"The Flash" EP Kreisberg Shares Insight on Major Reverse-Flash Revelations
Telltale Games has debuted the first images from the penultimate episode of The Wolf Among Us, its critically acclaimed adventure game based on Bill Willingham’s Vertigo series Fables.
Set 30 years before the events of Fables #1, the game allows players to control Bigby Wolf as he investigates the gruesome murder of a Fable, which leads to an even bigger mystery. In Episode 4, titled “In Sheep’s Clothing,” a beaten and bloody Bigby “is confronted by the realization that a society built on secrets is ripe for exploitation. And that the disenfranchised of Fabletown may see his prey not as the cause of their problems, but as their solution.”
No release date has been announced. The episode will be available on its own for $4.99 via the Xbox Games Store and PlayStation Network, or as part of the $14.99 season pass.
All it took was a television adaptation for iZombie fans to get a statue of protagonist Gwen Dylan, designed by series artist Michael Allred. Revealed this morning by TV Guide, the DC Collectibles sculpture by Phil Ramirez is about 9.25 inches tall; it goes on sale in November for $99.95.
The statue doesn’t much resemble actress Rose McIver, who plays the lead in The CW’s upcoming supernatural procedural, but some might argue that the show doesn’t much resemble the Vertigo series by Allred and Chris Roberson.
DC Comics’ Vertigo imprint has been releasing one-shot anthologies on a fairly regular basis, using them to dust off old titles like Strange Adventures, The Witching Hour and Mystery in Space, which gives contributors a general theme, and likely helps the publisher maintain trademarks.
Despite once being as common as mutant superheroes are today, anthologies of any kind haven’t been readily embraced in the modern marketplace, and one imagines the ever-increasing costs of comics doesn’t help. These Vertigo titles, featuring short, generally forgettable, riff-like stories from a multitude of creators — which the law of averages suggests will include some stories a reader won’t like — will run you $7.99, just two bucks shy of an ad-free, spine-having trade paperback collection of Image Comics’ Pretty Deadly … or Vertigo’s own FPB: Federal Physics Bureau.
This year the imprint is trying something slightly different: It’s still publishing $8 anthologies, with a variety of creative teams riffing on a theme, but rather than raiding long-faded DC titles (sorry if you were waiting for a revival of More Fun Comics or Adventures of Bob Hope),Vertigo is going with a sort of printing theme. Four anthologies, published on a quarterly basis, each using one of the four basic colors of traditional printing: Cyan, Magenta, Yellow and blacK. If nothing else, this will make repackaging and reselling these stories in a trade format a little easier, as the theme will be consistent between a series of anthologies.
The cyan issue debuted this week; it’s a very strikingly designed comic. The cover by designer Jared K. Fletcher is simple and understated, and it pops off the comics rack and begs for special attention. Even the two-page table of contents, in which each story is given a paint swathe-like panel of cyan/different shades of blue, is lovely (I feel tempted to make a joke about combining the thrill of reading a table of contents with the thrill of picking out a paint color, but I can’t; I genuinely dug those pages on an aesthetic level).
So the idea is rather inspired, as is the design — but how are the stories? Par for the course, I suppose. Some good, some bad, some mediocre; some clever uses of the theme, some that seem to ignore it all together. Let’s take a look, shall we?
Following the debut today of Vertigo Quarterly: CMYK, a four-issue anthology series from the DC Comics imprint, writer Joe Keatinge was quick to speak out about his collaboration in the first issue with artist Ken Garing, which he says was substantially rewritten by editorial without any consultation with him.
“The issue is advertised as featuring a collaboration between Ken Garing and me, with me on story and Ken on art, but there’s an issue with this and I felt the need to make it clear,” Keatinge wrote on his blog. “The story as published does not entirely reflect what we conceived and I originally wrote. I’m going to make this as quick possible as there’s a lot going on in the world that actually matters, but I felt like, after the warm reception to Shutter and Planetoid, some people reading this might buy comics with our names on them and thought it was unfair to them to not say something.”
He explained that he was approached to contribute a story to Vertigo Quarterly, and he looped in Garing, with whom he’s working on an upcoming series. Vertigo editor Mark Doyle was “very accommodating,” Keatinge said, but upon receiving a mock-up of the completed story the writer discovered it had been changed significantly — without consultation or an opportunity for him to address the issues Vertigo sought to address.
Legal | Mohammad Hassan Khalid was sentenced last week in Philadelphia to five years in prison for his part in a failed 2009 plan to kill Lars Vilks, the Swedish cartoonist who drew the head of the Prophet Mohammed on the body of a dog. Khalid, now 20, was a teenager and an honors student when he became involved with Colleen LaRose, aka “Jihad Jane,” who in January was sentenced to 10 years in prison for her part in the plot. Prosecutors pointed to the fact that Khalid also translated violent jihad videos into English, which may have helped recruit new terrorists, but they also asked for leniency because he cooperated with them after his arrest. The defense claimed he was simply a vulnerable, awkward teenager who has since been diagnosed with Asperger’s Syndrome. Khalid, who had been offered a full scholarship to Johns Hopkins University but was arrested before graduating from high school, will get credit for the three years he has already served in prison. [Reuters]
Fandom | Rachel Edidin attends a gathering of the Carol Corps, the group of mostly female Carol Danvers/Captain Marvel fans that has built a community around a shared interest. “It is not a formal organization,” says Captain Marvel writer Kelly Sue DeConnick. “There are no rules. People write and ask me all the time, ‘How do I join the Carol Corps?’ You join Carol Corps by saying you are Carol Corps. There is no test. You don’t have to buy anything. You don’t need to sign up anywhere. If you decide you are a part of this community, bam, you are. The other part of that is that if you decide you are a part of this community, you will be embraced and welcome.” [Wired]
Piracy | The Japanese government will consider several measures to fight online piracy of anime and manga in the next few months, while publishers are taking a if-you-can’t-beat-‘em-join-‘em approach by launching two free digital manga services, ComicWalker and Manga Box, to lure readers away from bootleg scanlation sites. [The Japan News]
Telltale Games has debuted the launch trailer for the third episode of its adventure series The Wolf Among Us, based on Bill Willingham’s Vertigo comic Fables.
Set 30 years before the events of Fables #1, the game allows players to control Bigby Wolf as he investigates the gruesome murder of a Fable, which leads to an even bigger mystery. In Episode 3, titled “A Crooked Mile,” Bigby “is just steps behind the prime suspect of a horrific murder, but he’s not the only one; other forces in Fabletown will stop at nothing to protect their interests.”
Be warned, though: The trailer contains spoilers for the first two episodes.
Academia | The Center for Cartoon Studies in White River Junction, Vermont, is adding a masters of fine arts degree in applied cartooning that will allow students to focus on using the comics medium for journalism, medicine, business and other fields. [Valley News, press release]
Creators | With the arrival of the second issue of The Sandman: Overture, Neil Gaiman talks about the joy of writing the first series and returning for this one, why he chooses to pen a story as a comic rather than a novel, and how his process differs as well: “When I’m outlining a comic, I write down the numbers 1 to 24, and I jot down what’s happening on each page, because I have to think of things in terms of pages, and double-page spreads. In a novel, if I want to move a scene, I just cut and paste. In a novel, it’s a completely different conversation.” [CNN]
Passings | Award-winning science fiction and fantasy author Lucius Shepard, whose work included Life During Wartime and The Jaguar Hunter, passed away March 18. He was 66. Shepard ventured into comics writing on a few occasions, with the series Vermillion, part of DC Comics’ short-lived Helix imprint, and with contributions to Vertigo anthologies Gangland and Flinch. [Tor.com, BoingBoing]
Creators | American Vampire artist Rafael Albuquerque talks about the upcoming “Second Cycle” of the Vertigo series, which returns after a hiatus of more than a year. [Hero Complex]
Tor.com has revealed Yuko Shimizu‘s beautifully disturbing cover for Monstrous Affection: An Anthology of Beastly Tales, edited by Kelly Link and Gavin J. Grant. It’s due in September from Candlewick Press.
Shimizu is an award-winning illustrator best known in comics circles for her covers for The Unwritten and The Sandman: The Dream Hunters. The art here is reminiscent of her work on the former, particularly when it comes to the flowers and the ghostly figure. The ghastly baboon-creature wouldn’t be out of place in the Vertigo series, either …
The void left by Mike Marts moving from DC Comics back to Marvel has been filled, with long-running Vertigo editor Mark Doyle announcing Tuesday on Twitter that he’s taking over as Batman group editor. He’ll still be working on Vertigo titles as well, specifically mentioning American Vampire and The Wake — two titles written by Batman scribe Scott Snyder.
Snyder quickly expressed his enthusiasm for the move, writing on Twitter that “‘Thrilled’ doesn’t do justice to how thrilled I really am in welcoming [Doyle] to Gotham as Batman group editor. Mark is not only responsible for bringing me to DC via American Vampire (of which he’s the editor), but he’s edited the Wake, and some of my favorite books of past few years, from Sweet Tooth and Trillium on.”
Crediting Marts for bringing “Gotham to new heights,” Snyder said he was already showing Doyle his Batman and Superman work, and “there’s no one I trust more when it comes to story.”
Beyond those mentioned by Snyder, Doyle’s editing credits during his years at Vertigo also include American Splendor, Scalped and DMZ.
Telltale Games has released the red-band trailer for the second episode of its adventure series The Wolf Among Us, based on Bill Willingham’s Vertigo fantasy Fables.
Set 30 years before the events of Fables #1, the game allows players to control Bigby Wolf as he investigates the gruesome murder of a Fable, which leads to an even bigger mystery. The new episode, titled “Smoke & Mirrors,” is expected to debut next month, although Telltale teases only that it’s “coming soon.”
The Wolf Among Us premiered in October across multiple platform. You can read the Comic Book Resources review of the first episode here.
“I think it’s very interesting that you bring up Shia because I just brought him up to Mike [Carey] the other day. I was proposing that we introduce a character based on him, because he does crystallize a lot of what we talk about. We’ve had a lot of discussion about whether copyright is a good thing or a horrible thing. What would happen if Superman was copyright-free? And people could add onto his story? Maybe we would end up with incredibly powerful stories that add a whole dimension of life to our existence because they would be able to build in a way that they can’t build otherwise. I don’t know. On the other hand, I want to get paid for what I do. […] I think we should write to Shia and his people for permission to use him and his likeness in our story. If they said ‘No,’ it would bring up a lot of interesting issues. Wouldn’t it?”
– The Unwritten co-creator Peter Gross, commenting on Shia LaBeouf, the public domain and storytelling, in an interview with Comic Book Resources
Passings | Animator and blogger Michael Sporn died Sunday in New York City from pancreatic cancer. He was 67. Sporn’s short film Doctor DeSoto, based on William Steig’s book, was nominated for an Oscar, and his The Man Who Walked Between the Towers won several awards. He created animated adaptations of a number of children’s books, including Lyle Lyle Crocodile and Goodnight Moon, for HBO. In comics circles, he was also known as a blogger who turned up cool bits and pieces of animation and art. [Variety]
Publishing | Torsten Adair crunches some numbers from The New York Times 2013 bestseller lists, looking at each category and, in some cases, each publisher separately and breaking down the charting books into easy-to-follow pie charts. [The Beat]
Before Scott Snyder began writing Batman and became the hottest writer at DC Comic and an overall direct market darling, garnering high sales and high praise for his work on the title, he was penning the Vertigo series American Vampire. Sharply written and clever in its conception and execution, it infused a longtime staple of fantasy literature with some fresh ideas, and was also both good and well-received (that Stephen King was writing back-ups in it for a while probably didn’t hurt any, either).
Not long ago, Snyder returned to Vertigo for another series scarily reinventing a legendary creature with The Wake, drawn by fellow Sean Murphy (Joe The Barbarian, Punk Rock Jesus, some Hellblazer), with whom Snyder previously collaborated on American Vampire miniseries (2011’s Survival of the Fittest). This time the jump from ordinary to scary is a lot further, as Snyder’s not reinventing vampires, but mermaids of all things.
Well, mer-people, I guess, as they all look rather androgynous, like sci-fi creatures from the black lagoon from the waist up, rather than pretty naked ladies, and, of course, fish from the waist down. Mer-creatures, then. Or maybe mer-monsters.