van jensen Archives - Robot 6 @ Comic Book Resources
This past Friday, Pat Quinn, SCAD Atlanta Associate Chair of Sequential Art, invited me to observe GENERATE, the school’s version of 24-hour comic day. (SCAD calls it GENERATE to allow any other of the school’s departments that wants to participate can do their own 24-hour challenge). The event kicked off at 10 AM on Friday. Students participating in GENERATE are challenged to create a 24 page black and white print ready comic in 24 hours from a blank slate. This year, they introduced an option for students to form a team to produce the book, those who chose that option had to also color the comic.
Banned Books Week | Michael Cavna talks with Jeff Smith, Scott McCloud and Neil Gaiman about the importance of Banned Books Week. Says Gaiman, “I get tired of when people say that no books are banned just because [you can get it elsewhere]. Say you’re a kid in a school district [that banned a book] and there’s not a local Barnes & Noble and you don’t have 20 or 50 bucks in disposable income … That book is gone. It was there and now it’s not. The fact you can buy it on Amazon doesn’t make that any less bad.” [Comic Riffs]
Banned Books Week | Charles Brownstein, executive director of the Comic Book Legal Defense Fund, discusses comics and censorship in a video interview. [Reason Magazine]
Legal | A former Marvel intern has filed a class-action lawsuit against the company, alleging he was incorrectly classified and unfairly denied “minimum wages.” Kenneth Jackson of Lancaster, Pennsylvania, claims he’s owed back pay for the work he performed for Marvel from August 2008 to December 2008, and seeks to include in his motion “all similarly situated persons who are presently or formerly employed by Marvel Entertainment, LLC.” [TheWrap]
Passings | Pran Sharma, the creator of the Indian comics character Chacha Chaudhary, died late Tuesday of complications from cancer. He was 75. The first comic featuring Chacha, “a wise old man who solves problems with his sharp intellect,” was published in 1971, and the character went on to star in his own comics and animated series. Sharma also created the teenage character Billoo. “If I could put a smile on the face of the poor, I would consider my life successful,” he once said. [The Wall Street Journal]
On the first day of HeroesCon 2014, the 32nd edition of the Charlotte, North Carolina, comics convention founded and still run by Shelton Drum, I tried to cover a lot of ground in taking photographs. When possible I found out about the current or upcoming projects in the pipeline for the creators photographed.
He’s written sentient living planets, talking wooden puppets and the Fastest Man Alive, but The Leg: Or, the Remarkable Return of the Disembodied Limb of Santa Anna may feature Van Jensen’s strangest protagonist yet.
Jensen teamed up with artist Jose Pimienta to tell the tale of, yes, the leg of Antonio López de Santa Anna, the famous Mexican general and president who fought for Mexican independence from Spain as well as against Texas rebels at the Alamo. He later lost his leg while fighting the French in the Pastry War.
And now the leg is back, in a graphic novel that Jensen and Pimienta hope to self-publish by raising funds through Kickstarter. They’re looking for $10,000 to bring story to print, while their $25,000 stretch goal would allow them to also release a Spanish-language edition.
I spoke with Jensen about the Kickstarter and his inspiration for this tale.
Manga | The 13 volumes to date of Hajime Isayama’s dystopian fantasy Attack on Titan have sold a combined 30.37 million copies in Japan, making the manga only the third series to do so since market research firm Oricon began tracking the numbers in 2009 (the first two were, of course, mega-hits One Piece and Naruto). [Anime News Network]
Digital comics | John Casteele considers the acquisition of comiXology from Amazon’s point of view: “It’s easy to see how the ComiXology purchase is going to benefit Amazon. Access to the ComiXology platform not only provides the company with additional revenues from the growing digital comics market and to the comic series that had the highest-selling single issue in 2013 (The Walking Dead, which also had five of the top 10 best-selling graphic novels for the year). It could also provide synergy with Jet City Comics and the Kindle, giving both access to the ComiXology publishing platform. Amazon could also use its Kindle platform to further refine the ComiXology’s ‘Comics’ app, which is already available for the Kindle Fire but might enjoy more direct integration in the future.” [Business Insider]
Digital comics | In today’s Amazon-acquires-comiXology article, Rachel Edidin deflates much of the hype, and the panic, surrounding the deal, pointing out that comics distribution is already a monopoly, large corporations already run the comics market, and comics have been available on Kindle all along: “Is the concern [...] a distribution monopoly? If so, the direct market is in no position to criticize: over the last 15 years, Diamond Comics Distributors has consumed almost all independent print distribution in comics, and dictates practices and policy to retailers and publishers alike. The idea that print comics are somehow more independent than their digital cousins — or a scrappy underdog fighting the good fight against evil corporate profiteers — is frankly ridiculous.” [Wired]
Awards | Michael Cavna talks with Kevin Siers of the Charlotte Observer about winning the Pulitzer Prize in cartooning. [Comic Riffs]
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In this round, see what Van Jensen, Faith Erin Hicks, Thom Zahler, Andrew MacLean, Tyler Kirkham, Ian Harker, Ryan Ferrier, Jay Faerber, Matt Silady and Matthew Petz had to say.
And if you missed them, be sure to check out Part 1, Part 2 and Part 3, where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson and many more. And we still have plenty to go, so check back Wednesday to hear from more creators!
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Joining us today is Van Jensen, writer of the Pinocchio Vampire Slayer series and Green Lantern Corps.
Now let’s get to it …
Did we know there’s another Pinocchio, Vampire Slayer story in the works? ‘Cause I just stumbled across this image on the PVS website with the announcement that it’s something creators Dusty Higgins and Van Jensen are working on.
In a throwaway line from Pinocchio, Vampire Slayer, Volume 3, a character mentions a vampire-infested zoo and quips, “Remember the vampire gorilla?” Higgins and Jensen not only remember it, they “have always planned on eventually telling it.” It’ll be a short story featuring all the vampire-slaying puppets from the graphic novels; the creators just have to work out the details of how it’ll be released.
Update: Jensen provides some additional PVS-related info in our comments section: “Also, for those who missed the announcement at Comic-Con, Top Shelf Productions will be publishing an omnibus edition of PVS in 2014. We’re thrilled to partner with the Top Shelf folks and to have the entire story in one place. Digital editions will be coming as well. Release dates not set as of yet, but we’ll announce all of that soon.”
It was only three months ago that writer Joshua Hale Fialkov abruptly resigned from DC Comics’ Green Lantern Corps and Red Lanterns before his runs could even begin due to, as Comic Book Resources and Bleeding Cool reported, an editorial edict to kill off John Stewart. The news was met initially by a “no comment” from the publisher, followed by an assurance from incoming Green Lantern Corps co-plotter Robert Venditti that he and writer Van Jensen “have never even contemplated killing John Stewart.” A DC representative added, “Seeing a lot of unverified reports on this. To clarify: John Stewart is not going anywhere.”
So why bring this up now? Because this week’s Green Lantern Corps #21, the first issue of Jensen and Venditti’s tenure, features a pretty obvious wink and nod to the March controversy.
At least a couple of times over the course of the weekend, Bill Willingham talked about his goal for the Fabletown and Beyond convention he hosted in Rochester, Minnesota. He may not have actually used the term “bucket list,” but that’s essentially what the show seems to have been for him: an opportunity to throw the kind of comics convention he wanted to attend and to see if other creators and fans would enjoy it just as much. From the standing ovation he received at Sunday’s closing ceremony, it appears he was right.
Chris Roberson pointed out to me that Fabletown and Beyond was a lot like fantasy and sci-fi literary conventions. It had that feel from the opening ceremony (an idea Willingham freely admits to stealing from fantasy/sci-fi shows) to the final farewell. It was completely focused on comics and storytelling, and it was a uniquely intimate experience. The show was only designed to accommodate a maximum of 500 attendees, and it got 505. That meant I kept seeing the same faces over and over again all weekend — creators and fans alike — so that by the third day, even people I never talked to were familiar. Instead of a hectic event where people rushed from place to place trying to see and do everything they wanted to, it was a relaxed environment that felt more like just hanging out with friends. Really smart, interesting friends.
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Following events like last year’s ImageCon and MorrisonCon, Fabletown and Beyond is the most recent comic convention devoted to serving a specific segment of readers: in this case, fans of what Fables creator Bill Willingham describes as “Mythic Fiction.” Fabletown and Beyond takes place this weekend in Willingham’s community of Rochester, Minnesota, and celebrates comics that include and update “fairytales, folklore, myth, legend, talking animals, and characters from literature.”
The festivities begin at 3 p.m. Friday and run practically non-stop until 6 p.m. Sunday. Programming is scheduled to go late into the evening on Friday and Saturday with the convention’s bar (an even more important element of this convention than most) staying open until 2 a.m.
The convention will take place in two locations, connected by skyways to allow attendees protection from the Minnesota weather. The dealers’ area, Artist
Alley Boulevard, and programming rooms will be located in in the Mayo Civic Center, with the opening ceremony and other special events held in the Kahler Grand Hotel. The hotel is also the location of the Elizabethan bar (re-named the Kill Shakespeare Bar for the weekend) that will be taken over for the exclusive use of the convention.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d make up for lost time and get the first collection of Mind the Gap (Image, $9.99). Rodin Esquejo is an absolute gem in my opinion, and Jim McCann looks to have crafted a story with some definite suspenseful power. After that I’d get James Stokoe’s Godzilla: Half Century War #3 (IDW, $3.99). This has become one of my favorite serials to come out, which for a work-for-hire book is tough. Instead of doing a story in service of the concept, it uses the concept to create a great story – and Stokoe really loves Godzilla and puts a face to those humans who oppose him. Finally, I’d get the free Cyber Force #1 (Image/Top Cow, $0) because, well, it’s free. I have an unabashed love for the original Cyber Force, and previous reboots haven’t really gelled the way I wanted to. I’m excited to see what Matt Hawkins brings to this, and I’m glad Silvestri is involved even if only on covers and designs.
If I had $30, I’d first stop for Glory #29 (Image, $3.99). I tend to read this series in built-up bursts, and I’m overdue to catch up. I like the monstrous rage Ross Campbell brings to this, and seeing Joe Keatinge capitalize on the artist he has to create a broader story is thrilling. After that I’d get a Marvel three-pack in Hawkeye #3 (Marvel, $2.99), Daredevil #19 (Marvel, $2.99) and AvX Consequences #2 (Marvel, $3.99). I’d buy David Aja illustrating a phone book – seeing him getting a great story is icing on the cake.
If I could splurge, I’d lash onto Charles Burns’ The Hive (Pantheon, $21.95). I’m reluctantly late to the game when it comes to Charles Burns, but X’ed Out clued me into his awesome cartooning power. After devouring his previous work, I’m excited to read The Hive as it first comes out. I don’t quite know what to expect, but after finally coming around to Burn’s skill I’m up for pretty much anything. Continue Reading »
Next month will see the release of the final installment in Van Jensen‘s and Dusty Higgins‘ Pinocchio, Vampire Slayer series of books, Of Wood and Blood, Part Two. To mark this milestone as well as find out what creative projects he intends to pursue in the future, I cajoled longtime friend of the blog Jensen to do an interview. I was pleased to learn that while Pinocchio, Vampire Slayer is coming to a close, Joe Pimienta is illustrating Jensen’s upcoming graphic novel, The Leg. More immediately, Jensen will be busy this upcoming weekend in Atlanta–as he will be at Dragon*Con, so be sure to visit him if you are there.
Tim O’Shea: You’re ending Pinocchio on a high note, while the project seems to still be doing well. Why step away — and how hard was it to do?
Van Jensen: When Dusty and I were working on the first volume, I came up with this notion of how to explain where Pinocchio came from (the original story has him as a sentient piece of wood that is carved into a puppet, not a puppet that’s magically brought to life) and tie that into the origin of the vampires. We realized it would make a perfect contained storyline; the question was always whether the book would sell enough for us to explore the whole story.