Graphic novels | Graphic novel sales are up 6.59 percent in comics shops, and they are also up in bookstores, according to the latest issue of ICv2′s Internal Correspondence. Sales have been increasing in the direct market for a while, but this is the first uptick in bookstore sales since the economy crashed in 2008. There seem to be several factors, including the popularity of television and movie tie-ins — the success of DC’s graphic novel program linked to Man of Steel is singled out — and a turnaround in manga sales. The article winds up with lists of the top properties in a number of different categories. [ICv2]
Digital comics | Here’s today’s news article on Crunchyroll’s new digital manga service, which offers same-day releases of 12 Kodansha manga titles for free and an all-you-can-eat service for $4.99 a month. Tomohiro Osaki interviews Japanese publishing insiders, who are upfront about the fact that this is an attempt to compete with pirate sites, and translator Matt Thorn, who says that better translations on the official site may lure readers away from scanlations. [The Japan Times]
Conventions | Motor City Comic Con founder Michael Goldman has apologized to fans for the long lines they had to endure to get into the event on Saturday, writing in a message on Facebook, “We never expected 18,000+ people to attend that day, which was the same amount of people we had over the entire three days last year. We were literally hit with a ‘Humanity Bomb’ and were not prepared for the sheer number of people attending, even with a large increase in our staff.” More than 30,000 people attended over the course of three days, with attendees reportedly waiting for up to two hours on Saturday just to get into the parking lot, and then another one to four hours to get in the doors. Golden said he is already working on avoiding the same problem next year. [Facebook]
Retailing | Brian Berlin of New World Comics in Oklahoma City is offering free comics and appearances by costumed characters for children left hospitalized or homeless by the tornadoes that struck Oklahoma this week. [Nerdage]
A great artist can make readers stand up at attention, while a fast artist can make editors’ lives a lot easier. Luckily for fans and publishers alike, Declan Shalvey is both.
Taking the artistic reins on Deadpool in August, Shalvey is in the middle of an epic upward-bound trajectory in comics, drawing books for Marvel and Dark Horse. His career began with a 28 Days Later comic for BOOM! Studios, but fans didn’t really take notice of his work until he began alternating arcs of Thunderbolts with Kev Walker.
Despite its frantic biweekly shipping schedule, Thunderbolts was an ideal showcase for Shalvey’s gritty, textured illustrations (with a bounce reminiscent of emotive newspaper cartoonists). After working on that title, and its successor Dark Avengers, for two years, the Irish artist was tapped to follow after Tony Moore on Venom. But stand back: Shalvey isn’t just a superhero artist. While tackling those comics for Marvel, he also illustrated graphic novel adaptations of Frankenstein and Sweeney Todd for European publishers, and arcs of Vertigo’s Northlanders and Dark Horse’s Conan the Barbarian.
Following the title’s absence from Marvel’s July solicitations, writer Jason Latour has confirmed the cancellation of Winter Soldier with Issue 19.
“Well, I won’t lie, after spending the last 9 months or so living in Bucky Barnes’s skin, I’m a little heart broken,” he wrote on his blog. “He’s grown to be a very special character to me, maybe my favorite Marvel character ever, and I felt I could’ve written his story for years. The opportunity to do so came at a very trying time in my life and really helped me through some tough stuff, so in it’s way it’s very personal work. I hope that shows. That said though, really, enough cryin’ in my beer. I’m VERY grateful to everyone involved with the book all along the line for making it such a worthwhile experience.”
Latour thanked artist Nic Klein and editor Lauren Sankovitch before continuing, “But maybe most of all I’m in the debt of the special community of fans who stuck with us and showed us such big slobbery love through out. I know it was hard losing folks as revered and talented as Brubaker and company, but thank you for giving us a real shot.”
Klein added to the sentiment this morning, writing, “Thank you to the readers and Fans who supported the book and gave us a chance to tell our tale. I hope you all enjoyed the last 3 issues, and I hope you will stick around for the last 2 issues to see the conclusion of the arc.” He also posted a new illustration of Winter Soldier (at right), created as a “parting gift.”
Winter Soldier #19 arrives in June.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
I didn’t talk about the first issue of the new, more NOW! Secret Avengers last week for a few reasons: First off, I try to keep things positive as I can here at The Fifth Color; I can’t say I always succeed, but being fair is good goal to shoot for. Secondly, I would have wanted to talk about the ending of Rick Remender’s run on the title way more than Nick Spencer’s new gig. Seriously, how amazing was that last issue? Remender really pulled out all the stops on his fascinating robot revolution and really made me sit up and take notice toward the end despite what was more of a expositional start. I hope he has time to come back to his philosophical super-science take on man vs. machine, but I’m guessing it’ll be awhile before Deathlok is back under his employ. Then again, the Uncanny Avengers are specifically the “non-discriminatory: Avengers group, so maybe Deathlok will be sneaking into a few more pages- and see? I told you.
Lastly, it was the day after Valentine’s Day and I am a huge sap.
Thankfully, the esteemed Michael May was dashingly handsome enough to compare the new NOW! Nick Spencer spy story with the similarly cast new storyline in Kelly Sue DeConnick’s Avengers Assemble. Comparing their sp-ytastic stories against one another, it was easy to see where one had suceeded at being a movie-like throwback to secret agent action and where one sadly failed.
Below, I’m going to talk about how Secret Avengers drew the short straw in comic storytelling and how that cool new ‘indy look’ for Marvel comics can fall flat on it’s face. Join me, won’t you?
WARNING: We’re talking about Secret Avengers #1 and Winter Soldier #14, so grab your copies and read along!
Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.
To see what Tim and the Robot 6 crew have been reading, click below.
Thanks to my interview with writer Jason Latour (regarding Loose Ends in mid-2011), my attention was piqued when Marvel tapped him to succeed Ed Brubaker on Winter Soldier. Latour’s run begins Wednesday with Winter Soldier #15. In anticipation of that, Latour agreed to an interview in which I interrogated him about the collaborative dynamics with artist Nic Klein, Bucky Barnes coming to terms with his past, guiding a supporting cast that includes the legendary Nick Fury, and the introduction, and naming, of new characters. Also be sure to check out CBR’s preview of Winter Soldier #15.
Tim O’Shea: When scripting an issue, given that you are also an artist, do you sketch out thumbnails for artist Nic Klein to consider?
Jason Latour: Not really, no. I did do one unused thumbnail, and only because Nic asked. When you’ve survived German art Thunderdome like he has, you need no man’s help. He’s like Art Beast Omega.
Yeah, being able to draw is definitely a great tool to have in a pinch. But in general I try not to do layouts because that part of drawing is largely the artist’s contribution to the story. I don’t want to encroach too heavily on that. Even if they do something I don’t agree with here or there, we’ll all be much better off with an invested collaborator. I am open to thumbnailing a book for someone else to finish, but it would have to be the understanding beforehand. I’m much more likely to do design work, because sometimes it just dramatically improves communication.
Hello and welcome to What Are You Reading?, where the Robot 6 crew shares their picks for the Royal Rumble … I mean, talks about what comics we’ve read recently. Today our special guest is Landry Walker, writer of Danger Club, Supergirl: Cosmic Adventures in the Eighth Grade, Batman: The Brave and the Bold, Little Gloomy, Tron and more.
To smell what Landry and the Robot 6 crew are cookin’, click below.
Hello and welcome to What Are You Reading? Today our guest is Salgood Sam, who has just relaunched his independent personal anthology series Revolver. He is also completing the last chapter of a graphic novel called Dream Life after a successful Indiegogo funding drive to finance it. He also publishes the Canadian-centric comics blog Sequential. As he told me, he “usually has too many projects going on and does not get enough sleep.”
To see what Salgood Sam and the Robot 6 crew have been reading, click below …
Welcome to What Are You Reading?, our weekly look at what’s been on our nightstands lately. Our guest this week is Jay Faerber, writer of Dynamo 5, Near Death and Noble Causes. The second Near Death trade just came out this week, and his new comic, Point of Impact, comes out Oct. 10.
To see what Jay and the Robot 6 crew have been reading, click below.
Well before taking the gig as the writer of Marvel’s Winter Soldier series–in fact, well before Winter Soldier even existed–writer Jason Latour pitched an Invaders miniseries to Marvel. He recalls it being sometime around 2003 in a post on his blog.
“It of course would have heavily featured Bucky Barnes and was even going to be told largely from his POV,” Latour said. “The response was pretty good, even though I doubt it would have ever been made. Here’s some art I did way back when–At the time I was putting it together I was 25 or 26 and still failing miserably at aping Mike Mignola’s art. Man, that Human Torch sucked.”
He’s posted the cover and some pages from his pitch on his blog, mostly some war scenes that set the stage, but Captain America does make an appearance on the last page. “The Invaders aren’t really in my plans for Winter Soldier, but I still think there is a world of potential there, so maybe one day,” Latour said.
Happy Labor Day, Americans, and welcome, everybody, to What Are You Reading? Today our special guest is Paul Allor, writer of IDW’s Teenage Mutant Ninja Turtles spinoff, Fugitoid, as well as his own anthology Clockwork.
To see what Paul and the Robot 6 crew have been reading, click below:
Hello and welcome to What Are You Reading? Our guest this week is Spanish artist Alberto Jiménez Alburquerque, who drew the comic Elle for Soleil. He’s also working on a story for the upcoming Skullkickers #18 with J. Torres.
To see what Alberto and the Robot 6 crew have been reading, click below.
What does Ed Brubaker leaving Captain America have to do with New-52 storytelling? For me, the connection goes through Gotham Central.
Okay, that requires a bit more explanation. Mr. Brubaker isn’t leaving Captain America on bad terms, but apart from Winter Soldier he’s not especially interested in writing any more superhero comics. It’s not the same as Chris Roberson’s principled departure from DC, but it puts me in a similar mood.
Like Roberson, Brubaker is a good storyteller who can incorporate shared-universe lore effectively into his comics. For example, Winter Soldier’s first issue started out as a straightforward super-spy caper, but abruptly veered close to Silver-Age-Wacky territory with [SPOILER ALERT, I guess] the arrival of a gun-toting ape. The rest of the arc combined a couple of longtime Fantastic Four villains (one minor, one pretty major) with the threat of regional warfare. It never did get truly goofy, but it was rooted in a Marvel Universe where the former Soviet Union had some pretty odd operatives. Of course, the Winter Soldier concept itself is a retcon (Bucky was revived as Soviet covert agent) of a retcon (he died near the end of World War II).