In-Depth on Marvel's "Divided We Stand" and The Latest Hydra Cap Twists
Legal | A Judge Dredd comic that makes fun of McDonald’s and Burger King is finally being reprinted in a collection, thanks to a change in the European Copyright Directive, which now allows creators to use copyrighted characters if the intent is clearly parody. In the “Burger Wars” story, first published in 1978, Judge Dredd is captured on a trip to the United States and force-fed fast food; the story includes images of Ronald McDonald and the McDonald’s logo. Another story, “Soul Food,” has a mad scientist creating versions of the Jolly Green Giant and the Michelin Man. Ben Smith of Rebellion Publishing says fans have been asking for years for these story to be reprinted in their collected editions, but they were held back for fear of legal action. When the law was changed, Smith said, they took another look: “It was like a light bulb went on. We thought: ‘Surely this means we can look at Burger Wars?’ We looked into it and here we are. This is straight-out pastiche, parody and arch satire. There didn’t seem any reason not to bring them to the public again.” [The Independent]
Legal | Representatives of Comic-Con International and Salt Lake Comic Con are scheduled to meet Nov. 24 with a federal judge to discuss a possible resolution of their dispute over the term “Comic Con.” Comic-Con International sued the Utah event in 2014, insisting organizers were attempting to “confuse and deceive” fans and exhibitors with their use of the term “Comic Con.” The producers of Salt Lake Comic Con have called the lawsuit “frivolous,” arguing that Comic-Con International’s trademarks are invalid. Salt Lake Comic Con co-founder Bryan Brandenberg, who met this week with Comic-Con International organizers, said he’s confident a settlement would be “greats news for our fans,” but he declined to say whether the Utah event would keep its name. [KSL.com]
Censorship | Malaysian cartoonist Zunar claims Facebook removed his latest cartoon, which portrays the wife of the Malaysian prime minister as the head of a bank. Zunar, who is awaiting trial on nine counts of sedition stemming from tweets critical of the government, said the cartoon was “blocked” half an hour after he uploaded it, and subsequent efforts to upload the cartoon failed. Several of his Facebook pages display the text but no image, but the entire cartoon is gone from his main fan page. “It is really funny because normally you can re-upload the image with a different file name,” he said. “This seems like a well-executed plan by cybertroopers to block the content.” [The Malaysian Insider]
The winners of the 2015 Joe Shuster Awards, which honor Canadian comics creators, were announced Sunday in London Ontario, at the Forest City Comic Con. The awards are named after Superman co-creator Joe Shuster.
The winners are:
Publishing | Vox takes a lengthy look at the effects of DC Comics’ efforts to diversify, in terms of characters, titles and creators. The article, which includes interviews with Marguerite Bennett, Genevieve Valentine, Dan DiDio and Jim Lee, notes that while new titles like DC Comics Bombshells have been successful, others launched under the “DC You” umbrella – Black Canary and Midnighter, for instance — are on far shakier ground, sales-wise. However, Co-Publisher Lee suggests the company is standing behind the initiative: “I think it’s important for us to listen and to learn and basically to adjust and pivot. There is this emerging audience. Comics are changing. At the end of the day, if you’re going to remain competitive and grow and flourish, you have to be able to adapt and change and evolve.” [Vox.com]
Superheroes | Dave Itzkoff looks at the growing interest in female superheroes in comics as well as in TV and movies. The article includes interviews with writers Gail Simone and G. Willow Wilson, and Wilson speaks poignantly about Ms. Marvel: “If you wanted to work in the business, you kept your head down – you did not want to be seen as having an agenda. I would never have pitched that, because I frankly would have worried that it would have prevented me from getting other work.” [The New York Times]
The big news about this year’s Ignatz Awards, presented over the weekend at the Small Press Expo in Bethesda, Maryland, is that all the winners were women.
The second piece of big news is that Sophia Foster-Dimino took home three awards, while Sophie Goldstein won two.
Named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, the Ignatz Awards recognize achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists, and then voted on by SPX attendees.
Awards | Noelle Stevenson’s fantasy comic Nimona has made the longlist for the National Book Awards in the Young People’s Literature category. It’s rare but not unprecedented for a graphic novel to be nominated for a National Book Award: Gene Luen Yang’s American Born Chinese was the first, and his Boxers and Saints made the 2013 longlist. One of the creators of Lumberjanes, Stevenson launched Nimona in 2012 as a webcomic; the print edition was published in May by HarperCollins. [The New Yorker]
Comics | David Harper examines why Marvel and DC remain important — “indispensable,” even — despite the ascendance of creator-owned comics. “Opposite to what it was before where you’d form yourself in your own comics and then graduate to the big companies, now the big companies are going to form you in order to graduate you to your own comics,” Marcos Martin explains. “That’s why I think Marvel and DC are indispensable. They’re great. That means there is an industry. We need that industry in order to bring creators and form them so they can at one point put together their own stories.” [Sktchd]
Graphic novels | A number of incoming freshmen at Duke University have refused to read Alison Bechdel’s Fun Home, chosen as the summer reading selection for the class of 2019. Brian Grasso started the conversation by posting on the class Facebook page that he wouldn’t read the graphic novel because of its depictions of sexuality, saying, “I feel as if I would have to compromise my personal Christian moral beliefs to read it.” That opened up a discussion in which some students defended the book and said that reading it would broaden their horizons, while others shied away from the visual depictions of sexual acts. And Grasso felt that the choice was insensitive, commenting: “Duke did not seem to have people like me in mind. It was like Duke didn’t know we existed, which surprises me.” [Duke Chronicle]
Political cartoons | Cartoonist Ted Rall, who was cut loose last week by the Los Angeles Times after the Los Angeles Police Department cast doubt on a blog post he wrote for the newspaper about being stopped in 2001 for jaywalking, has posted an enhanced version of the audiotape of that incident, which he says backs his version of the story. [aNewDomain]
Creators | Stan Lee waxes philosophical in an interview conducted at Boston Comic Con: “I think people need somebody to look up to as a role model, you know? Just like people need to believe in God, you need to feel there’s someone somewhere who can help you because you’re aware this is not a perfect world.” [Boston Herald]
Manga | Nearly two decades into his blockbuster fantasy adventure, it appears creator Eiichiro Oda still has a long way to go before he completes the epic One Piece. Just ahead of the manga’s 18th birthday on Sunday, its current editor Taku Sugita revealed on a Tokyo radio show that somewhere around the 60th volume Oda estimated the story had reached the halfway point. With the release of Vol. 78 earlier this month, Sugita guesses One Piece is “maybe” 70-percent complete. “I don’t think it’s at 80 percent yet,” he said. “Something like that.” [Rocket News24]
Passings | Anastasia Moreno, co-creator of the webcomic Marine Corps Yumi and a manga translator for Seven Seas, has died. Moreno was the translator of Kisses Sighs and Cherry Blossom Pink, Girl Friends, and Strawberry Panic, as well as the Love Hina and Trinity Blood novels. [Crunchyroll]
Comics | Political cartoonist Matt Bors has left his post as editor of The Nib, the comics section of the website The Medium, which he had built into a highly regarded online comics site until Medium gutted it. Bors told Tom Spurgeon he would be launching a Kickstarter for a Nib book, but he did not reveal any future plans. [Comics Reporter]
Editorial Cartoons | Political cartoonist Adrian Raeside is being laid off from the Victoria Times Colonist after 30 years. [Vancouver Sun]
Comics | I rounded up the kids’ comics news at Comic-Con. [Publishers Weekly]
Creators | “I kind of understood inherently — and I wasn’t really conflicted about this — that comics were not for me or by people who looked like me,” says Noelle Stevenson. Discovering the “free for all” of webcomics, and seeing women making stories for women, changed her attitude, and at 23 she already has a solid career, as the creator of Nimona (which started as a webcomic) and one of the co-creators of Lumberjanes. [Hero Complex]
Creators | Kate Beaton talks about her new picture book, The Princess and the Pony, and the power and joy of making kids laugh with poop and fart jokes. [Jezebel]
Creators | Pearls Before Swine creator Stephan Pastis talks about comics and being mistaken for Robert Downey, Jr. [Huffington Post]
Graphic Novels | Leah Hayes talks about her graphic novel Not Funny Ha-Ha, which follows the experiences of two women as they have abortions; the book focuses on the procedure itself, not the decision to have an abortion or the discussion that surrounds it. [MTV]
Graphic Novels | Phil Morehart covers three creator panels on diversity in graphic novels at the American Library Association annual meeting. Trina Robbins, Brenden Fletcher, Noelle Stevenson, and Jeremy Whitley were among the participants. [American Libraries]
Manga | Deb Aoki rounds up the recommendations from the Best and Worst Manga panel at Comic-Con (in which I took part). [MangaComicsManga]
Comics | In advance of a radio show titled “White Men in Capes,” to be broadcast Tuesday, BBC News looks at diversity in comics and finds it lacking; as DC Entertainment Co-Publisher Dan DiDio says, there “doesn’t seem to really be a proper representation of ethnic characters across the entire industry.” He talks about DC’s efforts to bring diversity to its line, and he explains why: “There’s a very hungry audience, excited audience and the reason why we know that exists is because we go to the conventions and we hear from our stores and you hear the make-up of the people shopping in those stores.” [BBC News]
Digital comics | Tom Spurgeon reports that Bongo Comics has quietly left comiXology and will be putting its comics in a new Simpsons Store app instead. While users won’t be able to buy new Bongo comics on comiXology, they will still be able to access those they already purchased. [The Comics Reporter]
Political cartoons | The American Freedom Defense Initiative has a new advertising campaign, placing Bosch Fawstin’s cartoon of the Prophet Muhammad on billboards around St. Louis. Transit systems in several cities, including New York and Washington, D.C., have stopped accepting political advertising rather than carry the group’s ads depicting the Prophet Muhammad. In St. Louis, they have drawn mixed reactions: Dr. Ghazala Hayat of the Islamic Foundation of Greater St. Louis says she would like to see the signs removed but not at the cost of violence or property damage, while Jim Hanson, the executive vice president of the Center for Security Policy, said that freedom of speech is more important than avoiding offense. [WKRC]