Strong Talks Merging "Super-Cute" with "Super-Psycho" for "Arkham Knight's" Harley Quinn
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Smashing a guitar on stage is cool, or at least was cool when Pete Townshend of the Who popularized the act in the mid-1960s. The Who breaking their instruments in one form or another was the No. 1 spot on VH1’s 100 Greatest Rock & Roll Moments on TV and among the Top 50 of Rolling Stone‘s “50 Moments That Changed Rock and Roll.”
But what does it really mean? Townshend admitted it started as an accident that then became sort of performance art. When you think of a band smashing their instruments these days, it seems like this big rebellious expression. It’s a statement that only lasts up to a certain point. Bands that are just starting out can’t really afford to break their stuff; it’s all they have. Big-name bands, however, can go hog wild and break everything, knowing full well that their manager or their label is going to produce new instruments at the end of the show.
Knowing that, the act loses meaning and seems wasteful. Matthew Bellamy of Muse holds the Guinness World Record at breaking the most guitars in one tour, with 140, and that just sounds expensive and cruel.
That said, I’m not sure whether Brian Michael Bendis is Pete Townshend or Matthew Bellamy.
WARNING: There’ some mention of this week’s issue of Uncanny X-Men, so grab your copies of Issue 30 and read along!
In the tradition of its Fantastic Four and Walking Dead “100 Projects,” The Hero Initiative has unveiled some of the first entries for its next venture, featuring contributions by Alan Davis, Khoi Pham, Mike Perkins and more.
This time, Marvel provided blank covers for Uncanny X-Men #12, and The Hero Initiative asked 100 artists to create a drawing on each of those covers. The original artwork will be auctioned on eBay; the organization will also collect the covers in hardcover and paperback editions.
Check out more of the art below, and see more still on the Hero Initiative website. Auction dates will be announced soon.
Digital comics | Viz Media announced Wednesday it has brought its entire library to iBooks. Viz manga are already available on Kindle, Nook, Kobo and its own app, so this pretty much completes the set. [ICv2]
Crime | Manga creator Takaaki Kubo was arrested Tuesday on charges of threatening a city councilor in the town of Amagasaki. Kubo, whose series Bakune Young was published in North America in the early 2000s by Viz Media, was arrested after police traced a threatening e-mail message to his home computer. [Anime News Network]
Creators | Art Spiegelman has been the subject of four retrospectives so far this year, the latest at the Jewish Museum in New York. Charles McGrath talks to him about what he calls “The Great Retrospection,” as well as his tobacco addiction and, oh yeah, comics. [The New York Times]
The release of the time-travel arc “Days of Future Past” in 1980’s Uncanny X-Men #141-142 opened a broad door for comic stories of heroes from the future traveling to prevent the wrongs of their past — and our future. And artists have, time and time again, paid tribute to John Byrne and Terry Austin’s cover for Issue 141 showing a gray-haired Wolverine and an older Kitty Pryde — Kate Pryde, in this instance — with their back against a wall of wanted posters.
Here’s a look at the origin and some homages to that classic image from sources ranging from superhero titles to manga to webcomics.
“The metaphor is strong and it hasn’t gone away. Chris Claremont was the one who decided that it was a full-on allegory for race and religion and sexuality. I’m a Jewish kid, and I have a multicultural family [two of Bendis’ daughters, one Ethiopian and one African-American, are adopted], and with that comes all sorts of stuff that you witness or are a victim of. I have it pretty easy, and still I’m like, ‘Wow, you really said that right to my face?’ So it’s nice to have a book I can shake it off a little bit. I’ve never had that. […] It’s not a mistake that Kitty Pryde, the most Jewish superhero that has ever lived, is the leader of the X-Men now.”
— writer Brian Michael Bendis, discussing X-Men in an interview in The Oregonian that touches upon his life in Portland, Oregon, his role in “full-on luring” other creators to the city, and his career at Marvel. Bendis and recent Portland transplants David Marquez and Michael Avon Oeming will be signing Wednesday at Things From Another World.
Marvel has announced a line-up of merchandise for Comic-Con International that includes a Marvel’s Agents of S.H.I.E.L.D. T-shirt, a Rocket Raccoon mug and, perhaps most adorably of all, Skottie Young’s Avengers movie poster (part of the Phase 1 Marvel Cinematic Universe Blu-Ray Collector’s Set) and glass tumbler.
The limited-edition pieces will be available at the Marvel booth (#2329) at the San Diego Convention Center. See the list, with images, below:
Nick Fury was and always will be the face of S.H.I.E.L.D., but writer Brian Michael Bendis just revealed a new and surprising member to Marvel’s spy outfit: Dazzler. As revealed in today’s Uncanny X-Men #6, Dazzler has been recruited into S.H.I.E.L.D. by Maria Hill in an attempt to counter-balance Cyclops rebellious talk of a mutant revolution.
“That’s why she’s a perfect candidate. She’s on nobody’s side,” Bendis told IGN. “She is looking at this with eyes wide open. Even though her relationship with Cyclops has been very good in the past she doesn’t know how she feels about what he has turned into. Dazzler’s previous relationship [with] Scott Summers is part of the reason Maria Hill recruited her.”
It’s not the fact that she’s a mutant that makes her a surprising choice; fellow X-Men alums Kitty Pryde and Danielle Moonstar have been agents of S.H.I.E.L.D. at one point or another. What’s surprising is the prominent position the former pop star has moved into. Most recently seen in the pages of X-Treme X-Men bouncing around to alternate realities, the singer-turned-X-Man Alison Blaire has never been that much of a major player in Marvel Comics — but for a time, she was planned to be.
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today our guest is Shaun Manning, a former staffer at CBR, occasional convention reporter and comics writer. His current project is a comic called Hell, Nebraska (with artist Anna Wieszczyk), and he’s currently running a Kickstarter to raise funds to publish it. So go check it out.
To see what Shaun and the Robot 6 crew have been reading, click below.
Chris Bachalo is one of the preeminent superhero artists working in comics today, but that’s not what he originally wanted to do. Despite quietly becoming the most prolific X-Men artist of all time, Bachalo got his start in a far different place: Vertigo. As a child and teenager, he actively avoided X-Men comics, and his passions lay instead with more experimental artists like Bill Sienkiewicz and Dave McKean. But now as a 23-year veteran of comics he’s one of Marvel’s top artists.
But that doesn’t mean he isn’t prone to experiment.
Hard at work on the eighth issue of Uncanny X-Men, is redefining the franchise’s flagship title with writer Brian Michael Bendis while also planning a themed art book called Giant Robot Destroyer that collects drawings he’s over the years. And yes, he’s also thinking about Steampunk.
Following on the heels of All-New X-Men, the first X-title written by Brian Michael Bendis as part of the big Marvel NOW initiative, Uncanny X-Men sees the scribe join with Chris Bachalo to relaunch the mothership. While All-New focuses on the teenage versions of the original X-Men, this title showcases the leader they were brought forward in time to convince that his current actions aren’t kosher. Joined by two former (former?) villains and the diabolical ruler of Limbo, Cyclops goes about recruiting some of the new mutants who have been popping up since the end of Avengers vs. X-Men. Why should Wolverine have all the fun?
Is the new approach revolutionary or revolting? Here are a few opinions from around the web …
Anghus Houvouras, Flickering Myth: “Uncanny X-Men #1 takes us to the other side of the fractured X-Men. Cyclops, Magneto, and a handful of others have taken to recruiting new mutants to be part of their brotherhood. Cyclops still believes mutants need protection from the world around them and is willing to resort to violence if necessary. S.H.I.E.L.D. Director Maria Hill is approached by a mysterious foe who claims to have inside information about Cyclops and his mutant terrorists. Much of the issue is spent catching the audience up on the current state of mutant affairs. It seems that there is a traitor in their midst as someone is intent on seeing Cyclops suffer for his sins.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d be tempted to blow it all on the recolored Death of Superman collection for the ’90s nostalgia. But then I’d probably flip through it and come to my senses, and instead get something new like Fatale #12 ($3.50) by Ed Brubaker and Sean Phillips, which looks like it’s going to be a trip, flashing back to Medieval times but self-contained as a good entry point for new readers. That’s smart comics. Speaking of smarty-pants, I’d probably get The Manhattan Projects #9 ($3.50) by Jonathan Hickman and Nick Pitarra. It’s the first part of a two-part story about scientists trying to take over the world. There will probably be lots of words that leave me dizzy. I likely wouldn’t be able to resist Matt Wagner writing The Shadow: Year One #1 ($3.99) because, you know, The Shadow knows. I haven’t been following IDW’s G.I. Joe universe but G.I. Joe #1 ($3.99) by Fred Van Lente and Steve Kurth seems like a good opportunity to try it out. And I’d finish it off with Cyber Force #3 by Marc Silvestri and Koi Pham because it’s free.
With $30, I would add to the above. Darkhawk is on the cover of Avengers Arena #4 ($2.99) by Dennis Hopeless and Alessandro Vitti, so I’d be compelled to buy that. I’ve been meaning to check out Erik Burnham and Dan Schoening’s Ghostbusters since I hear it’s real fun, so the relaunched Ghostbusters #1 ($3.99) is a perfect opportunity. Morning Glories #24 ($2.99) by Nick Spencer and Joe Eisma seems too intriguing to pass up. I am so behind on the X-books, but I’d be real tempted to try Brian Michael Bendis and Chris Bachalo’s Uncanny X-Men #1 ($3.99).
My splurge item would be tough. I’d be real tempted to get either the Iron Man Omnibus collecting the entire run of David Michelinie, Bob Layton and John Romita Jr., including the famous alcoholism story, or Counter X: Generation X – Four Days by Brian Wood. But I’d probably end up instead getting the Daredevil By Mark Waid, Vol. 1 hardcover for $35. I don’t know, do I need to justify this purchase? It’s probably the most beloved superhero comic of last year, maybe for the last couple of years. It paved the way for similarly rejuvenating series at Marvel like Hawkeye, Captain Marvel, and Young Avengers. The art by Paolo Rivera and Marcos Martin is swoon-worthy. And it wants to be on my bookshelf, dagnabbit!
Last month DC Comics announced it will celebrate the February launch of Justice League of America with a staggering 52 variant covers that not only hit that magic number but also feature the flags of each of the 50 states plus Washington, D.C., and the Commonwealth of Puerto Rico (better luck next time, Northern Mariana Islands). As sales gimmicks go, it’s certainly … excessive, something even the publisher seems to recognize.
Not one to pass up a chance to rib (and one-up) the competition, Marvel has now revealed Stuart Immonen’s clever — if not exactly accurately named — 53 State Birds Variant for February’s Uncanny X-Men #1. As so many Marvel variant covers do, this one features the ubiquitous Deadpool and “all 52 state birds (+1).”
If you’ve been paying attention the last few weeks, you know the score–I’ve got 36 random questions that need to be answered, and every week I throw six of them at a different comic creator. What questions they answer is determined by the fates–or, more specifically, a random number generator.
Now let’s get to it …
Manga | Eight manga creators, including Rumiko Takahashi (InuYasha, Maison Ikkoku), will create new comics featuring the characters they are known for and donate the royalties to the effort to rebuild the Tohoku region of Japan, which was devastated by the 2011 earthquake and tsunami. The fund-raiser is being spearheaded by Gallery Fake creator Fujihiko Hosono. [The Japan Times]
Awards | While we were all busy at New York Comic Con, the Frankfurt Book Fair was going on in Germany, and Torsten Adair rounds up the comics awards that were given at the fair to German and international creators. [The Beat]
Conventions | Christopher Spata talks to some of the attendees at this past weekend’s Tampa Bay Comic Con, including the parents of a 1-year-old who was in costume—and already has a room full of superhero items. [Tampa Bay Online]
Nine Marvel series will end in October even as the publisher debuts Uncanny Avengers #1, the first title in its sweeping Marvel NOW! initiative.
According to Marvel’s October solicitations, which went live this morning, the month will mark the conclusions of Captain America, Fantastic Four, FF, Incredible Hulk, Invincible Iron Man, New Mutants, The Mighty Thor, Uncanny X-Men and X-Men Legacy.
Naturally, some of those aren’t entirely unexpected, as the new Uncanny Avengers, by Rick Remender and John Cassaday, will be joined in November by All-New X-Men, by Brian Michael Bendis and Stuart Immonen, followed by Avengers, by Jonathan Hickman and Jerome Opena, in December and New Avengers, by Hickman and Steve Epting, in January. Likewise, Ed Brubaker revealed two weeks ago that he’s ending his acclaimed seven-year-run on Captain America, a departure that dovetails nicely into Marvel’s relaunch plans.
However, what will replace such mainstay titles as Fantastic Four, Incredible Hulk, Invincible Iron Man and The Mighty Thor, and when, remains to be seen. Although it’s unlikely the publisher will go too long without versions of those comics on the shelves, Marvel has promised a slow rollout of relaunches between October and February.