Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
Retailing | The driver killed early Sunday when her car crashed into the Mile High Comics store in Denver, Colorado, has been identified as 17-year-old Karen Lopez. There were no passengers in the car, and no one was in the store at the time. Mile High Comics will hold an auction to benefit Lopez’s family; in an earlier news report, owner Chuck Rozanski described what happened and said, “When someone suffers a violent death like this within your space, I mean this is my building, I love this building and I love being here every day and now to know someone died here it’s going to alter my perception forever.” [KDVR]
Crime | Police in San Antonio, Texas, arrested two men on Friday on charges of stealing $5,000 worth of comics from a local collector. After the robbery, the collector contacted local comic shops and asked them to keep an eye out for the stolen goods. Several retailers gave police information, including a license plate number, that led to the arrests of Gino Saenz and Jose Gonzalez on charges of theft. [San Antonio Express-News]
Digital comics | Humble Bundle sold $3 million worth of DRM-free digital comics in 2014, the first year in which the company included e-books and comics in its bundles. Total e-book revenues were $4.75 million, of which $1.2 million went to charity (including the Comic Book Legal Defense Fund). That may sound like a lot of money, but as director of e-books Kelley Allen said, “The numbers generated by the book bundles look like a rounding error in comparison to video games,” because the audience for the latter is so vast. Humble Bundle’s e-books are DRM-free, which has been a stumbling block for traditional book publishers, but comics publishers are more flexible, Allen said. [Publishers Weekly]
“Pablo Ferro Films” (1967). Victor Moscoso.
There’s always some education to be had from looking at comics by artists who are better known for their work in other media. Victor Moscoso is one of two members of hippie-era San Francisco’s legendary Zap Comix collective whose work on rock concert posters is arguably more notorious and influential than his comics. (Rick Griffin accompanies him in this category.) That isn’t to say, however, that Moscoso’s comics have wielded anything less than a tremendous influence over the past few decades, despite the fact that they remain somewhat under-discussed. Moscoso brought color printing to the medium’s underground, did work in Zap that anticipates the most adventurous of today’s experimental comics, and brought a cubist-inflected fine art sensibility to his pages that echoes in the work of cartoonists from Gary Panter to Art Spiegelman.
As was revealed during today’s Fantagraphics panel at San Diego, the Seattle-based company plans to publish The Complete Zap Comix. The book, which will collect every issue of the seminal underground comics series to date, is tentatively scheduled to be released in the fall of 2012. It will be a hardbound, two-volume slipcase, similar to their collections of Harvey Kurtzman’s Humbug magazine and Bill Mauldin’s Willie & Joe series.
One of the most influential comics ever published, the first two issues of Zap were created entirely by Robert Crumb, who then invited other artists to contribute, including Spain Rodriguez, the late Rick Griffin, S. Clay Wilson, Victor Moscoso, Gilbert Shelton and Robert Williams. The series quickly not only catapulted Crumb and the other artists to stardom (or a relative stardom at any rate), it quickly became seen as one of the more prominent symbols of the counterculture movement of the 1960s, along with LSD, rock music and head shops (where issues were usually sold). While it was not the first underground comic, it was viewed by many both inside and outside the counterculture movement as the lodestone for the underground comics scene, and its existence and influence directly led to the development of the alternative comics scene in the 1980s and 1990s.
Fantagraphics was kind enough to share today’s revelation with Robot 6 prior to the start of the San Diego con, and we took the opportunity to talk to publisher Gary Groth about the project, its origins and the comic’s significance.