Viz Media

Viz goes full-on digital with new BL line

As the shape of the digital comics world emerges from the haze of uncertainty, readers are saying one thing loud and clear: “I want to own my digital comics.” And most publishers are sidestepping the whole issue by saying “We will gladly sell you a license to read our digital comics” and going no further.

So when Viz Media reps unveiled their SuBLime line of Boys Love (yaoi) manga at Yaoi-Con on Saturday, they made manga history: They will be publishing some titles digitally in a download-to-own format, according to manga blogger Deb Aoki, who was tweeting from the panel. The licenses will be worldwide, not restricted to the U.S. and Canada like Viz’s other digital releases. What’s more, the downloads will be PDFs, which can be read on a Kindle, Nook or iOS device as well as pretty much any computer.

That’s right: DRM-free downloadable comics, available worldwide. And the cover price on these e-books is a very reasonable $5.99.

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Viz honchos talk digital

Manga blogger extraordinaire Deb Aoki sat down with the Viz folks at NYCC and asked some hard questions about their relaunch of Shonen Jump as a digital magazine (to be renamed Shonen Jump Alpha). The magazine will be available via the Viz iOS app and the Vizmanga.com website, but only in the U.S. and Canada.

Aoki asked Viz VP of digital publishing Brian Piech when Shonen Jump Alpha would be available in other regions, and he responded that it depends on Viz parent company Shueisha, which controls the rights. Simply put, Viz has the print rights in the U.S. and Canada, and other companies have those rights in other countries:

This is something that the entire publishing industry is dealing with, not just manga. Digital rights (to a given book or manga) wasn’t always included in the original contracts.

Now, with everything that’s happening, everyone wants the digital rights. But it’s not clear if the print publisher (of a given book in a given territory) has first dibs, or if the rights holder can just shop (the digital rights) around to whomever wants it.

So it’s possible that someone will be publishing Naruto digitally in other countries, but it won’t necessarily be Viz.

There are pretty much three reasons for piracy—price, speed, and regional availability. Viz has the speed thing licked—with the launch of Shonen Jump Alpha, they will be publishing chapters of six of the most popular manga in the U.S. within two weeks of their Japanese release, and there’s a good chance that they may eventually go to simultaneous release in the two countries. On price, the ability to buy a chapter for the magic price of 99 cents (through Viz’s website as well as iOS apps) is a pretty good deal for the casual reader (although the yearly subscription price of $25.99 is a better deal in the long term). But region restrictions, whatever the reason, are bad news; they seem to be driving a lot of the traffic on pirate sites, judging from the comments. Two out of three ain’t bad—but if Shonen Jump Alpha does well, and the Shueisha honchos loosen the restrictions, that hat trick could prove very lucrative for Viz.


Comic Industry Job Board – October 2011

In the wide world of comics there’s always a need for talented people — and not just for creating the comics. The comics you read every day are supported by an immense infrastructure of editors, publishers, designers, distributors and retailers that make American comics what it is today. And despite the frail economy, the comics industry is looking for employees.

We’ve compiled a list of all the openings in the comics industry for non-creative office positions and put it all into one place. It’s a good resource if you’re looking to work in comics, and also for armchair speculators seeing what companies are looking to do by seeing what positions they’re hiring for. We accumulated these by looking on publisher websites and job boards — if you know of a job not listed here, let us know!

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Food or Comics? | Hark! A Snarked!

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Hark! A Vagrant

Chris Arrant

If I had $15, I’d spend several musty dollars on Fear Agent #31 (Dark Horse, $3.50). This penultimate issue has been a long time coming, and I’m excited to see Remender and Moore enlist Mike Hawthorne to help get these final issues done – big fan of all three of them! Next up would be two of DC’s New 52; Action Comics #2 (DC, $3.99) and Swamp Thing (DC, $2.99); I admit that I feel weird not being more excited about Morrison’s run than I am, but somehow the first Action Comics wasn’t as gripping as the first All-Star Superman … and it’s not the art. For the last pick, I’d get X-Men: Schism #5 (Marvel, $3.99). It got off to a slow start, but Jason Aaron’s an expert at nailing his landings, and I’m intrigued to see how it all goes down.

If I had $30, I’d start off with a pair of number ones – Pilot Season: Test #1 (Image/Top Cow, $3.99) and Roger Langridge’s Snarked #1 (BOOM! Studios, $3.99). Pilot Season has always been a must-buy for me; sometimes the concepts don’t live up to the promise, but they still have a good track record. I just wish more ended up as ongoing series. Next up I’d get the long-running Invincible #83 (Image, $2.99); seriously, this hits all my itches harkening back to my younger comic-reading days. Last up I would get Animal Man #2 (DC, $2.99); I love what Lemire and Foreman started here; I just wish there were more of it!

If I found some extra cash, I would double-back for Kate Beaton’s Hark! A Vagrant (D+Q, $19.95). This reads like a literary nut’s comic strip, and I love every bit of it. For some reason it reminds me of Gary Larson’s The Far Side but in a very modern way.

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Comics A.M. | Fantagraphics’ first Pogo collection finally goes to press

Pogo

Publishing | Mark Evanier, who is providing editorial assistance on Fantagraphics’ long-awaited Walt Kelly Pogo collections, notes that the first volume has gone to print. “My friend, the lovely Carolyn Kelly, lovingly supervised the loving restoration of her lovely father’s lovely strip and she also did the lovely design of this lovely book and its lovely dust jacket and the lovely imprints under that lovely dust jacket. Sure sounds like a labor of love to me. Not that the contents need any help but the strips are supplemented by a foreword from writer (and friend o’ Walt’s) Jimmy Breslin and essays/annotations by Steve Thompson, R.C. Harvey and myself. If I were you, I’d read all that text stuff after I read the strips themselves about eleven times.” [News from Me]

Comics | Todd Allen runs through some of the “actual changes” to the DC titles come September, noting the eight new (or fairly new, or returning after being absent) writers, plus four who have been “poached” from Vertigo. [Indignant Online]

Comics | Martin Wisse takes The Atlantic to task for publishing an “utterly dull and middlebrow” list of 10 nonfiction graphic novels they called “masterpieces.” He notes that when commenters call out the author for not listing any works by Joe Sacco, she responds that she “chickened out” on including Footnotes in Gaza because “the topic is so polarizing.” Tom Spurgeon has commentary as well, noting, “It’s galling that an author can admit to not including something for publication because they were afraid of Internet reprisals and not be automatically fired and/or laughed out of town.” [Wis[s]e Words, The Comics Reporter]

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What Are You Reading? with George O’Connor

The Incal

Welcome to another edition of What Are You Reading. JK Parkin is off in San Diego trying to get that Elvis Stormtrooper’s autograph, so I’ll be your host today. Our special guest this week is George O’Connor.

O’Connor is probably best known as the author of the ongoing Olympians series of graphic novels, which attempt to retell classic Greek myths (the latest, Hera, just came out from First Second). He’s also the author of such books as Journey Into Mowhawk Country and the children’s picture book Kapow, as well as the artist of Ball Peen Hammer, which was written by Adam Rapp.

To see what George and the rest of the Robot 6 crew have been reading …

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Viz website hacked

Viz Media

With Comic-Con just around the corner, the Viz Media website was hacked on Saturday, apparently by hackers who go by the handles Warv0x and Krypt0n. Warv0x has taken credit for hacking the PBS website and the Blizzard mobile server in recent weeks.

The first mention of the hacking seems to be a post on the Naruto forums at 4:27 p.m. Saturday. By 8 p.m. there was a note at the top of the forum saying “If you’re experiencing technical issues with the site, know that we are aware of them and working on it. Sorry for any inconvenience.” Neither the Vizanime.com nor the Vizkids.com site was affected, but the Shonen Jump site was hacked the same way as the main site. The site was back to normal by Sunday morning.

A post subsequently appeared at Pastebin.com stating that the site was hacked by “Warv0x & Krypt0n @ Virtual Luminous Security” and the reason given was “Krypt0n: THEY STOLE MY NAME OMFGBBQ.” The stated goal: “Pretty much nothing, just messing around with the box,” and they added: “We do not support defacing, since it’s really skiddish. Our one was due boredom.”

According to Wikipedia, Warv0x is a “self-described gray-hat hacker” who is currently in a rivalry with the hacker group LulzSec.

A screencap of the hacked site, which contains some offensive language, is below the jump.
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Comic Industry Job Board

In the wide world of comics there’s always a needed for talented people — and not just for creating the comics. The comics you read everyday are supported by an immense infrastructure of editors, publishers, designers, distributors and retailers that make American comics what it is today. And despite the frail economy, the comics industry is always looking for employees.

We’ve compiled a list of all the openings in the comics industry for non-creative office positions and put it all into one place. It’s a good resource if you’re looking to work in comics, and also for armchair speculators seeing what companies are looking to do by seeing what positions they’re hiring for. We accumulated these by looking on publisher websites and job boards — if you know of a job not listed here, let us know!

Continue Reading »

Comics A.M. | FF #1 breaks 100K; Nic Cage’s stolen Action #1 found

FF #1 -- Marko Djurdjevic variant

Publishing | On the heels of Monday’s direct-market overview for March, ICv2 has released its sales estimates for the month, placing the top-selling FF #1 at 114,472 copies — more than 37,500 ahead of the No. 2 title, Green Lantern #64. The retail news and analysis site notes that the relaunched FF #1, aided by variant covers, joins the Human Torch-killing Fantastic Four #587 as the only titles to sell more than 100,000 copies in the past six months.

While 11 of the Top 25 comics saw sales increases, if only slight, the graphic novel category looked decidedly more grim, with just the third volume of The Unwritten and Batman and Robin: Batman Reborn breaking the 4,000-copy mark. [ICv2.com]

Crime | Los Angeles police have recovered a copy of Action Comics #1 stolen from the home of actor Nicolas Cage in 2000. The 1938 comic, worth as much as $1.5 million, was discovered last month by an unidentified man who claims to have bought the contents of an abandoned San Fernando Valley storage locker. It’s now in an LAPD evidence safe while the department’s art details detectives try to track down the thieves, but Cage says he can’t wait to get the comic back. “It is divine providence that the comic was found and I am hopeful that the heirloom will be returned to my family,” he said in a statement. [Ventura County Star, Los Angeles Times]

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What are you reading?

Savage Sword of Conan Vol. 1

Welcome to another round of What Are You Reading, where we all sit around the virtual coffeehouse and talk about the books we’re currently enjoying (or not as the case may be). Our guest this week is Wilfred Santiago, author of the soon to be released biography of Roberto Clemente, 21. Look for an interview with me and Santiago about his new book in the coming weeks. In the meantime, click on the link below to see what he and my fellow Robot 6ers are reading this week.

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Food or Comics? | This week’s comics on a budget

Thor the Mighty Avenger #8

Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on what we call our “Splurge” item.

Check out Diamond’s release list for this week if you’d like to play along in our comments section.

Chris Arrant

With $15 worth of dingy bills and loose quarters, I’d go my local comic shop and start with Thor: The Mighty Avenger #8 ($2.99). Probably the pick of the week in some circles (even for a square like me), it’s a celebration of what Langridge and Samnee accomplished – and although it’s the last issue, there’s that FCBD issue on the horizon. I’d also pick up two number ones -– Casanova: Gula #1 ($3.99) and Daredevil: Reborn #1 ($3.99). With my last $4, I’d be hard-pressed to pick between Thunder Agents #3 ($2.99) and Infinite Vacation #1 ($3.50), but would probably pick the latter –- Nick Spencer’s on both, but Christian Ward’s art makes Infinite Vacation #1 worth the buy.

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If there were a comics version of the Netflix Watch Instantly queue, what would you put on it?

Today Pop Candy’s Whitney Matheson did something that some consider too revealing even in this socially networked, airport x-ray’d age: She posted 20 movies from her Netflix “Watch Instantly” queue. Like anyone else’s, it’s a motley crew of movies made possible by a massive library of films and the power to watch any of them at any time with a few clicks of a mouse — a blend of “comfort food” you want access to at all times, unwatched stuff you’re dying to see at the next available opportunity, major investments of time or energy you haven’t been prepared to make just yet, “eat your vegetables” fare you know you ought to watch eventually, and goofy guilty pleasures you’re simply tickled to be able to watch whenever you feel like it.

This got me thinking. I know there are any number of logistical and financial reasons why such a thing doesn’t exist for comics. But we comics readers are an imaginative bunch, no? And today I choose to imagine a world where I can load up pretty much any book I can think of and read to my heart’s content. So here’s what my imaginary “Read Instantly” queue would look like, circa today. Check it out, then let us know what’s on your queue in the comments!

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Comics A.M. | Another One Piece sales record, another cartoonist layoff

One Piece, Vol. 6

Publishing | The 60th volume of Eiichiro Oda’s popular pirate manga One Piece sold more than 2 million copies in its first four days of release. It’s the first book to move more than 2 million copies in its first week of sales since the Japanese market survey company Oricon began reporting its charts in 2008. As we reported last week, this volume’s 3.4 million-copy first printing set a record, and propelled the series past the 200 million-copy mark. [Anime News Network]

Editorial cartoons | Pulitzer Prize-winning cartoonist Matt Davies has been laid off by the Gannett-owned Journal News in White Plains, N.Y. [Comic Riffs]

Publishing | Abrams has made three comics-related promotions: Susan Van Metre to senior vice president and publisher, overseeing all comic arts books as well as Abrams Books for Young Readers and Amulet Books; Charles Kochman to editorial director of Abrams ComicArts; and Chad W. Beckerman to creative director, overseeing design for all comic arts books as well as Abrams Books for Young Readers and Amulet Books. [Abrams]

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Comics A.M. | The comics Internet in two minutes

Wolverine #1, the top seller in September

Publishing | John Jackson Miller delves into September’s grim direct-market sales figures and discovers a (relative) bright spot: Sales of lower-tier titles — those that don’t crack Diamond’s Top 300 — appear to be increasing, to record levels. “How do we know?” Miller writes. “Believe it or not, a record for high sales was actually set in September. The 300th place comic book, Boom’s Farscape #11, sold more copies to retailers in September than in any month since November 1996: 4,702 copies. That’s a record for the period following Marvel’s return to Diamond. This bellwether tells us about the shape of the market, and how prolific the major and middle-tier publishers are; when many of their titles are being released and reordered, higher-volume titles tend to push farther into the list.”

However, the higher you go on the list, the worse things look: “The average comic book in the Top 25 is selling more poorly in 2010 than in 2003. At the very top of the chart, 2010′s average top-sellers are about 25% off what the best-sellers of 2003 were doing.” [The Comichron]

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Toriyama returns to Dragon Ball

Rich Johnston reports this morning that manga creator Akira Toriyama is going to write some new chapters of Dragon Ball (also known as Dragon Ball Z in the United States). Dragon Ball originally ran from 1984 to 1995 in Japan, and Viz Media published it in the U.S.

Johnston states the obvious: “Something that will make this event even more spectacular is a simultaneous fully translated worldwide launch of the new book.”

The Viz folks were tweeting last week about a big announcement to come this week, and they have already done a simultaneous release with Rumiko Takahashi’s Rin-ne, so this indeed may be their big news. Stay tuned!





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