Vertigo
Comics A.M. | Digital comics market triples to $25 million
DC Comics app
Digital comics | ICv2 estimates the total value of the digital comics market in 2011 as $25 million, triple the 2010 figure, and boldly predicts that digital will account for 10 percent of the entire comics market in 2012. Digital sales grew faster in the second half of the year, which ICv2 attributes to three factors: DC’s decision to release its New 52 comics digitally the same day as print, the industry-wide trend toward same-day print and digital releases, and the proliferation of different platforms on which to read digital comics. As for digital taking away from print, the publishing executives ICv2 has spoken to over the past few months don’t seem to think that is happening. [ICv2]
Retailing | Retailer and journalist Matt Price takes the temperature at the ComicsPRO Annual Members Meeting, which kicks off today in Dallas, noting that members remain interested in DC’s publishing plans, and report “very strong sales” for Image’s Fatale and Thief of Thieves. [Nerdage]
- February 9, 2012 @ 07:15 AM by Brigid Alverson and JK Parkin
Frosty first look at Adam Hughes’ cover for Fairest #3
Adam Hughes has revealed his cover for the third issue of Fairest, Vertigo’s upcoming Fables spinoff series that will spotlight such female characters as Thumbelina, Rapunzel, Snow White and Rose Red. While the six-issue initial arc, by Fables creator Bill Willingham and artists Phil Jimenez and Andy Lanning, centers on Briar Rose, Hughes puts Lumi, the Snow Queen (previously seen in the background of his cover for Fairest #1) front and center.
Check out the full image below. Fairest debuts from Vertigo in March; the third issue arrives in May.
- February 3, 2012 @ 08:00 AM by Kevin Melrose
Vertigo plans deluxe Death, new Ronald Wimberly OGN in late 2012
Prince of Cats
DC Comics unveiled their plans for collections, trades and original graphic novels yesterday for late 2012, both for the DC line (which included the Amethyst news) and for Vertigo. In addition to collections of ongoing titles like The Unwritten and the upcoming Saucer Country, the Vertigo list included a few items of note:
- Fables: Werewolves of the Heartland, which was supposed to be out last fall but was delayed until September 2012, has now been pushed back to November 2012.
- Just in time for Halloween is a deluxe edition that collects the various Death miniseries that Neil Gaiman wrote during his epic run on Sandman. It includes both The High Cost of Living and The Time of Your Life, as well as the Death-centric stories from Sandman #8 and #20. It also includes a bunch of shorter stories, like the Death tale from the 9/11 book DC put out and the infamous public service announcement piece about the proper way to put on a condom, starring Death, John Constantine and a banana.
- And in September Vertigo will release an new original graphic novel by Ronald Wimberly, who drew Sentences: The Life of M.F. Grimm and some other books for Vertigo. I’m not sure exactly what the book is about, but Wimberly has a Tumblr set up where he is posting art, like the piece up top.
- January 31, 2012 @ 12:00 PM by JK Parkin
Grumpy Old Fan | Can the New 52 count on the Next Six’s Earth-2?
"You're not going out in *that*?!?"
Although they won’t be solicited for a few more weeks, DC has already been talking up the six new(ish) titles coming in May. G.I. Combat, Dial H, Ravagers, and Worlds’ Finest join the returning Batman Incorporated and the long-rumored Justice So– I mean, Earth 2 — as the replacements for most of the New-52′s lowest-selling books.
As with the original New-52 group, every new title except one is familiar to longtime DC fans; and as with the original New-52, that book spins out of an existing feature. (Then it was Batman Incorporated begetting Batwing; here it’s the Teen Titans/Superboy nexus spawning Ravagers.) However, where the New-52 tried noticeably to make many of its books accessible — or at least uprooted them from established DC lore — most of the new titles seem to require some prerequisite reading.
- January 26, 2012 @ 02:00 PM by Tom Bondurant
Comics A.M. | San Diego Convention Center plan advances
San Diego Convention Center
Conventions | San Diego City Council on Tuesday approved the basic funding plan for the proposed $500 million expansion of the San Diego Convention Center, home to Comic-Con International. At the center of the financing scheme is an assessment district that adds between between 1 cents and 3 cents per dollar to room taxes of 224 hotels with more than 30 rooms. Those hotels closest to the convention center would be assessed an extra 3 cents per dollar, and those farthest away could be charged an extra penny per dollar.
The expansion plan has a ticking clock, as Comic-Con has signed a deal to remain in San Diego through 2015, but larger venues in Las Vegas and Anaheim have been lobbying organizers to look elsewhere. [NBC San Diego]
- January 25, 2012 @ 06:55 AM by Brigid Alverson and JK Parkin
Previews: What Looks Good for March
The Art of Daniel Clowes: Modern Cartoonist
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that we don’t have to come up with a new way to say, “Batwoman is still awesome!” every month. And we’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
One cool change this month and for the foreseeable future: I’m joined by Graeme McMillan who’ll also be pointing out his favorites.
Finally, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Abrams Comicarts
The Art of Daniel Clowes: Modern Cartoonist – I admit, I tend to run hot and cold on Clowes’ output, but I’m a sucker for coffee-table career retrospectives, so the idea of taking 224 pages to look back at his career to date (with, of course, the traditional little-seen artwork and commentary) seems like a must-look at the very least. [Graeme]
Abstract Studios
Rachel Rising, Volume 1: The Shadow of Death – Terry Moore’s latest series gets its first collection and I love the premise of a woman’s waking up in a shallow grave with no memory of how she got there and needing to figure out who tried to kill to her. [Michael]
- January 24, 2012 @ 12:00 PM by Michael May
Monday art break: Philip Bond draws women astronauts
Sci-fi fan and space shuttle astronaut Janice Voss
Vertigo artist Philip Bond started drawing portraits of women astronauts and cosmonauts a few years ago. “Working for months at a time just penciling a comic book I started these portraits to get a bit of inking and colouring out of my system,” he writes. Although his original plan was to do one a week, his output has ended up being more irregular. No matter. He just added a few more, which is as good an excuse as any to take a look at the whole series of 25 drawings.
Via the Forbidden Planet blog.
- January 23, 2012 @ 12:00 PM by Brigid Alverson
DC confirms creators, release date for Girl With the Dragon Tattoo
The Girl With the Dragon Tattoo, by Lee Bermejo
A month after crime novelist Denise Mina revealed she’s adapting Stieg Larsson’s bestselling Millennium trilogy for Vertigo, DC Entertainment confirmed this morning she’ll be joined on The Girl With the Dragon Tattoo by Leonardo Manco, Andrea Mutti and Lee Bermejo. The graphic novel is set for release in November.
Announced in October, each book in the acclaimed mystery series — The Girl With the Dragon Tattoo, The Girl Who Played With Fire and The Girl Who Kicked the Hornets’ Nest — will be presented as two graphic novel volumes that will be available in print and digital formats.
The Millennium trilogy, which has sold more than 60 million copies worldwide since the release of The Girl With the Dragon Tattoo in 2005 in Sweden, centers on Lisbeth Salander, and eccentric computer hacker, and Mikael Blomkvist, and investigative journalist and magazine editor. They’re brought together in the first novel to solve a 40-year-old missing person’s case. Larsson, a Swedish journalist and author, passed away in 2004 at age 50, leaving the completed manuscripts for the first three novels in what was intended as a 10-book series.
“We’re thrilled to be adapting this incredible story into a series of graphic novels,” Vertigo Executive Editor Karen Berger said in a statement. “Denise, Lee, Leonardo and Andrea have such great passion for the material and stylistically they’re a perfect match to bring it to comics life. Their beautifully dark and visceral work will certainly blow us all away.”
- January 13, 2012 @ 07:00 AM by Kevin Melrose
A very Vertigo Christmas from Phillip Bond
The above illustration is one artist Phillip Bond created an office party at DC for the floor that houses the Mad and Vertigo imprints. Encouraged to do it by his wife (and Vertigo editor) Shelly, this great piece of illustration is a mash-up of Rankin & Bass’ Island of Misfit Toys from Rudolph The Red-Nosed Reindeer with Mad’s Alfred E. Numan an a number of DC and Vertigo stalwarts. Shared with the world on Bond’s Flickr photostream, it’d make a great wallpaper for your computer. See if you can name all of the characters Bond drew.
- December 29, 2011 @ 10:00 AM by Chris Arrant
Food or Comics? | Char-broiled Chase
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
DMZ #72
Chris Arrant
If I had $15, I’d reverently pick up the big release of the week: the final issue of DMZ, #72 (DC/Vertigo, $2.99). Wood and Burchielli have done something special here, and I easily see the series taking its place next to Preacher and Transmet as Vertigo (and mature comic) staples. Next up I’d get a dose of a new Vertigo series, Spaceman #3 (DC/Vertigo, $2.99); Azzarello and Risso definitely zigged when most thought they would zag, and in this shaking off of the long shadow of 100 Bullets they’ve created something decidedly unique and spellbinding. Next up I’d get another DC book, this time All Star Western #4 (DC, $3.99); I’ve really enjoyed Palmiotti and Gray taking Jonah Hex into the big city here and opening up the world and heroes of these tumbleweed times, and I’m excited for the new back-up featuring a literal firebrand of a female. Finally, my last book on a $15 budget would be Avengers: Children’s Crusade #8 (Marvel, $3.99); I could write a whole article on how the schedule’s affected this book, but despite all that what we’ve got is a great story. Despite all the delays, I’m apprehensive about the final issue because it’ll probably be the last we’ll see of Allan Heinberg in the Marvel U for a long time.
If I had $30, I’d thank the yuletime gods and pick up the vibrant new issue of Haunt, #20 (Image, $2.99). I don’t know what’s in the water at Image, but they’ve orchestrated a series of recent inspired and left-field revamps of their books: Casey/Fox on Haunt, the upcoming Keatinge/Campbell on Glory, Graham/Roy on Prophet. Next up I’d get Top Cow’s Artifacts #12 (Image/Top Cow, $3.99); I admit coming onto this series late, but thanks to a plush assignment I was able to tear through the past two years of Top Cow comics and found I really enjoyed their current event book. After I read and re-read that book, I’d get a double-shot of Marvel with Captain America & Bucky #625 (Marvel, $2.99) and FF #13 (Marvel, $2.99); love what the writers are doing here, but the recent choices by editors for their new artists have made both these books even more enticing for me. Juan Bobillo drawing Hickman’s scripts on FF especially gives it a creepy vibe I’d love to see more of. Speaking of art, my final pick for this final week of the year would be the artistic tour de force of Flash #4 (DC, $2.99); Manapul and Buccellato are really showing their stuff, providing story to enable Manapul to do some of the most dynamic and heart-wrenching work of his career. In the back of my mind I’m worried what happens when Manapul needs a break from drawing: much like finding an appropriate artist for J.H. Williams 3 to rotate with on Batwoman, a suitable second for The Flash will be hard to come by.
My splurge this week is the under-the-radar collection Broadcast TV: Doodles of Henry Flint (Markosia, $19.99). I’d buy an art book by Henry Flint on face value alone, but from the limited previews I’ve seen of the book online it’s something far, far more unique. These are off-hand doodles Flint’s done in his spare time over the past five years, but I’m not talking about quick sketches: “doodles” as in ornate mind-benders where Flint literally doodled his heart out. Once I get this in my merry hands, I’ll be going over it with a fine tooth comb, magnifying glass and anything else I can find.
- December 27, 2011 @ 04:26 PM by Michael May
Comics A.M. | Filling void left by Atomic Comics bankruptcy
Atomic Comics
Retailing | In the wake of the August closing of the Atomic Comics chain, Mesa, Arizona-area retailers are searching for ways to diversify in an attempt to keep their own stores afloat. Mike Banks, owner of Samurai Comics, has even opened a new location next to Atomic’s former flagship store to serve customers who suddenly found themselves without a comics shop. [East Valley Tribune]
Creators | Mike Mignola talks about his plans for next year’s Hellboy in Hell: “It’s a personal story about him, but with huge ramifications for the structure of Hell. I’m trying to get Hellboy free of the giant, Beast-of-the-Apocalypse storyline. That story has to get bigger before it can be put away. This first arc is the culmination of all the prophecy crap I’ve been trotting out throughout the years. We put a lot of things to bed.” Mignola also discusses his plans for B.P.R.D. and why he can’t watch the pilot of The Amazing Screw-On Head. [io9]
Creators | Tom Spurgeon continues his holiday interview series with a lengthy chat with Jeff Parker that spans his early comics-reading experiences, the influence of his artistic background on his writing, and his career at Marvel. [The Comics Reporter]
- December 27, 2011 @ 07:15 AM by Brigid Alverson and JK Parkin
Anthony Bourdain’s Get Jiro! gets a cover and synopsis
The pre-order listing for Anthony Bourdain’s “gourmet slaughterfest” graphic novel Get Jiro! has surfaced on Amazon.com, and with it the Langdon Foss-drawn cover.
Arriving July 3, the 160-page Vertigo graphic novel marks the comics debut of the acerbic chef turned author turned television host, who collaborated with friend and novelist Joel Rose and Heavy Metal artist Foss.
Bourdain first teased the book in September 2010, characterizing Get Jiro! as “sort of like Fistful of Dollars meets Eat Drink Man Woman” or, alternately, “Yojimbo meets Big Night and Babette’s Feast, an ultra-violent slaughter-fest over culinary arcana.” If you’re hoping for something a little more specific, you’re in luck, as the Amazon listing includes an official synopsis:
In a not-too-distant future L.A. where master chefs rule the town like crime lords and people literally kill for a seat at the best restaurants, a bloody culinary war is raging.
On one side, the Internationalists, who blend foods from all over the world into exotic delights. On the other, the “Vertical Farm,” who prepare nothing but organic, vegetarian, macrobiotic dishes. Into this maelstrom steps Jiro, a renegade and ruthless sushi chef, known to decapitate patrons who dare request a California Roll, or who stir wasabi into their soy sauce. Both sides want Jiro to join their factions. Jiro, however has bigger ideas, and in the end, no chef may be left alive!
If there had been any doubts before, that sure make it clear: Food nerds, this book’s for you.
(via Anthony Bourdain)
- December 19, 2011 @ 11:00 AM by Kevin Melrose
Comics A.M. | Wizard tries to ‘reach out’; Image Expo adds creators
Wizard
Conventions | Wizard’s executive chairman Mike Mathews tells Heidi MacDonald that after the resignation of former CEO Gareb Shamus, the company wants to be “a Switzerland of entertainment” and mend fences with members of the industry: “Gareb is one of these types of personalities who has taken strong positions over the years with various people in the industry and brands. And that kind of hurt us because of where we are trying to go — we’re trying to be a Switzerland of entertainment and we want to try to try to reach out to brands.” MacDonald notes the company is offering a $100 credit toward Wizard conventions to former Wizard subscribers whose subscriptions abruptly ended when the magazine was shut down. A new CEO is expected to be named early next month. [The Beat]
Conventions | Image Comics announced several more guests for the Image Expo, scheduled for Feb. 24-26 in Oakland, California. The lineup now includes Blair Butler, John Layman, Rob Guillory, Nick Spencer, Joshua Fialkov, Joe Keatinge, Jim McCann and Jim Zubkavich, among many others. [press release]
Organizations | The Associação da Luta Contra o Cancer is running an awareness campaign in Mozambique featuring images drawn by artist Maisa Chaves of Wonder Woman, Catwoman, She-Hulk and Storm checking their breasts for lumps. [Daily Mail]
- December 16, 2011 @ 06:55 AM by Brigid Alverson and JK Parkin
Food or Comics? | Arroz con Archaia
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
20th Century Boys, Volume 18
Chris Arrant
If I only had $15, I would only be buying one title this week: 20th Century Boys, Vol. 18 (Viz, $12.99). Sorry Americanos, but Naoki Urasawa is delivering a gripping, sprawling drama that most other books can’t live up to. Wait, I’m wrong – I’d buy two comics with a $15 budget this week; I’d snag the $1 The Strain #1 (Dark Horse, $1) for the price point and Mike Huddleston. I’ve read the novels, but for $1 I can’t miss sampling at least the first issue.
If I had $30, I’d be thankful to double-back and first get Uncanny X-Force #18 (Marvel, $3.99). This issue, the finale of the “Dark Angel Saga,” has been a long time coming and I’m excited for the writing, the art and the story itself; and I can’t forget colorist Dean White, sheesh he’s good. After that I’d pick up my usual Walking Dead #92 (Image, $2.99) and then try Ed McGuinness’ new work in Avengers: X-Sanction #1 (Marvel, $3.99). I’m a big fan of McG’s work, but also realize just how different he is than the standard Marvel (or mainstream super-hero) artist in general. I’ve loved his storytelling sense since Mr. Majestic, and will pick up most any of his work without knowing much about the book itself. Next up would be James Robinson & Cully Hamner’s The Shade #3 (DC, $2.99). I’m surprised DC hasn’t done more marketing for this book, especially considering it’s a character who’s never held a series before; they’ve done little-to-any marketing to define just who the character is, relying on his ties to a lesser-selling series that ended ten years ago (no matter how good it was). Getting off my soapbox: those that have been reading The Shade know it’s good. After that I’d round it off with the best looking comic on shelves, Batwoman #4 (DC, $2.99).
If I was to splurge, I’d double-up my J.H Williams 3 fix with the final volume of Absolute Promethea (DC/ABC, $99.99). Although I already own these issues in singles, getting it over-sized and in hardcover is a treat. I’m hoping it also includes some production art or process sketches – I’m a nut for that.
- December 13, 2011 @ 01:00 PM by Michael May
‘Two things I swore I would never write about’: Abnett to write vampire/zombie comic for Vertigo
The New Deadwardians
Vertigo Comics announced today that writer Dan Abnett and artist I.N.J. Culbard will team up on an eight-issue miniseries titled The New Deadwardians, a comic set in post-Victorian England where the upper class voluntarily becomes vampires in order to escape the lower class, who have all become zombies.
“May I just confess that this is a story that involves both zombies and vampires, two things I swore I would never write about because they had both long since jumped the shark,” Abnett said in his pitch. “Then this idea came to me and wouldn’t leave me alone. Please be tolerant of the zombie-and-vampire-ness of this until you’ve heard me out. It’s essentially a detective story set in an alternate history England, circa 1900.”
Here’s how they described the book on the Vertigo blog:
Set in post-Victorian England, nearly everyone in the upper class has voluntarily become a vampire to escape the lower classes who are all zombies.
Thrust into this mayhem is Chief Inspector George Suttle, a lonely detective who’s got the slowest beat in London: investigating murders in a world where everyone is already dead!
But when the body of a young aristocrat washes up on the banks of the Thames, Suttle’s quest for the truth will take him from the darkest sewers to the gleaming halls of power, and reveal the rotten heart at the center of this strange world.
Abnett, of course, is one half of the DnA writing team with Andy Lanning, who together write Resurrection Man and New Mutants. Culbard has done work for Dark Horse and SelfMadeHero, a British publisher, including the adaptation of Lovecraft’s At the Mountains of Madness that won a British Fantasy Award earlier this year.
The first issue comes out in March.
- December 9, 2011 @ 08:00 AM by JK Parkin