webcomics Archives - Page 3 of 86 - Robot 6 @ Comic Book Resources
On an Internet whisker-deep in cat photos, cat videos and cat memes, Grumpy Cat is the indisputable king — or, rather, queen, as the peevish feline is actually a female named Tardar Sauce. She has her own meme manager, her own book, her own book tour, a litter-pan full of web awards, a movie deal and a company valued at $1 million.
Out of all of that, strangely enough, “meme manager” may give the most pause. (Or is that paws?) Ben Lashes, former frontman for the band Lashes, is profiled, along with his client, in the latest issue of New York magazine, where we learn how he transformed Grumpy Cat from a single link into a furry little industry. (Did we mention the Friskies deal, the coffee line, the plush toys and the T-shirts?)
Among the most popular shirts, Gawker points out, is one that combines a photo of Grumpy Cat with the caption “I HAD FUN ONCE/IT WAS AWFUL,” which, after a stop off at Reddit, where it became attached to the feline, actually originated with cartoonist Kate Beaton’s popular webcomic Hark! A Vagrant! Gawker, which concluded that the best way to get rich from memes is to “steal other memes,” contacted Beaton for her take.
“No, I never authorized anything. And some people will argue that I never wrote the joke, that it’s ‘been around forever,’ she tells the website. “But I made a comic, and one panel became a meme, and that’s fine. The nature of a joke is to take on a life of its own. At some point, the meme was applied to Grumpy Cat, where it fit well. It is only how Grumpy Cat is aggressive about protecting their brand with that joke as part of it that has ever rubbed me the wrong way.”
Indeed, the New York article makes a point of how diligently the people making money from Grumpy Cat police uses of her likeness. “No one’s a chump,” Lashes tells the magazine. “We’ve got a saying over here in team meme: ‘Respect the cat.’ ”
Conventions | The second annual Edmonton Comic & Entertainment Expo attracted 25,000 people over the weekend, up from about 14,000 for the inaugural event. [Edmonton Journal]
Conventions | Tom Spurgeon reports in on MIX, the comics expo hosted by the Columbus College of Art and Design in Columbus, Ohio, this past weekend. [The Comics Reporter]
Conventions | And Lyndsey Hewitt was on the scene at Wildcat Comic Con at Pennsylvania College. [Williamsport Sun-Gazette]
Conventions | Jim Steranko and Kim Deitch will be among the guests at the Locust Moon Comics Festival in Philadelphia this weekend. [The Philadelphia Inquirer]
Ripples of shock went through a certain portion of the Twitter/Tumblr/webcomics world Tuesday with the revelation, delivered by Susan Orlean at The New Yorker, that the @Horse_eBooks Twitter is not spam after all, but rather a work of conceptual art. The news also spelled the end of the webcomic based on that Twitter account, Horse_eComics. And a couple of sharp observers just earned some extra coolness points for catching on two years ago that something was off about the whole thing.
@Horse_ebooks was originally, as the name suggests, the Twitter for an e-bookstore that specialized in horses, one of about 170 spam Twitter accounts maintained by a Russian entrepreneur, let’s call him, named Alexei Kouznetsov. In January 2012, John Herrman wrote a post explaining how @Horse_eBooks worked: Some of the tweets were links to accounts on Clickbank, an affiliate marketing site, while the others were random bits of text that were basically there to fool the Twitter spam detectors.
We’ve featured writer Jesse Young‘s comics a couple of times on Robot 6, first with his and Ha Huy Hoang’s DCU-baseball tale “Sunday at the Park,” and again with “Surprise, Surprise!,” the story he and George Kambadais created about Spider-Man’s interrupted birthday.
In “Here We Go!,” Young and artist Anwar Madrigal pull from a different kind of inspiration than DC and Marvel comics. Based on a lovely drawing by Aleksi Rokka of a mother and son, the team (with letterer Thomas Mauer) puts together a story about a single mom who encourages her child through imaginary adventures that they create together. It’s a lovely tribute, not only to motherhood but to storytelling. And although it features aliens, dinosaurs and pirate monkeys, it has an emotional kick at the end.
Check out the first seven pages below, then hit Young’s website for the rest.
Faith Erin Hicks is on top of the world these days, thanks to her critically acclaimed graphic novels (Friends With Boys, Nothing Can Possibly Go Wrong), as well as her game tie-in series for Dark Horse, The Last of Us, and the collected edition of her webcomic The Adventures of Superhero Girl. And yet, she admits, there’s a comic even she can’t sell.
Hicks described the project in July during her spotlight panel at Comic-Con International, where she told Bone creator Jeff Smith that she had pitched the book to First Second, publisher of Friends With Boys and Nothing Can Possibly Go Wrong, but the imprint had rejected it. “It is my most-rejected pitch,” she said. “It is this extremely weird story about work, and about people who work in this office, but it is literally an office that is a way station for dead people, and so it’s all about having a crappy office job but with this insane supernatural bent and it is a ridiculous story, but the thing is, it has been rejected everywhere.”
“So your coworkers are all zombies?” Smith responded. “That sounds like real life to me.”
A few weeks ago, Hicks was rummaging through her hard drive and found her pitch for the comic, which she posted on her blog. The response was so enthusiastic that she posted more of the pitch the same day. The comic is called Afterlife, Inc., and while Hicks admits it may not make a good graphic novel, she does say, in the second post, “I think this story would make a good webcomic or floppy comic (maybe at somewhere like Image), because it’s very meandering and would benefit from serialized storytelling to build the weirdness of the world its set in. Plus, the web LOVES weird stuff!”
Writer of the Year
• Brian K. Vaughan
• Dan Slott
• Mark Waid
• Robert Kirkman
• Scott Snyder
Penciler of the Year
• David Aja
• Fiona Staples
• Greg Capullo
• Jim Lee
• Ryan Stegman
Edgar Rice Burroughs Inc., the company founded by the creator of Tarzan and still run by his family, has begun publishing webcomics based on six of the author’s most famous creations. Roy Thomas and Tom Grindberg (who have been producing the Tarzan comic strips since 2012) continue creating new stories featuring the ape man, while Chuck Dixon and Tom Lyle explore the Earth’s Core world of Pellucidar. Writer Martin Powell is joined by four different artists on the remaining series: Carson of Venus (with Thomas Floyd and Diana Leto), The Eternal Savage (with Steven E. Gordon), The Cave Girl (with Diana Leto), and The War Chief (with Nik Poliwko).
The ERB Inc. website has samples of each series for free, and readers can then subscribe to all six for $1.99 a month. Each series updates weekly, so that’s about 24 pages for just $2; a great deal.
I had some questions about the initiative, so I contacted Powell, who was extremely helpful. For one thing, these webcomics don’t affect Dark Horse, which still holds the license for printed Tarzan comics. He also explained why there’s no series for John Carter: “I originally auditioned for John Carter of Mars, but Disney/Marvel still has a hold on it. Still, ERB Inc. was apparently impressed enough that they offered me Carson of Venus and allowed me to assemble my own art team, which I’ve done for my other four ERB comic strips as well. So, you could say in a sense that I am Carson … we both aimed at Mars and ended up on Venus!”
It’s also a great showcase for established and emerging artists: Ryan Sohmer writes the comic but he brings in different artists to illustrate each page, so the style of the comic varies quite a bit from day to day, depending on who is being skewered.
After three years, however, The Gutters isn’t turning a profit, so Sohmer, who is also the writer of the webcomics Least I Could Do and Looking for Group, has turned to Kickstarter to basically pre-fund the next year. As he explains on the Kickstarter page, he pays the artist an average of $300 per comic, which comes to $15,000 per year for a comic that updates once a week. The campaign reached its initial goal this week, and Sohmer will add another weekly update for each additional $15,000 raised. I asked him why he was taking this route, and why he is doing things the way he does.
Hey, who wants to read a webcomic about a 19th-century dentist? Wait, let me try again: Who wants to read a webcomic about a 19th-century dentist who wore a necklace made of teeth he had extracted, once treated an elephant for an abscessed tusk, and had his name legally changed from “Edgar” to “Painless” to evade regulations on false advertising?
That’s more like it!
The winners of the ninth annual Joe Shuster Awards were announced Saturday in Toronto during a ceremony held in conjunction with Fan Expo Canada. The awards are named in honor of Toronto-born artist Joe Shuster, co-creator Superman. The full list of nominees can be found here. The winners are:
Isabelle Arsenault: Jane, le renard & moi (La Pastèque)/Jane, The Fox and Me (Groundwood Books)
Jeff Lemire: Sweet Tooth #29-40 (DC Comics), The Underwater Welder (Top Shelf)
Mike Del Mundo: A+X #2B, Amazing Spider-Man #678-679, 683B, Incredible Hulk #4B, Ka by Cirque de Soleil #1, Marvel Zombies Destroy! #1-5, Max Payne 3 #3, New Avengers #24B, Scarlet Spider #1B, 4B, Uncanny X-Men #17, Untold Tales of Punisher Max #5, Venom #16-17, 20, 22B, Wolverine #314-317, X-Men Legacy #1-2 (Marvel)
As we reported Sunday, the school board of Matsue, Japan, has restricted students’ access to the manga Barefoot Gen, which is based on author Keiji Nakazawa’s own experiences during and after the bombing of Hiroshima. The book will remain in elementary and junior high school libraries, but only teachers can check it out — not students.
The official reason was the level of violence in the books, although the initial complaint about the book was that it depicted atrocities that the person who filed the complaint alleged had not happened.
This reminded Drama creator Raina Telgemeier of her own experience of being disturbed by the book as a child. As she said on her blog, “If you’ve ever seen me talk, you might know that Barefoot Gen is one of my seminal influences as a cartoonist, and I hold its creator Keiji Nakazawa in the highest regard.” And many years ago, she drew a short comic, Beginnings, about the effect that Barefoot Gen had on her nine-year-old self.
There’s a bit of the comic at right, but what’s cool is what happened after the book was banned: A Japanese father, who was unhappy about the banning, contacted Telgemeier and asked if he could translate Beginnings into Japanese, so his daughter could read it and share it with her friends. Telgemeier assented, and the translated version is now up on her website as well. There’s something wonderfully circular about that.
The Small Press Expo has announced the nominees for the 2013 Ignatz Awards, the festival prize named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat comic strip.
Nominees are selected by a panel of five cartoonists — this year it was Lisa Hanawalt, Dustin Harbin, Damien Jay, Sakura Maku and Jason Shiga — and then voted on by SPX attendees. The winners will be announced Sept. 14 during a ceremony at the Bethesda, Maryland, convention. The nominees are:
- Lilli Carré, Heads or Tails
- Michael DeForge, Lose #4
- Miriam Katin, Letting It Go
- Ulli Lust, Today is the Last Day of the Rest of Your Life
- Patrick McEown, Hair Shirt
Jorge Cham’s PhD Comics takes a wry look at the vagaries of life in academia, mostly from the point of view of a handful of long-suffering graduate students. He also has a feature, “Two Minute Thesis,” in which he summarizes real research in a comic or video; it’s sort of the comics equivalent of a TED Talk. It has built quite a following over the years (as a former grad student, and the wife, daughter and sister of college professors, I find it irresistible), so it’s big news that Cham is bringing PhD Comics to the webcomics site Tapastic. Or, part of it: PhD Comics will continue to run on its regular schedule on its original site, and Tapastic will carry a curated selection of Cham’s strips. I talked to Cham about PhD Comics, and the Tapastic move, and he drew a special cartoon just for us as well!
Robot 6: How long have you been drawing PhD Comics, and how did you get started with it?
Jorge Cham: I’ve been drawing PhD now for almost 16 years (!). It started as a hobby at first, as a way to procrastinate from my studies. I saw an ad in the student newspaper at Stanford University, where I was going for grad school, calling for submissions for their comics page. My brother suggested there should be a comic about grad school because they are usually ignored on campus, so on a lark I sent in some samples. At the time, I had a full course load and was working two jobs teaching and doing research, but it really seemed like something that needed to be done. Grad school had been a really intense, often bizarre, ego-crushing experience for me, and I had found it really useful to learn that others were going through the same thing, so it seemed important to record it and share it with the world.
Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]
Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]
Inspired by R. Sikoryak and Art Spiegleman’s Narrative Corpse, The Unsinkable Walker Bean creator Aaron Renier started The Infinite Corpse, a “chain” webcomic in which various creators tell the story of a skeleton’s crazy adventures by building off the three panels of the cartoonist who preceded them. The chains aren’t exactly linear, with the final website being more of a “choose your own adventure” story with branches going off in different directions.
“Each additional artist became a branch off of the original group … until it just became a fog of story lines a gigantic 205 artists were included when the website went live,” Renier explained on his blog. “And now, only a few months later we have over a hundred new artists sending in art. It’s open to submissions, just like the dry erase comic. It’s open to everyone who wants to do it. And open to all of those who already have gone before.”