Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today our guest is Shaun Manning, a former staffer at CBR, occasional convention reporter and comics writer. His current project is a comic called Hell, Nebraska (with artist Anna Wieszczyk), and he’s currently running a Kickstarter to raise funds to publish it. So go check it out.
To see what Shaun and the Robot 6 crew have been reading, click below.
Earlier this month, writer Vito Delsante and artist David Bednarski launched their new webcomic Prisoner of None. I was intrigued by a project that is partially inspired by the true story of Shoichi Yokoi, a sergeant in the Imperial Japanese Army in World War II who was found in 1972, hiding in the jungles of Guam, more than a quarter century after the United States had retaken the territory. In their fictionalized reinterpretation, Delsante and Bednarski set out to portray “a Japanese hero, Fantomudoragon (the “Phantom Dragon”), and his struggle to adjust to the changes in his country and the world after a 70-year absence.” In addition to Fantomudoragon, it also details several other characters with superpowers.
Tim O’Shea: How long had you known about Shoichi Yokoi‘s unique post-World War II life up to 1972 before realizing it was inspiration for a story?
Vito Delsante: It was roughly (and I say this after looking up the first email I sent to David) around Feb. 26, 2012. It was literally a few days after David replied to an email I sent “soliciting” him to do a comic. That’s the best way to put it, right? My wife, Michelle … she was obsessed with this site, OMG Facts, and … she knows I’m a World War II nut, and she read this article out loud and I said to myself, “THIS is a comic!” David emailed me back, and on the 27th, I sent him that article and Yokoi’s Wikipedia page. So, it was literally within 72 hours or so.
David Bednarski: I remember Vito saying that he had a vague idea for a story based on Shoichi Yokoi and the next thing I know we were firing ideas back an forth.
Awards | Sammy Harkham’s Everything Together: Collected Stories, published by PictureBox, won the 33rd annual Los Angeles Times Book Prize for graphic novels/comics. The Los Angeles Times also profiles Harkham as “a significant voice on the L.A. cultural scene.” [Los Angeles Times Book Prizes]
Awards | Now that their work is done, the Eisner Award judges share their experiences and the insights they have gleaned from six months of reading as much of last year’s’ graphic novel output as possible — and four days of deliberations. [Comic-Con International]
Creators | Craig Thompson (Blankets, Habibi) interviews the French creator Blutch, whose So Long, Silver Screen will be released soon by PictureBox. [BoingBoing]
Categories for this year’s awards include Best Artist, Best Writer, Best Cartoonist, Best Letterer, Best Colorist, Best Publication Design, Best Small Press, Best Anthology, and Best New Talent, as well as a new category, Best Webcomic. Nominees were chosen by a jury of industry professionals, and the awards also include a “Reader’s Choice” category.
The 2013 nominees are:
Cullen Bunn — The Sixth Gun: Sons of the Gun
Greg Rucka — Stumptown
Leia Weathington — The Legend of Bold Riley
Joshua Williamson — Sketch Monsters
Nunzio Defilippis and Christina Weir — Bad Medicine, Vol. 1: New Moon
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today we are joined by guest Evan Young, an “influential pioneer” of digital literature and creator of the digital graphic novel The Carrier. He’s currently raising funds for his next project, The Last West, via Kickstarter, so head over there and check it out.
To see what Evan and the Robot 6 team have been reading, click below.
Conventions | The University of Calgary’s student newspaper looks at the rapid growth of the Calgary Comic & Entertainment Expo, and the problems that go with it: Last year, ticket holders had to be turned away because the event was over capacity. “Last year it was really a shame that people had so much trouble,” says Lyndsay Peters, owner of Dragon Chow Dice Bags. “We saw a lot of frustrated customers and we talked to a lot of frustrated people. I know there are some people who won’t be coming back this year. But everything we have been told as vendors and everything that has been communicated to us shows that they are taking it very seriously this year.” This year’s convention will be held April 26-28. [The Gauntlet]
Awards | The jury has been announced for the Doug Wright Awards. [Doug Wright Awards Blog]
Passings | The New Yorker cartoonist Ed Fisher has died at the age of 86. Mike Lynch has a nice appreciation, with a sampling of cartoons and links to other obituaries. Fisher was diagnosed with Alzheimer’s in 2000, Lynch says, but even so, he often came to the New Yorker offices on “look day”: “He would be sitting on the couch, in the cartoonists’ waiting room, with his portfolio, ready to chat. I introduced myself and was really glad to meet him. More than once he pulled out his roughs and showed them to me. Ed treated me like an equal.” [Mike Lynch Cartoons]
Legal | Palestinian cartoonist Muhammad Saba’aneh, who was detained by Israeli authorities in early March, has been sentenced to five months in jail and must pay a fine of 10,000 shekels. Saba’aneh was charged with contacting “enemy entities,” according to his lawyer. He was originally arrested and held without specific charges, raising fears that he would be detained indefinitely. [FARS News Agency]
I walked into MoCCA Arts Fest a few minutes after it opened, with my friend Erica Friedman, and we noticed the difference right away: The last two shows have had an improvised, “Let’s have a comics show! We can use my father’s barn!” kind of feeling. They weren’t disorganized, exactly, and the talent has always been top-notch, but the show floor felt crowded, cluttered, and confusing.
This was the first year that the Society of Illustrators was running the event. Organizers had a lot to prove, and they proved it. The show felt professional. The aisles were wider. A very simple addition — a bright red backdrop that ran behind the tables — made a huge difference, giving visitors more focus and eliminating the distraction of looking out across that cavernous space. The red curtains also set off a small gallery at the back of the armory that featured original comics art from the Society’s collection, a gentle reminder that they have been welcoming comics creators for more than 100 years. Visitors could buy a slick, nicely produced catalog for $5, and there was a modest cafe downstairs, a pleasant addition that allowed friends who met at the show to sit down and have a bite and a chat without disrupting the experience too much.
Comics sales | The direct market continued its rise last month, with comics and graphic novel sales up 22.59 percent compared to March 2012, according to Diamond Comic Distributors. Marvel routed DC Comic in this month’s sales, claiming 40 percent of the market to DC’s 27 percent. [ICv2]
Conventions | The fire marshal had to turn away hundreds of people Sunday from the DoubleTree Hotel in Tampa, Florida, where the two-day Tampa Bay Comic Con was being held. An estimated crowd of 4,000 were crammed into the lobby and the ballroom (which is designed to hold a maximum of 1,200 people), with many hoping to see The Walking Dead star Lauren Cohan. Organizers conceded they need a larger venue for the twice-yearly event. [Tampa Bay Times]
Hello and welcome to What Are You Reading? To find out what the Robot 6 crew have been reading lately, click below …
It doesn’t look like there were as many comic-related announcements on Saturday at WonderCon as there were on Friday, but the second day of the con certainly brought some gems.
• IDW and DC announced that Mark Waid (Daredevil, Insufferable) and Paul Smith (Uncanny X-Men, Leave it to Chance) are teaming up for The Rocketeer/Spirit: Pulp Friction. “Not many writers have been lucky enough to write The Rocketeer or The Spirit,” Waid said in a press release, “so I feel like I’ve won the lottery. This is one of the most exciting-and scariest-assignments I’ve ever undertaken. Luckily, I’ve got Paul Smith to make me look good!” The first issue of the miniseries arrives in July.
Tapastic is a new digital-comics platform that allows users to upload their comics to the Internet. That isn’t a new idea, and when Nina Kester, whom I first met when she was working with Archie, contacted me about it, my first question (asked and answered below) was “How is this different from SmackJeeves or Drunk Duck?” Well, I was a bit more polite than that.
One way to look at it is that Tapastic is webcomics sites 2.0. It’s sleeker, more polished, and it has venture capital funding, so someone is planning to make money from it. I asked Nina to explain what Tapastic is up to, talk about the plans for WonderCon, and recommend a couple of her favorite comics from the site.
ROBOT 6: What sets Tapastic apart from other webcomics sites?
Nina Kester: The first thing everyone notices about Tapastic in contrast with other comic websites is our design. Our CPO Daron Akira Hall’s minimalistic aesthetic for the site and Tapastic’s apps and his design of the user experience always tend to be the first “wow” because it makes the content look so attractive. In his own words, “the main focus for the overall design UI from my perspective has been to keep it simple and flat, not too colorful … in order to let the content shine through, keeping the focus on the art, etc.”
Happy Sunday and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Today our special guest is Dave Dwonch, creative director at Action Lab Entertainment and the writer of such comics as Space-Time Condominium, the upcoming Ghost Town, Double-Jumpers and more.
To see what Dave and the Robot 6 crew have been reading, click below.
At a time when newspaper comics-page slots are few and coveted, Jeff Burney’s decision to stop running his comic strip Attica in the Ottawa Citizen and put it online as a free webcomic seems counterintuitive. Who would trade a regular paycheck to take a chance on the web?
Burney’s calculation included both time and money: As he explains in an interview with ROBOT 6, doing the strip seven days a week took up all his time, so he had no opportunity to market it online. The money problem stemmed from the fact that Attica runs in only one newspaper, and his attempts to sell it to others have hit up against the wall created by the current state of the industry.
He began working on Attica while on parental leave from his high-tech job, and he took early retirement so he could become a full-time cartoonist. I asked Burney to talk about his experiences as a creator and the marketer of his own comic, and he provided a fascinating inside look at the newspaper comics market — and the possibilities of webcomics.
Conventional wisdom has it that free webcomics are supposed to be leading us to print versions that we’re willing to pay for. In the case of K. Lynn Smith and Plume, it’s worked the other way around for me. I was unaware of Smith’s webcomic until it was announced as a series for the reinvigorated Devil’s Due, but the concept – and the samples I saw of Smith’s art – grabbed me. After reading the two issues out so far, however, I got impatient for more and headed to the web version.
The title of the comic comes from something the main character’s father once told her: “Revenge is like a plume of black smoke. It seems tangible, but when you reach for it, you’re grasping nothing but air.” That – and the story’s opening on the main character’s holding a gun and surrounded by dead bodies – is a huge clue about where the story is headed, but it doesn’t reveal the most interesting part of this supernatural Western. Vesper Grey is the daughter of a treasure-hunting archeologist who’s given her a magic amulet he found. The amulet is attached to the soul of a young man name Corrick, who’s received supernatural powers along with the obligation to protect whomever wears the talisman. No spoilers, but it’s not hard to predict where the revenge element will come in, even though that hasn’t explicitly been revealed by the second issue.
Except for Corrick and some magical artifacts, the world of Plume appears to be the Wild West that readers are familiar with. Smith gives it a touch of magic to help it stand out from other Westerns, but the comic’s real draw is Smith’s skill at creating memorable characters and making readers care about them. She hooked me with humor, often just by way of expressions and body language, and that’s what kept me going through the two, printed issues. There was so much foreshadowing around the revenge plot though that I got anxious waiting to see it start and hit the Internet.