Wolverine Archives - Page 3 of 9 - Robot 6 @ Comic Book Resources
Hello and welcome to What Are You Reading? It’s an abbreviated edition this week — maybe everyone’s doing their taxes, like I am today — so let’s just get to it …
Writer Paul Cornell and artists Alan Davis, Mark Farmer and Matt Hollingsworth waste no time dropping Wolverine into the thick of it in the latest first issue for Marvel’s merry claw-popping mutant. All is not as it seems when a father shopping for sneakers for his kid goes on a lethal rampage at the mall with a strange gun, leaving us with a naked Wolverine waiting for his healing factor to kick in … and that’s where we start the book.
Carla talked about Wolverine at length on Friday, and here are a few reviews from around the web to help you decide if the latest take on the character is worth your money — or if you should save it for a new pair of sneakers:
YouTube link-clicking has replaced channel-surfing in my house these days, so I happened upon this fantastic video from science guy Vsauce called “Is Your Red the Same As My Red?” It’s about color comparison, qualia, the explanatory gap and the theory of mind, and it’s a fantastic watch at around 10 minutes. So check it out when you’re in a Mr. Wizardy or Bill Nye-ish sort of mood and learn why painting a room with a spouse can become quite a challenge when no one can really explain what an off-white means to them.
This, of course, got me thinking about comics. Despite the basic “refracted light” of basic character bios, I’m pretty sure not every fan sees the same characters on the page. Our own influences, when we started reading, what popular culture was thinking at the time, there are so many exterior conditions that can bring a hero or villain to popularity or disuse that I can’t imagine what it’s like for the House of Ideas to try to single out a “new hit” to promote. Take Rogue, for example: At heart, she’s a scrappy Southern gal who can’t touch anyone for fear of draining their life force. Pretty basic, but when colored by the reader’s perception, this could be a metaphor for trauma survivors, an example of teenage physical anxieties, just a dangerous “bad girl” who tantalizes you by being actually physically dangerous, or a number of things. All of these reasons can catch the imaginations of fans and keep them reading, each for their own purposes.
Marvel has released a trailer for its mammoth Wolverine: The Adamantium Collection that’s amusing for its hyperbole and liberal use of “literally” as well as Lorraine Cink’s best “blue steel” poses. Although it falls short of the manic energy of a Billy Mays or Vince Offer infomercial, there are still some pretty good lines.
Of course, the 772-page $200 hardcover doesn’t really need a trailer — any die-hard Wolverine fan with the cash, arm strength and shelf space is already squirreling away the money for its June 5 release.
The tome collects Wolverine: Origin by Paul Jenkins and Adam Kubert, Wolverine: Weapon X by Barry Windsor Smith, Wolverine by Chris Claremont and Frank Miller, Wolverine: Not Dead Yet by Warren Ellis and Leinil Yu, Wolverine & The X-Men by Jason Aaron and Chris Bachalo, and single-issue stories by the likes of Dave Cockrum, Larry Hama, Jim Lee, Mark Millar and Kaare Andrews. Plus, there’s the cover by Billy Tan and the slipcase by Gabriele Dell’Otto.
Publishing | Dark Horse President Mike Richardson discusses how he became one of the first publishers of manga in the United States, explains how the company selects its titles, and suggests some manga for first-time readers. [Previews]
Digital comics | Retailer Ron Catapano points to the comiXology server crash triggered by the response to the free Marvel comics promotion as “the problem with digital content that fans keep complaining about”: “I can’t read the books I paid for because I can’t save them on my own computer and I’m limited in what I can save to my tablet by the small storage on tablets. Instead, the books I pay for are kept by comiXology and as long as I have a high speed internet connection available… I can log on and read my books on their web site or I can download a few to my tablet. BUT NOT TODAY … because someone decided it was a good idea to put 700 Marvel issue #1′s up for free at the same time.” [ICv2.com]
Booster Gold was introduced in 1986 as a glory-seeking time traveler eager to sign endorsement deals, and in his appearance on The CW’s Smallville wore a costume emblazoned with corporate logos, similar to a NASCAR racing suit. But what if other superheroes followed in Booster’s footsteps?
In his series “Sponsored Heroes,” Roberto Vergati Santos envisions costumed heroes from comics and films if they were getting some sweet, sweet sponsorship money from the likes of Nike, Apple and Coca-Cola (although why a cosmic entity like Galactus, the Devourer of Worlds, would need corporate cash is beyond me).
Some of the results a much better than others. You can see a sampling below, or view the entire series at Behance.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Below you’ll find a roundup for Marvel’s announcements from South by Southwest, our contributors’ picks of the comics of the week, and the top events to watch for in the next seven days.
Macedonian illustrator Marko Manev has designed minimalist superhero-themed posters before (check out his Watchmen and Marvel projects on Behance), but his latest series, Superhero Noir, is quite a step up from that work. These are powerful, cinematic, renditions of classic comic book heroes. No wonder these images are showing up all over the internet right now — they’re breathtakingly good, reminding you of how dramatic (or downright majestic) these characters can be when used right. No wonder that when the Bottleneck Gallery announced they were selling prints of a couple of these designs yesterday, they sold out in minutes.
In case his appearance in a half-dozen monthly titles and the upcoming films weren’t enough for die-hard fans, there’s always that massive Wolverine: The Adamantium Collection hardcover Marvel announced in December. Just how massive? Feast your eyes on the first images of the book, and pity poor editor Sana Amanat (above).
Weighing in at a whopping 16 pounds, the foot-tall collection is big enough to kill a fully grown man or, when stood open, to serve as shelter for a child. It apparently marks the debut of the “all-new Mighty Marvel Format,” which suggests completists may want to invest now in larger, reinforced shelves. Preferably, adamantium.
So here I was, gentle reader, tapping away at the keyboard this morning, polishing up my thoughts on Wolverine’s current employment trajectory and comparing it to a popular comedian from the ’80s when I got a message from my distinguished colleague, Mr. Tom Bondurant.
“Why is Marvel releasing solicits Friday afternoon, like the Pentagon doing a big document-dump?” he asked via Twitter, causing me to drop everything and run to my favorite and most trusted news source, this very website. Lo and behold, Tom was right, and Marvel’s solicitations for April had gone up just in time for the weekend. Normally, these are released in a timely fashion, as we comic book fans and retailers have a rhythm worked out for peculiar way we look forward to, order and then receive comics. Having these guys show up on a Friday and, more telling, having them seemingly reiterate information we learned throughout the week feels as if that rhythm is mutating somehow — that we might get previews for events in a different way and that Marvel promotions might be delivered to us differently in the months to come. This could either be the herald of a new way to talk about our future in our present about comics that have come out in the past, like trades or reprints, or it could be a very busy week at the Bullpen and they only got this list out today.
Either way, April is waiting. Read on!
Passings | Dr. Michael J. Vassallo notes the passing of Marion Sitton, who drew romance, crime and Western comics for Timely and Atlas (earlier incarnations of Marvel) as well as Fawcett, Quality and other publishers. He was 92. [Timely-Atlas-Comics]
Publishing | Heidi MacDonald interviews Image Comics Publisher Eric Stephenson, who was selected by readers of The Beat as the Comics Industry Person of the Year. [The Beat]
Organizations | Babymouse creator Jennifer L. Holm has joined the Comic Book Legal Defense Fund board of directors. [CBLDF]
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Comic Book Creator #1 (TwoMorrows, $8.95): I still fondly remember the now-defunct Comic Book Artist magazine from years ago, and now the creator of that magazine, Jon Cooke returns with a new 80-page offering to take its place. With a first issue filled with Jack Kirby, Kurt Busiek and Alex Ross, this is a must-read for me.
Mark Waid’s The Green Hornet #1 (Dynamite, $3.99): Waid has been having a career renaissance, in terms of recognition at least, and that led to getting his name on the title of this new revamp of Dynamite’s Green Hornet line (art is by Daniel Indero). I dig the creator, I dig the character, and I’m looking forward to seeing what happens when the two collide.
The Secret History of Marvel Comics HC (Fantagraphics, $35.00): I’ve been looking forward to this one since I first heard about it. Blake Bell looks at the non-comics material being published by the company that would one day become Marvel Comics, including pulp and girlie mag work by Jack Kirby, Bill Everett and Dan DeCarlo. It’s like the perfect companion for Sean Howe’s Marvel Comics: The Untold Story!
Star Wars: Legacy — Prisoner of the Floating World #1 (Dark Horse, $2.99): As if the Brian Wood series wasn’t enough to get me back into Star Wars comics, now we get a new series from the Planet of the Apes team of Corinna Bechko and Gabriel Hardman? If these are the final days of Dark Horse’s Star Wars license as many are rumoring, then they’re definitely going out with a bang.
Wake Up, Percy Gloom HC (Fantagraphics, $24.99): I fell madly in love with Cathy Malkasian’s beautiful Percy Gloom graphic novel a few years back, which was as beautiful as it was unexpected, so there is little to no way that I am not eagerly anticipating this follow-up. For those who like gorgeously-illustrated, melancholy and touching books: This is for you.
In just three months, we will be pretty entrenched into the new NOW! of Marvel. So far, so good, right? Can’t say that they’ve all been hits, but considering the alternative (*cough*reboot*cough*), I’d say we’re doing pretty well.
Will this be an era that’s looked back at as a radical change in publishing and a landmark era of storytelling for Marvel? I get the feeling that a lot of people are hoping so, most of them in marketing. This is a fresh face for the Marvel brand, and we should be looking at a moment that will be well-documented by journalists, historians and (more importantly to the layman) comic book price guides. Sadly, my precognitive powers are only available in March solicitations, so let’s look at those and see what NOW! will look like then. Or THEN! I’m not sure.
First, let’s talk about the trades. I rarely get to do so because they’re always at the bottom and there’s normally a huge amount of comics to sort through and events to define before we reach the reasonable road of the trade paperback. But in March, Marvel NOW! will officially be the final status quo on the shelves, so we’ll begin a steady stream of trades for major titles in hardcover and softcover format.s The first volumes of Uncanny Avengers, Iron Man and Avengers will be out in hardcover, with Fantastic Four, Red She-Hulk and X-Men: Legacy getting softcover editions; I think the change in format probably has to do with the price of the original issues.
Events | Richard Pachter surveys the graphic novel scene at Miami Book Fair International, which this year will include appearances by Chris Ware, Derf Backderf, Marjorie Liu, Dan Parent and Chip Kidd, among others. [The Miami Herald]
Events | A group of Canadian creators and publishers are in Tokyo right now for the International Comics Festa, where they are selling an anthology that includes work by Darwyn Cooke, Bryan Lee O’Malley, and Seth. Manga blogger Deb Aoki is there too, and she has all the details. [About.com]
Just last month, a pelvis-thrusting Deadpool got in on the “Gangnam Style” craze, encouraging passersby to dance with him to Psy’s inescapable (and undeniably catchy) tune. But as entertaining as that video is, it pales in comparison to this photo the South Korean rapper tweeted today of himself doing the now-famous horse-riding dance with Wolverine himself, Hugh Jackman — complete with claws — on the
Japanese Australian set of Fox’s The Wolverine. Or, as the actor describes it, “Slicing gangnam style!!!!”
Jackman, of course, is no stranger to song and dance, having starred in Carousel, The Boy from Oz and Hugh Jackman, Back on Broadway. Before beginning work on The Wolverine, he wrapped production on the musical drama adaptation Les Misérables.