on the Marvel Universe, or even fan reaction, but rather the lengths mainstream media outlets go to find a different angle for their coverage of the story. Take, for instance, CNN, which paired an interview with writer Dan Slott and editor Steve Wacker with a rundown of “13 comics that caused controversy, ranging from DC’s reintroduction of Alan Scott as a gay man and Buffy the Vampire Slayer‘s recent abortion storyline to Superman’s renouncement of his U.S. citizenship (I’d already forgotten about that) to the tea party dust-up over Captain America #602.
One of the longtime laments of many fans is that DC Entertainment and Marvel don’t better utilize popular animated series like Young Justice or the late Avengers: Earth’s Mightiest Heroes to promote their comic books. Well, that’s about to change.
When Disney XD’s Ultimate Spider-Man returns Jan. 21 for a second season, it will be accompanied by a new series of interstitials designed to encourage kids to read. Hosted by Marvel’s Chief Creative Officer Joe Quesada and Dylan Riley Snyder (“Kickin’ It”), “Marvel Comics Close-Up” will give viewers an inside look at 10 comics, including Ultimate Spider-Man #7, Invincible Iron Man #7, Hulk #3, Thor #364 and Marvel Adventures Spider-Man #16. In addition, free Marvel digital comics will be offered on the Disney XD website.
Ultimate Spider-Man returns Monday, Jan. 21 at 7 p.m. ET/PT with a one-hour premiere that introduces Electro and the Lizard. New episodes follow in the show’s regular time slot, Sundays at 11 a.m. ET/PT.
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
After a late afternoon opening to the general public on Thursday, the New York Comic Con kicked into high gear today with panels, announcements and the usual con craziness we’ve come to expect from big shows. Here’s a round-up of comic-related news and announcements coming out of Friday. If you missed anything from Thursday, I’ve also got your back. I’d also point you to Brigid Alverson’s rundown of the ICv2 sessions before NYCC that go deep on comic sales in 2011 and 2012 thus far, if you’re into that.
• Keith Giffen returns to the stars next year with Threshold, a new DC Comics series that features Blue Beetle, Space Ranger, Star Hawkins, the original Starfire and other space heroes, with a Larfleeze back-up. Giffen also seemingly confirmed that the current Blue Beetle series is coming to an end.
• Vertigo announced several new projects today, including The Wake by Scott Snyder and Sean Murphy, Trillium by Jeff Lemire and an Unwrtten/Fables event that will see the Unwritten characters wander into the Fables comic. Snyder said that American Vampire will go on hiatus after issue #34 so he and artist Rafael Albuquerque can catch up on it. When it returns, it’ll jump ahead to the 1960s.
Comics | Green Lantern writer Geoff Johns talks with The Wall Street Journal about the introduction this week of the newest member of the Green Lantern Corps Simon Baz, an Arab-American Muslim from Dearborn, Michigan: “As fantastic as the concept of Green Lantern is of an intergalactic police force, the comic has had a history of grounding in the now and dealing with modern characters and concepts and Simon Baz is that. I wanted to create a character that everyday Americans have to deal with. When 9/11 hit, he was 10-years-old. His family was devastated, just like every other American. He’s grown up in that world. It’s just part of the daily life, the new normal.” [Speakeasy]
Comics | The new Spider-Man, Miles Morales, reaches a key moment in Ultimate Comics: Spider-Man #14, when Aunt May gives him Peter Parker’s web-shooters and the formula for for his web fluid. Writer Brian Michael Bendis explains why he waited so long to pass along the iconic tools: “‘This is like Excalibur. This is it. This is like being bequeathed the sword,’ Bendis says. ‘But, young Miles and (his friend) Ganke trying to figure out how to make web fluid is going to be my favorite stuff to write ever in the history of writing of anything. Just because someone gives you a formula and says, “Here, cook this,” doesn’t mean you can.’” [USA Today]
Note: Due to some unforeseen transcription issues, the Steve Rude interview promised for this week won’t be published until next Friday.
Spanish artist David Lafuente is one of those creators who burst into the American comics scene like a shooting star, first glimmering with 2008′s Patsy Walker: Hellcat and then shining with blinding amount talent in 2009′s Ultimate Comics Spider-Man. After his run on that title ended in late 2010, Lafuente followed that with covers for various Marvel series and a brief run on a group of characters close to his heart, the New Mutants. Since then, new work released by this artist has primarily been online on his blog and his recently ended art blog group the Sindiecate. What has he been working on in this down time? Creator-owned comics.
When I reached out to Lafuente to do this interview, I hoped to find out more about his upcoming series Home Run with Jonathan Ross, but what I ended up with was that — and a whole lot more.
In what ended up being David’s most extensive interview ever, we talked about not one but three new creator-owned series he’s working on, as well as his reflections on his heady rise to fame at Marvel and how he isn’t done yet with the House of Ideas.
Hello and welcome to What Are You Reading? Today our guest is Mark Sable, the writer and co-creator of Image’s Graveyard of Empires with Paul Azaceta and the upcoming Duplicate from Kickstart Comics with Andy MacDonald. You can find his work and thoughts at marksable.com and contact him @marksable on the Twitter.
To see what Mark and the Robot 6 crew have been reading, click below …
If you are a fan of all-ages comics, odds are pretty good you enjoyed a fair share of comics involving Ty Templeton. So it did not surprise me when Marvel launched a new Ultimate Spider-Man comic (based on the new Disney XD series that premiered recently) and tapped Templeton and Dan Slott to co-write and draw a story for the first issue (which came out last week). Templeton will also be teaming with Slott on Avenging Spider-Man 8 (set for release on June 20). That just scratches the surface of what Templeton is working on–or as he put it in this email interview: “There’s always something else going on.” I’m hard-pressed to pick which of his new upcoming projects I am most enthused about, but the prospect of seeing him work as a live talkshow/webcast host nears the top of the list. Also, I am overjoyed to know that Templeton (a great creator with a wealth of knowledge and experience) is passing along that love of storytelling by teaching folks. Over the years, I have always relished interviewing Templeton and cannot believe this marks the first time we have done an interview for Robot 6.
Tim O’Shea: Did you contact Marvel, or did they contact you for this new Ultimate Spider-Man series?
Ty Templeton: They contacted me, but I’ve done a few things for the Spider-Man office here and there, so they were already in touch with me. I did a small chapter for an issue of Amazing about eight months ago, and a couple of one-page Spider-Man stories for Age of Heroes, and things like that.
Hello and welcome to What Are You Reading? Today our special guest is Tim Seeley, whose work you may know from Hack/Slash, Bloodstrike, Witchblade, Colt Noble, the upcoming Ex Sanguine and Revival, and much more.
To see what Tim has been reading lately, click below.
Creators | Alex Zalben talks to James Robinson about his rebooted version of DC Comics’ Justice Society in Earth 2, and the process of creating a world of one’s own: “It always starts with certain plot points that immediately come to you, and you always want those moments to happen at some point, and you work towards them. There are some characters that come to you almost fully formed in your mind, and those are you anchors. And same with the world, there are some aspects of the world that you say, this is what I want to do, here or there, or there. They’re the anchors, and you slowly begin to add the other pieces so it links, and forms, and becomes a whole tapestry.” [MTV Geek]
Creators | Geoff Johns talks about the new, more nuanced version of Billy Batson that he and artist Gary Frank are creating in the Shazam back-up stories in Justice League: “Billy is trouble, but trouble in a way that I think we’ll find understandable, relatable and fun. He has a heart, a big one, but he also has a protective shell around it. He’s mischievous, independent and strong. He’s conflicted, tough and sad. And many other things. For us, Billy had to be as complex and as interesting as his alter ego.” [Hero Complex]
Rich Watson sent over this year’s nominees for the Glyph Comics Awards, which will be presented in May at the East Coast Black Age of Comics Convention in Philadelphia. The awards recognize “the best in comics made by, for, and about people of color from the preceding calendar year.” Rich also announced that this will be his final year as chairman of the awards.
Check out the complete list of nominees below.
Story of the Year
The Many Adventures of Miranda Mercury, Brandon Thomas, writer, Lee Ferguson, artist
“On Being Crazy” from African-American Classics: Graphic Classics Vol. 22, Tom Pumplun, writer, Kyle Baker, artist
Princeless, Jeremy Whitley, writer, Mia Goodwin, artist
Ultimate Comics: Spider-Man Volume 1, Brian Michael Bendis, writer, Sara Pichelli, artist
Auctions | An original watercolor by Calvin and Hobbes creator Bill Watterson, showing his creations lounging under a tree, fetched $107,000 at auction. [Comic Riffs]
Publishing | David Barnett writes an appreciation for 2000AD, the U.K. comics anthology that turns 35 years old this year: “For a seven-year-old, 2000AD was anarchic and fascistic and funny and frightening and gory and exciting and thought-provoking, all rolled up together. They called it 2000AD, presumably, because no one expected the comic to live that long. But 35 years after the first issue, which had a 26 February cover date, and in the year that Queen Elizabeth II marks her diamond jubilee, 2000AD is still going, delivering (in the magazine’s own words) ‘thrill power’ every single week since then.” [The Guardian]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
It had to happen; I’m so uninspired by this week’s offerings, I’d skip the $15 altogether and go straight for the $30 option, which I’d spend on the Ultimate Comics: Spider-Man by Brian Michael Bendis Premiere Edition Vol. 1 HC (Marvel, $24.99); I ended up skipping out on the single issues after #3 because of the price, but I enjoyed it enough that I’d happily pick up the collection.
If I were looking to splurge even more than that, there’s also the Spider-Man: Spider-Island Companion HC (Marvel, $39.99), which gives me a chance to catch up on the peripheral titles from the recent event; I picked up the Spider-Girl series, but missed out on the well-reviewed Cloak and Dagger and other books.
You know who is getting a lot of my money this week? Abrams, that’s who: I’m going two for two on their releases this week.
If I had $15, I’d keep it all-ages, with their Explorer: Mystery Box anthology, edited by Kazu Kibuishi, who was also responsible for the Flight anthologies, so you know the talent lineup will be stellar. At $10.95, the paperback edition won’t break the bank, and it’s a good deal for 128 pages of full-color comics. That leaves just enough for issue #5 of Roger Langridge’s Snarked ($3.99).
If I had $30, I’d put Snarked back on the shelf and pick up another Abrams book with a more adult subject: My Friend Dahmer ($17.95 for the paperback). Derf Backderf went to school with Jeffrey Dahmer; one grew up to be a cartoonist, one became a serial killer. I’m always interested in how people evolve, and by all accounts, Backder’s story of the young Dahmer is fascinating.
Splurge: A big pile of manga! This is Viz’s big release week for comics stores, and they have a lot of worthy titles: Vol. 19 of Naoki Urasawa’s outstanding 20th Century Boys, vol. 6 of the lovely pseudo-historical shoujo drama The Story of Saiunkoku ($9.99), vol. 9 of the I-want-to-be-a-mangaka drama Bakuman ($9.99), and the first volume of a new series about a sassy girl in a new school, The Devil and Her Love Song ($9.99). There are some weeks when I can barely figure out how to spend any money at all, but between Abrams and Viz and BOOM!, this week really does bring an embarrassment of riches.