Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
Following the debut today of Vertigo Quarterly: CMYK, a four-issue anthology series from the DC Comics imprint, writer Joe Keatinge was quick to speak out about his collaboration in the first issue with artist Ken Garing, which he says was substantially rewritten by editorial without any consultation with him.
“The issue is advertised as featuring a collaboration between Ken Garing and me, with me on story and Ken on art, but there’s an issue with this and I felt the need to make it clear,” Keatinge wrote on his blog. “The story as published does not entirely reflect what we conceived and I originally wrote. I’m going to make this as quick possible as there’s a lot going on in the world that actually matters, but I felt like, after the warm reception to Shutter and Planetoid, some people reading this might buy comics with our names on them and thought it was unfair to them to not say something.”
He explained that he was approached to contribute a story to Vertigo Quarterly, and he looped in Garing, with whom he’s working on an upcoming series. Vertigo editor Mark Doyle was “very accommodating,” Keatinge said, but upon receiving a mock-up of the completed story the writer discovered it had been changed significantly — without consultation or an opportunity for him to address the issues Vertigo sought to address.
Earlier today Kevin linked to all those images of Before Watchmen that BuzzFeed had posted after their visit to the DC offices, but if you’re less curious about the project and are more curious as to what the inside of Dan DiDio’s office looks like (spoiler alert: comics!), they took a bunch of pictures of DC’s working environment as well. Click on over to see the reception area, the giant mural depicting several DC characters by different artists, and the offices of Will Dennis, Mark Chiarello and DiDio.
My friendship and association with Alex Segura dates back to late 2004 when he invited me to join Robot 6‘s ancestor blog (or however you want to call its relation) The Great Curve. I wear my bias on my sleeve for this interview–I’ve always been a supporter of Segura’s work–be it years at DC Comics, or more recently, his current role as Executive Director of Publicity and Marketing at Archie Comics. In addition to discussing what he’s accomplished to date at Archie (and hopes to achieve in the near to long term), we delve into his own writing and musical pursuits (in the band, The Faulkner Detectives).
Tim O’Shea: Before your first stint with Archie a few years back, you worked at Wizard. So I gotta ask, what’s your reaction to the end of the print magazine?
Alex Segura: On a gut level, it’s sad. Wizard was a big part of my getting into comics – or at least, sticking with them – in middle school and into college. There were times when I wasn’t actively buying any regular comic books but would still pick up Wizard to keep tabs on the industry. Working there was also huge. It was my first full-time job in the industry and gave me a crash course in comics and how they work. I also met some of my best friends there – many of whom I still talk to on a regular basis. Hell, I live with Ryan Penagos, who I first met at Wizard. So, yeah. I have a lot of fond memories of both my time at the company and my relationship with the magazine leading up to that.
Professionally, I’m not all that surprised. There was a time when Wizard was a major tastemaker – they had a big part in the rise of Image and for a long while broke major news from the Big Two. But with the rise of comic news on the web, it just seemed like they got left behind. Hopefully this new incarnation can revive the company. We’ll see.
On Vertigo’s Graphic Content blog, the publisher revealed a pseudo-conversation between editor Will Dennis and writer Brian Azzarello concerning a new series. Done in a sort of Laurel & Hardy-style, it’s a non-plussed official introduction to the new miniseries from Azzarello and 100 Bullets collaborator Eduardo Risso.
AZZ: I got an idea for a new series.
ME: What’s it called?
ME: SPACEMAN? Is that one word or two?
AZZ: It’s one. Like SUPERMAN.
ME: It’s like SUPERMAN?
AZZ: No! It’s like SUPERMAN but not like SUPERMAN.
ME: So what’s it about.
AZZ: A spaceman. What the hell else would it be about?
ME: Right. And it’s with the entire 100 BULLETS team?
Azz: That’s the plan.
ME: Cool. Can we get it out in 2011?
AZZ: Why the hell not?
ME: Book it.
Azzarello revealed in October at Argentina’s Crack Bang Boom Con that Spaceman will be a nine-issue miniseries that fits into the speculative fiction category. In addition to Azzarello and Risso, the comic will include their other 100 Bullets collaborators, cover artist Dave Johnson and colorist Trish Mulvihill.