INTERVIEW: Gail Simone Guides 'Blockbuster Update' of Red Sonja, Vampirella and Dejah Thoris
When it comes to AdHouse Books’ Chris Pitzer, there’s one basic fact: When he publishes a book, I know it’s important to pay attention to it. So when I found out about Blue Collar/White Collar, which collects the work of award-winning illustrator and painter Sterling Hundley, I immediately contacted Pitzer to see the book and (soon after checking out the book) to get Hundley to commit to an email interview. In the course of this discussion I was pleased to find out that Hundley has plans to create his own characters and stories in the future. After reading the interview, be sure to enjoy the 10-page preview that Pitzer offers interested readers.
Tim O’Shea: In the Foreword to the book, you wrote: “In a time when access has reached the Faustian ideal, information is often confused with knowledge. I refuse to accept that appropriation and homogenization are the movements that will define our generation. The search for original thought is a journey of faith – a belief that art is necessary because it isn’t necessary. The compulsion to create is emblematic of life that has moved beyond the base functions of survival. Art is evolution.” How much living and pursuing of art did you experience before realizing “a belief that art is necessary because it isn’t necessary”?
Sterling Hundley: Coming from a family that is primarily Blue Collar, I’ve always questioned the validity of a pursuit of the arts. You can’t eat it, or use it. Art serves no utilitarian function. Having lived long enough, I’ve come to realize that art is as necessary as any other basic function.