First Look at DC Rebirth Designs For Bizarro, Red Robin, Batman Beyond & More
Being a webcomics creator has its challenges, but here’s one you don’t see too often: finding out the title of your long-running strip is being used by someone who tweeting bomb threats to airlines. That’s the surreal situation Mark Mekkes found himself in on Saturday.
Mekkes is the creator of the long-running Zortic, which he describes as “a weekly science fiction, comedy adventure comic with a lot of parody and popular references.” The comic has been running for 14 years, but on Saturday, Mekkes noticed a spike in traffic and social media mentions. He didn’t think too much of it until he got a phone call from his brother-in-law, who had seen “Zortic” mentioned on the national news. The reason: Somebody using the Twitter handle “King Zortic” had tweeted bomb threats to Delta and Southwest airlines, resulting in two planes being escorted by fighter jets to Hartsfield-Jackson International Airport in Atlanta and then scoured by bomb squads. The threats were ultimately determined to be a hoax.
Although the book was teased in Drawn & Quarterly’s Free Comic Book Day listing, the publisher has now officially announced the September release of Kate Beaton’s Step Aside, Pops, the follow-up to her bestselling 2011 collection Hark! A Vagrant.
According to the Los Angeles Times, the 160-page book will combine new material with strips from Beaton’s wildly popular webcomic, including her “Broadside Ballads” series. The cartoonist talks briefly with the newspaper about Hark! A Vagrant, its historical and literary influences, and how she settles upon topics.
“Kate’s wit is sharper than ever in Step Aside, Pops,” acquiring editor Tom Devlin said in a statement. “She’s found the perfect way to explore her love of history, while effortlessly deflating the pompous, self-righteous figures of authority we were taught to respect in school. Her restlessness has made her drawings even funnier.”
Beaton, who’s been producing her webcomic since 2007, has won four Harvey Awards for her work. The 2011 collection of Hark! A Vagrant spent five months on The New York Times graphic books bestsellers list.
Step Aside, Pops will be previewed along with Jillian Tamaki’s SuperMutant Magic Academy in Drawn & Quarterly’s FCBD offering.
The creator of Skeleton Key and Love Fights, cartoonist Andi Watson has worked in more recent years on his all-ages series Gum Girl and Glister, which are better known in his native United Kingdom than in the United States. However, he’s about to make a big splash with young readers on this side of the Atlantic with Princess Decomposia and Count Spatula, a lighthearted romance with creepy characters to be published in February by First Second.
We asked Watson to talk a bit about the book and where it fits in with the rest of his work.
Brigid Alverson: First of all, can you tell us what Princess Decomposia and Count Spatula is about?
Andi Watson: It’s a spooky-themed romance story about love, responsibility and desserts. Princess Decomposia is princess of the Underworld whose father, the king, has taken sick and demands constant attention. The Princess has to run the Underworld, the palace and take care of her father. It’s all getting too much when the king’s fussy eating habits drive off another chef. Fortunately, Count Spatula gets the job and he helps the princess tackle the Underworld’s problems while they grow closer … only the king’s not too keen on their friendship.
If the title doesn’t give away what the comic is about, then the latest strip (above) certainly does: It’s three panels, typically starring a Batman who’s not quite as grim and serious as his DC Comics counterpart. For instance, one installment finds the Dark Knight practicing intimidation lines before heading out, while in another he enjoys his own rendition of the classic Batman TV theme.
It’s a pretty funny comic that sometimes hits at hard truths — like, say, the apparent low intelligence of Metropolis’ populace. Maybe it’s something in the water.
Creators | Osamu Tezuka, the “godfather of manga,” has been dead for 25 years, but his influence lives on, not just in manga and anime but in his old neighborhood, where a restaurant features his favorite dish and merchants have their own local currency, Astro Money. There’s even a group of inventors who were inspired by Astro Boy to design a “power-assisted hand.” [The Yomiuri Shimbun]
Creators | Ivan Brunetti tried to draw Nancy and failed, but he learned how to be a cartoonist in the process: “Nancy is a harsh taskmaster; resuscitating it was a grueling task, but the challenge was invigorating and edifying. By drawing Nancy, I realized that every character (even the environment) in a strip is the cartoonist and is invested and imbued with the cartoonist’s life force. This is perhaps why continuing a strip after a creator’s death is so misguided, and it also explains the precious few exceptions that prove the rule: those cartoonists made the preexisting characters truly their own, commandeering their ink-on-paper souls.” [BoingBoing]
Emily Carroll’s Through the Woods is currently making the rounds on various year-end “Best of” lists and no doubt will be under a few trees later this week. But if you want a little horror in your holidays before you get to the unwrapping, the webcomics creator has posted a brand new holiday-themed horror tale titled “All Along the Wall” on her website.
So grab some eggnog, curl up with your favorite electronic device and beware the monster in the corner …
Bad Machinery is an all-ages webcomic about a group of British schoolchildren who solve mysteries and generally act like normal kids.
When I say that, I mean it as the highest compliment. Too many children’s books, both graphic novels and prose, exist in some sort of never-never land where all families are happy and all the children are well-behaved, except for one or two who are explicitly evil. The kids in Bad Machinery aren’t like that. They don’t do anything truly horrific, but they do disobey their parents, talk in slang, and best of all, poke their noses where they really shouldn’t. Each story arc is a supernatural mystery of some sort, and the supernatural creatures are real, but usually pretty benign in the end.
Crime | Wichita, Kansas’ KWCH TV is showcasing the Nov. 19 burglary of comics and collectibles store Riverhouse Traders as its Crime Stoppers crime of the week. The thieves apparently knew what they were looking for, and stole a reported $300,000 worth of rare comic books and memorabilia, leaving owner Mark Rowland with an unwanted shift in priorities: He has always given free comics to local children who get As on their report cards, and he provides gifts to local families at Christmas, but this year he has to cut back to pay for a security system. [KWCH]
Creators | Writer Jeff Lemire and artist Terry Dodson discuss their new graphic novel Teen Titans: Earth One. George Perez and Marv Wolfman’s Teen Titans were Lemire’s gateway to comics, so he was particularly enthusiastic about this project, and, he that affected his choice of a cast: “My decision early on was just to use the unique characters that Marv and George created that weren’t sidekicks, and that freed me from having to establish the adult superheroes in this world.” [Comic Riffs]
Graphic novels | The long-running Belgian comic Blake and Mortimer, created by Herge contemporary Edgar P. Jacobs and currently the work of Yves Sente and Andre Juillard, will get a prequel. The series launched in Tintin magazine in 1946, and when they re-read the first episode, Sente and Juillard found themselves asking a lot of questions — so they answered them in their latest volume, The Staff of Plutarch. [Agence France-Presse]
Creators | Kelly Sue DeConnick discusses her new Image Comics series Bitch Planet. [Paste]
Creators | HOW magazine interviews artist Kody Chamberlain (Punks, Sweets). [HOW]
Creators | In a new profile of Naif Al-Mutawa, the creator of the Islamic superhero comic The 99 addresses the death threats made against him by ISIS and the fatwa issued against the animated adaptation in Saudi Arabia, and reveals he recently met with Kuwaiti police “to answer the charges of being a heretic.” Mutawa also blames pressure from “a handful of conservative bloggers” in the United States for The Hub not following through with plans to air the animated series. He said that after President Obama praised his work in 2010, attacks on him escalated in the United States, where he was painted as a jihadist “intent on radicalizing young kids to make them suicide bombers. And here [in the Gulf] I became an apostate Zionist. My mother told me growing up, be careful who your friends are because you end up inheriting their enemies. And that’s what happened: I don’t know President Obama. I’m very honored he called me out. But the hate became magnified after that.” [Al-Monitor]
Passings | Dr. George Slusser, co-founder of the University of California, Riversides’ renowned Eaton Collection of Science Fiction & Fantasy, passed away Tuesday at age 75. Curator emeritus and professor emeritus of comparative literature, Slusser expanded the Eaton holdings from 7,500 items to more than 300,000, making it the largest publicly accessible collection of science fiction and fantasy literature in the world. It encompasses novels, journals, manuscripts, comics and manga, fanzines and anime, and includes first editions of Bram Stoker’s Dracula, Mary Shelley’s Frankenstein, Action Comics #1 and The Fantastic Four #1. “Over three decades, George Slusser built the Eaton Collection up from a small core of titles into the world-class archive that it is today,” Rob Latham, co-director of UC Riverside’s Science Fiction and Technoculture Studies program, said in a statement. “The field of science fiction scholarship owes him an incalculable debt.” [UC Riverside]
Halloween seems like a particularly appropriate day to write about Sam Costello’s Split Lip, not only because the webcomics he writes are horror works of the most uncanny sort, but also because the website itself has just risen from the dead.
Costello decided to shut down Split Lip two and a half years ago, citing financial and creative reasons. He wrote about the grim financial picture even before that, but he’s always been one to not only talk about his mistakes but also learn from them. When I ran into him in August at Boston Comic Con, he told me he was relaunching the site and had reprinted the graphic novels as well with a new approach. The relaunch happened this week, just in time for Halloween, and I took the opportunity to ask him what happened during his hiatus — and what has changed since 2012.
Emily Carroll, who chilled us with such haunting webcomics as “His Face All Red,” “Margot’s Room,” “Out of Skin” and “The Hole the Fox Did Make,” is back with some Halloween thrills with “When the Darkness Presses.” She explains it as a comic “about being haunted,” so we’ll just leave it at that.
Premiering in August, King Maul centers on a savage warrior (named King Maul, of course) who burst out of a portal in space with ominous narrative boxes dubbing him a conqueror, destroyer and creator of an empire. His first battle, with an unnamed green-skinned alien, is less Conan the Barbarian and more WWE Raw — in a good way. In early episodes, fighting is briefly delayed when Maul is offered to smoke a mysterious substance, only to be renewed with his newly established battle cry of “Baaaaaaaaaaallllllssss.”
“Thank you all for coming this far with me!” the cartoonist wrote on her website. “It’s been amazing journey. You’ve all been truly spectacular. I couldn’t have asked for better readers.”