Wolverine

Comics A.M. | 30 years of Diamond; Angoulême memories

Diamond Comic Distributors

Publishing | John Jackson Miller profiles Diamond Comic Distributors to mark its 30th anniversary, offering a timeline of major events in the company’s history. [Comichron]

Conventions | Usagi Yojimbo creator Stan Sakai and AdHouse Publisher Chris Pitzer both report on their experiences at the Angoulême International Comics Festival. [Angoulême]

Retailing | Dark Horse Publisher Mike Richardson will give the keynote address at this week’s ComicsPRO Annual Membership Meeting. [NewsOK]

Retailing | Hypno Comics will open Saturday in Ventura, California. [Ventura County Star]

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Comics A.M. | De Guzman leaves SLG, Powell joins Diamond

Jennifer de Guzman

Publishing | Jennifer de Guzman announced that, after 10 years, she has left her position as editor-in-chief of SLG Publishing: “My decade SLG was, I suspect, like no other decade anyone has spent working anywhere. I had great co-workers and got to work with fantastic creators, all of whom I will miss very much. (Though because this is comics and a community like no other, we will always stay in contact.)” [Possible Impossibilities]

Retailing | Chris Powell, current general manager and chief relationship officer for Texas-based comic chain Lone Star Comics, has accepted the newly created position of executive director of business development for Diamond Comic Distributors. The Comic Book Legal Defense Fund board member will start his new position in March. [ICv2]

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What Are You Reading? with Geoffrey Golden and Amanda Meadows

BLAMMO #6

Season’s Greetings and welcome to another edition of What Are You Reading?, our weekly look at what we’ve been reading lately. Today our special guests are Geoffrey Golden and Amanda Meadows, editors of Devastator: The Quarterly Comedy Magazine for Humans. Their latest issue has a video game theme, with contributions from James Kochalka, Corey Lewis, Danny Hellman and many more. And if you head over to their website between now through Dec. 16, the code ROBOT6 gets you 20 percent off single issues.

To see what Amanda, Geoffrey and the Robot 6 crew have been reading lately, click below.

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What Are You Reading? with Andy Burns

Hello and welcome to What Are You Reading? Our special guest today is Andy Burns, editor-in-chief of the pop culture site Biff Bam Pop!, which is doing a holiday gift guide with giveaways through Dec. 24. You can follow them on Twitter for more information.

To see what Andy and the Robot 6 crew have been reading, click below …

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Food or Comics? | Post-Thanksgiving hangover edition

Angel & Faith

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Graeme McMillan

I have to say, this is an amazingly slow week for me in terms of new releases. If I had $15, I’d pick up the fourth issue of Dark Horse’s Angel & Faith series ($3.50), which has surprised me by turning out to be my favorite by far of the new Buffy series (due, in large part, to Rebekah Isaacs’ artwork, which is superb). I’d also grab the third issue of IDW’s Star Trek monthly ($3.99), in the hope that it’ll be as good as the first two issues; hardcore Trek fans, you should really be looking at this book, if you’re not already. Also on the list to grab: Thunderbolts #166 (Marvel, $2.99), continuing a great storyline from what might be one of the most underrated books from either of the big two publishers. One of the few nice things about Marvel’s recent Cancelpocalypse was seeing so many people speak up about how much they love Thunderbolts, and I’m right there with them; Jeff Parker’s done great things with this book.

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Food or Comics? | Point One, Silver Star, Tezuka and more

Point One

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Arrant

If I had $15, I’d first get the third issue of my favorite New 52 title, Batwoman #3 (DC, $2.99). Seriously, J.H. Williams III is hitting a home run on every outing here when it comes to my tastes. Although the writing isn’t up to the level of Greg Rucka’s time on the book, it’s close and only bound to get better. Next up I’d get Point One #1 (Marvel, $5.99). I think this format–an extra-size preview book for what’s coming next–is an interesting experiment, and I’m intrigued most by the Nova story, but also interested to see what the others do. Third would be Uncanny X-Force #17 (Marvel, $3.99), to get the one-two punch of Rick Remender and Jerome Opena. Iceman as a bad guy? I dig this.

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Comics A.M. | Ex-Marvel staffer says layoff protest misguided

Marvel

Publishing | Damien Lucchese, a production artist laid off last week by Marvel, explains why fans should not boycott the publisher over the layoffs: “What I’m trying to say is that I don’t want everyone to just see the MARVEL logo and think of a huge, top-heavy company, full of money hungry suits that make poor decisions (in some peoples’ opinions). That’s not what MARVEL is and there are still people working very hard (even harder now), day after day to put out comics for people to enjoy.” [Blog@Newsarama]

Digital piracy | Jim Mroczkowski posts his third interview with a digital pirate; as in the first two episodes, what comes through is that social pressures and one-upmanship have a lot to do with it. Also, piracy is expensive for the pirates, who usually buy the comics they scan—and often don’t even read them. [iFanboy]

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Food or Comics? | Rub-A-Dub-Dub, Batman in a tub

Batman #2

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Michael May

If I had $15, I’d mostly grab the second issues of some DC stuff I enjoyed last month: Batman ($2.99), Birds of Prey ($2.99), and especially Wonder Woman ($2.99). No Justice League for me though. Unlike Action Comics, I didn’t enjoy the first issue enough that I can rationalize paying $4 for it. Instead, I’ll grab Avengers 1959 #2 ($2.99) and Red 5′s Bonnie Lass #2 ($2.95), both of which had strong first issues.

If I had $30, I’d have to put back Bonnie Lass and wait for the collection in order to afford Jonathan Case’s atomic-sea-monster-love-story Dear Creature ($15.99).

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NYCC | A round-up of Saturday news

Avengers Assemble

Saturday at the New York Comic Con brought news for the Avengers, Superman, Legendary Comics and … Disney’s Prep & Landing? Here’s a round-up of announcements from the show today.

• With a big, blockbuster Avengers movie scheduled for next May, Marvel announced a new ongoing series, Avengers Assemble, by writer Brian Michael Bendis and artist Mark Bagley. The book will launch next March and will feature most of the Avengers featured in the movie — Iron Man, Captain America, Black Widow, Hawkeye and the Hulk. The first arc will feature the villainous group the Zodiac.

• Speaking of that big, blockbuster Avengers movie, fans were treated to new footage from it featuring Bruce Banner and the Black Widow. Tom Hiddleston spoke to CBR about his work on the film.

• Marvel also announced that writer Rick Remender and artist Gabriel Hardman will take over Secret Avengers with issue #21.1, adding new members and pitting them against a new Masters of Evil.

At the Cup O’ Joe panel today, Marvel also announced a Disney/Marvel crossover — Prep & Landing: Mansion: Impossible. It features the elves from the Disney television special who prepare homes for the arrival of Santa Claus every Christmas eve — only this time they’re trying to break into Avengers Mansion to get it ready for Santa. Written by director Kevin Deters and drawn by story artist Joe Mateo, the story will run in the back of the Marvel Adventures books as well as Avengers #19 in November.

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Quote of the day | Jason Latour on superheroes as ‘product logos’

“I can tell you for a matter of fact that when I draw work-for-hire stuff, I get into the idea that I’m drawing Wolverine, the guy from the stories I love. I’m continuing his tale. I don’t think that I’m drawing the dude on the underwear. I legitimately love Wolverine as a character. [...] I heard Ed Brubaker say that he treats all of his stuff like it’s creator owned stuff. That’s the only way I can do it. I feel like I’m wasting my life otherwise. Listen, I have seen Wolverine juice boxes. I know that ridiculous thing exists. But the fact that it does, in some way, makes me feel like I’m getting away with something. Like knowing the depraved person I am and that I put all of my energy into drawing this Wolverine story, and then I turn around and see some kid with a Wolverine toy, and that seems subversive to me. I slipped some possibly bad, possibly raunchy art, into that kid’s life. You just get caught up in it while you’re working on it. If you care, it’s really hard to think of it as underwear. And sure, it’s overwhelming and sickening to walk into a Walmart and see nothing but Spider-Man bed sheets. Sometimes, under the right light, that’s kinda cool, though.”

– writer/artist Jason Latour, talking at length with Michel Fiffe about, among other things, working on characters that are licensed to sell toys, underwear and, yes, juice boxes

Your Wednesday Sequence 27 | Frank Miller

Wolverine #3 (1982), page 9.  Frank Miller.

For all that Frank Miller deserves as much credit as any other American cartoonist for bringing Japanese comics to these shores, the intersections between his own comics and manga are somewhat surprisingly limited.  It’s obvious from a flip through a vintage Miller comic that he’s fascinated by the work of Goseki (Lone Wolf and Cub) Kojima and Katsuhiro (Akira) Otomo — but beyond that powerful one-two punch, and maybe a bit of Golgo 13‘s Takao Saito, the chain of Japanese influence on Miller’s prime-period work is either subtle or nonexistent.  Which doesn’t have to be any kind of problem; after all, the Miller of the early-mid 1980s was conducting a balancing act with the cartooning mannerisms of three continents, unifying the systems of visual codes used by comics from America, Europe, and Japan into a single style before anyone else even thought to do it.  But it’s nice to see Miller go for a more purely Japanese moment on this page, one that calls back a lot further into that artistic tradition than his usual action manga debt-paying goes.

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Food or Comics? | Brilliant, holy, super habibi

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Brilliant

Graeme McMillan

It is, thankfully, the last week of September which means that, if I had $15, I only have one more week of new launches from DC to pick out potential favorites, Sophie’s Choice-style. This week: Aquaman #1, Flash #1, Fury of Firestorm, The Nuclear Men #1, Justice League Dark #1 and Superman #1 make the cut (All DC, all $2.99 each).

If I had the chance to add some more money to take that total to $30, I’d go for some Marvel books: Brian Michael Bendis gets well-represented with Ultimate Comics Spider-Man #2 ($3.99); New Avengers #16.1 ($2.99), his “new readers jump on” issue with art by Neal Adams; and Brilliant #1 ($3.99), his new creator-owned book with Mark Bagley. Here’s hoping I’m in a suitably Bendis-y mood when I read all of these ones.

Splurgewise, it has to be Habibi (Pantheon, $35), Craig Thompson’s new graphic novel. I know a few people who’ve had a chance to read it already, and everyone has made it sound like a large leap ahead from Blankets, and something almost worth the many-year wait it’s been since his breakthrough last book. I’m really looking forward to this one.

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The Fifth Color | X-Men history doesn’t repeat itself, it rhymes

Wolverine Punching Gif

X-Men: Schism - it's kind of like this

The sad truth is that comics aren’t real. While mankind may have actual mutations (and some of them are super cool), none of them really warrants a special school or a uniform. Fighting for acceptance and tolerance thankfully doesn’t come by fighting giant robots designed to kill you. And, I hate to say it, but declaring yourself a sovereign nation off the coast of San Fransisco takes more than just an OK from the mayor’s office. So there is no way for the X-Men to be real, and therefore we can’t hold them to a truly “realistic” point of view.

At the same time, however, we do need to be able to relate to these guys, and that’s something the X-Men do nicely with a theme of social justice, teenage angst and the ever-vigilant battle of acceptance. Recently, these basic concepts have been taken in much more broad of a sense than, say, when they first started. Characters have grown up, loved and lost, tried to sustain families, and had their numbers physically shrink and dwindle. And then Apocalypse drove a giant floating sphinx over their house. In ever-escalating stories, the base concept of the X-Men was devoured for bigger and more dramatic concepts. In today’s comic market, it’s hard to keep our interests, and some days you have to try something new on top of something else new to keep things fresh and exciting.

Then again, going back to basics doesn’t hurt either, and X-Men: Schism seems to be on its way into familiar territory. A clear example of how the world hates and fears mutants, Sentinel proliferation as a nice metaphor for our own nuclear-weapons issues, old villains returning with new faces and a clear motivation that is nothing but evil — this is starting to feel like the comics I used to read, just revved up with a new engine and a new coat of paint. Hope and her crew are a great way to keep close to heart the “youth against the world” sentiment of the X-Men as they fight for the future.

Everything seems to be right on track … so why is Wolverine out of his canucklehead mind?!

(WARNING: Spoilers ahead for X-Men: Schism #4, so grab your copy and read along!)
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Captain America #1 goes Canadian for Fan Expo Canada

Captain America #1 FanExpo variant

Marvel is heading north to Fan Expo Canada Aug. 25-28, and they’re bringing an exclusive Dale Eaglesham-drawn variant cover for Captain America #1. Cap, however, is nowhere to be seen; instead Wolverine and Alpha Flight sport Cap-like shields for the hometown crowd. The “variant” shields worn by Puck and Guardian are really nice touches.

Food or Comics? | Vengeance, Flight, crossovers and more

Vengeance #1

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item. We’re coming a little late today due to a power outage in my neck of the woods — due to a blackout, not because I spent the money for the electric bill on Flashpoint or Fear Itself tie-ins.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Arrant

If I had $15, my first pick off the shelf would be Vengeance #1 (Marvel, $3.99); I love Joe Casey, and especially when he’s given a long leash and room to play in a big universe. Seeing Nick Dragotta drawing this is an added bonus. Next up would be comics’ dueling summer blockbusters, Flashpoint #3 (DC, $3.99) and Fear Itself #4 (Marvel, $3.99). After that, I’d get the excellent Flashpoint: Batman, Knight of Vengeance #2 (DC, $2.99); when Azzarello is on the ball he’s great to read, and this seems to be that.

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