Vertigo Archives - Robot 6 @ Comic Book Resources
Manga | Dark Horse has announced the September release of Astro Boy Omnibus Volume 1, an oversized collection featuring nearly 700 pages of Osamu Tezuka’s most popular creation, billed as the first in a series. The news follows the recent announcement of the publisher’s oversized editions of The Kurosagi Corpse Delivery Service. [Dark Horse]
Publishing | David Carter takes a hard look at Vertigo as part of his analysis of DC Comics’ December sales. He notes that most of the series are selling poorly (under — often well under — 15,000 copies) and speculates that the reason may be that creators, even those who do work for DC, are taking their creator-owned books to Image Comics. He also thinks Vertigo’s trade policy isn’t working, as releasing the trades early and pricing the first one low encourages readers to skip the monthly comics — but then there’s a high probability they will forget about a new series altogether. [The Beat]
The Sixth Gun co-creator Cullen Bunn is certainly no stranger to the supernatural, but for his first major Vertigo comic, he’s biting into another kind of horror.
The publisher has shared with ROBOT 6 an exclusive first look at pages at Wolf Moon #2, by Bunn and Jeremy Haun. The series explores a viral werewolf disease that transfers to a different victim every full moon, marrying the conceit with a procedural detective story for a bloody addition to the Vertigo line.
Under a cover by Ryan Kelly, Wolf Moon #2 arrives on Jan. 7.
Writer/director Richard Reynolds and Waking Dream Studios have a simple message for DC Comics and Vertigo: “Bring back Hellblazer.”
To that end, they’ve produced “John Constantine: Hellblazer — Soul Play,” a short film described as an “all-swearing, all-smoking, all-grifting tale of John Constantine is set in the Vertigo Hellblazer continuity, months after Peter Milligan’s final issue.”
For comics fans, Black Friday was only the warm-up, as a number of companies are also holding sales today for Cyber Monday. From graphic novels and digital comics to art books and superhero-themed apparel, there’s likely something to be found for the fan in your life (even if that means picking up a little something for yourself).
Most of the deals end at midnight tonight, so don’t procrastinate. And if you’re aware of a a Cyber Monday sale we missed, let us know in the comments.
• Marvel has undertaken its own roundup, highlighting deals from its partners. In addition, this week a subscription to Marvel Unlimited is just 75 cents for the first month for new or former subscribers (it’s usually $9.99).
• You have until 11:59 p.m. PT to take advantage of Image Comics’ big Cyber Monday sale: 50 percent off all digital titles on the publisher’s online storefront.
DC Entertainment will get a head start on the holiday-shopping season with a seven-day Black Friday sale on Batman digital comics.
Between Nov. 25 and Dec. 1, the publisher will offer 750 Batman issues — titles ranging from Gotham By Gaslight to The Dark Knight Returns to Scott Snyder and Greg Capullo’s current run — for 99 cents each. They’re available for purchase from the DC Digital Store, Amazon, Apple, Barnes & Noble, comiXology and Google Play.
As that offer ends, Vertigo’s Cyber Monday sale begins, with the first collected volumes of 23 titles — from The Sandman to 100 Bullets to Promethea — available for download for $4.99. The offer is for one day only, on Dec. 1.
Ahead of the release of the solicitations for February, Vertigo has unveiled the cover for the debut issue of Suiciders, the post-apocalyptic epic from Joker and Batman: Noel artist Lee Bermejo.
Originally announced in July 2013 for release later that year, Suiciders marks Bermejo’s debut as writer and artist on an ongoing series. Thirty years after a massive earthquake left Los Angeles in ruins, the city rises once more due to Suiciders, a television series that pits enhanced competitors against each other in bloody hand-to-hand combat using high-tech obstacles.
Bermejo illustrated the standard cover for the first issue, while Jock will provide the variant.
Legal | The Malaysian cartoonist Zunar is being investigated once more under the country’s Sedition Act, his lawyer revealed Tuesday. Three of Zunar’s assistants were arrested last week for selling two of his books, neither of which has been officially banned, and his webmaster has been summoned to talk to police on Thursday. Zunar has also been called in for questioning at a future date. What’s more, the Malaysian Home Ministry has appealed the Court of Appeals’ decision to remove the ban on two of Zunar’s other books. [Malaysia Chronicle]
Publishing | Red Giant Entertainment has announced that retailers ordered about 900,000 copies each of its four anthology comics, which are ad-supported and will be given away for free. The company, which also releases digital comics and paid print comics, kicked off this program with a package of four zero issues on Free Comic Book Day. [ICv2]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Ever since its return under the Vertigo banner, Astro City (from Kurt Busiek, Brent Eric Anderson, and company) has been pretty great on a consistent basis. Don’t get me wrong, it’s always been a highlight of my pull list; but the current run has really been something special. Last month’s issue #15 — concluding the story of a sweet little old robotics genius and the supervillain who sought to ruin her — was particularly heartwarming. (What’s that? Something in my eye? No, I’m just tired….)
Then, however, I read this week’s issue #16. Readers looking for familiar pastiches will be rewarded immediately, since the broad strokes of the story are deliberately reminiscent of Silver Age Superboy and Lex Luthor. (The energy-headed hero Starbright also looks a bit like Firestorm, but that’s more incidental.) It’s a tale of awkward friendship, super-powered rivalry, and an act of simple kindness which literally transforms a life. As Busiek reveals on the letters page, the middle part of the story comes from his unpublished eight-page script for an installment of the backup feature “Superman: The In-Between Years.” In hindsight it’s easy to see how that script would have worked as a look into the developing dynamics between the Collegian of Steel and his former friend — but as usual, Astro City has taken those elements in undreamt-of directions.
Legal | Attorney Evan Stassberg finds two significant problems with Comic-Con International’s trademark-infringement claim against Salt Lake Comic Con over the use of the term “Comic Con”: There are a lot of shows called “comic con,” so it could be argued it’s a descriptive term that’s not specific to the San Diego event, and precisely because there are so many events that use that term, it could be argued that Comic-Con International organizers haven’t been policing their trademark. Strassberg adds, “The Salt Lake organizers’ steadfast defiance and ongoing gravitas has turned a simple trademark dispute into a national news story with mountains of free publicity for the Salt Lake event. If this was intentional, it is an astonishing display of marketing genius. If this was mere happenstance, it is the comic book convention equivalent of the accidental invention of Post-It notes.” [Deseret News]
Blues musician Johnny Winter passed away Wednesday in a hotel in Zurich, Switzerland, according to a post on his Facebook page. He was 70. Although details are scant, Variety reports that the Texas-born singer and guitarist had been touring in Europe, and had performed Saturday in Austria.
While Winter’s passing is noteworthy due to his contributions to music, he also has a connection to comics: He and his brother Edgar Winter famously sued DC Comics in 1996, claiming they were defamed, and their rights to privacy and publicity violated, by Jonah Hex: Riders of the Worm and Such, a miniseries by Joe Lansdale, Timothy Truman and Sam Glanzman.
The Winter brothers, who were born with albinism, objected to the “villainous half-worm, half-human” characters the Autumn brothers, who share not only the musicians’ first names but also their distinctive physical traits — long white hair and an absence of skin pigment. They argued their reputations were damaged because the characters were depicted as “vile, depraved, stupid, cowardly, subhuman individuals who engage in wanton acts of violence, murder, and bestiality for pleasure and who should be killed.”
Although the publisher didn’t specify release date — its tweet said only “Coming Soon!” — the previous installment, Episode 4, was available a week after its teaser image debuted (so look for it on July 15). Set 30 years before the events of Fables #1, the game allows players to control Bigby Wolf as he investigates the gruesome murder of a Fable, which leads to an even bigger mystery.
A second season of The Wolf Among Us in the works. The Fables comic series will come to a close early next year with its 150th issue.
Dark Horse will publish omnibus editions of The New York Four and The New York Five, by Brian Wood and Ryan Kelly, and Demo, by Wood and Becky Cloonan. Editor Sierra Hahn told Publishers Weekly the acquisitions are part of the company’s ongoing commitment to the young-adult market.
Published in 2008 by DC Comics’ short-lived Minx imprint aimed at teen girls, The New York Four centers on four young women who move to New York City to attend New York University. A sequel miniseries, The New York Five, debuted in 2010 from DC’s Vertigo imprint.
Demo, released from November to 2003 to November 2004 by AiT/Planet Lar, was the breakout book for Wood and and Cloonan, who had previously collaborated on Channel Zero: Jennie One. The 12-issue series, which tells self-contained stories about young people with supernatural powers (well, mostly), was most recently collected in 2008 by Vertigo, which later published Wood and Cloonan’s sequel.
Telltale Games has debuted the first images from the penultimate episode of The Wolf Among Us, its critically acclaimed adventure game based on Bill Willingham’s Vertigo series Fables.
Set 30 years before the events of Fables #1, the game allows players to control Bigby Wolf as he investigates the gruesome murder of a Fable, which leads to an even bigger mystery. In Episode 4, titled “In Sheep’s Clothing,” a beaten and bloody Bigby “is confronted by the realization that a society built on secrets is ripe for exploitation. And that the disenfranchised of Fabletown may see his prey not as the cause of their problems, but as their solution.”
No release date has been announced. The episode will be available on its own for $4.99 via the Xbox Games Store and PlayStation Network, or as part of the $14.99 season pass.
All it took was a television adaptation for iZombie fans to get a statue of protagonist Gwen Dylan, designed by series artist Michael Allred. Revealed this morning by TV Guide, the DC Collectibles sculpture by Phil Ramirez is about 9.25 inches tall; it goes on sale in November for $99.95.
The statue doesn’t much resemble actress Rose McIver, who plays the lead in The CW’s upcoming supernatural procedural, but some might argue that the show doesn’t much resemble the Vertigo series by Allred and Chris Roberson.
DC Comics’ Vertigo imprint has been releasing one-shot anthologies on a fairly regular basis, using them to dust off old titles like Strange Adventures, The Witching Hour and Mystery in Space, which gives contributors a general theme, and likely helps the publisher maintain trademarks.
Despite once being as common as mutant superheroes are today, anthologies of any kind haven’t been readily embraced in the modern marketplace, and one imagines the ever-increasing costs of comics doesn’t help. These Vertigo titles, featuring short, generally forgettable, riff-like stories from a multitude of creators — which the law of averages suggests will include some stories a reader won’t like — will run you $7.99, just two bucks shy of an ad-free, spine-having trade paperback collection of Image Comics’ Pretty Deadly … or Vertigo’s own FPB: Federal Physics Bureau.
This year the imprint is trying something slightly different: It’s still publishing $8 anthologies, with a variety of creative teams riffing on a theme, but rather than raiding long-faded DC titles (sorry if you were waiting for a revival of More Fun Comics or Adventures of Bob Hope),Vertigo is going with a sort of printing theme. Four anthologies, published on a quarterly basis, each using one of the four basic colors of traditional printing: Cyan, Magenta, Yellow and blacK. If nothing else, this will make repackaging and reselling these stories in a trade format a little easier, as the theme will be consistent between a series of anthologies.
The cyan issue debuted this week; it’s a very strikingly designed comic. The cover by designer Jared K. Fletcher is simple and understated, and it pops off the comics rack and begs for special attention. Even the two-page table of contents, in which each story is given a paint swathe-like panel of cyan/different shades of blue, is lovely (I feel tempted to make a joke about combining the thrill of reading a table of contents with the thrill of picking out a paint color, but I can’t; I genuinely dug those pages on an aesthetic level).
So the idea is rather inspired, as is the design — but how are the stories? Par for the course, I suppose. Some good, some bad, some mediocre; some clever uses of the theme, some that seem to ignore it all together. Let’s take a look, shall we?