Wolverine Archives - Page 2 of 8 - Robot 6 @ Comic Book Resources
We’ve seen comic-book superheroes take the movie world by storm, but Italian art teacher Zach Roper has taken the trend one step further by creating some inspired mash-ups mixing Marvel heroes with recent cult hits.
“After seeing the recent Wolverine movie and being (once again) disappointed at another halfhearted adaptation, I got to thinking about which directors would be perfect for my favorite comic book characters,” Roper tells ROBOT 6. “I’ve begun working on some sketches of how these characters might appear in each of the films, and here they are!”
Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]
Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]
The sum-e art used for the The Wolverine movie posters was something striking and evocative of the Japanese locale that director James Mangold and star Hugh Jackman were going for, but a New York City street artist has done something surprisingly simple that kicks it up a notch.
As you can see in the photo above, street artist Poster Boy NYC has extended the reach of the clawed mutant by adding the character’s near trademark three slash marks to neighboring posters hung next to this one in a subway terminal. Great for Wolverine, not so great for Despicable Me 2 and those other advertisers.
Although he’s not attending Comic-Con International this year, Sean Murphy is keeping busy. The Brooklyn-based cartoonist, who’s illustrating the Vertigo series The Wake, has opened his doors to do a limited number of commissions. It’s rare for Murphy to accept private commissions, but he’s hoping to help fund the purchase of a house. Whatever the reason, these are a chance for fans to see Murphy draw something he seldom does in comics — superheroes.
While Murphy has work like Batman/Scarecrow: Year One and Teen Titans: Cold Case to his credit, he’s best known for non-superhero projects like Joe the Barbarian, American Vampire and Punk Rock Jesus. These commissions — four have been released so far — show Murphy doing Marvel and DC’s top heroes, from Batman to Wolverine to the Punisher. Oh, and also … Tom Waits.
Although Red Robin’s television spots for its Wolverine-themed burgers have been getting a lot of play, the winner of the award for best tie-in has to go to the ESPYs and Minnesota Vikings running back Adrian Peterson.
In the commercial for ESPN’s Excellence in Sports Performance Yearly Award, the enthusiastic nominee reads a copy of Chris Claremont and Frank Miller’s Wolverine #1 as his teammate Matt Kalil explains, “You can shoot him, stab him, set him on fire — Wolverine takes a beating and keeps coming back.” Naturally, that leaves an opening for Peterson to bring up his nomination for best comeback … and to don a football helmet, festooned with the mutant’s trademark hair and sideburns. There’s also a funny cameo by The Wolverine star Hugh Jackman.
The ESPYs ceremony airs Thursday at 9 p.m. ET/PT on ESPN. The Wolverine premieres July 26.
Shout! Factory has debuted the trailer for Marvel Knights Animation’s Wolverine: Origin, the motion-comic adaptation of the 2001-2002 limited series that, as the title suggests, revealed the early years of the ubiquitous Marvel mutant. It was written by Paul Jenkins from a story by Jenkins, Joe Quesada and Bill Jemas, and illustrated by Andy Kubert and Richard Isanove.
Wolverine: Origin is the ninth title produced by Shout! Factory since 2009, joining the likes of Inhumans, Spider-Woman: Agent of S.W.O.R.D., Iron Man: Extremis, Black Panther and, most recently, Astonishing X-Men: Unstoppable. It will be available on DVD beginning July 9 for $14.97.
The timing of the release couldn’t be better, considering that director James Mangold’s The Wolverine premieres July 26.
As we’re on an unintentional licensing and merchandising spree, it seems only fitting to cap off the day with perhaps one of the stranger, but certainly most delicious, tie-ins: Red Robin’s Wolverine-themed hamburgers.
Not that Red Robin, although that would be wonderfully bizarre. No, this is the Colorado-based restaurant chain whose name is usually followed by “Yummmmm!“ (seriously, you can’t think “Red Robin” without hearing that in your head). The company has partnered with 20th Century Fox’s The Wolverine to create two gourmet burgers inspired by the film.
We’ve featured Brooklyn-based illustrator PJ McQuade before because of his frequently comics-friendly work. His latest piece, created for the MF Gallery’s 10th anniversary exhibition, is something of a show-stopper: a mash-up that seems to have struck McQuade purely because of the awesomeness of the sideburns on both Quint in Steven Spielberg’s Jaws and Wolverine. Thinking about it, it was inevitable, really. The original painting is already sold, but you can buy a print of this from McQuade’s Etsy storefront.
My favorite part of the design is the tribute to that much-missed (by some of us nostalgic old farts, anyway) feature of old Marvel comics, the corner box. This lovingly rendered image of the late great Robert Shaw is also available from McQuade’s Etsy shop, if you’d like the disembodied head of a salty old sea dog semi-permanently staring you out from the cover of your laptop/dash of your speedboat/whatever. I know I do. And now I’ve got a mysterious longing for sushi, too.
While I’m not a big fan of the ubiquitous Wolverine, I am a follower of Jock, whose artwork on titles ranging from Hellblazer and The Losers to Green Arrow: Year One and Detective Comics has brought me great joy over the years (even when the story disappointed; I’m looking at you, Faker). So when it was announced last week that Jock will be tackling Marvel’s Savage Wolverine as artist and writer beginning in September, I knew immediately that I would be ignoring my reservations about the character and buying the three-issue arc.
As if my appetite needed further whetting, this afternoon Jock revealed on Instagram what I think is the first look at his story — in the form of a page layout. Now I really, really hope that when Marvel collects the arc, which apparently finds Logan in the far-flung future, the publisher includes the artist’s roughs as bonus material.
Just like “the Eiffel Tower in Paris and the Statue of Liberty in New York City,” the Wolverine statue “would be a major boon for tourism in the city,” writes Brian LaBelle in his petition on Change.org. “It is also important because it is what is commonly referred to as a ‘catalyst project,’ meaning it will spur greater growth on the downtown of Alberta’s capital city and create numerous spin-off projects in much the same way that the X-Men comic book spun off dozens of other successful books.”
The petition couldn’t come at a better time, as there’s already a project happening to revitalize the downtown area of Edmonton — and build a new arena for the NHL’s Edmonton Oilers. A commenter suggests that perhaps the petition is a parody and “provides a clear example of how poorly conceived the current Arena deal with [Oilers owner Daryl] Katz is.” I can only hope that isn’t the case, as I’ve never been to Edmonton myself, but a statue of Wolverine would certainly be enough to get me to renew my passport and head north.
Marvel history is filled with grudges, the kind that aren’t settled with harsh words and tough love over warm tea. Nope, they’re settled with fists — or sometimes claws, hammers or psychic blasts. WeLoveFine celebrates three of these ongoing rivalries with some new shirts featuring playbills for the brawl-to-end-all: Professor X vs. Magneto, Thor vs. Loki and Wolverine vs. Sabretooth.
I have it on good authority that they’re hoping to do more of them, so who would you like to see next? Spider-Man vs. Doctor Octopus? Captain America vs. The Red Skull? Howard the Duck vs. Dr. Bong? Share your ideas in the comments section.
Maybe it’s because I’ve been playing Bioshock: Infinite lately, but the choice we make now can lead to infinite worlds of harder choices in the blink of an eye. There’s a philosophical weight to certain scientific theories that takes the dryness of numbers and calculations and puts them into context for who we are as human beings. One of science fiction’s many functions is to play around with that: Robots can be used as puppets to play out our feelings about our own humanity, the aftermath of post-apocalyptic nightmares can show us how societies work at the broken point, and then there’s time travel.
Oh, man, time travel is a huge trope for the deep thinkers! The infamous “go back in time in kill Hitler” question is still debated in classrooms to this day and bandied about online forums. It’s huge temptation to think that, by changing a single thing about our past, we could create a brighter future, whether that’s saving 11 million people or simply knowing where we put our keys in the morning. It’s something we can comfortably wonder about because no one on Earth is capable of actually traveling through time to change anything.
Comics, on the other hand, can and often do. There are time-travel powers, devices, plot elements … it’s a fun topic to explore, and so our heroes jump into the time stream with little time for debate or even a basic plan. This creates the action and adventure we came to read and allows the creative team to test out a variety of scenarios for our entertainment and enlightenment. We debate, but fiction can act.
Does this make comics smarter than us for acting on these ideas or are comics more frustrating for tossing caution to the wind when any of us would pause to understand if we were doing the right thing? This is why Age of Ultron bothers me so much.
WARNING: Big reveal from last week’s Age of Ultron #6, so grab your copies and read along!
Hello and welcome to What Are You Reading? It’s an abbreviated edition this week — maybe everyone’s doing their taxes, like I am today — so let’s just get to it …
Writer Paul Cornell and artists Alan Davis, Mark Farmer and Matt Hollingsworth waste no time dropping Wolverine into the thick of it in the latest first issue for Marvel’s merry claw-popping mutant. All is not as it seems when a father shopping for sneakers for his kid goes on a lethal rampage at the mall with a strange gun, leaving us with a naked Wolverine waiting for his healing factor to kick in … and that’s where we start the book.
Carla talked about Wolverine at length on Friday, and here are a few reviews from around the web to help you decide if the latest take on the character is worth your money — or if you should save it for a new pair of sneakers:
YouTube link-clicking has replaced channel-surfing in my house these days, so I happened upon this fantastic video from science guy Vsauce called “Is Your Red the Same As My Red?” It’s about color comparison, qualia, the explanatory gap and the theory of mind, and it’s a fantastic watch at around 10 minutes. So check it out when you’re in a Mr. Wizardy or Bill Nye-ish sort of mood and learn why painting a room with a spouse can become quite a challenge when no one can really explain what an off-white means to them.
This, of course, got me thinking about comics. Despite the basic “refracted light” of basic character bios, I’m pretty sure not every fan sees the same characters on the page. Our own influences, when we started reading, what popular culture was thinking at the time, there are so many exterior conditions that can bring a hero or villain to popularity or disuse that I can’t imagine what it’s like for the House of Ideas to try to single out a “new hit” to promote. Take Rogue, for example: At heart, she’s a scrappy Southern gal who can’t touch anyone for fear of draining their life force. Pretty basic, but when colored by the reader’s perception, this could be a metaphor for trauma survivors, an example of teenage physical anxieties, just a dangerous “bad girl” who tantalizes you by being actually physically dangerous, or a number of things. All of these reasons can catch the imaginations of fans and keep them reading, each for their own purposes.