CBS's "Supergirl" to Introduce a Young Superman
Best of the year | Amazon lists its Top 20 graphic novels of 2015 in order of sales, but the editors chose The Sandman: Overture Deluxe Edition by Neil Gaiman and J.H. Williams III as the best graphic novel of the year. Other notable titles include Kelly Sue DeConnick and Valentine DeLandro’s Bitch Planet, Scott Snyder and Jock’s Wytches, Noelle Stevenson’s Nimona, and Kate Beaton’s Step Aside, Pops. Amazon also included Victoria Jamieson’s Roller Girl, and Marika McCoola and Emily Carroll’s Baba Yaga’s Assistant in its lists of the best children’s books of the year. [Amazon]
Comics | Wayne Bell says his new comic book ISIS: A Culture of Evil, is a valuable tool to tell stories of atrocities the media won’t cover: “It’s factual, it’s accurate, it’s the real deal, and unlike a TV program it absolutely goes to the bone quick.” Some veterans who were shown the book weren’t so sure, though, especially as it looks like a coloring book; they felt the medium wasn’t appropriate for the message. [CBS St. Louis]
Creators | Oni Press will republish Sophie Campbell’s Wet Moon in a new edition with her correct name on the cover, and a new cover design by Annie Mok. Campbell, who announced earlier this year that she’s transgender, says she’s particularly happy to have a new edition coming out so soon: “I didn’t think I’d get new editions this early, I thought I’d have to wait a couple years for the next printing to roll around to get my name fixed, so it’s awesome getting it this soon after I came out. And having the new covers is really great too, I like that they differentiate the new editions from the old ones, for me it feels like a specific, clear divide between now and then.” [Autostraddle]
“Trying to figure out your gender identity issues when there are no stories you can relate to is a bit like trying to work a jigsaw puzzle without the picture for reference,” writes Dylan Edwards in his short webcomic How I Told My Grandma I’m Transgender.
Edwards’ comic speaks not only to his own trans experience but also to the importance of having a way to talk about it; when he began questioning his gender identity, in 1999, there wasn’t a lot of conversation about it. Aside from having to do a lot of “Trans 101″ with his family and friends, he also didn’t have a lot of stories to relate to — and this was particularly true for trans men.
Legal | A Judge Dredd comic that makes fun of McDonald’s and Burger King is finally being reprinted in a collection, thanks to a change in the European Copyright Directive, which now allows creators to use copyrighted characters if the intent is clearly parody. In the “Burger Wars” story, first published in 1978, Judge Dredd is captured on a trip to the United States and force-fed fast food; the story includes images of Ronald McDonald and the McDonald’s logo. Another story, “Soul Food,” has a mad scientist creating versions of the Jolly Green Giant and the Michelin Man. Ben Smith of Rebellion Publishing says fans have been asking for years for these story to be reprinted in their collected editions, but they were held back for fear of legal action. When the law was changed, Smith said, they took another look: “It was like a light bulb went on. We thought: ‘Surely this means we can look at Burger Wars?’ We looked into it and here we are. This is straight-out pastiche, parody and arch satire. There didn’t seem any reason not to bring them to the public again.” [The Independent]
Legal | Representatives of Comic-Con International and Salt Lake Comic Con are scheduled to meet Nov. 24 with a federal judge to discuss a possible resolution of their dispute over the term “Comic Con.” Comic-Con International sued the Utah event in 2014, insisting organizers were attempting to “confuse and deceive” fans and exhibitors with their use of the term “Comic Con.” The producers of Salt Lake Comic Con have called the lawsuit “frivolous,” arguing that Comic-Con International’s trademarks are invalid. Salt Lake Comic Con co-founder Bryan Brandenberg, who met this week with Comic-Con International organizers, said he’s confident a settlement would be “greats news for our fans,” but he declined to say whether the Utah event would keep its name. [KSL.com]
Censorship | Malaysian cartoonist Zunar claims Facebook removed his latest cartoon, which portrays the wife of the Malaysian prime minister as the head of a bank. Zunar, who is awaiting trial on nine counts of sedition stemming from tweets critical of the government, said the cartoon was “blocked” half an hour after he uploaded it, and subsequent efforts to upload the cartoon failed. Several of his Facebook pages display the text but no image, but the entire cartoon is gone from his main fan page. “It is really funny because normally you can re-upload the image with a different file name,” he said. “This seems like a well-executed plan by cybertroopers to block the content.” [The Malaysian Insider]
The winners of the 2015 Joe Shuster Awards, which honor Canadian comics creators, were announced Sunday in London Ontario, at the Forest City Comic Con. The awards are named after Superman co-creator Joe Shuster.
The winners are:
Publishing | Vox takes a lengthy look at the effects of DC Comics’ efforts to diversify, in terms of characters, titles and creators. The article, which includes interviews with Marguerite Bennett, Genevieve Valentine, Dan DiDio and Jim Lee, notes that while new titles like DC Comics Bombshells have been successful, others launched under the “DC You” umbrella – Black Canary and Midnighter, for instance — are on far shakier ground, sales-wise. However, Co-Publisher Lee suggests the company is standing behind the initiative: “I think it’s important for us to listen and to learn and basically to adjust and pivot. There is this emerging audience. Comics are changing. At the end of the day, if you’re going to remain competitive and grow and flourish, you have to be able to adapt and change and evolve.” [Vox.com]
Superheroes | Dave Itzkoff looks at the growing interest in female superheroes in comics as well as in TV and movies. The article includes interviews with writers Gail Simone and G. Willow Wilson, and Wilson speaks poignantly about Ms. Marvel: “If you wanted to work in the business, you kept your head down – you did not want to be seen as having an agenda. I would never have pitched that, because I frankly would have worried that it would have prevented me from getting other work.” [The New York Times]
The big news about this year’s Ignatz Awards, presented over the weekend at the Small Press Expo in Bethesda, Maryland, is that all the winners were women.
The second piece of big news is that Sophia Foster-Dimino took home three awards, while Sophie Goldstein won two.
Named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, the Ignatz Awards recognize achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists, and then voted on by SPX attendees.
Awards | Noelle Stevenson’s fantasy comic Nimona has made the longlist for the National Book Awards in the Young People’s Literature category. It’s rare but not unprecedented for a graphic novel to be nominated for a National Book Award: Gene Luen Yang’s American Born Chinese was the first, and his Boxers and Saints made the 2013 longlist. One of the creators of Lumberjanes, Stevenson launched Nimona in 2012 as a webcomic; the print edition was published in May by HarperCollins. [The New Yorker]
Comics | David Harper examines why Marvel and DC remain important — “indispensable,” even — despite the ascendance of creator-owned comics. “Opposite to what it was before where you’d form yourself in your own comics and then graduate to the big companies, now the big companies are going to form you in order to graduate you to your own comics,” Marcos Martin explains. “That’s why I think Marvel and DC are indispensable. They’re great. That means there is an industry. We need that industry in order to bring creators and form them so they can at one point put together their own stories.” [Sktchd]
Graphic novels | A number of incoming freshmen at Duke University have refused to read Alison Bechdel’s Fun Home, chosen as the summer reading selection for the class of 2019. Brian Grasso started the conversation by posting on the class Facebook page that he wouldn’t read the graphic novel because of its depictions of sexuality, saying, “I feel as if I would have to compromise my personal Christian moral beliefs to read it.” That opened up a discussion in which some students defended the book and said that reading it would broaden their horizons, while others shied away from the visual depictions of sexual acts. And Grasso felt that the choice was insensitive, commenting: “Duke did not seem to have people like me in mind. It was like Duke didn’t know we existed, which surprises me.” [Duke Chronicle]
Political cartoons | Cartoonist Ted Rall, who was cut loose last week by the Los Angeles Times after the Los Angeles Police Department cast doubt on a blog post he wrote for the newspaper about being stopped in 2001 for jaywalking, has posted an enhanced version of the audiotape of that incident, which he says backs his version of the story. [aNewDomain]
Creators | Stan Lee waxes philosophical in an interview conducted at Boston Comic Con: “I think people need somebody to look up to as a role model, you know? Just like people need to believe in God, you need to feel there’s someone somewhere who can help you because you’re aware this is not a perfect world.” [Boston Herald]
Manga | Nearly two decades into his blockbuster fantasy adventure, it appears creator Eiichiro Oda still has a long way to go before he completes the epic One Piece. Just ahead of the manga’s 18th birthday on Sunday, its current editor Taku Sugita revealed on a Tokyo radio show that somewhere around the 60th volume Oda estimated the story had reached the halfway point. With the release of Vol. 78 earlier this month, Sugita guesses One Piece is “maybe” 70-percent complete. “I don’t think it’s at 80 percent yet,” he said. “Something like that.” [Rocket News24]