Much like Wayne Manor, the real selling point of Chris Weir’s home in Middletown, Delaware, is what lies underground.
When the lifelong Batman fan and his wife bought their suburban home in 2006, it was largely because it had enough basement space for Weir to construct his dream: his own Batcave.
Two and a half years and $150,000 later, the father of two had constructed his own subterranean lair, accessed through a hidden door in a bookcase that’s opened using a switch on a bust of William Shakespeare, just like on the 1960s Batman television series. Inside, as you can see in the video below, is a home theater made to look like a cave (naturally); it also houses what Weir describes as his “most prized possession”: a Batsuit featured in The Dark Knight and The Dark Knight Rises.
Although Weir’s wife claims to be fine with her husband’s expensive fixation — “I’m proud of what he’s done,” she says, “I think it’s really, really cool” — his oldest son looks as if he’s had about enough of Dad’s Batman nonsense.
Are you getting excited? New teasers and trailers are being released almost every day now. The countdown to Summer Movie Season is officially on, and the big blockbusters adapting comics are looking promising. Iron Man 3 has an armada of armors flying around; can’t really go wrong there. The Wolverine has ninjas as far as the eye can see. And the bearded and brooding Man of Steel might even end up being good. Throw in a little Kick-Ass 2 and RED 2, sprinkle with R.I.P.D. and 300: Rise of an Empire, and top it off with 2 Guns, and you’ve got yourself one fun summer.
While we still get clunkers, the ratio of good to suck has definitely improved. It used to be that the old chestnut response to a movie adapted from a novel could be more often than not applied to movies adapted from comics: The book was better. And it’s often still true. But there are times when the movies do it better than comics, and while that’s great for the filmmakers and audiences, in a way it’s an indictment on the comics-makers.
Comics offer more boundless creativity than almost any medium. With comics, there’s no studio executive, no creation-by-committee made up of shareholders and board members with less experience creating and telling stories than their companies’ interns. It’s why Tony Stark being an alcoholic doesn’t fly with Disney and was removed from Iron Man 3. Comics can still include collaboration and compromise but they can just as easily be the result of a single voice. Even with the most heavy-handed editorially mandated comics, they’re still created by a fraction of people needed to make a Hollywood movie. Comics are generally more spontaneous, imaginative and clever than most major studio movies. But sometimes, Hollywood gets the jump on comics.
Whether you remain unconvinced by the theatrical trailer for director Zack Snyder’s Man of Steel or you’re merely a fan of Superman: The Animated Series, you may enjoy this video that recreates the teaser using clips from the beloved animated series.
Man of Steel opens June 14.
Frustrated by the glacial pace of a bill to create a Superman license plate, an Ohio representative pinned the legislation to the state budget, which passed the House on Thursday — coincidentally, the 75th anniversary of the Man of Steel.
“This is an important moment for Ohioans,” State Rep. Bill Patmon, who represents Cleveland, told The Plain Dealer. “This license plate is all about recognizing the American dream and the heroes that make it possible.”
The legislation now moves to the Senate, and then on to Gov. John Kasich for final approval. If all goes as planned, the plates will be available for purchase by Ohioans next summer.
Celebrating the creation of Man of Steel in 1932 by Cleveland teenagers Jerry Siegel and Joe Shuster, the plates originally were intended to bear the phrase, “Birthplace of Superman,” but Warner Bros. and DC Comics objected to the slogan, insisting the superhero was born on Krypton. So instead they’ll now say “Truth, Justice & the American Way,” and sport the iconic “S” emblem.
The Siegel and Shuster Society began the push for the plate in 2011. A portion of the proceeds from sales of the specialty plates will go to the group to fund Superman projects.
A federal judge confirmed Wednesday that the heirs of Superman co-creator Jerry Siegel relinquished any claims to the character in a 2001 agreement with DC Comics. However, that seems unlikely to end the nearly decade-long legal battle over the Man of Steel.
The order by U.S. District Judge Otis Wright III follows the January decision by the Ninth Circuit Court of Appeals that the Siegel heirs had accepted a 2001 offer from DC that permits the publisher to retain all rights to Superman (as well as Superboy and The Spectre) in exchange for $3 million in cash and contingent compensation worth tens of millions — and therefore were barred from reclaiming a portion of the writer’s copyright to Action Comics #1.
Unwilling to give up, Siegel attorney Marc Toberoff introduced a new strategy earlier this month, arguing not only that the Ninth Circuit didn’t settle all of the outstanding issues but that if there was a contract, then DC failed to perform: “DC anticipatorily breached by instead demanding unacceptable new and revised terms as a condition to its performance; accordingly, the Siegels rescinded the agreement, and DC abandoned the agreement.”
As the title suggests, the 28-year-old campaign features celebrities, ranging from Bill Cosby (who appeared on the very first poster) and Bill Gates to Oprah Winfrey and the stars of The Hunger Games, with books in an effort to encourage reading. Watchmen star Jeffrey Dean Morgan previously appeared with a copy of the Alan Moore-Dave Gibbons book, while Hugh Jackman was shown with … The Man in the Moon.
Here’s the text accompanying the Cavill poster on the ALA website: “Born in the United Kingdom, actor Henry Cavill has already made quite an impact in both film and television. Henry made his feature film debut in The Count of Monte Cristo and went on to star in Tristan & Isolde, Woody Allen’s Whatever Works and, most recently, as Theseus in Immortals. On the small screen, Henry appeared on the Showtime series “The Tudors” for four seasons. This summer, audiences will see Henry star in Man of Steel when it flies into theaters on June 14. In preparation for this epic role, Henry delved deep into original source material, reading hundreds of Superman comics.”
Available for $16, the 22-inch by 34-inch poster is featured on the cover of the ALA Graphics summer catalog, arriving this week. Director Zack Snyder’s Man of Steel opens June 14.
The Jewish Telegraphic Agency reports that Kippa Man owner Avi Binyamin agreed to pay each company $17,000 for infringing on their trademarks; they’d originally sought $27,000 in damages.
Binyamin told The Jerusalem Post in September that he doesn’t produce the yarmulkes, but merely sells them like many other shops in the area. “They make them in China, I just bring them,” he said. “There are 20 stores on this street, they all sell the same thing,” Indeed, the newspaper reported that nearly every store on Ben-Yehuda Street displayed yarmulkes outside. However, Kippa Man is the most successful and best known outside of Israel.
The Times of Israel then characterized the lawsuit as “the first move by Marvel against what it perceives as widespread copyright infringement in Israel, where products featuring its copyrighted superheros are commonly sold.” Lawyers for Marvel and Warner Bros. told the Israeli newspaper Maariv that the companies will pursue legal action against other small stores that violate their trademarks.
George Clooney’s mask from 1997′s Batman & Robin, Halle Berry’s costume from 2004′s Catwoman and Christopher Reeve’s outfit from 1983′s Superman III have been donated by Warner Bros. to the Smithsonian’s National Museum of American History. Please hold your “Because nobody else would take them” remarks until the end.
They were among the more than 30 items from 13 Warner Bros. features said to “represent significant performances and films that have been influential in American life.” Somewhere, Joel Schumacher is feeling a sudden sense of vindication.
Other props presented Friday by Warner Bros. Chairman Barry Meyer include a Gremlin model from Gremlins 2: The New Batch, stop-action puppets from Tim Burton’s Corpse Bride, and a chocolate bar and golden ticket from Burton’s Charlie and the Chocolate Factory.
Legal | A federal judge on Friday denied DC Comics’ bid for sanctions against the attorney for the heirs of Superman creators Jerry Siegel and Joe Shuster, finding that Marc Toberoff made “no deliberate attempt to mislead” during the discovery process and, perhaps more importantly, did not interfere with the publisher’s rights to the Man of Steel when he allegedly inserted himself into settlement talks in 2001. [The Hollywood Reporter]
Legal | Stan Lee will be deposed this week by lawyers representing Stan Lee Media in its multi-billion-dollar lawsuit against Disney involving the rights to the characters the legendary writer co-created for Marvel. Stan Lee Media, which no longer has ties to its namesake, claims Disney as infringed on the copyrights Iron Man, the Avengers, X-Men and other heroes since 2009, when it purchased Marvel. The long, tortured dispute dates back to a sequence of events that occurred between August 1998, when Marvel used its bankruptcy proceedings to terminate Lee’s lifetime contract, and November 1998, when Lee entered into a new agreement with the House of Ideas and signed over his likeness, and any claims to the characters. Stan Lee Media has long claimed that on Oct. 15, 1998, Lee transferred to that company the rights to his creations and his likeness. SLM asserts in the latest lawsuit that neither Marvel nor Disney, which bought the comic company in 2009, has ever registered Lee’s November 1998 agreement with the U.S. Copyright Office. [The Hollywood Reporter]
Considering Warner Bros.’ hand-wringing about the long-planned Justice League movie and The CW’s uncertainty about the Amazon pilot, it may be some time before we see a live-action Wonder Woman on the screen. Until that day, we’ll have to make do with the well-produced fan trailer directed by stuntman Jesse V. Johnson that evokes the first season of the Lynda Carter television series by pitting Wonder Woman (Nina Bergman) against a bunch of Nazis.
After some torture and interrogation (the latter at the hands of Peter Stormare, no less), Wonder Woman naturally unleashes on her former captors, and even brings down a fighter plane. Maybe this is what The CW is looking for!
“It was my manager/producing partner Kailey Marsh’s idea to shoot the trailer,” Johnson explained to Latino Review. “She really believes I should be a studio director, and thought shooting Wonder Woman would be a great way to show off my skills in a fun way that people could get excited about.”
There’s also a concept poster by Robert Sebree, which you can see below, along with the trailer.
Seeking to end nearly a decade of litigation, DC Comics has asked for summary judgment in lawsuits brought by the heirs of Jerry Siegel regarding the copyrights to Superman and Superboy.
In a motion filed Thursday in federal court, and first reported by Law360, the publisher’s attorneys assert the Jan. 10 ruling by the Ninth Circuit Court of Appeals that effectively affirmed DC’s ownership of the Man of Steel bars Siegel’s daughter Laura Siegel Larson from moving forward with any claims.
That decision overturned a 2008 ruling that permitted Siegel’s family to recapture his portion of the copyright to the first Superman story in Action Comics #1 under a provision of the 1976 Copyright Act, which seemingly cleared a path for the estate of his collaborator Joe Shuster to do the same this year. That would have given the family of ownership of many of the Man of Steel’s defining elements, including his origin, his secret identity, Lois Lane and certain aspects of his costume and powers (super-strength and super-speed), while leaving DC with such later additions as Lex Luthor, kryptonite and Jimmy Olsen — not to mention the all-important trademarks.
Over the past decade or so, Superman Lives has achieved almost mythical status, a movie project so delightfully terrible that there’s no way it could possibly be true. Nicolas Cage as the Man of Steel, Chris Rock as Jimmy Olsen, Tim Allen as Brainiac — that’s the stuff of fever dreams.
However, Tim Burton’s nightmarish vision for the Last Son of Krypton almost became a reality, with roles cast, costumes created and Pittsburgh selected to double for Metropolis. And then in 1998, to the relief of many, Warner Bros. pulled the plug. But why, exactly?
For all of the ridicule Christian Bale received for his 2008 tirade on the set of Terminator Salvation, it turns out the Oscar winner is a kindhearted guy, visiting with victims of the shooting at The Dark Knight Rises screening in Aurora, Colorado, and flying the family of a 4-year-old cancer patient to have lunch with him at Disneyland. And now the actor has put a smile on the face of an 8-year-old Batman fan who’s battling leukemia.
With some longtime fans still smarting from the loss of Superman’s red trunks in DC Comics’ New 52, and with the shorts-free Man of Steel movie less than five months away, it’s as good a time as any to reflect on the many looks sported by the Last Son of Krypton over the past 75 years or so. Luckily, Imbong Hadisoebroto is ready with “Man of Steel — Man of Ages,” a poster that catalogs 28 of Superman’s costumes and hairstyles, from the original to Red and Blue to the T-shirt-and-jeans ensemble from the Action Comics relaunch.
Ever since Rick Champagne was a kid playing with his toy replica of the Batmobile, he’s wanted to own the iconic car from the 1960s Batman television series. On Saturday, that dream at last became a reality.
The Arizona businessman, and lifelong Batman fan, shelled out $4.62 million for the customized 1955 Lincoln Futura, the second-highest amount ever paid for a vehicle at the famed Barrett-Jackson collector car auctions (a 1966 Cobra Super Snake owned by auto designer and racing driver Carroll Shelby sold for a record $5.5 million in 2007).
“I’m going to keep it at home,” Champagne told SPEED TV. “Maybe take it out for a Sunday drive.” Asked whether he’d store the Batmobile in his garage, he said he’ll probably put it in his living room.