Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
Legal | Daniel Curry, the actor who was seriously injured in August during a performance of the Broadway musical Spider-Man: Turn Off the Dark, has filed a lawsuit seeking unspecified damages, claiming the producers and other defendants knew a mechanical lift could be dangerous. Curry was hurt when an automated door pinned his leg; he suffered fractured legs and a fractured foot, and had to undergo surgeries and unspecified amputations. The producers have insisted the accident was caused by human error and not malfunctioning equipment. [The New York Times]
Events | Japan’s ambassador to France has expressed his country’s displeasure with a South Korean exhibit at the Angouleme International Comics Festival devoted to “comfort women” who were forced into sex slavery during World War II by the Japanese military. Ambassador Yoichi Suzuki said the exhibit, which attracted about 17,000 visitors, promotes “a mistaken point of view that further complicates relations between South Korea and Japan.” [GMA News, Yonhap News Agency]
“If you’d asked me several years ago, I likely would have spoken about some tipping point where you have too much and everything crashed. Part of that is that I grew up in a world where there was one X-MEN book, one AVENGERS book and, well, three SPIDER-MAN books (counting MARVEL TEAM-UP.) But today, I think that, while there is a tipping point potentially somewhere out there on the horizon, it’s nowhere near as close as we sometimes like to think (or fear.) What matters is the quality of the work. How many BATMAN books are there at this point, every month? How many WOLVERINE books? And still, those characters are more likely to sell better than, I don’t know, THE FLASH or STORM. The audience likes what it likes, and so long as what you produce is good, they will always be content to have more. It’s when the quality goes down that you have a problem — but you have that problem with there being only one book as well.”
— Tom Brevoort, Marvel’s senior vice president of publishing, responding to a question on his Formspring about how to address character “oversaturation,” if it’s even an issue that exists
A few months back Utah-based freelance designer and comics artist Jake Parker revealed a series of Marvel characters he drew–Captain America, Wolverine and Iron Man among them — for his followers to enjoy. At that time, he asked readers to suggest other characters to add to the series. The past week and this week he revealed Spider-Man and Hulk pieces he completed in response to feedback.
It is particularly interesting to see how Parker uses one dominant color to tie each piece together with the respective characters’ costumes.
Marvel and Wizard World have revealed Greg Horn’s exclusive variant cover for Wolverine #1, which will be given to VIP attendees at the inaugural Wizard World Sacramento Comic Con, held March 7-9 in Sacramento, California.
It’s part of a new variant cover program that launches Jan. 24 at Portland Comic Con with Neal Adams’ Miracleman #1. Under the agreement, a limited-edition cover will be available at each of the 16 Wizard World Comic Con events scheduled this year.
Limited to 3,000 copies, Horn’s Wolverine #1 will be provided free at registration to all VIP attendees at Sacramento Comic Con. Horn is scheduled to appear at the convention to sign copies.
“Greg Horn’s bombastic variant cover will hit Wizard attendees like a freight train made of pure adamantium, but it’s just a hint of what’s in store for Marvel readers,” David Gabriel, Marvel’s senior vice president of sales, said in a statement. “Brace yourself for one of the most anticipated, controversial and inevitable stories in the long, hard saga of Logan’s life.”
With the debuts of Winter Soldier: The Bitter March, Rick Remender and Roland Boschi, and the relaunched Wolverine, by Paul Cornell and Ryan Stegman, quickly approaching, Marvel has supplied ROBOT 6 with exclusive new looks at pages from both comics.
The preview begins with a color splash page from Wolverine #1, previously released in black and white, and concludes with an action-packed (and snowy) two-page spread from Winter Soldier: The Bitter March #1, which kicks off the five-issue miniseries set during the 1960s.
Both comics arrive in February. See the full pages and solicitation text below.
We’ve seen the Avengers, Spider-Man and his rogues, a cadre of villains and a quartet of superheroines, and now Marvel and Feld Entertainment have debuted the first look at the X-Men from the upcoming arena show tour Marvel Universe Live!
“Storm’s look has evolved in many directions,” costume designer Cynthia Nordstorm explained. “I mixed her flair with hints of Egyptian royalty. Pairing leather and boots really sets her up to ‘rock’ alongside her fellow X-Men.”
Launching in July, Marvel Universe Live! will bring Marvel’s most iconic heroes and villains to 85 cities across North America in the show’s first two years. The live-action production will integrate a character-driven storyline with state-of-the-art special effects, pyrotechnics, aerial stunts and martial arts for what producers say will “redefine the live show experience.”
Marvel is making the first chapter of Wolverine: Japan’s Most Wanted Infinite Comic available for free this month to anyone who redeems a digital comic code from select titles. The offer begins Friday.
The 13-part digital miniseries, by Jason Aaron, Jason Latour and Paco Diaz, was designed specifically for mobile devices, and finds Wolverine stranded in the far reaches of Japan, where he must fight his way through ninjas, the Silver Samurai and Sabretooth.
“It’s tied to what Jason’s done in that we directly spin out of Sabretooth’s vicious takeover of The Hand,” Latour explained to Comic Book Resources when the project was announced. “This has left the ninja ranks thin, and cleared away many of the leaders and statesmen that were the backbone of the clan. It’s left their hold on the modern world in dire straits as well. But where other folks might see lemons, Sabretooth sees this as an opportunity to drag the ninja into the 21st century kicking and screaming. So he enlists the help and technology of the new Silver Samurai to do just that. Of course, Logan’s disgrace is key to the success of those plans, and very quickly you’ll see Wolverine on the run, hunted by the country he loves. We’ve got a damn metric ton of Ninja stabbin’ action as Logan fights to clear his name and stop this deadly new Iron Hand before it starts.”
There just has to be a better way to do this every month. Not only is seeing previews for comics three months ahead of time a little tricky to keep up with and stay hyped for (kind of like finding out your Christmas presents on Halloween and remembering to act surprised on Dec. 25), but it’s also weird in a numbering sense. I know I’ve talked about this before, but Marvel’s Tom Brevoort has been handling some questions on how new NOW! is when there’s a bunch of No. 1 issues on the horizon. Some, like the new Wolverine #1 debuting in February, aren’t even new; the title will continue with its current writer and follow up on the current storyline. When you remember that comics are internally dated months ahead of the date they actually hit the stands, it’s amazing we ever know what is going on in comics.
But back to the numbering issue: Brevoort has talked about this on his Formspring-turned Tumblr account thusly:
In the spirit of Halloween and awesomeness, Tumblr user David J. Prokopetz commissioned some of the most intriguing crossover pieces to date: Wolverine as Disney Princesses.
Indeed, Prokopetz has already posted 14 different images of the best there is at what he does — and apparently, what he does is wear the crap out of a dress. While some of the drawings are clearly meant to evoke specific Disney Princesses, many are simply what Wolverine would look like were he designed from the top-down as a Disney princess. Perhaps the best one comes from Larbesta, who incorporates aspects of Wolverine’s costume and accentuates it with a pretty pink parasol.
Marvel, take note: these would be some of the best variant covers you could ask for during Halloween 2014. Seriously.
Be sure to check out the rest of Wolverine is the Best Disney Princess on Prokopetz’s blog.
Wolverine may be the most popular X-Men, but Professor Xavier has had just about enough of his nonsense.
In a video to promote his upcoming late-night show on TBS, comedian Pete Holmes dons a bald cap to give the hirsute mutant the pink slip. It turns about Wolverine may not be the best there is it what he does after all.
For the past decade, a number of innovative toy companies have created unique vinyl figures that artists decorate, illustrate and deform to create all sorts of characters. And now artist Ryan “Rocketboy” McClure has created a quartet of Marvel designs based on Kidrobot’s Micro Munny figures that will leave your pocketbook wanting.
In addition to the above blood-splattered Punisher, Rocketboy has also produced custom takes on Thor, Captain America and Wolverine. In the past he’s done other designs such as an Archangel and a great Hulk using a Marshall figure and more. If you want one, head to Rocketboy’s website or Facebook page and drop a line.
“When I work for DC, anything I create I get a piece of. Lucius Fox, for example, who was in the last trilogy of Batman movies played by Morgan Freeman, bought my new house. At Marvel, I did see a check off The Wolverine, the current film. But as a rule I don’t any of the ancillary money off of all of the toys and soaps and shampoos and skateboards and God knows what else that features the character.”
— veteran writer and editor Len Wein, who co-created the Batman supporting character Lucius Fox and the wildly popular Wolverine, talking about his compensation for film adaptations during a Television Critics Association panel for the upcoming PBS miniseries Superheroes: A Never-Ending Battle.
According to TheWrap, Wein said that although there have been six movies featuring Wolverine, “esoteric rules” mean that he was only compensated for the most recent one, because it was named for the character. The requirements are so strict that he didn’t receive a check for 2009’s X-Men Origins: Wolverine.
We’ve seen comic-book superheroes take the movie world by storm, but Italian art teacher Zach Roper has taken the trend one step further by creating some inspired mash-ups mixing Marvel heroes with recent cult hits.
“After seeing the recent Wolverine movie and being (once again) disappointed at another halfhearted adaptation, I got to thinking about which directors would be perfect for my favorite comic book characters,” Roper tells ROBOT 6. “I’ve begun working on some sketches of how these characters might appear in each of the films, and here they are!”
Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]
Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]
The sum-e art used for the The Wolverine movie posters was something striking and evocative of the Japanese locale that director James Mangold and star Hugh Jackman were going for, but a New York City street artist has done something surprisingly simple that kicks it up a notch.
As you can see in the photo above, street artist Poster Boy NYC has extended the reach of the clawed mutant by adding the character’s near trademark three slash marks to neighboring posters hung next to this one in a subway terminal. Great for Wolverine, not so great for Despicable Me 2 and those other advertisers.