Axel-In-Charge: Waid & Samnee on "Black Widow" and the Dawn of the All-New, All-Different Era
Retailing | Finally breaking its silence regarding the feud with Hachette over sales terms, Amazon acknowledged it’s buying less print inventory and “safety stock” from the publisher and is no longer taking pre-orders for its titles. And while Amazon conceded that “Hachette has operated in good faith and we admire the company and its executives,” the retail giant said “we are not optimistic that this will be resolved soon.” The company also recognized the affect the dispute may have on authors, revealing it offered to fund 50 percent of an author pool to help mitigate the impact. Hachette responded, saying it was glad Amazon has admitted its actions have an effect on authors: “We will spare no effort to resume normal business relations with Amazon—which has been a great partner for years — but under terms that value appropriately for the years ahead the author’s unique role in creating books, and the publisher’s role in editing, marketing, and distributing them, at the same time that it recognizes Amazon’s importance as a retailer and innovator.” [Publishers Weekly, GalleyCat]
Conventions | Registration begins Friday for the Small Press Expo 2014 Exhibitor Table Lottery, a new system designed to both bring the old process into the 21st century and address rapidly increasing demand. Online registration will continue through Feb. 14, with lottery winners announced on Feb. 21. There’s a good deal of information to absorb, but convention organizers have created a lottery FAQ. [SPX]
Publishing | Reports of the demise of Ape Entertainment turns out to have been premature. The company, which had one of the bestselling digital comics a few years ago with Pocket God, has been quiet of late and recently canceled a number of outstanding orders. However, COO Brett Erwin emerged Tuesday to say the publisher is simply going through a period of reorganization after the departure of CEO David Hedgecock, who now works for IDW. Ape will release a new Fruit Ninja comic at the end of the month. [The Beat]
Creators | Artist J.K. Woodward (Fallen Angel, Star Trek: The Next Generation/Doctor Who) recounts how he and his wife lost everything but their cat and the clothes they were wearing during Hurricane Sandy — and how what happened afterward changed his perspective: ““When things are going right, you really don’t know what kind of world you’re living in. You tend to be cynical. But there has been such an outpouring of support not just here but from the comics community — we did a podcast interview, for example, and I mentioned how we had to go to the laundromat every day because of our clothing situation. As a result of that, two days later I went to my studio was packed full of care packages with toiletries and other necessities. It showed that what should have been a real tragedy turned into a blessing. It gave me a much more positive outlook.” [The Conway Daily Sun]
Crowdfunding | Matthew Inman, creator of The Oatmeal, raised $1 million in just over a week on Indiegogo to help fund the restoration of Nikola Tesla‘s laboratory as a museum, surpassing the $850,000 goal. “THANK YOU SO GODDAMN MUCH,” Inman wrote on his blog. “WE ARE GOING TO BUILD A GODDAMN TESLA MUSEUM.” There are still 34 days left in the funding campaign. [The Associated Press, The Oatmeal]
Publishing | Warren Simons, executive editor of Valiant Entertainment, discusses gathering the talent for the Valiant relaunch, refining the characters for modern-day tastes, and keeping the books accessible to new readers. He also gives some hints about what to expect from Valiant’s upcoming series Shadowman. [Previews World]
Publishing | Kodansha’s Attack on Titan, the action-fantasy manga by Hajime Isayama, has sold more than 9 million copies in Japan, according to the Sports Nippon newspaper. The eighth volume was released last week in Japan; Kodansha USA will publish the second volume next month in North America. [Anime News Network]
Publishing | Alex Zalben pays a visit to the Valiant offices and talks shop with editor Warren Simons: “Asking whether the idea was to set these up so that you can go right to TV, video games, or other properties, Simons strongly denies that was behind the relaunch. ‘I think you have guys who really love comic books,’ said Simons. ‘I’m just interested in publishing comic books. Obviously in this space, in this day and age you want to pay attention to everything – just like everyone does. But I think it all derives from publishing … [The publishers] just wanted to read comics about the characters that they loved growing up!'” [MTV Geek]
Publishing | Vertical Inc. announced Sunday at Otakon in Baltimore that it has licensed Yoshikazu Yasuhiko’s 23-volume Mobile Suit Gundam: The Origin and Mitsuhisa Kuji’s Wolfsmund. [Anime News Network]
Publishing | A year after the launch of Kodansha Comics, general manager Kimi Shimizu and Dallas Middaugh of Random House Publisher Services discuss their re-release of Sailor Moon, Kodansha’s fall line and the state of the manga market in the post-Borders landscape. “Manga numbers have been in decline for the past couple years, but what we’ve discovered in the past year or so is that decline is dramatically slowing,” Middaugh said .”So the simple fact of the matter is that most manga readers —usually when they’re committed, they’re committed—are reading a series. I actually believe that it takes more than the loss of a retail outlet to keep them from pursuing the manga that they want to read.” [ICv2]
The hardworking writer Fred Van Lente gets even more busy in the next few months. In October, as discussed (in a Van Lente interview) in last Friday’s Axel-In-Charge, the writer will team with artist Alessandro Vitti in a holiday-themed one-shot, Marvel Zombies Halloween. But more immediately, on August 8, Valiant Entertainment will release the first issue (previewed last week by CBR) of the new Archer & Armstrong ongoing, teaming Van Lente with artist Clayton Henry. Given my love of Van Lente’s brand of comedy and the knowledge that the series teams an 18-year old assassin with a soused immortal, I fired up the computer to conduct an email interview with Van Lente. I have to say that Van Lente catches my attention when he said in our exchange: “I’ve never written a book like this.”
Tim O’Shea: Would it be fair to say that Valiant sought you out for Archer & Armstrong based partially on the success and tone of your co-writing gig on Hercules?
Fred Van Lente: Yeah, I’ve got a reputation now as the funny superhero guy, even though Incredible Hercules started out as a story about a guy trying to atone for murdering his entire family — Judd Apatow, are you reading this?!
If memory serves, what made Warren Simons think I’d be right for Archer & Armstrong was my Taskmaster GN, which is a classic example of me getting my hands on a character and thinking, “Okay, this is my chance to do a straight-up thriller, do a real grim and gritty thing here.”
But the more I worked on it the more the crazy ideas creeped in until it had a town full of Hitlers and characters like Don of the Dead and Redshirt, the Überhenchman and I was like, “Boy, you really screwed that up, Fred” but it’s become the most beloved thing I’ve done at Marvel, at least in terms of people tracking me down and saying how much they enjoyed it. So, what are you going to do?