Major "Justice League" #50 Revelations, Changes Lead Into "DC Universe: Rebirth"
Manga | Akira Himekawa, the two-woman team behind the Legend of Zelda manga, hinted on their Facebook page last week that Viz would license the English-language version of their new series, The Legend of Zelda: Twilight Princess. Viz refused to confirm the license, but given that they published the earlier Legend of Zelda manga (which they are planning to reissue as two-in-one omnibus editions), and the Japanese publisher of the series, Shogakukan, is one of Viz’s parent companies, it would be odd if they didn’t get the license. [Anime News Network]
Retailing | The owners of Lauderdale Comics in downtown Fort Lauderdale, Florida, are working hard to make their store welcoming to customers who are on the autism spectrum. “It’s important to understand what the barriers and triggers are to reach people with autism without overwhelming them,” says co-owner Stacey Giulianti. That concern goes beyond the physical layout of the store: All staff will be trained in autism sensitivity, and the owners hope to hire people with autism to work there as well. [SouthFlorida.com]
Comics | Sabrina Vourvoulias talks to three movers and shakers in the black comics scene: Bill Campbell, owner of Rosarium Publishing; Arielle Johnson, owner of Amalgam Comics and Coffeehouse; and writer Mikki Kendall. The article, which was written in advance of the East Coast Black Age of Comics Convention but casts a much wider net, ends with a list of suggested reading. [Philly Magazine]
Comics | Sheena Howard (the first black woman to win an Eisner award) looks at at the rising prominence of black women in comics and discusses Julianna “Jewels” Smith’s (H)afrocentric, which won a Glyph Award at ECBACC. [Huffington Post]
Political Cartoons | Three political cartoonists, Marshall Ramsey, Darrin Bell and Gary Varvel, discuss their coverage of the presidential campaign. [Here and Now]
Passings | John Freeman pays tribute to Stewart Perkins (a.k.a. WR Logan), a comics fan who had a huge impact on British comics; he founded Class of ’79, a 2000AD newsgroup and fanzine, provided inspiration for many creators, and was himself a character in Judge Dredd—Judge Logan is named for him. Perkins was so knowledgeable that John Wagner himself used to check facts with him, and Freeman also pays tribute to his “quiet generosity”: “I have read the comments of many people online mentioning how, when they mentioned a comic they’d like to read on a forum, having Stewart send it to them, free of charge and with no fuss.” [Down the Tubes]
Creators | New Yorker cartoonist Roz Chast talks about the New York roots of her humor. [Times of Israel]
Creators | Tom Hart talks about his graphic novel Rosalie Lightning, the story of his daughter and of his grief after she died unexpectedly at the age of two. [Mutha Magazine]
Comics | Thomas Maluck discusses why spoilers matter, and he actually looks at two studies; one concluded that “What the plot is is (almost) irrelevant. The pleasure is in the writing,” but the other, which was inspired by the first, found that “unspoiled stories were more fun and suspenseful. Surprisingly, unspoiled stories were also more moving and enjoyable in general.” [Panels]
(photo via The Foreign Desk)
Legal | Atena Farghadani was released from Evin Prison in Tehran, Iran, yesterday, after serving a reduced 18-month sentence on charges stemming from a cartoon that depicted members of the Iranian parliament with animal heads. Farghadani had originally been sentenced to 12 years in prison, but on appeal she was acquitted of charges of counter-revolutionary activity and undermining national security, and several other sentences were reduced, waived, or converted to fines. Farghadani was tortured, put in solitary confinement, sexually harassed, and forced to undergo virginity and pregnancy tests while in prison. Nonetheless, she says she wants to continue to live and work as an artist in Iran. Yesterday was World Press Freedom Day, and in a speech at the Tehran International Book Fair, Iranian President Hassan Rouhani called for more freedom of expression and an end to the jailing of critics of the government. [Cartoonist Rights Network International]
Awards | Former UN Secretary General Kofi Annan presented the Malaysian cartoonist Zunar with the 2016 Cartooning for Peace Award in Geneva yesterday. “Talent is not a gift, but a responsibility,” the cartoonist said in a prepared statement. “It is a duty for me as a cartoonist to use the art as a weapon to fight unjust rulers. Fear and intimidation are the potent tools being used by the regime to scare the people. I believe, strokes of art can lead the people to cross the line of fear.” Zunar faces nine charges of sedition, carrying a penalty of up to 43 years in prison, in his home country. [Malay Mail Online]
Akira Himekawa, the two-woman team behind the Legend of Zelda manga, have debuted new art from chapters 5 and 6 of The Legend of Zelda: Twilight Princess.
The new series has been running on the digital manga app Manga One, and is only available in Japan at the moment. Writing in English, the creators were coy about any possible overseas licenses for the collected editions:
Retailing | The complete set of Marvel comic books offered for sale by B-Bop Comics of Kansas City has been sold to an anonymous buyer for for the asking price of $200,000. “The first guys who came to look at it bought it,” said B-Bop owner Frank Mangiaracina. [ICv2]
Retailing | The New York Times pays a visit to a comics store that’s unusually hard to find: Joseph Koch’s Comic Book Warehouse, which is tucked away in an industrial area in Sunset Park, Brooklyn. There’s no sign on the door to the second-floor shop, but at the moment Koch is doing the majority of business online, selling comics in bulk to overseas retailers: “If you go to a comic book store in Iceland,” he said, “they’ll probably know who I am.” In New York, not so much, but he has plans to make the store more amenable to walk-in customers. [The New York Times]
Manga | Nearly two decades into his blockbuster fantasy adventure, it appears creator Eiichiro Oda still has a long way to go before he completes the epic One Piece. Just ahead of the manga’s 18th birthday on Sunday, its current editor Taku Sugita revealed on a Tokyo radio show that somewhere around the 60th volume Oda estimated the story had reached the halfway point. With the release of Vol. 78 earlier this month, Sugita guesses One Piece is “maybe” 70-percent complete. “I don’t think it’s at 80 percent yet,” he said. “Something like that.” [Rocket News24]
Comic strips | Prompted by the insult-filled message left by an 8-year-old for the newspaper editor who dropped his favorite comics, Michael Cavna asks Big Nate creator Lincoln Peirce whether kids are still even reading comic strips in high numbers. His answer, at least in part: “I’m a firm believer that kids will ALWAYS want their comics…but they’ll want them in whatever formats are the newest and shiniest. So: Yes, kids are still reading plenty of comics. They’re just not reading them in their daily newspapers.” It kicks off an interesting, if brief, discussion with a cartoonist who’s found a great deal of success reaching young readers. Related: Christopher Caldwell looks back on Bill Watterson’s Calvin and Hobbes. [The Washington Post]
Conventions | Salt Lake Comic Con may have achieved near-San-Diego proportions in just two years, with an estimated 120,000 attendees, but most of those seem to be locals, according to Scott Veck of Visit Salt Lake: Just 800 hotel rooms were booked through the local tourist organization, as opposed to 3,000 for the big Outdoor Retailers trade show. About 15 percent of Salt Lake Comic Con attendees were from out of state. [Fox News 13]
Creators | Mumbai, India, editorial cartoonist Kanika Mishra was infuriated when controversial religious leader Asaram Bapu said the victim of a highly publicized gang rape shared responsibility for the crime. When the news broke that Asaram was accused of raping the 16-year-old daughter of one of his followers, Mishra drew a series of cartoons about it — and then, when his supporters threatened and harassed her, she drew about that, too: “I decided not to send this message that I am afraid of these goons. I made more and more cartoons on Asaram as his followers abused and threatened me.” Mishra is one of two recipients of this year’s Cartoonists Rights Network International Award for Courage in Editorial Cartooning. [India West]
Conventions | Vulture examines efforts by ReedPOP, producer of New York Comic Con and C2E2, to take a comic con-style approach to Book Expo America with BookCon, billed as “the event where storytelling and pop culture collide.” On Saturday, the final day of the country’s largest publishing trade show, the public is invited (for a $30 admission fee) to interact with authors and publishers, get autographs, attend film panels and even catch a sneak peek at an upcoming release. “You can see the Comic Con logic: Draw in rabid fans across genres and media any way you can,” Vulture’s Boris Kachka writes. “What publishers would like to know is whether they will come for the books — and eventually buy them.” [Vulture]
There are challenging characters, and then there is Hello Kitty. She’s a familiar face, but nobody really knows anything about her. She doesn’t appear to have a backstory. She doesn’t even have a mouth. And here she is, starring in her own graphic novel.
Jacob Chabot is one of several creators behind the Hello Kitty graphic novels published by Perfect Square, Viz Media’s kids’ imprint. He’s an old Viz hand at this point, having illustrated two of the publisher’s Voltron graphic novels, and his other work includes stints at Marvel (including the X-Babies comics), SpongeBob SquarePants comics, and his two-volume all-ages graphic novel The Mighty Skullboy Army, which is truly laugh-out-loud funny for adults as well kids.
Not only is Hello Kitty the tabula rasa of comics characters, the stories are wordless as well, which presents a whole different set of challenges. We asked Jacob to let us in on some of the details of writing the Hello Kitty story — and check out our preview of Hello Kitty: Delicious! after the interview.
Digital comics | ICv2 has a fascinating interview with Gagan Singh, Viz Media’s chief technology officer, in which he discusses not only the nuts and bolts of the publisher’s digital manga program — it now encompasses a number of e-reader platforms as well as a dedicated app — but also the larger questions of piracy, trends and, most importantly, growing the manga audience: “My favorite example is when you’re in the digital domain, your biggest competition is not the next manga or the next book, your biggest competition is Angry Birds because it’s only one click away. When you get into debate over mind share, I’m not just trying to get them to read the next book, I’m trying to get them to not listen to that song or play that video game. That is a bigger challenge where marketing and mind share is concerned.” [ICv2]
Creators | Jeff Smith, who was named last week to the board of the Comic Book Legal Defense Fund, talks briefly about the importance of the organization, and the 2010 challenge to his all-ages graphic novel Bone in a Minnesota school. [Comic Riffs]
Comics | Archie Co-CEO Jon Goldwater, writer Roberto Aguirre-Sacasa and artist Francesco Francavilla have a few things to say about the new zombie series Afterlife With Archie. “We are taking a series of characters known to be lighthearted and young adult-oriented and doing a horror comic with them, so the mood, atmosphere, and setting are very important to make this a believable horror and not a comedy horror,” says Francavilla, who’s also the creator of The Black Beetle. “Fortunately, I am really good at making things dark and ominous.” [The Associated Press]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.
If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.
If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?
Legal | The prosecution has laid out its case in the trial of former 2000AD artist Brett Ewins, who was charged with “grievous bodily harm with intent” following a January incident in which he allegedly stabbed a police officer responding to complaints about a man shouting throughout the night. Ewins, who was diagnosed with paranoid schizophrenia years ago and is on medication for it, suffered cardiac arrest during the confrontation and was hospitalized for three weeks. He reportedly has no memory of the incident. The defense will contend that the blow to the head rendered him unconscious (like a sleepwalker) so he was not aware of what he was doing. [The Evening Standard]
Publishing | Matthew Garrahan’s profile of reclusive Marvel CEO Ike Perlmutter is somewhat sharper than the Los Angeles Times story linked last week, as it includes accusations that the 69-year-old billionaire threatened an employee, made a racially insensitive remark, and maneuvered Disney Consumer Products chairman Andy Mooney and three other executives (all African-American women who reportedly referred to themselves as “The Help”) out of their jobs. Nikki Finke follows up at Deadline with details of Disney and Marvel’s attempts at damage control, as well as the news that Disney has settled with the three former execs. [Financial Times]
Retailing | Comics shop veteran Amanda Emmert, executive director of the retailers’ association ComicsPRO and owner of Muse Comics in Colorado Springs, talks about retailing, the health of the industry, and the popular perception of comics shops as men’s clubs: “I have new customers who walk in and tell me how strange it is for a woman to work in a comic book store or a gaming store. Their experience comes more from watching The Simpsons and The Big Bang Theory, as you pointed out, than from seeing a great number of stores, though. I am very lucky to work for ComicsPRO; I get to work with hundreds of stores around the country, a large percentage of which are owned or operated by women.” [Colorado Springs Gazette]