PREVIEW: Rucka & Sharp's "Wonder Woman: Rebirth" Brings Epic Action
Hot Wheels, whose relationship with Marvel dates back to 1979, is teaming with the publisher for a Comic-Con International-exclusive Secret Wars Character Car 3-Pack.
Available for preorder at MattyCollector.com, it features die-cast cars representing Miles Morales, Superior Iron Man and Sam Wilson’s Captain America, each with is own window-box display with custom art by Jim Cheung, plus a book-style slipcase.
(Time once again for ROBOT 6 contributors Tom Bondurant and Carla Hoffman to email each other about the year in DC and Marvel superhero comics. This year’s exchange took place between DEc. 26 and Dec. 30. And be sure to check out Part 1 of the conversation.)
Tom Bondurant: One of the more pleasant surprises this year was the extent to which the Big Two started going after a different audience. New books like Ms. Marvel and Gotham Academy, and makeovers for Batgirl and Catwoman, have found success with distinctive, unconventional approaches. How long can they keep this up? Will digital distribution help these books, if it’s not doing so already? Are the Big Two really committed to branching out?
Carla Hoffman: Branching out is such a double-edged sword. It sounds weird to say that, because diversity is so championed online, but when a book can alienate old readers, you really have to draw in a lot of new readers to make up for it. Believe it or not, there were some who complained that Kamala Khan took the Ms. Marvel name rather than getting her own moniker. The good news is that Ms. Marvel is such a quality book and so important to the next generation of comic readers, not to mention Marvel Comics itself, I couldn’t care less if a (pardon my use) grumpy old fan can’t change with the times. Marvel published about 40 new titles this year — everything from Deadly Hands of Kung-Fu to Rocket Raccoon. Not all of the titles stuck (R.I.P. She-Hulk, try again later), but that’s still a lot of new stuff to try that isn’t just another variation of a Wolverine comic.
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[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Nothing can bring quite as big a smile to my face as reading the words “Donald Glover to play Spider-Man.” Sure, sure, it’s voice work for a cartoon. However, the unlikelihood of this announcement struck me with the same amusement and bonhomie as hearing that, say, Community was going to be renewed for a sixth season.
Jon Stewart kicked off last night’s episode of The Daily Show with coverage the weekend scuffle in Times Square between New York City police and a man dressed as Ultimate Spider-Man. Hey, if the New York Post can put the story on the front page, The Daily Show can lead with it.
The webslinger, one of numerous costumed characters (several of whom are dress as Spider-Man), was reportedly confronted by an officer after he demanded at least $5 from a family for posing for a photo. Police say when the wall-crawler cursed at the officer and told him to mind his own business — and when the cop moved in to arrest him, things got heated.
With a front page that rivals anything J. Jonah Jameson has published, the New York Post trumpeted the news Sunday that Spider-Man struck a police officer in the face during an altercation in Times Square. Or, if you prefer “Times Square rampage.”
Interestingly, after countless crimes (allegedly, in some cases) committed in the past couple of years by guys dressed as the Peter Parker-variety Spider-Man — groping a woman, punching a tourist, robbing convenience stores, fighting two Captains America, etc. — this may be the first that involves someone dressed as Miles Morales/Ultimate Spider-Man.
Perhaps more interesting — and certainly more amusing — is that the New York Police Department referred the suspect, 25-year-old Junior Bishop of Brooklyn, as “Spider-Man” throughout its press release. Also: The incident was caught on video, which you can watch below. (Note: It contains profanity.)
Digital comics | Viz Media announced Wednesday it has brought its entire library to iBooks. Viz manga are already available on Kindle, Nook, Kobo and its own app, so this pretty much completes the set. [ICv2]
Crime | Manga creator Takaaki Kubo was arrested Tuesday on charges of threatening a city councilor in the town of Amagasaki. Kubo, whose series Bakune Young was published in North America in the early 2000s by Viz Media, was arrested after police traced a threatening e-mail message to his home computer. [Anime News Network]
Creators | Art Spiegelman has been the subject of four retrospectives so far this year, the latest at the Jewish Museum in New York. Charles McGrath talks to him about what he calls “The Great Retrospection,” as well as his tobacco addiction and, oh yeah, comics. [The New York Times]
Graphic novels | The top-selling graphic novel in bookstores in February was the 60th volume of Naruto, according to Nielsen BookScan; four other manga made the chart as well. Actually, it’s an interestingly eclectic mix, with eight volumes of The Walking Dead, the first volume of Saga, Alison Bechdel’s Fun Home, and Chris Ware’s Building Stories making the list, as well as The Book of Revelation from religious publisher Zondervan. Marvel was entirely absent, but two of DC’s New 52 collections appearing. [ICv2]
Comics | Former DC Comics President Paul Levitz talks about the new edition of 75 Years of DC Comics: The Art of Modern Myth-Making, which has been broken out into five volumes and expanded to include more art and an additional creator interview in every volume; the first volume, The Golden Age of DC Comics, is out now. Levitz also touches on the history of the company, the importance of characters, and the impact of young readers on the early comics: “It wasn’t adults tending to what they wanted their child to read or libraries selecting. It was the kids of America who said I love Uncle Scrooge as its done by Carl Barks, I love the Superman comics that are coming from Mort Weisinger’s team at DC, I love the Marvel comics that Stan Lee, Jack Kirby and Steve Ditko are creating. And they really got to choose those things that became trendsetters in the culture and ultimately leading to the massive success of the superhero movies in more recent years.” [Complex Art + Design]
Ahead of the Jan. 21 season premiere of Ultimate Spider-Man, Disney XD has released a preview of “Marvel Comics Close-Up,” a new series of interstitials that uses Marvel comics in an effort to encourage kids to read.
As we noted last month, the spots are hosted by Marvel’s Chief Creative Officer Joe Quesada (aka “Marvel Master”) and Dylan Riley Snyder (“Kickin’ It”), who offer viewers an inside look at 10 of the publisher’s comics. In the segment below, which arrives courtesy of The Hollywood Reporter, they tie in the debut of the Lizard in the animated series with his appearance in Ultimate Spider-Man #7, by Brian Michael Bendis and Mark Bagley. Viewers will be able to read the comics they discuss on the Disney XD website.
One of the most interesting things about the big plot development in this week’s Amazing Spider-Man #700 isn’t its effects on the Marvel Universe, or even fan reaction, but rather the lengths mainstream media outlets go to find a different angle for their coverage of the story. Take, for instance, CNN, which paired an interview with writer Dan Slott and editor Steve Wacker with a rundown of “13 comics that caused controversy, ranging from DC’s reintroduction of Alan Scott as a gay man and Buffy the Vampire Slayer‘s recent abortion storyline to Superman’s renouncement of his U.S. citizenship (I’d already forgotten about that) to the tea party dust-up over Captain America #602.
One of the longtime laments of many fans is that DC Entertainment and Marvel don’t better utilize popular animated series like Young Justice or the late Avengers: Earth’s Mightiest Heroes to promote their comic books. Well, that’s about to change.
When Disney XD’s Ultimate Spider-Man returns Jan. 21 for a second season, it will be accompanied by a new series of interstitials designed to encourage kids to read. Hosted by Marvel’s Chief Creative Officer Joe Quesada and Dylan Riley Snyder (“Kickin’ It”), “Marvel Comics Close-Up” will give viewers an inside look at 10 comics, including Ultimate Spider-Man #7, Invincible Iron Man #7, Hulk #3, Thor #364 and Marvel Adventures Spider-Man #16. In addition, free Marvel digital comics will be offered on the Disney XD website.
Ultimate Spider-Man returns Monday, Jan. 21 at 7 p.m. ET/PT with a one-hour premiere that introduces Electro and the Lizard. New episodes follow in the show’s regular time slot, Sundays at 11 a.m. ET/PT.
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
After a late afternoon opening to the general public on Thursday, the New York Comic Con kicked into high gear today with panels, announcements and the usual con craziness we’ve come to expect from big shows. Here’s a round-up of comic-related news and announcements coming out of Friday. If you missed anything from Thursday, I’ve also got your back. I’d also point you to Brigid Alverson’s rundown of the ICv2 sessions before NYCC that go deep on comic sales in 2011 and 2012 thus far, if you’re into that.
• Keith Giffen returns to the stars next year with Threshold, a new DC Comics series that features Blue Beetle, Space Ranger, Star Hawkins, the original Starfire and other space heroes, with a Larfleeze back-up. Giffen also seemingly confirmed that the current Blue Beetle series is coming to an end.
• Vertigo announced several new projects today, including The Wake by Scott Snyder and Sean Murphy, Trillium by Jeff Lemire and an Unwrtten/Fables event that will see the Unwritten characters wander into the Fables comic. Snyder said that American Vampire will go on hiatus after issue #34 so he and artist Rafael Albuquerque can catch up on it. When it returns, it’ll jump ahead to the 1960s.
Comics | Green Lantern writer Geoff Johns talks with The Wall Street Journal about the introduction this week of the newest member of the Green Lantern Corps Simon Baz, an Arab-American Muslim from Dearborn, Michigan: “As fantastic as the concept of Green Lantern is of an intergalactic police force, the comic has had a history of grounding in the now and dealing with modern characters and concepts and Simon Baz is that. I wanted to create a character that everyday Americans have to deal with. When 9/11 hit, he was 10-years-old. His family was devastated, just like every other American. He’s grown up in that world. It’s just part of the daily life, the new normal.” [Speakeasy]
Comics | The new Spider-Man, Miles Morales, reaches a key moment in Ultimate Comics: Spider-Man #14, when Aunt May gives him Peter Parker’s web-shooters and the formula for for his web fluid. Writer Brian Michael Bendis explains why he waited so long to pass along the iconic tools: “‘This is like Excalibur. This is it. This is like being bequeathed the sword,’ Bendis says. ‘But, young Miles and (his friend) Ganke trying to figure out how to make web fluid is going to be my favorite stuff to write ever in the history of writing of anything. Just because someone gives you a formula and says, “Here, cook this,” doesn’t mean you can.'” [USA Today]
Note: Due to some unforeseen transcription issues, the Steve Rude interview promised for this week won’t be published until next Friday.
Spanish artist David Lafuente is one of those creators who burst into the American comics scene like a shooting star, first glimmering with 2008’s Patsy Walker: Hellcat and then shining with blinding amount talent in 2009’s Ultimate Comics Spider-Man. After his run on that title ended in late 2010, Lafuente followed that with covers for various Marvel series and a brief run on a group of characters close to his heart, the New Mutants. Since then, new work released by this artist has primarily been online on his blog and his recently ended art blog group the Sindiecate. What has he been working on in this down time? Creator-owned comics.
When I reached out to Lafuente to do this interview, I hoped to find out more about his upcoming series Home Run with Jonathan Ross, but what I ended up with was that — and a whole lot more.
In what ended up being David’s most extensive interview ever, we talked about not one but three new creator-owned series he’s working on, as well as his reflections on his heady rise to fame at Marvel and how he isn’t done yet with the House of Ideas.
Hello and welcome to What Are You Reading? Today our guest is Mark Sable, the writer and co-creator of Image’s Graveyard of Empires with Paul Azaceta and the upcoming Duplicate from Kickstart Comics with Andy MacDonald. You can find his work and thoughts at marksable.com and contact him @marksable on the Twitter.
To see what Mark and the Robot 6 crew have been reading, click below …