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Comics A.M. | Does Desperate Dan hold key to City of Culture?

Desperate Dan

Desperate Dan

Comics | Could the competition to become the 2017 U.K. City of Culture hinge on … Desperate Dan, the pie-eating Wild West strongman from the long-running children’s comic The Dandy? Hull Daily Mail columnist Angus Young thinks the character could give Dundee the edge over fellow finalists Leicester, Swansea Bay and, yes, Hull. Dundee, Scotland, is home to The Dandy and The Beano publisher DC Thomson, and features statues of Desperate Dan and Beano character Minnie the Minx in its city center. “Having your picture taken next to the barrel-chested grizzly-chinned hero is apparently one of the top-ten things to do when visiting Dundee,” Young writes. “[...] This a bloke who thinks nothing of eating several cow pies in one sitting. A cowboy so tough he shaves his chin with a blowtorch and sleeps in a reinforced bed filled with building rubble.” The winner will be announced in November. [Hull Daily Mail, The Evening Telegraph]

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Valiant signs on to Amazon’s new fan-fic publishing platform

Valiant-logo-main-master-206x300When Amazon Publishing unveiled Kindle Worlds last month, one of the first questions in comics circles was which publisher would be the first to sign on to the program, which allows fan-fic writers to earn royalties for certain corporate-approved stories. Now we know the answer: Valiant Entertainment.

The recently revived publisher was announced this morning as part of the second wave of licensors, alongside bestselling authors Hugh Howey (Silo Saga), Barry Eisler (John Rain novels), Blake Crouch (Wayward Pines) and Neal Stephenson (Foreworld Saga). Under the agreement, writers will be able to create and sell stories inspired by Bloodshot, X-O Manowar, Archer & Armstrong, Harbinger and Shadowman, with more properties expected to be added later.

In addition, the Kindle Worlds Store will launch later this month with more than 50 commissioned works, including “Valiant-branded” short stories by Jason Starr, Robert Rodi, Stuart Moore and others. The Kindle Worlds self-service submission platform will open at the same time.

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Comics A.M. | Big crowds, long lines at Motor City Comic Con

Motor City Comic Con

Motor City Comic Con

Conventions | More than 30,000 people descended upon the 24th annual Motor City Comic Con over the weekend, with attendees reportedly waiting for up to two hours just to get into the parking lot, and then another one to four hours to get in the doors of Novi, Michigan’s Suburban Collection Showplace. Comics legend Stan Lee and The Walking Dead star Norman Reedus apparently contributed to the long lines, but the site was also hosting two other events and undergoing construction of a hotel, leading to a parking shortage. According to The Oakland Press, some fans parked as much as a mile away; traffic was backed up for miles. For the first time, the convention offered advance tickets, allowing attendees to pay extra in exchange for not having to wait in line. However, because of a mess-up, even those who pre-ordered had to wait in line. Related: Lee talks to USA Today during the convention. [The Oakland Press]

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Comics A.M. | TCAF wrap-up; Robocop license moves to BOOM!

TCAF poster by Taiyo Matsumoto

TCAF poster by Taiyo Matsumoto

Events | Heidi MacDonald beats everyone else to the punch and files the definitive report on the Toronto Comic Arts Festival, which featured a flurry of graphic novel debuts and appearances by artists as diverse as Taiyo Matsumoto (Tekkonkinkreet) and Andrew Hussie (Homestuck). [Publishers Weekly]

Publishing | BOOM! Studios will publish a line of Robocop comics beginning in August. Dynamite Entertainment had the license previously, but company President Nick Barrucci said the rights reverted to the licensor, who granted them to BOOM! [ICv2]

Publishing | Brian Truitt takes a look at Valiant’s lineup for the second summer of its new life, and he talks to the creators about the relaunch and their plans for the future. [USA Today]

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Comics A.M. | ‘Jupiter’s Legacy’ debuts to more than 100,000

Jupiter's Legacy #1

Jupiter’s Legacy #1

Comics sales | Is Mark Millar on to something after all? The first issue of Jupiter’s Legacy sold more than 105,000 copies to direct market stores in April; the only other Image comic to reach those numbers in recent years is The Walking Dead. ICv2 runs the numbers and also posts the Top 300 comics and graphic novels for April. [ICv2]

Passings | Matt Groening’s mother has died at the age of 94. Although she always went by Margaret, Groening borrowed her name for Marge Simpson in his animated series The Simpsons. [Comic Riffs]

Retailing | Amanda Emmert has resigned after nine years as executive director of ComicsPRO, the direct-market trade organization. [ComicsPRO]

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What Are You Reading? with ‘Task Force Rad Squad’

Task Force Rad Squad

Task Force Rad Squad

Hello and welcome to What Are You Reading?, our look at what comics and other things we’ve been perusing lately. Today our special guests are Caleb Goellner, Buster Moody and Ryan Hill, the creative team of Task Force Rad Squad, the hot new comic find of 2013. Especially if you were ever a Power Rangers fan. Or even if you weren’t, as Moody and Hill’s art is just kind of wonderful on its own. Our old friend and former colleague Graeme says it “pretty much does for Power Rangers what Jeffrey Brown’s Incredible Change-Bots does for Transformers,” and that’s a very apt description. You can download it yourself here, and pay whatever you think is fair.

And to see what Task Force Rad Squad + the Robot 6 Irregulars are reading, click below …

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Comics A.M. | ‘Philémon’ creator Fred dies at age 82

Philémon

Philémon

Passings | French cartoonist Theodor Friedrich Otto Aristidès, aka Fred, passed away Tuesday in a Paris hospital at age 82. He was best known for Philémon, his surrealistic comic about a French farm boy who fell down a well into a fantasy world akin to Wonderland. Fred was awarded the Grand Prix de la ville d’Angoulême in 1980, and had been the oldest living recipient. [L'Observateu de Beauvais]

Creators | John Layman, who’s writing  the 900th issue of Detective Comics (No. 19 in the New 52 continuity) talks about his plans for that and his creator-owned series Chew, and contrasts the two: “Well, the cases are weirder in Chew. There is an element that’s the same – you introduce a conflict, and then you have a detective with a certain skill set resolving it. … Batman’s just happen to be gadgets and fists. I guess if there’s a formula in the skeletal layer, it’s probably the same.” [Hero Complex]

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Quote of the Day | Maguire on ‘Quantum and Woody’ revival

trinity angels1“We Acclaim creators signed contracts before we started working on our projects that had a clause saying we could buy the rights to the material back for half the profits the material made in the previous 3 years. Several years after Acclaim went under, Priest and Bright tried to get the Q/W rights and were told that the contracts we signed were never submitted to a different division of Acclaim and were thus considered invalid. Someone else came in and bought up all the Valiant/Acclaim leaving us with nothing. I’ve been following what Priest/Bright were doing because I wanted the rights to Trinity Angels back. But the legal fees it would cost to get it back would just be too much for us. I’m pretty sure Priest/Bright are not pleased with the new Q/W, but I don’t know that for a fact. As I said, I know if they went in and re-vamped Trinity Angels, I would be furious. There are only three properties that sprung completely from my imagination — Strikeback, Trinity Angels, and Tanga. I consider them my children and would not abide anyone else giving voice to those characters.”

Kevin Maguire, creator of the 1997-’98 Acclaim series Trinity Angels, reacting to news that Valiant Entertainment is resurrecting Quantum and Woody, the mid-’90s brainchild of Christopher Priest and Mark Bright. “I will announce right now that if they have any intentions of re-vamping Trinity Angels without me, I will be 1000% against it,” he said. “I should have the rights to the material, just as Priest/Bright should have the rights to Quantum and Woody.”

In an interview today with Comic Book Resources, Valiant CEO and Chief Creative Officer Dinesh Shamdasani said the company has spoken with Priest and Bright “about a bunch of different projects — most recently one that I’m super-excited about.” “We have a couple things up in the air with Chris, and we’re pulling to circle back and solidify them now that we have the new series up and running in a place we’re happy about.”

Conversing on Comics with Rian Hughes

HEADER Rian Hughes Conversing On Comics

Comics are more than just drawing pretty pictures and great muscled physiques. They’re about telling a story, through sequences of images but also through the image itself. And British artist Rian Hughes has spent years figuring out how to tell a story, in sequential art as well as in standalone images, package designs and even fonts.

After bursting onto the comics scene as an artist in Escape and 2000AD, Hughes expanded his skills to become a designer and illustrator for comics in England, Europe and the United States. He went on to design a number of logos and mastheads for DC Comics, Marvel and Valiant, and his work on Wildcats 3.0 and Invincible Iron Man proved to be high-water marks for comic book covers. Image and Knockabout Books recently began reprinting some of Hughes’ early comics work, and this summer will see the release of an artbook chronicling his portraits taken from London’s underworld burlesque scene.

For this week’s “Conversing on Comics,” I spoke with Hughes about his forthcoming art book and other upcoming projects, and received a look at his past work, including a never-before-seen set of designs he created for Invincible Iron Man.

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Comics A.M. | Comix Experience robbed; Wertham’s distortions

comix experience

Crime | Comix Experience in San Francisco was robbed at gunpoint Friday afternoon, with two young men demanding that owner Brian Hibbs empty the cash register containing about $75 and turn over an iPhone used for credit card transactions. A Lower Haight neighborhood blog interviewed Hibbs about the incident:  “Divis [Divisadero Street] is generally pretty safe these days, so I was a LITTLE shocked at, y’know, a ‘brazen daylight armed robbery’ of it — but I am kind of more shocked that anyone thought that a comic book store was a high value target about an hour after they opened. Hell, life is like 85% credit cards these days, so even at our fattest there’s seldom enough to risk that kind of jail time, in my opinion …” [Haighteration]

History | Scholar Carol Tilley gives a first-person account of her research on Fredric Wertham, the super-villain of comics history, and how looking through his papers led her to an unexpected conclusion: His published works misrepresented what his research subjects had told him: “For many hard-to-articulate reasons, I didn’t want to write the scholarly paper on Wertham and the problems I found in his evidence, but not to write it seemed a disservice to the young people whose words and experiences Wertham distorted to help make his case against comics.” [Boing Boing]

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Reuben finalists announced; Russ Manning nominees sought

Pearls Before Swine

Pearls Before Swine

Awards | Brian Crane (Pickles), Rick Kirkman (Baby Blues) and Stephan Pastis (Pearls Before Swine) have been nominated for the 2012 Reuben Award for Outstanding Cartoonist of the Year, presented by the National Cartoonists Society. [National Cartoonists Society]

Awards | Nominations are being sought for the Russ Manning Most Promising Newcomer Award, which will be presented July 19 at Comic-Con International during the Eisner Awards ceremony. The deadline is April 5. [Comic-Con International]

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Food or Comics? | Snapple or Snapshot

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Snapshot #1

Graeme McMillan

It’s a busy week at the store for me, it seems. If I had $15 this week, I’d pick up Harbinger #0 (Valiant, $3.99), the one-shot revealing the backstory of the surprisingly compelling relaunch/reboot of the 1990s series, as well as the first issues of Fearless Defenders (Marvel, $2.99) and Snapshot (Image, $2.99). The latter, I’ve already read in its Judge Dredd Megazine serialization, but I’m really curious to see if it reads differently in longer chapters; the former, I’m just hopeful for, given the high concept and involvement of Cullen Bunn.

If I had $30, I’d add the reissued 7 Miles A Second HC (Fantagraphics, $19.99) to my pile. I remember reading the original Vertigo version of this in the 1990s, and am definitely curious to see what this recolored edition, with pages restored after being cut from the Vertigo edition, is like.

Splurging, I find myself drawn to IDW’s Doctor Who Omnibus, Vol. 1 ($29.99). I blame the lack of new Doctor Who on the television right now. That month-and-a-bit is far too long to wait …!

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Food or Comics? | Steak or Star Wars

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Star Wars #1

Chris Arrant

If I had $15 (big “if” this week!), I’d take a break from the struggles of adult life and find sanctuary in the pages of high mythology thanks to Jason Aaron and Esad Ribic’s Thor: God of Thunder #4 (Marvel, $3.99). Aaron and Ribic have really build up an excellent foil for Thor in the God-Killer, and also snuck in the idea of Young Thor and Old Thor – something I’d love to see expounded upon in their own series or one-shot (hint-hint). Second up would be the startling potent promise of Star Wars #1 (Dark Horse, $2.99). I never thought I’d see Brian Wood do a Star Wars comic, but I’m so glad he is – and seemingly doing it on his own terms. Thinking of him writing Princess Leia, and the potential there specifically has been rolling around in my brain for weeks. Third, I’d get two promising artist-centric series (at least for me) in B.P.R.D.: Hell On Earth — Abyss Time #1 (Dark Horse, $3.50) and TMNT: Secret of the Foot Clan #1 (IDW, $3.99). James Harren and Mateus Santolouco, respectively, are two artists I’ve been keen on for the past year and both of these books look like potential breakouts to a bigger stage. On the TMNT side, I’ve always thought Shredder and the Foot Clan to be one of the most overlooked great villains in comics, so I’m glad to see some focus on that and some potential answers.

If I had $30, I’d continue my super(comic)market sweep with Womanthology: Space #4 (IDW, $3.99). This series has two things I love: new, young creators and a space theme. I’ve been on a space opera/sci-fi kick for a while now thanks to Saga and re-reading some Heinlein, so this anthology series comes to me most fortuitously. Next up would be Legend of Luther Strode #2 (Image, $3.50). Luther Strode is a real down-and-out kind of hero, like some sort of action-based Charlie Brown. Tradd Moore’s artwork really makes this sing, too. Finally, I’d get two Marvel books with Secret Avengers #36 (Marvel, $3.99) and Wolverine and the X-Men #23 (Marvel, $3.99). I’m gritting my teeth on the latter – not because it’s bad, but because it isn’t as good for me as the previous arcs. For Secret Avengers, I feel Rick Remender and Matteo Scalera’s run on this has been sadly overlooked in the wave of Marvel NOW books, but this mega-arc about the Descendents and now Black-Ant has been great. I’d love to see Black-Ant as a permanent part of the Marvel U.

If I could splurge, I’d throw practicality out the door and shell out big bucks for the Black Incal deluxe hardcover (Humanoids, $79.95). There’s few times I’d spend nearly 80 bucks on a comic, but this classic story by Alejandro Jodorowsky and Moebius is one of those once-in-a-blue-moon kind of things. This has been reprinted numerous times (I have an older one), but I’m re-buying the story here for the deluxe treatment this volume has with its large size.

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Comics A.M. | Disney reportedly tightening belt, mulling layoffs

The Walt Disney Co.

Business | Marvel parent The Walt Disney Co., which just purchased Lucasfilm for $4.05 billion, reportedly has begun an internal cost-cutting review that could include layoffs in its studio and other divisions. The cutbacks are believed to focus on jobs that are no longer needed because of technological advancements and redundancies created by the acquisition of Pixar in 2006, Marvel in 2009 and Lucasfilm in 2012. Disney has made a series of staff cutbacks over the past couple of years, beginning in January 2011 with 200 jobs in its interactive division; Marvel trimmed about a dozen positions in October 2011. [Yahoo! Finance]

Publishing | Robert Stanley Martin takes a new look at Jim Shooter’s tenure as editor-in-chief of Marvel. [The Hooded Utilitarian]

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Patrick Zircher on Shadowman, plus an exclusive preview of Issue 3

Possessed by a spirit that dwells within him, charged with protecting the people of New Orleans from ghastly creatures from the beyond, Shadowman has always been a dark character. With the revival of this classic Valiant series, Patrick Zircher and Justin Jordan have “hit the refresh button,” as Zircher says below, going back to the moment when Jack begins to experience himself as the Shadowman and moving forward from there. His old nemesis, Master Darque, is still in the picture, but Jack’s more immediate problem is a horrifying new villain, Mr. Twist. I talked to Zircher, penciler and co-writer of the series, about where he and Jordan plan to take Jack. Valiant also provided ROBOT 6 with an exclusive preview of Shadowman #3.

Robot 6: How did you get this gig? And did you start out as a co-writer as well as the artist, or did that just evolve?

Patrick Zircher: Warren Simons, Valiant’s executive editor, called. Warren and I had worked together at Marvel on Thor, Iron Fist, and several other books. Warren was one of Marvel’s best, and he has always been willing to let me expand as a creator. I first began inking my own work for Warren and we talked even then about writing, too. With Valiant, from the get-go we discussed it as well as drawing. The capacity of the writing has evolved. As I’ve shown what I can do, I’m, happily, writing more.

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