A week that began with Yahoo’s $1.1 billion deal for Tumblr got even stranger this morning with Amazon Publishing’s announcement of Kindle Worlds, billed as the first commercial publishing platform for fan fiction. In short, fanfic writers can now earn royalties for certain corporate-sanctioned stories.
For the launch, Amazon Publishing has secured licenses from Alloy Entertainment, the book-packaging division of Warner Bros. Television, for Cecily von Ziegesar’s Gossip Girl, Sara Shepard’s Pretty Little Liars and L.J. Smith’s The Vampire Diaries — all bestselling young-adult series that have spawned hit television shows. More licenses are expected to be announced soon.
Warner Bros. Television and the co-creators of Smallville have settled a multimillion-dollar dispute concerning profits from the long-running television series. The agreement was announced Monday during a status hearing, but Hollywood Esq. reports no paperwork has been signed.
Series creators and executive producers Miles Millar and Alfred Gough and series producers Tollin/Robbins Productions sued WBTV in 2010, accusing the company of licensing Smallville to its co-owned WB and CW networks “for unreasonably low” fees, thereby cutting the plaintiffs out of tens of millions of dollars.
The odds of a Justice League movie ever making it to theaters are probably about even at the moment and, if rumors are to be believed, largely dependent on the box-office performance of Zack Snyder’s Man of Steel. Thankfully, however, we won’t have to wait until 2015 or beyond to see Superman, Wonder Woman, Batman and Green Lantern together in live-action form.
Director/producer Andrew List has released a low-budget fan trailer for Kingdom Come, based on the acclaimed 1996 miniseries by Alex Ross and Mark Waid. (How low-budget? The project’s indiegogo campaign generated $5,617.) Sure, some of the acting and green-screen work — to say nothing of Superman’s Southern accent — are a bit suspect, but there are a few moments that look as if they were taken right out of the comic. Considering the budget, it’s kind of impressive.
If you were just thinking your summer wouldn’t be complete without some New 52-inspired beach and camping accessories or garden tools, well, you’re in luck: Target has partnered with Warner Bros. Consumer Products and DC Entertainment to introduce an exclusive summer collection of Justice League merchandise.
Debuting Sunday, the line features more than 50 products, sand toys designed to form cities like Gotham and Metropolis, Wonder Woman melamime dinnerware, a Batman snack cup and apron, a Wonder Woman kids’ camp chair, and Batman, Wonder Woman and The Flash beach towels that double as capes.
In addition to the the summer collection, the partnership will see the introduction of a wide range of Justice League merchandise, ranging from $1 Justice League temporary tattoos to the $59.99 Justice League rocking chair. There will also be a line of Justice League Halloween costumes later in the year.
“DC Comics’ Justice League characters are a powerful assemblage of the most recognizable Super Heroes in the history of comic books,” Brad Globe, president of Warner Bros. Consumer Products, said in a statement. “We are incredibly excited to offer fans of all ages a unique collection and collaboration that pairs the heroics of the Justice League characters with the product design and marketing super powers of Target.”
DC Comics Co-Publisher Jim Lee appeared Saturday on CBS New York to promote Free Comic Book Day, but he also used the time to plug Warner Bros.’ upcoming Man of Steel — “It brought me to tears, actually, a couple of times” — and Superman comics, and to inform the anchor that, no, they’re not all drawn by the same artist.
“It seems like they’re all sort of drawn the same way,” the anchor says. “But you actually have different people doing these drawings?”
Still, Lee talked perhaps the most about director Zack Snyder’s franchise reboot, saying, “It’s an amazing reimagining of Superman. There’s stuff in there you’ve never seen in a Superman movie before. The special effects are incredible, but it’s got a lot of heart.”
Ever the guardian of American values, Stephen Colbert has cast his scornful gaze on the latest threats to everything wholesome: Man of Steel and Iron Man 3.
On last night’s episode of The Colbert Report, the talk-show host took on the Warner Bros. franchise reboot first for casting English actor Henry Cavill as the embodiment of truth, justice and the American way, and then for its liberal agenda. Showing a clip in which Superman explains to Lois (Amy Adams) that on his world, his “S” symbol means “hope,” Colbert rages, “They’re saying Superman is Obama! Think about it: They both rise from Midwestern obscurity, become the most powerful man in the world, and, if I’m not mistaken, Krypton is the capital of Kenya!”
His “big problem” with Iron Man 3 is that Marvel turned to China for financing, resulting in a special cut of the film, featuring scenes with Chinese actors, product placement and an alteration of the villain’s name from the Mandarin to “Man Daren.”
“Why is Iron Man fighting the husband from Bewitched?” Colbert asks.
“Words like ‘realism’ and ‘dark’ and ‘gritty’ get bandied about Hollywood as if the only merit a story can have is in its verisimilitude, but that’s a lie. Emotional honesty transcends reality; it’s what allows disbelief to be suspended, and yet what makes a story stay true. When Superman: The Movie was released, Richard Donner promised us we’d believe a man could fly. We did, but it wasn’t the wire-work alone.”
– comics writer and novelist Greg Rucka, voicing his misgivings about the PG-13 rating for director Zack Snyder’s Man of Steel
Much like Wayne Manor, the real selling point of Chris Weir’s home in Middletown, Delaware, is what lies underground.
When the lifelong Batman fan and his wife bought their suburban home in 2006, it was largely because it had enough basement space for Weir to construct his dream: his own Batcave.
Two and a half years and $150,000 later, the father of two had constructed his own subterranean lair, accessed through a hidden door in a bookcase that’s opened using a switch on a bust of William Shakespeare, just like on the 1960s Batman television series. Inside, as you can see in the video below, is a home theater made to look like a cave (naturally); it also houses what Weir describes as his “most prized possession”: a Batsuit featured in The Dark Knight and The Dark Knight Rises.
Although Weir’s wife claims to be fine with her husband’s expensive fixation — “I’m proud of what he’s done,” she says, “I think it’s really, really cool” — his oldest son looks as if he’s had about enough of Dad’s Batman nonsense.
Are you getting excited? New teasers and trailers are being released almost every day now. The countdown to Summer Movie Season is officially on, and the big blockbusters adapting comics are looking promising. Iron Man 3 has an armada of armors flying around; can’t really go wrong there. The Wolverine has ninjas as far as the eye can see. And the bearded and brooding Man of Steel might even end up being good. Throw in a little Kick-Ass 2 and RED 2, sprinkle with R.I.P.D. and 300: Rise of an Empire, and top it off with 2 Guns, and you’ve got yourself one fun summer.
While we still get clunkers, the ratio of good to suck has definitely improved. It used to be that the old chestnut response to a movie adapted from a novel could be more often than not applied to movies adapted from comics: The book was better. And it’s often still true. But there are times when the movies do it better than comics, and while that’s great for the filmmakers and audiences, in a way it’s an indictment on the comics-makers.
Comics offer more boundless creativity than almost any medium. With comics, there’s no studio executive, no creation-by-committee made up of shareholders and board members with less experience creating and telling stories than their companies’ interns. It’s why Tony Stark being an alcoholic doesn’t fly with Disney and was removed from Iron Man 3. Comics can still include collaboration and compromise but they can just as easily be the result of a single voice. Even with the most heavy-handed editorially mandated comics, they’re still created by a fraction of people needed to make a Hollywood movie. Comics are generally more spontaneous, imaginative and clever than most major studio movies. But sometimes, Hollywood gets the jump on comics.
Whether you remain unconvinced by the theatrical trailer for director Zack Snyder’s Man of Steel or you’re merely a fan of Superman: The Animated Series, you may enjoy this video that recreates the teaser using clips from the beloved animated series.
Man of Steel opens June 14.
Frustrated by the glacial pace of a bill to create a Superman license plate, an Ohio representative pinned the legislation to the state budget, which passed the House on Thursday — coincidentally, the 75th anniversary of the Man of Steel.
“This is an important moment for Ohioans,” State Rep. Bill Patmon, who represents Cleveland, told The Plain Dealer. “This license plate is all about recognizing the American dream and the heroes that make it possible.”
The legislation now moves to the Senate, and then on to Gov. John Kasich for final approval. If all goes as planned, the plates will be available for purchase by Ohioans next summer.
Celebrating the creation of Man of Steel in 1932 by Cleveland teenagers Jerry Siegel and Joe Shuster, the plates originally were intended to bear the phrase, “Birthplace of Superman,” but Warner Bros. and DC Comics objected to the slogan, insisting the superhero was born on Krypton. So instead they’ll now say “Truth, Justice & the American Way,” and sport the iconic “S” emblem.
The Siegel and Shuster Society began the push for the plate in 2011. A portion of the proceeds from sales of the specialty plates will go to the group to fund Superman projects.
A federal judge confirmed Wednesday that the heirs of Superman co-creator Jerry Siegel relinquished any claims to the character in a 2001 agreement with DC Comics. However, that seems unlikely to end the nearly decade-long legal battle over the Man of Steel.
The order by U.S. District Judge Otis Wright III follows the January decision by the Ninth Circuit Court of Appeals that the Siegel heirs had accepted a 2001 offer from DC that permits the publisher to retain all rights to Superman (as well as Superboy and The Spectre) in exchange for $3 million in cash and contingent compensation worth tens of millions — and therefore were barred from reclaiming a portion of the writer’s copyright to Action Comics #1.
Unwilling to give up, Siegel attorney Marc Toberoff introduced a new strategy earlier this month, arguing not only that the Ninth Circuit didn’t settle all of the outstanding issues but that if there was a contract, then DC failed to perform: “DC anticipatorily breached by instead demanding unacceptable new and revised terms as a condition to its performance; accordingly, the Siegels rescinded the agreement, and DC abandoned the agreement.”
As the title suggests, the 28-year-old campaign features celebrities, ranging from Bill Cosby (who appeared on the very first poster) and Bill Gates to Oprah Winfrey and the stars of The Hunger Games, with books in an effort to encourage reading. Watchmen star Jeffrey Dean Morgan previously appeared with a copy of the Alan Moore-Dave Gibbons book, while Hugh Jackman was shown with … The Man in the Moon.
Here’s the text accompanying the Cavill poster on the ALA website: “Born in the United Kingdom, actor Henry Cavill has already made quite an impact in both film and television. Henry made his feature film debut in The Count of Monte Cristo and went on to star in Tristan & Isolde, Woody Allen’s Whatever Works and, most recently, as Theseus in Immortals. On the small screen, Henry appeared on the Showtime series “The Tudors” for four seasons. This summer, audiences will see Henry star in Man of Steel when it flies into theaters on June 14. In preparation for this epic role, Henry delved deep into original source material, reading hundreds of Superman comics.”
Available for $16, the 22-inch by 34-inch poster is featured on the cover of the ALA Graphics summer catalog, arriving this week. Director Zack Snyder’s Man of Steel opens June 14.
The Jewish Telegraphic Agency reports that Kippa Man owner Avi Binyamin agreed to pay each company $17,000 for infringing on their trademarks; they’d originally sought $27,000 in damages.
Binyamin told The Jerusalem Post in September that he doesn’t produce the yarmulkes, but merely sells them like many other shops in the area. “They make them in China, I just bring them,” he said. “There are 20 stores on this street, they all sell the same thing,” Indeed, the newspaper reported that nearly every store on Ben-Yehuda Street displayed yarmulkes outside. However, Kippa Man is the most successful and best known outside of Israel.
The Times of Israel then characterized the lawsuit as “the first move by Marvel against what it perceives as widespread copyright infringement in Israel, where products featuring its copyrighted superheros are commonly sold.” Lawyers for Marvel and Warner Bros. told the Israeli newspaper Maariv that the companies will pursue legal action against other small stores that violate their trademarks.
George Clooney’s mask from 1997′s Batman & Robin, Halle Berry’s costume from 2004′s Catwoman and Christopher Reeve’s outfit from 1983′s Superman III have been donated by Warner Bros. to the Smithsonian’s National Museum of American History. Please hold your “Because nobody else would take them” remarks until the end.
They were among the more than 30 items from 13 Warner Bros. features said to “represent significant performances and films that have been influential in American life.” Somewhere, Joel Schumacher is feeling a sudden sense of vindication.
Other props presented Friday by Warner Bros. Chairman Barry Meyer include a Gremlin model from Gremlins 2: The New Batch, stop-action puppets from Tim Burton’s Corpse Bride, and a chocolate bar and golden ticket from Burton’s Charlie and the Chocolate Factory.