Wolverine

Food or Comics? | Rub-A-Dub-Dub, Batman in a tub

Batman #2

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Michael May

If I had $15, I’d mostly grab the second issues of some DC stuff I enjoyed last month: Batman ($2.99), Birds of Prey ($2.99), and especially Wonder Woman ($2.99). No Justice League for me though. Unlike Action Comics, I didn’t enjoy the first issue enough that I can rationalize paying $4 for it. Instead, I’ll grab Avengers 1959 #2 ($2.99) and Red 5′s Bonnie Lass #2 ($2.95), both of which had strong first issues.

If I had $30, I’d have to put back Bonnie Lass and wait for the collection in order to afford Jonathan Case’s atomic-sea-monster-love-story Dear Creature ($15.99).

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NYCC | A round-up of Saturday news

Avengers Assemble

Saturday at the New York Comic Con brought news for the Avengers, Superman, Legendary Comics and … Disney’s Prep & Landing? Here’s a round-up of announcements from the show today.

• With a big, blockbuster Avengers movie scheduled for next May, Marvel announced a new ongoing series, Avengers Assemble, by writer Brian Michael Bendis and artist Mark Bagley. The book will launch next March and will feature most of the Avengers featured in the movie — Iron Man, Captain America, Black Widow, Hawkeye and the Hulk. The first arc will feature the villainous group the Zodiac.

• Speaking of that big, blockbuster Avengers movie, fans were treated to new footage from it featuring Bruce Banner and the Black Widow. Tom Hiddleston spoke to CBR about his work on the film.

• Marvel also announced that writer Rick Remender and artist Gabriel Hardman will take over Secret Avengers with issue #21.1, adding new members and pitting them against a new Masters of Evil.

At the Cup O’ Joe panel today, Marvel also announced a Disney/Marvel crossover — Prep & Landing: Mansion: Impossible. It features the elves from the Disney television special who prepare homes for the arrival of Santa Claus every Christmas eve — only this time they’re trying to break into Avengers Mansion to get it ready for Santa. Written by director Kevin Deters and drawn by story artist Joe Mateo, the story will run in the back of the Marvel Adventures books as well as Avengers #19 in November.

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Quote of the day | Jason Latour on superheroes as ‘product logos’

“I can tell you for a matter of fact that when I draw work-for-hire stuff, I get into the idea that I’m drawing Wolverine, the guy from the stories I love. I’m continuing his tale. I don’t think that I’m drawing the dude on the underwear. I legitimately love Wolverine as a character. [...] I heard Ed Brubaker say that he treats all of his stuff like it’s creator owned stuff. That’s the only way I can do it. I feel like I’m wasting my life otherwise. Listen, I have seen Wolverine juice boxes. I know that ridiculous thing exists. But the fact that it does, in some way, makes me feel like I’m getting away with something. Like knowing the depraved person I am and that I put all of my energy into drawing this Wolverine story, and then I turn around and see some kid with a Wolverine toy, and that seems subversive to me. I slipped some possibly bad, possibly raunchy art, into that kid’s life. You just get caught up in it while you’re working on it. If you care, it’s really hard to think of it as underwear. And sure, it’s overwhelming and sickening to walk into a Walmart and see nothing but Spider-Man bed sheets. Sometimes, under the right light, that’s kinda cool, though.”

– writer/artist Jason Latour, talking at length with Michel Fiffe about, among other things, working on characters that are licensed to sell toys, underwear and, yes, juice boxes

Your Wednesday Sequence 27 | Frank Miller

Wolverine #3 (1982), page 9.  Frank Miller.

For all that Frank Miller deserves as much credit as any other American cartoonist for bringing Japanese comics to these shores, the intersections between his own comics and manga are somewhat surprisingly limited.  It’s obvious from a flip through a vintage Miller comic that he’s fascinated by the work of Goseki (Lone Wolf and Cub) Kojima and Katsuhiro (Akira) Otomo — but beyond that powerful one-two punch, and maybe a bit of Golgo 13‘s Takao Saito, the chain of Japanese influence on Miller’s prime-period work is either subtle or nonexistent.  Which doesn’t have to be any kind of problem; after all, the Miller of the early-mid 1980s was conducting a balancing act with the cartooning mannerisms of three continents, unifying the systems of visual codes used by comics from America, Europe, and Japan into a single style before anyone else even thought to do it.  But it’s nice to see Miller go for a more purely Japanese moment on this page, one that calls back a lot further into that artistic tradition than his usual action manga debt-paying goes.

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Food or Comics? | Brilliant, holy, super habibi

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Brilliant

Graeme McMillan

It is, thankfully, the last week of September which means that, if I had $15, I only have one more week of new launches from DC to pick out potential favorites, Sophie’s Choice-style. This week: Aquaman #1, Flash #1, Fury of Firestorm, The Nuclear Men #1, Justice League Dark #1 and Superman #1 make the cut (All DC, all $2.99 each).

If I had the chance to add some more money to take that total to $30, I’d go for some Marvel books: Brian Michael Bendis gets well-represented with Ultimate Comics Spider-Man #2 ($3.99); New Avengers #16.1 ($2.99), his “new readers jump on” issue with art by Neal Adams; and Brilliant #1 ($3.99), his new creator-owned book with Mark Bagley. Here’s hoping I’m in a suitably Bendis-y mood when I read all of these ones.

Splurgewise, it has to be Habibi (Pantheon, $35), Craig Thompson’s new graphic novel. I know a few people who’ve had a chance to read it already, and everyone has made it sound like a large leap ahead from Blankets, and something almost worth the many-year wait it’s been since his breakthrough last book. I’m really looking forward to this one.

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The Fifth Color | X-Men history doesn’t repeat itself, it rhymes

Wolverine Punching Gif

X-Men: Schism - it's kind of like this

The sad truth is that comics aren’t real. While mankind may have actual mutations (and some of them are super cool), none of them really warrants a special school or a uniform. Fighting for acceptance and tolerance thankfully doesn’t come by fighting giant robots designed to kill you. And, I hate to say it, but declaring yourself a sovereign nation off the coast of San Fransisco takes more than just an OK from the mayor’s office. So there is no way for the X-Men to be real, and therefore we can’t hold them to a truly “realistic” point of view.

At the same time, however, we do need to be able to relate to these guys, and that’s something the X-Men do nicely with a theme of social justice, teenage angst and the ever-vigilant battle of acceptance. Recently, these basic concepts have been taken in much more broad of a sense than, say, when they first started. Characters have grown up, loved and lost, tried to sustain families, and had their numbers physically shrink and dwindle. And then Apocalypse drove a giant floating sphinx over their house. In ever-escalating stories, the base concept of the X-Men was devoured for bigger and more dramatic concepts. In today’s comic market, it’s hard to keep our interests, and some days you have to try something new on top of something else new to keep things fresh and exciting.

Then again, going back to basics doesn’t hurt either, and X-Men: Schism seems to be on its way into familiar territory. A clear example of how the world hates and fears mutants, Sentinel proliferation as a nice metaphor for our own nuclear-weapons issues, old villains returning with new faces and a clear motivation that is nothing but evil — this is starting to feel like the comics I used to read, just revved up with a new engine and a new coat of paint. Hope and her crew are a great way to keep close to heart the “youth against the world” sentiment of the X-Men as they fight for the future.

Everything seems to be right on track … so why is Wolverine out of his canucklehead mind?!

(WARNING: Spoilers ahead for X-Men: Schism #4, so grab your copy and read along!)
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Captain America #1 goes Canadian for Fan Expo Canada

Captain America #1 FanExpo variant

Marvel is heading north to Fan Expo Canada Aug. 25-28, and they’re bringing an exclusive Dale Eaglesham-drawn variant cover for Captain America #1. Cap, however, is nowhere to be seen; instead Wolverine and Alpha Flight sport Cap-like shields for the hometown crowd. The “variant” shields worn by Puck and Guardian are really nice touches.

Food or Comics? | Vengeance, Flight, crossovers and more

Vengeance #1

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item. We’re coming a little late today due to a power outage in my neck of the woods — due to a blackout, not because I spent the money for the electric bill on Flashpoint or Fear Itself tie-ins.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Arrant

If I had $15, my first pick off the shelf would be Vengeance #1 (Marvel, $3.99); I love Joe Casey, and especially when he’s given a long leash and room to play in a big universe. Seeing Nick Dragotta drawing this is an added bonus. Next up would be comics’ dueling summer blockbusters, Flashpoint #3 (DC, $3.99) and Fear Itself #4 (Marvel, $3.99). After that, I’d get the excellent Flashpoint: Batman, Knight of Vengeance #2 (DC, $2.99); when Azzarello is on the ball he’s great to read, and this seems to be that.

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Comic Couture | Th-Th-Th-Th-Th-That’s all, bub

He’s the best there is at what he does, and what he does is look cute and cuddly.

Artist Rocco Rabar provides Threadless with this fun old-timey animated Wolverine T-shirt. Logan would look right at home in an old Merry Melodies or early Disney cartoon … sans claws, of course.

Talking Comics with Tim | Jimmy Palmiotti

Trailblazer

Anytime I get to talk to Jimmy Palmiotti, we never lack for projects to discuss. I can’t prove it, but I am willing to bet Palmiotti came up with at least two new story ideas while in the midst of this email interview. This Wednesday, July 6, marks the release of Trailblazer, a 48-page full-color western science fiction comic book ($5.99 [Image]) that he co-wrote with Justin Gray and art by Jim Daly. As detailed in this recent CBR release coverage, Trailblazer is “about a hired killer who turns in evidence against an employer for the murder of the woman who raised him. The government must then shield their star informant by enacting Operation Trailblazer, a witness protection program that uses not only location but time travel as well in order to keep their charges safe. As the assassin adjusts to his new life in the old west, he soon finds that no matter when or where he is the future is dead set in coming back to haunt him.” If you buy the book via Comixology, the original script is included as a bonus.

Before discussing this new Image release, we talked a bit about the impressive Jonah Hex 70-issue run (please note, for more scoop on Palmiotti and Gray’s plans for the new All-Star Western series be sure to read CBR’s Jeffrey Renaud’s recent interview with the creators)–not to jump the gun though, as issue 69 goes on sale this Wednesday (with art by Jeff Lemire). Also our discussion delves into the Palmiotti/Gray team reuniting with artist Joseph Michael Linsner on the Claws II (a sequel to Marvel’s Black Cat/Wolverine 2006 team-up) miniseries, which amazingly enough also goes on sale this Wednesday (check out the CBR preview of the first issue). Go into a comic book store this Wednesday, and bottom line, you will have your pick of Palmiotti product to buy. Palmiotti’s passion for comics and his equal commitment to meeting deadlines are two things I’ve always admired about him and that shine through in this interview. As you’ll read at the end of the interview, Palmiotti is curious to know what characters fans would like to see him work on, so please be sure to let him know in the comments section.

Tim O’Shea: You and Jonah Hex have a heck of a future together (with All-Star Western), no doubt. But I really want to talk about how amazing it was that you and Justin successfully told Jonah Hex for 70 issues. How proud are you of that accomplishment?

Jimmy Palmiotti: Very proud…and proud of the excellent work of so many amazing artists along the way. Justin and I would celebrate each and every year we were on Jonah , thinking at any minute it could be the last, but the great crew at D.C. comics always believed in us and believed in our choices and seventy issues is a huge milestone. They believed in us so much that with the new 52 books, they let us continue too do what we do best. In our minds, issue one of All Star Western is another chapter in the characters life and we haven’t missed a beat. The good news is that we are going to have a lot of fun with the other western characters in the D.C. universe.

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Shelf Porn Saturday

Hello and welcome to Shelf Porn Saturday, where fans share their collections with us. Today’s adamantium-laced submission come from Eric Jaskolka, who shares a Juggernaut-sized collection of X-Men toys and merchandise. Seriously, it’s gotta be seen to be believed.

If you’d like to see your collection here, it’s easy — just send a brief write-up on your collection and some pictures to jkparkin@yahoo.com.

And now here’s Eric …

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Graffiti artist turns Bulgarian war memorial into superhero monument

Vandalized monument to the Soviet Army in Sofia, Bulgaria

Far be it for us to condone graffiti, but if you were going to vandalize public property — say, a statue celebrating the Soviet Army and communist rule — this is the way you should do it: With gloriously nerdy style.

Courtesy of Gawker, the Daily Mail and other outlets comes word that police in Sofia, Bulgaria, are searching for the graffiti artist who over the weekend painted a monument erected to commemorate the 1944 “liberation” of Bulgaria, transforming Soviet soldiers into colorful comic-book and cartoon characters.

From right, that’s Wonder Woman, Robin, Captain America, Ronald McDonald, Superman, Santa Claus, Wolverine, The Joker and … I don’t know. I initially thought it was the Gorton’s Fisherman, but now I’m not so sure. (Any guesses?) On the base was painted the words “Moving with the times,” “In pace with the times” or “Abreast with the times,” depending on which  translation you prefer.

The monument has since been cleaned up, at a cost of about $720. Go here to see more shots of the monument, including the mysterious figure in yellow.

Super Mutant Brothers

It looks like Wolverine has gone down into the sewers one to many times.

Atlanta-based artist Casey Edwards has come up with a quartet of inventive prints mashing up Marvel’s X-Men with Nintendo’s flagship heroes, the Super Mario Brothers.  Wolverine/Mario, Cyclops/Luigi, Yoshi/Rogue and more are illustrated in this send-up of fodder for any kid growing up in the 80s and 90s. Check them out:

I never realized it until now, but Luigi and Cyclops truly are more alike than you think. But putting Yoshi as Rogue makes me question a lot of my thoughts as a teenager reading comics.

The Dark Knight vs. Wolverine in stylish Batman Deliverance

Batman Deliverance

French director Pierre Desgranges and Atomic Production have produced a Dark Knight Returns-inspired short film called Batman Deliverance that takes key elements of Frank Miller’s landmark comic — an aging Bruce Wayne, a Gotham plunged into chaos — and adds a bit of a twist. A hirsute, clawed twist.

The purists may not care for the addition of Wolverine to the story, but they’ll be hard pressed not to appreciate Desgranges’ beautifully shot, noirish film (don’t miss the Batcave!). Check out the video after the break.

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