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It’s time once again to take a look at those comics that were unfairly ignored. With more graphic novels and comic books coming out in stores than ever before, it’s perhaps inevitable that some titles slip through the cracks, not due to a lack of quality, but simply because they got lost in the Wednesday shuffle. The books listed here aren’t necessarily my personal favorite books of 2012. Rather, they’re good — even great — books that, for whatever reason, didn’t get the sort of praise — either online or in print — that they deserved.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d dutifully pick up Dark Horse Presents #17 (Dark Horse, $7.99). With all the stories and the variety of genres, this is a comics haul all under one roof. This month’s issue has a great looking Carla Speed McNeil cover, and inside’s star looks to be Richard Corben adapting an Edgar Allan Poe story. Beat that, comics! After that I’d do an Image two-fer with Multiple Warheads: Alphabet to Infinity #1 (Image, $3.99) and Invincible #96 (Image, $2.99). On the Multiple Warheads front, I’ve been salivating over this ever since it was announced – I bought the premature version of this back when it was published by Oni, and it’s built up in my mind as potentially greater than King City … and I loved King City. In terms of Invincible, I feel this book has the best artists working in superhero comics – and the writing’s not to shabby either. They’re doing a lot of world-building here, and having Cory Walker join with Ryan Ottley on this essentially split book makes it the highpoint of the series so far.
If I had $30, I’d double back to Image and get Prophet #30 (Image, $3.99). Of all the prophets, I love Old Man Prophet the best – and this issue looks like a mind-bender. After that I’d get Ghost #1 (Dark Horse, $2.99). Kelly Sue DeConnick and Phil Noto look like a dream team and Dark Horse really scored a coup by getting them together on this book. I was a big fan of the original series (Adam Hughes!) so I’m excited to see if this new duo can make it work in a modern context. Third up would be Secret Avengers #33 (Marvel, $3.99). Make no mistake, I love that Rick Remender is so popular now that he’s graduated to the upper echelon of books, but I’m remorseful he’s having to leave his great runs on this, Uncanny X-Force and Venom. This Descendents arc is really picking up steam. Lastly, I’d get National Comics: Madame X #1 (DC, $3.99). I’m a fair-to-middling fan of Madame Xanadu, but the creators here – Rob Williams and Trevor Hairsine – mean it’s a Cla$$war reunion! Love that book, love these guys, and love my expectations here.
If I could splurge, I’d splurge all over Shaolin Cowboy Adventure Magazine (Dark Horse, $15.99). Can DH do two excellent anthologies? We’ll see… but fortunately they’ve got Geof Darrow’s Shaolin Cowboy to lead the way in this pulpy throwback. Shine on, you crazy super-detailed diamond, shine on.
As someone who spent a goodly portion of the night of his junior prom listening to a Psychic TV song consisting of little more than a repeated sample of Burroughs saying “Boys — school showers and swimming pools full of ‘em” over and over again, I cannot WAIT for this: Fantagraphics has acquired Ah Pook Is Here, Beat legend William S. Burroughs’s long-lost proto-graphic-novel collaboration with British artist Malcolm McNeil.
Expanded from a collaborative comic strip that came to an end when the magazine in which it was published folded, then abandoned when no publishers of the time were willing to take the risk of publishing something in the then-unheard-of format, Pook is the story of John Stanley Hart, a William Randolph Hearst-like figure who attempts to utilize ancient Mayan science to achieve immortality and thus unleashes the fury of Ah Pook, Mayan god of death. The book will come packaged with Observed While Falling, McNeil’s prose memoir of his collaboration with the hugely influential author of such books as The Naked Lunch, Junky and Queer. For Fantagraphics’s full press release and a gallery of impressive art from the project, click here.
Every once and awhile an email interview evolves far beyond my basic questions. But never has an email interview grown into something as constructive, candid and insightful as this email interview with Joshua Cotter. Longtime readers of Talking Comics with Tim may remember my email interview with Cotter last year. Back then we discussed Skyscrapers of the Midwest as well as the (then upcoming) Driven by Lemons (a 13-page preview of which AdHouse offers here). Cotter was such a fun interview then I wanted to catch up with him again this year. I wanted to discuss Driven by Lemons some more (now having had a chance to take it all in). I sent Cotter my questions and waited. Soon he replied with the following. I was amazed that after pouring all of this effort into his initial reply he was also still willing to reply to my (compared to what he had to say) inadequate questions. I can’t agree with everything Cotter writes (nor do I think he expects or wants anyone to agree with him). Where I most disagree is his assessment of himself. He’s an acutely astute and informed observer of the human condition who does not give himself enough credit for his emotional and intellectual efforts to get to a better place, literally and figuratively.
Hey, Tim. I bet you weren’t expecting this. Below is something that came out of my brain this afternoon. I started answering the questions, but I’ve been writing for hours and wanted to send it to you, since it may take the interview in an entirely different direction than you intended. And if you’d rather just ignore the pre-question rambles, I’d completely understand. I can find an outlet for it somewhere… but like I said, I’m tired. Here goes…