Witch Doctor Archives - Robot 6 @ Comic Book Resources
“Rape is violence. But that’s not all it is. It’s also defilement — having your body violated and desecrated. And it’s an interruption over your agency, your control over your body and your life. On top of all that, rape victims often end up feeling that they were complicit in their own attack (‘I should’ve told him no again,’ or ‘I should’ve tried to fight him off harder,’ or ‘I hate myself because I just froze up while it was happening.’). It’s awful, it’s scarring, and for a lot of people it sticks with them very vividly, for a very long time. And for a lot of people, those memories are very easily triggered… by, for instance, seeing a rape scene on TV or reading one in a comic.
Rape is also ridiculously, sickeningly common. One in six women in America reports having someone at least try to rape her. But honestly, in my experience? I feel like it’s more like one in four women. Or one in three. There have been times in my life when it seemed like every women in my life had been roofied at a bar, or followed into a bathroom by a guy at a party, or got forced to do things she didn’t want to do by a boyfriend, or was date raped, or was molested by a family friend, or… Or… Or…
And the very least I can do? As a friend, and as a responsible adult? Is not to write comics that cause people I care about to relive some of the most horrific events of their lives.”
– Brandon Seifert, co-creator of Witch Doctor and Spirit of the Law, explaining why he doesn’t use rape as a plot device.
Today marks the the release of the Witch Doctor: Mal Practice trade paperback, which collects Witch Doctor: The Resuscitation one-shot and Witch Doctor: Mal Practice #1-6. Written by Brandon Seifert and illustrated by Lukas Ketner, the medical-horror series from Skybound/Image Comics follows Dr. Vincent Morrow, who specializes in supernatural diseases, frequently bringing him in contact with vampires, demons, changelings and the like.
In anticipation of the release, I contacted Seifert for a consult on the series (as well as to get his take on cursing in comics). If you want to read Witch Doctor #0, comiXology is offering the issue for free. Also, Seifert and Ketner will be at Portland Things From Another World (2916 NE Broadway St., Portland, Oregon) tonight for a Witch Doctor: Mal Practice release party.
Tim O’Shea: In this trade paperback-hungry market, how good does it feel to be at the TPB stage with Witch Doctor?
Brandon Seifert: Really good! Witch Doctor Vol. 2 has been in the works for a long, long time. Lukas started drawing the first issue in the trade in, I believe, October 2011, and I wrote it a month or two before that. So this TPB has been in progress for like a year and a half, year and three quarters! It’s great to finally have it done and on sale. And the edition itself turned out great!
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Now let’s get to it …
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
To see what James and the Robot 6 crew have been reading, click below …
BBC’s revival of Doctor Who in 2005 met with immediate success, but with the arrival of Matt Smith as the Eleventh Doctor and Steven Moffat as executive producer, its popularity seemed to rise to a new level. IDW Publishing has been releasing Doctor Who comics since 2007, and this year launched a new series with writer Andy Diggle as “showrunner.” With December’s Issue 3, up-and-coming writer Brandon Seifert and artist Philip Bond stepped in for a two-part story in which Amy sends the Doctor and Rory on a boys’ night out to help build their strained relationship.
Seifert has established himself in a relatively short time with his medical-horror series Witch Doctor, with co-creator/artist Lukas Ketner, which earned the attention of Robert Kirkman and a spot as the launch title for his Skybound Entertainment imprint. Seifert also was among the initial wave of creators invited to produce digital-first material at MonkeyBrain Comics. And most recently he was selected to write under Clive Barker for the Hellraiser series at BOOM! Studios.
Brandon and I got a chance to chat about his Doctor Who two-parter, how he handles horror in comics, and our shared history with fan fiction. IDW was kind enough to provide us with a preview of Doctor Who #4, which goes on sale Wednesday.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d get Remake 3xtra, the latest comic in Lamar Abrams’ occasional superhero/manga satire. I’d also get Batman Inc. #5 to get another glimpse into the Gotham City of the future, where Damian has taken on his father’s superhero role.
If I had $30, I’d check out Dante’s Inferno, Kevin Jackson and Hunt Emerson’s adaptation of the classic poem. The British Emerson has been around since the days of the underground, but he hasn’t gotten much attention, at least on these shores, which seems odd given what a funny and facile cartoonist he is. He tends to fire on all cylinders when riffing on classic literature, too, so I imagine this will be a pretty great book.
Splurge: I don’t own the hardcover edition, so the new paperback collection of the Complete Calvin and Hobbes seems like a no-brainer to me. On the other hand, Humanoids is releasing the Technopriests Supreme Collection, an omnibus, epic sci-fi story that is yet another spin off of Alejandro Jodorowsky and Moebius’ Incal. This particular series features art by Zoran Janjetov.
Skybound, Robert Kirkman’s Image Comics imprint, will debut limited-edition hardcovers of the writer’s series The Walking Dead and Thief of Thieves at New York Comic Con, held Oct. 11-14 in New York City.
The Skybound booth (#1229) will offer 1,500 copies of The Walking Dead Hardcover Compendium (Red Foil Version) for $100 each, as well as 1,000 copies of the Thief of Thieves Hardcover, Vol. 1, “I Quit” for $30 each.
In addition, Kirkman will participate in two NYCC panels: “Skybound: On the Rise,” with Shawn Martinbrough, Jason Howard and special guests (2:45 p.m. Friday, Oct. 12); and “Kirkmania!,” in which he’ll take questions from the audience (1:30 p.m. Sunday, Oct. 14). You can read the full Skybound panel and signing schedule below.
Hello and welcome to What Are You Reading? Our guest this week is Spanish artist Alberto Jiménez Alburquerque, who drew the comic Elle for Soleil. He’s also working on a story for the upcoming Skullkickers #18 with J. Torres.
To see what Alberto and the Robot 6 crew have been reading, click below.
This year marks the 20th anniversary of Image Comics, the company formed by a group of artists who left the security of work-for-hire comics to create and own their own comics. It’s been 20 years of ups and downs, but one thing that has remained consistent is a focus on creator-owned work.
With 2011 in the history books and their big anniversary kicking off with the first Image Expo, a new ad campaign and high-profile series by big-name creators like Brian K. Vaughan, Ed Brubaker, Sean Phillips, Jonathan Hickman, Nick Spencer and many more, I thought it was a good time to chat with Publisher Eric Stephenson about the state of the company, the year that was, their upcoming plans and anything else he was willing to talk about. My thanks to Eric for taking the time to answer my questions.
JK Parkin: Thanks for agreeing to do this interview, Eric. Incidentally, another feature we’re running as a part of our anniversary bash is one where we asked various comic industry folks about what they’re looking forward to in 2012. I got one back yesterday where the answer was basically “everything from Image Comics.” I find that interesting, because there’s a lot of diversity in Image’s line and although I think you guys probably publish something for every kind of taste, I wouldn’t think that every title would appeal to every comic reader. And yet I also find myself checking out at least the first issue of everything you guys have done lately. So from your perspective, what’s the unifying factor (or factors) right now among your titles, if there is one?
Stephenson: I think the main thing is that we’re moving forward and creating new things. We’re not content to just recycle the same old ideas month in and month out and then market it all as brand new. If this was another publisher, we’d be debuting our latest spin-off of The Walking Dead in March, but instead, we’re launching a new series by Brian K. Vaughan and Fiona Staples, a new series by Jonathan Hickman and Nick Pitarra, a new series by Joe Keatinge and Andre Szymanowicz, and so on. For 20 years, Image has put its faith in creative people, and it’s the power of their imagination that links all our titles together, now more than ever.
Robert Kirkman’s fledgling Skybound comics line is expanding into Asia through a new distribution deal with the production company Moving Images.
Launched in July 2010, the Image Comics imprint is home to Kirkman’s books, most prominently The Walking Dead and Invincible, as well as hand-picked additions like Brandon Seifert and Lukas Ketner‘s Witch Doctor, and the recently confirmed Thief of Thieves, a collaboration between Kirkman, Nick Spencer, Shawn Martinbrough and a rotating roster of writers.
According to The Hollywood Reporter, Skybound Asia will be based in Singapore, allowing the imprint to distribute directly to regional markets. The new venture will have a presence this weekend at the Singapore Toy, Game & Comic Convention.
“The next step for Skybound and The Walking Dead in particular is the evolution into a global brand,” Kirkman says. “Partnering with Moving Images to form Skybound Asia is the first logical step toward that goal. It will allow us to gain a foothold in emerging markets in order to bring Skybound comics and products to an entirely new fan base.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item. We’re coming a little late today due to a power outage in my neck of the woods — due to a blackout, not because I spent the money for the electric bill on Flashpoint or Fear Itself tie-ins.
Because I’m not doing San Diego this year, some kind of crazy comic karma has decided that this week will be filled with comics I want to read. For example, if I had $15, I’d run to grab Daredevil #1 (Marvel, $3.99), which I’ve been looking forward to for some time — Mark Waid, Paolo Rivera *and* Marcos Martin? How can anyone refuse? — before scooting back to the DC aisle to pick up both DC Retroactive: The Flash – The ’70s #1 and DC Retroactive: Wonder Woman – The ’70s #1 (Both DC, $4.99), because I am such a sucker for old-school DC that even this weird “slight return” of the same seems exciting to me.
Comic strips | After outsourcing all editorial, production, sales, marketing and distribution functions for its 150 comics and other features to Universal Uclick earlier this year, United Media closed the doors on its Madison Avenue office in New York on Friday. [Comic Riffs]
Comic Books | A copy of Detective Comics #27 owned by multimillionaire hotel heir Ben Novack Jr., who was murdered in 2009, could go up for auction and end up paying to defend his widow Narcy Novack. Narcy is facing charges that she had the comic fan and his mother murdered, plundered his bank accounts, then tried to pin the crimes on her own daughter. Narcy’s daughter, May Abad, has persuaded a Broward County judge to hold off on the auction and give her at least 14 days to find suitable storage and insurance for Novack’s massive collection. [Miami Herald]
Legal | Brent Staples pens an editorial for the New York Times on the legal battle between the Jack Kirby estate and Marvel: “The Marvel editor Stan Lee sometimes offered general ideas for characters, allowing the artists to run with them. Mr. Kirby plotted stories, fleshing out characters that he had dreamed up or that he had fashioned from Mr. Lee’s sometimes vague enunciations. Mr. Lee shaped the stories and supplied his wisecrack-laden dialogue. And in the end, both men could honestly think of themselves as ‘creators.’ But Mr. Kirby, who was known as the King of Comics, was the defining talent and the driving force at the Marvel shop. Mr. Lee’s biographers have noted that the company’s most important creations started out in Mr. Kirby’s hands before being passed on to others, who were then expected to emulate his artistic style.” [New York Times]
Awards | Writer Neil Gaiman (Sandman, The Graveyard Book) and artist Shaun Tan (The Arrival, Tales from Outer Suburbia) are among the winners of the 2011 Locus Awards. Gaiman’s “The Truth Is a Cave in the Black Mountains” won for best novelette, while “The Thing About Cassandra” won best short story. Tan won for best artist. [Locus Online]
Legal | Jeff Trexler reviews the legal battle between Warner Bros. and the heirs of creators Jerry Siegel and Joe Shuster through the filter of the Neil Gaiman/Todd McFarlane decision, where a judge ruled Gaiman has copyright interest in Medieval Spawn, Angela and other Spawn characters. [The Beat]
Retailing | A federal bankruptcy judge has granted Borders Group permission to loosen the terms of its $505-million bankruptcy loan, giving the bookseller more time to line up a buyer and avoid the immediate liquidation of 40 more outlets. The book chain, which has closed 237 of its 642 stores, will file a proposal on July 1 to sell itself at a court-approved auction to a guaranteed buyer — most likely, the Los Angeles-based Gores Group. The private-equity firm has a plan that would save about 250 of the remaining Borders locations by transforming them into “more appealing destinations” similar to the Apple Store chain. [Bloomberg]
Retailing | Bud Plant, one of the initial direct-market distributors who, at one time, operated the largest chain of comic stores in the United States, has announced his retirement. In a letter to his mailing list, Plant said he is looking to find a buyer for Bud’s Art Books, his mail-order/online retail business. [The Comics Reporter]
Retailing | Jetpack Comics in Rochester, New Hampshire, has put out the call for area residents to participate in a photo shoot for retailer-specific variant cover for The Amazing Spider-Man #666: “This is not the first time Rochester has appeared on the cover of a comic book — the organizations also organized a photo shoot of Main Street that was featured on the cover of a Godzilla comic, with the city about to be crushed by the creature. [...] According to Jetpack Comics owner Ralph DiBernardo, after seeing how well the Godzilla comic sold, Marvel Comics wanted to capitalize on that success and suggested the city be featured again.” [Foster's Daily Democrat]