"Batman v Superman: Dawn of Justice" Trailer Officially Released
The winners of the 10th annual Joe Shuster Awards were announced Saturday in Toronto. Named in honor of Toronto-born artist Joe Shuster, co-creator Superman, the awards recognize the best of the Canadian comics world.
In addition to the traditional awards, this year’s event included the introduction of the T.M. Maple Award, which honors “someone (living or deceased) selected from the Canadian comics community for achievements made outside of the creative and retail categories who have had a positive impact on the community.” The first recipients were the late Jim Burke, aka T.M. Maple, who wrote more than 3,000 letters to comic book letter columns between 1977 and 1994, and the late Debra Jane Shelly, longtime volunteer at Toronto conventions and comics events.
The winners are listed in bold below. The Beat has photos and audio from the ceremony, held at Back Space Toronto.
There’s a theory that the American obsession with the apocalypse stems from Manifest Destiny: As settlers pushed west, they encountered things that would strain the threads tying them to civilization. Storms rolling across the flat plains could be seen from man miles away, and they posed a considerable threat to the livelihoods of entire communities. During the pitch-black night, there would be ominous noises — frightening howls, thunderclaps, maybe even the unexpected sound of a human voice.
There would be precious few things you can do in a world where law is stretched thin, except keep a well-stocked cellar and a loaded shotgun.
That may explain why a lot of North American post-apocalyptic fiction tends to look like the Wild West. While we may think we’re too cool for cowboys and Indians, it may have just morphed to satisfy the primal survival instincts of modern thrill-seekers. After all, aren’t armored, nomadic warlords just bandits and desperadoes with a shiny new coat of paint? It’s probably no accident that The Walking Dead‘s Rick Grimes dressed a lot like a frontier sheriff, or why the women in Katniss Everdeen’s district look as if they stepped out of a little house on the prairie.
Creators | Cartoonist Roz Chast talks about her memoir Can’t We Talk About Something More Pleasant? landing on the 2014 longlist for 2014 National Book Award. It’s the first time a graphic novel has been nominated in that category, and Chast is the only woman on this year’s list. When The Wall Street Journal noted that, between this nomination and Alison Bechdel’s MacArthur “genius grant,” “it’s a good day to be a female cartoonist,” Chast replied, “I totally agree. Actually my first thought was just it’s good for cartoons, for the graphic form.” [Speakeasy]
Creators | Alex de Campi talks about her pioneering digital comic Valentine, widely regarded as the first long-form comic to make extensive use of digital techniques. She doesn’t think the medium has come too far since then: “We’re all still in the shallow end, congratulating each other for getting our feet wet. There’s been no significant innovation since us. The DC and Marvel stuff is still based on half-page increments so it can go to print. The Madefire stuff I have seen (not a lot, maybe it’s gotten better) is just embarrassing motion comics. It pisses me off because there is so much more to be done. And I want to do it. But it would take an investor, or a very daring multi-media entertainment company. And big entertainment companies are many things, but daring is not one of them.” [Digital Spy]
A group of Jewish activists is threatening to boycott and protest outside stores in the London borough of Camden that sell Hipster Hitler, a collection of the webcomic that satirizes hipster culture and the Third Reich.
If that doesn’t work, the Hampstead & Highgate Express reports, members of London Stands With Israel plan to buy and shred all copies of the comic, which some say is “sick” and “anti-Semitic.” They’re specifically targeting Mega City Comics, a Jewish-owned store in Camden Town.
Created in 2010 by James Carr and Archana Kumar, the webcomic stars an Adolf Hitler who wears trendy glasses, skinny jeans, thrift-store sweaters and shirts bearing slogans like “Eastside Westside Genocide,” “I (Heart) Juice” and “Death Camp For Cutie.” It also features characters like Broseph Stalin, a sendup of the Soviet leader. Hipster Hitler quickly drew attention on Reddit, inspiring an Internet meme, T-shirts and homemade Halloween costumes.
After years of working on anthologies and as a concept artist, Nicholas Kole is looking to make a name for himself … with jelly.
The Rhode Island artist recently launched Jellybots, a webcomic about a boy named Sam who’s enrolled by his family in a prestigious school called the Frontier Academy. Not much else is known about the series, given that it’s just six pages into its run, but the concept material and pin-up art show Sam interacting with supernatural, whimsical and fluid jellyfish.
The female heroes of Kate Ashwin’s Widdershins share a lot of personality traits. Harriet “Harry” Barber, for example, is a cool, collected bounty hunter of the pre-Victorian era who’s often shown pondering a mystery while puffing smoke from her pipe. She’s also a bit of a loner; her face is frequently twisted in a tired scowl, and there’s a slight bags under her eyes. There’s a little bit of Rorschach in her, too, as interesting clues are greeted with a “hrm.” She’s definitely the smartest person in the room, but she’s also proud. Her reluctance to accept any help is driven, partially, by her need to prove that she and she alone solved the case.
I didn’t know who Boulet was until this week. I imagine this statement is going to hang over my head, more damning with the passing of each year, like being a big fan of comics, yet having no idea who Hergé is. You’d be all, “Get out of here, you uncultured swine.” Fortunately, we live in an age in which Wikipedia exists. After a few searches it’s easy to catch up and go, “Yeah … I’m totally into Boulet.” A nervous giggle may or may not follow.
Who is Boulet? It turns out it’s the pen name of Gilles Roussel, one of France’s earliest and most famous webcomic creators. Bouletcorp has been running since 2004, and its strips have been collected in seven printed volumes.
His talents are also on display in other French print works, such as the sword-and-sorcery parody comic Donjon Zénith. Stateside, Boulet has illustrated Augie & The Green Knight, a children’s book written by fellow webcomic creator Zachary Wiener that managed to raise an amazing $384,000 through Kickstarter, totally smashing its humble $30,000 goal. (What’s being done with all that extra cash? It’s going to fund the printing of 800 copies of the book, which will be donated to libraries.)
Kit Roebuck’s work first came to my attention with Nine Planets Without Intelligent Life, a webcomic that took advantage of the online format and used creative layouts to heighten the sense of loneliness and isolation.
The saga followed two robots traveling around the solar system, having existential crises and zen-like moments as they savored the different cultures of each planet. The ending, however, provided little in the way of resolution beyond the quest for answers. That isn’t criticism: By the time the two robots end up on Pluto, you start to feel as if it couldn’t have ended any other way. Much like life, it’s the journey that matters.
I get a similar feeling when reading Roebuck’s latest work, Opplopolis. While the comic has been available online, with an option to download a copy onto Kindle, Roebuck has recently collected the first 10 issues of his webcomic in a print edition that can be purchased on Amazon. From Roebuck’s press release: “Released online in two-page installments since late 2012, Opplopolis has grown to thirteen chapters of a planned twenty, the first ten of which have now been collected into a single, 278-page printed volume.”
I recently had the pleasure of rewatching The Mechanical Monsters, the 1941 animated Superman short from Fleischer Studios. I viewed it once before in the early ’90s on a cheap video tape that virtually disintegrated after just three uses. However, we’re in the new millennium now, and thanks to the dual magic of public domain and YouTube, the Fleischer cartoons are easily accessible for free in the comfort of your own home.
Do remember the “Beware the Gray Ghost” episode of Batman: The Animated Series? Bruce Wayne watches an old serial starring his childhood hero Simon Trent (voiced, in a stroke of genius, by none other than Adam West). He’s suddenly transformed into a little kid again, with all the cynicism of adulthood melting away. That was me watching the Fleischer Superman cartoons. I’d searched for these videos for analytical purposes, but instead I walked away with words like “Wow!” and “Gee whiz!” popping into my head.
One of the oldest and most highly acclaimed funny animal webcomics is Tracy J. Butler’s Lackadaisy. With origins dating as far back as 1994, when Butler created characters Rocky and Mitzi while still in high school, Lackadaisy took to the Internet in 2006, and has gone on to win several awards, including the Web Cartoonists’ Choice Awards and the Ursa Major awards. It was also nominated in 2011 for an Eisner for Best Digital Comic.
Lackadaisy also has one of the slowest update schedules. As with many creators, the webcomic is not the artist’s primary occupation. She’s a digital artist who works on video games, and she updates as often as she can. How often? Well, the last page was updated in April, and the current rate seems to be three to four pages a year.
Business | DC Entertainment parent company Warner Bros. is expected to offer buyouts to an unspecified number of employees as part of an effort to increase profits following a disappointing summer at the box office. The cuts are thought to be spread across the film, television and home entertainment units; if not enough workers accept buyouts, unnamed sources contend the studio may resort to layoffs. Warner Bros. wouldn’t comment on the report. [Bloomberg]
Legal | Hirofumi Watanabe has filed an appeal in Tokyo District Court, seeking to overturn his conviction on charges of sending threatening letters to venues and retailers linked to the Kuroko’s Basketball manga and anime series. Watanabe admitted to all the charges on his first day in court, and after he was sentenced to four and a half years in prison, he said, “I’m glad to accept the ruling so I can live over four years in prison,” so this is a reversal for him. [Anime News Network]
If you’ve heard of Mary Cagle, it’s probably because of her webcomic Kiwi Blitz. It draws influences from a lot of anime — rather old-school ones, in fact. Some characters look as if they’ve stepped out of one of Leiji Matsumoto’s space operas. Others are more familiar: The main character Steffi looks a little like a young Nurse Joy from Pokemon, with pink hair that curls into tidy cinnamon buns at the shoulders.
In a way, Kiwi Blitz is sort of ahead of the current obsession with Americanized Japanese mecha. (Eat your heart out, Big Hero 6!) It’s had cheerful teenagers piloting robots to protect a futuristic New York City since 2009. I haven’t read this webcomic yet; the archives are a little daunting (although I do plan to wade in at some point). However, what I’ve seen looks delightful.
Cagle’s affection for Japanese pop culture extends beyond the typical otaku obsessions, however. The native Texan is also an English teacher at an elementary school in Kurihara, Japan, and in November 2013, she began illustrating her experiences living and teaching overseas. She has since collected these slice-of-life snippets in her autobiographical webcomic Let’s Speak English.
Comics | Writing for The Advocate, Jase Peeples takes note of the diversity of DC Comics’ extended Batman family — from Batwoman to Batwing to Barbara Gordon’s roommate Alysia Yeoh — and talks with writers Gail Simone, Grant Morrison, Marc Andreyko, Tom Taylor and Chip Kidd. “I would like to think that people can pick up books like Batman Incorporated or The Multiversity and see their own lives reflected,” Morrison says. “But I’d always caveat that with the need for us to see more diverse writers and artists, because that’s when I think the walls will really come down. As a straight [white guy from Scotland] I can only do so much, and I find even sometimes when you do this, you do get accused of tokenism or pandering. I don’t mind it. I can put up with that, but I’d rather see a genuine spread of writers and artists creating this material.” [Advocate.com]
As we get deeper into the new millennium, it becomes more apparent that the traditional concept of manliness is a bit of a joke. Consider, if you please, the mustache: The great status symbol of distinguished manhood can now be found as an adorable print on Band-Aids stocked in the same aisle as the Hello Kittys. Consider, too, that PBS once aired a special that unironically asked, “Are bronies changing the definition of masculinity?” We’ve come to the point where once-popular portrayals of manly men like Paul Bunyan and John Wayne come off as buffoonish and comical.
Manly Men Doing Many Things is fill with many manly things. There are pecs, chest hairs, bulging biceps, bold jawlines, strong brows, slicked-back hairstyles, six-pack abs, disdaining sneers, bugged-out eyes, and a general air of brute force. There’s plenty of flexing, grunting and lumberjacking, too. Their faces are scarred and severe, as if they were chainsaw sculptures brought to life by black magic (the manliest of magic). You expect them to be chewing tobacco … or a toothpick, at least.
While sports aren’t foreign to webcomics, they are a rarity. Usually when the subject is raised, it’s as some made-up game invented for absurdity — like, I don’t know, using a frog as a ball or something.
The most successful sports comics, including those depicted in manga and in the webcomic Hoopfighter, tend to ramp up the action to levels that aren’t actually seen in the sport itself. Have you ever wanted to see Shaquille O’Neal knee a dude in a face during a basketball game? Well, it’s possible in comics!