"The Flash" EP Kreisberg Shares Insight on Major Reverse-Flash Revelations
Marvel and Wizard World have revealed exclusive variant covers available to VIP attendees at Wizard World Louisville Comic Con and Wizard World St. Louis Comic Con: Michael Golden’s Daredevil #1 and David Mack’s Wolverine and The X-Men #1.
The covers are available as part of a variant program in which a limited-edition cover will be available at each of the 16 Wizard World Comic Con events scheduled this year. The Golden and Mack covers follow Miracleman #1 and Miracleman #2, by Neal Adams (available at Portland Comic Con and New Orleans Comic Con, respectively) and Wolverine #1, by Greg Horn (available at Sacramento Comic Con).
Fans looking forward to Marvel’s relaunched Wolverine & the X-Men by Jason Latour and Mahmud Asrar may do well to follow Mutatis Mutandis, a blog for the Jean Grey School for Higher Learning that launched Saturday with a farewell message from outgoing writer Jason Aaron.
“Believe me, it wasn’t easy for me to step away from this book,” he wrote. “I’ve loved building that school and writing those characters, both the students and the teachers, as much as I’ve loved anything I’ve done in comics. But the school itself isn’t going anywhere. And I’ll still be writing a lot of those same characters over in Amazing. And I’ve got lots of other stuff coming up that demanded my time, like Thor and Southern Bastards and some new things I can’t tell you about just yet.”
Since then, the blog (which appears to be maintained by Latour) has showcased some terrific X-Men illustrations from the likes of Jake Wyatt (above and below), Chris Brunner and Rico Renzi, and Kris Anka, as well as some artifacts from the past. Latour teased on Twitter that the blog may be “a good place to look for WatXM things in the days to come.”
Wolverine & the X-Men #1, by Latour and Asrar, arrives in March.
In a novel use of Twitter, Marvel live-tweeted a class from the curriculum of the Jean Grey School for Higher Learning, straight from the pages of Wolverine & The X-Men. Taking part in the class were Headmistress Kitty Pryde, students Genesis, Kid Gladiator, Quentin Quire, Idie Okonkwo, Broo, Rockslide and Anole, and guest lecturer Deathlok.
Warning: Potential spoilers follow.
While much of the class consisted of banter from the students insulting each other and gossiping about campus events, there were a few pieces of information gleaned from the guest lecture in “Future History 101.” After the lecture officially began, Quentin Quire and Rockslide engaged in a debate as to what was different about Headmistress Pryde.
Let’s not mince words, the online presence of Tom Brevoort has provided hours of great reading for Robot 6 readers. Given his constant and unflagging willingness to interact with consumers via social media, Brevoort is a quote machine (His Twitter bio? “A man constantly on the verge of saying something stupid–for your entertainment!?”). There’s always a directness (some would say bluntness) to his manner online–making him the ideal subject for an interview. Last year saw Marvel promote Brevoort to senior vice president for publishing. 2011 was a year of some major successes for Marvel, as well as a year where some hard business decisions were made. In this interview, conducted in mid-December via email, I tried to cover a great deal of ground (we even briefly discuss DC’s New 52 success)–and Brevoort did not hold back on any of his answers. For that, I am extremely grateful. Like any high profile comics executive, Brevoort has his fans and his critics (and many in between), but I like to think this exchange offers some perspectives everyone can enjoy.
Tim O’Shea: Whether it’s in your job description or not, fan outreach via social media is definitely part of your job–clearly by your own choice. What benefit or enjoyment do you get from interacting with the fans/consumers?
Tom Brevoort: I’m not sure that I get a particular benefit, except maybe just being the center of attention for a few minutes—maybe everything I do is motivated by ego! I’m a whore for the spotlight! But I started doing this kind of outreach back in the formative days of internet fandom, largely because I like the idea of internet fandom. I know that, if the internet had existed when I was a young comic book reader, I’d have been on those message boards and in those chat rooms all the time, obsessively—just like a certain portion of the audience today. So I like the idea of giving back, of being accessible enough that anybody who has a question or a concern knows where to find me, or at least to find somebody with an insider’s track who might have the background and knowledge to speak to their point. In a very real way, it’s all an outgrowth of what Stan Lee did in his letters pages and Bullpen pages. Joe Q, I think, was really the first person to perfect that approach for the internet age. As EIC he was incredibly available to the audience in a myriad of ways. It’s a philosophy that’s very much woven into our DNA at Marvel. And for the most part, our fans are interesting, vibrant, cool people, especially when you meet them in person.