webcomics Archives - Page 4 of 95 - Robot 6 @ Comic Book Resources
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
The unexpected death of Robin Williams was shocking enough, but the news that it was suicide was a punch to the gut.
For better or for worse (and it can work both ways), we look for redemption in tragedies. As soon as the news got out, people started sharing information about suicide help lines on Twitter and Facebook, and as the week went on, many people used the moment to reflect publicly on their own struggles with depression, anxiety, and other mental health issues.
In that context, I really appreciated “You Might as Well Live,” the little cartoon Darryl Cunningham posted this week: He depicts a man who realizes, in the split second after jumping off a bridge, that he has made a terrible mistake: “All the actions he had taken in his life were fixable, he realised, except for the action he’d just taken.”
It seems like alternate versions of Alice in Wonderland will be created until the heat death of the universe. Ever since Lewis Carroll wrote the story of a little girl who follows a jittery white rabbit down a hole, it seems as if everybody wants to put their unique stamp on her sometimes-haunting adventures.
Director Tim Burton, for example, turned Wonderland — sorry, Underland — into an epic battlefield where rival queens commanded armies as vast as the ones found in The Lord of the Rings. The Jabberwocky, originally just a character in a nonsense poem (and imaginatively illustrated by John Tenniel), is upgraded to boss battle status that must be defeated with the legendary vorpal blade. Frank Beddor’s The Looking Glass Wars novels (which had spun off a comic called Hatter M) sees Alice — I’m sorry, Alyss — as a princess of Wonderland who’s a fierce warrior in combat. Alice has been upgraded from wide-eyed little girl to a vengeful Valkyrie.
This webcomic probably sold me on the giant dog. Severin Piehl’s Tove is a kid-friendly adventure story that looks like it should be airing on Nickelodeon. There are two bratty kids, an explorer father and, of course, a giant fluffy dog. The cover of Tove is already tantalizing enough, with the dog, named Cranberry, carrying a heavy load like a pack mule while the two kids, Tove and Dag, dance on his back. It’s super-charming.
This is shaping up to be Tove’s story (she’s the title character, after all), Both kids are active and ready for adventure, but Tove is the one with the super-strength, as she’s been carrying Cranberry since he was a pup. She’s also the more mature one. Her brother Dag isn’t quite as blessed when it comes to abilities. He is, however, highly competitive, and not at all happy when he has to play second fiddle to his more capable sister.
Their dad is sort of a Dr. Benton Quest type, a hands-on scientist who’s sometimes too wrapped up in his work to see what shenanigans his kids are engaged in. He brings them with him to a remote jungle to do some research on an exotic flower. The kids, however, discover something even cooler: After horsing around, Tove and Dag stumble across an alien spaceship. Among her other abilities, Tove is also something of a gearhead, so the discovery of a potentially working engine makes her excited. Dag, on the other hand, is immediately bored. He wants to see guns and gadgets, so he finds it all very thrilling when they come across the corpse of a saurian alien skeleton.
The entire raison d’etre of Joseph Cappellazzi’s VHS: London seems based on a pun. A fellow with long hair is walking through a dark alley and meeting a guy in a ball cap. “Candy,” says the sketchy character after accepting money for something called Spaceballs. The long-haired guy is after something a little more high grade, though. “Speed,” he says. The guy in the ball cap retrieves a wrapped package. The long-haired guy unwraps … and it’s a VHS tape of the movie Speed 2: Cruise Control! Oh, man, that’s some cutting-edge humor I haven’t seen since Weird Al Yankovic’s “White and Nerdy” video!
To be fair to Cappellazzi, this isn’t the first time a sci-fi story has stretched out a single pun longer than you’d expect. Think back to your high school days: Chances are you read Fahrenheit 451, which asked the reader to consider a world where, instead of putting out fires, firemen were actually setting things alight. Did Ray Bradbury just blow your mind? Unsurprisingly, VHS: London also contains shades of that sci-fi classic.
Ben Costa’s work first caught my attention with the Xeric Award-winning webcomic Shi Long Pang, about a heavy-set, wandering Shaolin monk named Pang. The artwork had a simple elegance, with Pang’s face drawn as a round dumpling-like thing with beady eyes and a mouth. The linework imitates the wispy brushstrokes you’d find in old Chinese prints. At times, the world looks serene and dreamy; other times, it’s engulfed in unbridled chaos.
My favorite moment in Shi Long Pang — perhaps one of my favorite moments in all of webcomics — is when Pang’s ladyfriend Yang Yang is struck by a rock. Up until that moment, Pang has been nice and meek, preferring to avoid trouble when he can. This one action, however, unleashes the fury within. Pang’s muscles tighten as he becomes a flurry of fists. Costa’s art depicts the action clearly; you can follow the motions of every movement, which gives you a better sense of Pang’s speed and skill as well as the shock and unpreparedness of his assailants. To me, this is action done right. Too often, comic action comes down to characters striking a pose. In comparison, Shi Long Pang feels alive.
This week brought the release of one of my most-anticipated graphic novels of the year — The Wrenchies, by Farel Dalrymple of Omega the Unknown, Pop Gun War, Prophet and It Will All Hurt fame. Available now from First Second, the book begins by telling the story of a demented future where a gang of children, The Wrenchies, battle the evil shadowsmen.
If you’d like to get a taste of what to expect from the book, Tor.com is now hosting a 10-page webcomic called “Remainder.” Created by Dalrymple, the story tells the tale of Leking Snipes, who has been transformed into a man with a gun … and the head of a bug. Go check it out.
Did you know that Aug. 1-7 was International Clown Week? On Aug. 2, 1971, President Richard Nixon issued a proclamation to honor those who “go into orphanages and children’s hospitals, homes for the elderly and for the retarded, and give a part of themselves.” It also states that clowns are “as vital to the maintenance of our humanity as the builders and the growers and the governors.” And thus International Clown Week was established.
Perhaps you knew nothing of this strange little proclamation, nor of this week’s significance. Or perhaps you did know, and you’ve been hiding under your sheets all week to stave off imaginary Pennywises and Captain Spauldings.
I wonder whether the Harry Potter formula has supplanted the Tolkien formula as the most relatable template for Joseph Campbell’s “hero’s journey.”
Consider this: At the time of The Lord of the Rings, most of the world’s population lived in rural areas. That’s not the case today. Who’s going to be a more relatable character for young readers? The hayseed pig farmer, or the school kid trying to find his place in the world? Tolkien’s stories are defined, in part, by long-distance journeys over remote landscapes. While still thrilling, perhaps much of its mystery has been stripped when the same countrysides in real life can be crossed easily by highway. The real thrills are poking at the small spaces in the world you know. Perhaps there are centaurs in the nearby woods or a three-headed dog living in the basement.
I have a long list of webcomic creators that I wish were household names, and Anthony Clark and KC Green are right at the top. Their comics never fail to make me laugh through their general air of affable goofiness.
Clark first won me over with his 200 bad comics, a challenge to create a series of hastily drawn strips. The liberating freedom from making anything “good” turned out to be a successful improv exercise. Clark generated a series of hilarious non sequiturs through uncomplicated gags and simple, cheery drawings. His regularly updating webcomic Nedroid is also filled with cute characters; there’s a bear that’s an oval with stick arms and legs, and a similarly crudely drawn bird. The designs look like they were mocked up by a child, but the layouts have the surefooted mark of an experienced artist.
Passings | Manga artist Hiroshi Obi, whose best known work is the Shonen Jump series Ganbare Goemon, died Sunday at age 54. His most recent project was a Yatterman remake, Yatterman Dengeki Daisakusen!, and he also taught in the manga department of Tokyo Kogakuin College of Technology. [Anime News Network]
Publishing | Filip Sablik of BOOM! Studios talks about marketing Lumberjanes on Tumblr, and how Beware the Valkyries, a group of women who work in comic stores, helped promote the comic with a special “Lumber Day.” [ICv2]
Creators | Mike Donachie profiles Canadian creator Diana Tamblyn, who’s nominated for a Shuster Award for her graphic novel From the Earth To Babylon: Gerald Bull and the Supergun. [Metro]
Video-game webcomics tend to gravitate toward the same crew of characters in general. Most everyone is going to do a comic about Mario, which also means that most everyone will eventually do that comic where Mario is a delusional plumber on mushrooms who gets stuck in a pipe.
Beyond that, however, it’s usually a roster of other visually recognizable characters: Pokemon, Kratos from God of War, Master Chief from Halo, Big Daddy from Bioshock, whoever is in Assassin’s Creed this year. These are the characters that populate the tribal knowledge of gamer culture. In a way, it’s not unlike superheroes. There are hundreds of pieces of fan art, video tributes and articles focusing on Batman, but who;s going to devote much time to, say, Silver Sable?
Cameron Stewart has a clean, distinguishable artistic style, with a hint of a manga influence, but with panel-to-panel transitions that are more delicate and subdued. His art has become quite popular, with his redesign of Batgirls costume creating something of an Internet sensation. While his artwork lends itself easily to all-ages comics, he’s frequently collaborated with Grant Morrison on such titles as Seaguy, Seven Soldiers and Batman & Robin.
However, his art has also appeared in strange psychological thrillers. In 2010, his webcomic Sin Titulo won the Eisner Award for Best Digital Comic, after it had already won the 2009 Shuster Award in the same category.
Mash-ups are pretty easy to come by in the Internet Age. Flash as a Ingmar Bergman movie? Of course that exists. Hello Kitty as Darth Vader? Hello, new cosplay idea. Optimus Prime as a My Little Pony? I’m … I’m pretty sure that’s an official IDW thing. Everything’s a mash-up these days. In fact, you might be a bit sick of it. If I mention, for example, the phrase “Charlie Brown in a post-apocalyptic future,” you cannot be blamed for rolling your eyes so hard that your pupils disappear into your hear, resembling the blank ovals of Li’l Orphan Annie.
But what if I were to tell you it was also rather good? Jason Yungbluth’s Weapon Brown was something of a hit among the snarkier fans of comics strips, i.e. those of the Comics Curmudgeon variety. You know, the kind who enjoy taking a bite out of obsolete zombie comics that populate the funny pages, but deep down have a strong affection for them and an appreciation for the hard-working creators who made them. The comic was originally serialized at whatisdeepfried.com. After “one of the most successful comic book Kickstarter campaigns of 2013,” Weapon Brown was collected into paperback and hardcover earlier this year. On Aug. 13, Yungbluth will be on hand at Forbidden Planet in New York City to sign copies of his book.
Mountains seem to have been big theme among Eisner nominees this year. In High Crimes, the ever-looming presence of Mount Everest reminds the readers of the upcoming dangers posed by nature.
A similar thing happens in Melanie Gillman’s Eisner-nominated webcomic As the Crow Flies, although not to quite as perilous an extent. There’s no immediate danger here; the mountain is an expanse of wilderness that stretches as far as the eye can see. Long, wordless passages pause to explore the borders, which seem to stretch beyond the page to show that there is no visible end. No tiny towns dotting the landscape, no tiny outposts of civilization beyond a small camp. Just rocks and trees. While there might be a wild animal in that tangle of leaves and branches, that never poses an immediate threat.
No, the biggest danger in these woods is loneliness.
Sacred Heart is set in a small town where all the adults have mysteriously disappeared and the teenagers rule. The situation is not total anarchy, and that’s one of the things that makes it so interesting — order has broken down in some ways but not in others. It’s been running online for a number of years, but Suburbia is completely redrawing the comic and Fantagraphics will publish it in a single volume— although the cartoonist says there will be more to come.
ROBOT 6 spoke with Suburbia about Sacred Heart and how it has evolved so far.
Brigid Alverson: Sacred Heart is about a town that seems to be full of high-school kids but no adults or younger children. Can you give us an idea about what’s going on?
In the first draft (the one that’s online) it’s kind of a secret, but in the final print version it’s more clear that their parents left almost four years ago and promised to return in about four years’ time.