Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
Warren Ellis has a new ebook debuting June
15 18 called Dead Pig Collector, and Sunday, via his Machine Vision email list, he revealed the book’s cover, by his Fell collaborator Ben Templesmith.
Dead Pig Collector, Ellis says, is “a love story. It is also about killing people and effectively disposing of their bodies.” Check out the complete cover after the jump.
Hello and welcome to What Are You Reading?, our look at what comics and other things we’ve been perusing lately. Today our special guests are Caleb Goellner, Buster Moody and Ryan Hill, the creative team of Task Force Rad Squad, the hot new comic find of 2013. Especially if you were ever a Power Rangers fan. Or even if you weren’t, as Moody and Hill’s art is just kind of wonderful on its own. Our old friend and former colleague Graeme says it “pretty much does for Power Rangers what Jeffrey Brown’s Incredible Change-Bots does for Transformers,” and that’s a very apt description. You can download it yourself here, and pay whatever you think is fair.
And to see what Task Force Rad Squad + the Robot 6 Irregulars are reading, click below …
Frequent readers of ROBOT 6 know I’m a big supporter of Francesco Francavilla, and particularly his Black Beetle character. Wednesday marks the release of The Black Beetle: No Way Out #3, the penultimate issue in the first of a series of miniseries for Dark Horse. As much as I was eager to learn about the pulp-fueled noir comic, I was equally keen to chat with Francavilla about his approach toward layout and storytelling in general.
As part of the interview, Francavilla shared some preview pages for the latest issue.
Tim O’Shea: Comparing the early adventures of the Black Beetle, as shown in Night Shift versus No Way Out issues 1 and 2, how liberating did it feel to be increasingly ambitious with your layouts on the pages?
Francesco Francavilla: Very liberating. One of the tricky parts of doing Night Shift was to have three small installments (chapters) of eight pages. I wanted each single chapter to be meaty enough to be entertaining on its own, but I also wanted each chapter to end with a cliffhanger. Going from that to a full 22 pages a month with No Way Out, I have much more room now to have fun with different layouts and give extra room for some big reveal sequences.
“I don’t get to decide what gets made into a tv series or film. I cannot, I’m afraid, cause people to give me money for things by magic or force of will. Because, let’s face it, if I could, you’d be part of the slave army building my hundred-mile-high golden revolving statue right now.”
In doing so, he reveals it’s a “largely improvised” riff on a newspaper comic strip that will be serialized daily for free on his website, one panel at a time, for the long haul. Debuting the first installment, Ellis writes, “We’ll take a short break every four or five weeks, at which point we’ll run a digest of that block of panels somewhere or other (we have no serious plans in this direction beyond the intent, and are basically making shit up as we go along).”
Comics| Brian Brown, president of the National Organization for Marriage, expressed dismay about the backlash to DC Comics hiring sci-fi author, and outspoken gay-rights opponent, Orson Scott Card to write Adventures of Superman. Card is a board member of the organization, which works against the legalization of same-sex marriage. “This is completely un-American and it needs to be stopped,” Brown said. “Simply because we stand up for traditional marriage, some people feel like it’s OK to target us for intimidation and punishment.” NOM last year launched boycotts of Starbucks and General Mills because of their support of same-sex marriage initiatives. [The Huffington Post]
Retailing | Gabi Shepherd, owner of Olympic Cards and Comics in Lacey, Washington, talks about the importance of courting teenagers, who are often not welcome in other retail stores: “I have found that if I am going to make this the community center that I want to make it then the kids are a big part of that. It makes them feel good when they come in and someone knows who they are. It’s important. It’s respect.” [ThurstonTalk]
Legal | DragonCon co-founder Ed Kramer, who hasn’t been associated with the show since 2000, has been brought back to the Gwinnett County Jail and booked on child molestation charges that date back to August 2000. The 51-year-old Kramer was released on bond after his initial arrest following accusations that he sexually abused three boys, and has avoided jail and court for more than a decade because of his health problems, although he was under house arrest for a while. He was arrested again in Connecticut in 2011 for violating the conditions of his bond after he was allegedly found alone in a hotel room with a 14-year-old boy. Atlanta Magazine ran a lengthy expose on Kramer last year. [The Atlanta Journal-Constitution]
Warren Ellis debuted his second prose novel, Gun Machine, earlier this month, but many of his longtime fans have been eagerly awaiting his next comics work. After all, it’s been a little while. “I’m not even sure I wrote any comics in 2012,” he told ROBOT 6 at the beginning of the new year. “A couple of issues of Secret Avengers, maybe?” Well, the wait is almost over.
This morning on his blog, the writer teased the above image for Scatterlands, his collaboration with Super Dinosaur artist Jason Howard, arriving in “late February.” No additional information was provided, but as there was no publisher mentioned and no lead time for a Diamond solicitation, we can probably presume Scatterlands is a webcomic. Here’s hoping more details will follow soon …
Publishing | The Amazing Spider-Man #700 led the pack in the December comics numbers with 200,000 copies selling to comics shops, and with a cover price if $7.99, it racked up a cool $1.6 million in sales. Avengers #1 sold 186,000 copies but at a more reasonable price, so the dollars didn’t pile up as high for that one. ICv2 also has the December charts for the Top 300 comics and graphic novels in the direct market. John Jackson Miller takes it to the next level with sales estimates for the top 1,000 comics and trades of 2012. [ICv2]
Publishing | At the other end of the scale, Rob Clough talks to Chuck Forsman, the guy behind micropublisher Oily Comics. [The Comics Journal]
One of the strongest voices in comics over the past 20 years has been Warren Ellis, a write whose impressive body of work ranges from Next Wave: Agents of H.A.T.E. and Transmetropolitan to Global Frequency and Planetary to Fell and FreakAngels. In 2012, however, that voice was largely absent from the medium. For the past few years, Ellis has split his time at his time between writing comics and, increasingly, prose novels such as 2008’s Crooked Little Vein and commentating on society and culture for magazines like Wired and Vice. On Tuesday, Ellis’ second prose novel Gun Machine was released by Mulholland Books, combining his fascination with the layered history of cities with crime noir. I reached out to Warren on Tuesday and we corresponded by email to discuss the future of his career, of comics, and his place in it all.
To see what Ales and the Robot 6 crew have been reading, click below.
Artist Molly Crabapple was among the more than 100 people arrested this morning in New York City during protests marking the one-year anniversary of the Occupy Wall Street movement. She documented her arrest of Twitter, where the hashtag freemollycrabapple quickly appeared.
“Can’t wait to draw this,” Crabapple tweeted, followed shortly by, “Everyone in this police van is wicked smart and funny except for the driver.”
Neil Gaiman dubbed her police-van tweeting “Art arrest,” while Warren Ellis observed, “Somewhere in NYC, a cop is listening to an angry short artist in heels spewing obscenities in four different languages.” Ellis went into a little more detail on his website, noting, “apparently they don’t take your phones off you when you’re arrested, now?”
Warren Ellis is calling for submissions for a feature on his blog called Three Panels Open. There are only two rules: 1) It has to be three, not-previously-published panels; and 2) it has to be legible at a width of 640 pixels. Panels can be side-by-side, like the PJ Holden example above, or stacked on top of each other.
It’s an ongoing feature, so there’s no deadline, but Ellis will only be running his favorites. He’ll also include links to other work by the contributors, so it’s a great opportunity for under-appreciated comics-makers to reach a wider audience. It’s also going to be fantastic for comics readers who enjoy short, outstanding work.
(via The Comics Reporter)
Conventions | Despite the $500-plus price tag, the least-expensive tickets for MorrisonCon, the Grant Morrison-focused convention being held in September in Las Vegas, are already sold out. Remaining tickets cost between $699 and $1,099. Morrison says the high-priced event combines “visionary ideas, occult ritual, music and spoken word performances, art workshops, experimental films, DJ sets and in-depth discussions inspired by the comics.” [Hero Complex]
Publishing | Industry veteran Jim “Ski” Sokolowski, who was let go in October as Marvel’s chief operating officer ahead of a round of layoffs, has been hired by Archie Comics as senior vice president-sales and business development. The publisher also promoted Harold Buchholz from executive director of publishing and operations to senior vice president-publishing and operations, Paul Kaminski from editor to executive director of editorial, and Alex Segura from executive director of publicity and marketing to vice president-publicity and marketing. [Archie Comics]
Digital comics | George Gene Gustines takes a quick trip through the landscape of digital comics, dropping in on Mark Waid, comiXology’s David Steinberger and Marvel’s Avengers vs. X-Men Infinite Comic. Much of this is familiar territory to regular readers of this blog, but hey, it’s The New York Times noticing digital comics! [The New York Times]
Digital comics | FreakAngels writer Warren Ellis looks at three recent digital comics, noting how they all limit themselves to “two-tier storytelling”: “Accepting and exploiting new limitations is always part of a new format. These three projects, though, can’t produce even a full-page spread without some serious scheming and dancing.” [Warren Ellis]