Wolverine Archives - Page 3 of 10 - Robot 6 @ Comic Book Resources
There just has to be a better way to do this every month. Not only is seeing previews for comics three months ahead of time a little tricky to keep up with and stay hyped for (kind of like finding out your Christmas presents on Halloween and remembering to act surprised on Dec. 25), but it’s also weird in a numbering sense. I know I’ve talked about this before, but Marvel’s Tom Brevoort has been handling some questions on how new NOW! is when there’s a bunch of No. 1 issues on the horizon. Some, like the new Wolverine #1 debuting in February, aren’t even new; the title will continue with its current writer and follow up on the current storyline. When you remember that comics are internally dated months ahead of the date they actually hit the stands, it’s amazing we ever know what is going on in comics.
But back to the numbering issue: Brevoort has talked about this on his Formspring-turned Tumblr account thusly:
In the spirit of Halloween and awesomeness, Tumblr user David J. Prokopetz commissioned some of the most intriguing crossover pieces to date: Wolverine as Disney Princesses.
Indeed, Prokopetz has already posted 14 different images of the best there is at what he does — and apparently, what he does is wear the crap out of a dress. While some of the drawings are clearly meant to evoke specific Disney Princesses, many are simply what Wolverine would look like were he designed from the top-down as a Disney princess. Perhaps the best one comes from Larbesta, who incorporates aspects of Wolverine’s costume and accentuates it with a pretty pink parasol.
Marvel, take note: these would be some of the best variant covers you could ask for during Halloween 2014. Seriously.
Be sure to check out the rest of Wolverine is the Best Disney Princess on Prokopetz’s blog.
Wolverine may be the most popular X-Men, but Professor Xavier has had just about enough of his nonsense.
In a video to promote his upcoming late-night show on TBS, comedian Pete Holmes dons a bald cap to give the hirsute mutant the pink slip. It turns about Wolverine may not be the best there is it what he does after all.
For the past decade, a number of innovative toy companies have created unique vinyl figures that artists decorate, illustrate and deform to create all sorts of characters. And now artist Ryan “Rocketboy” McClure has created a quartet of Marvel designs based on Kidrobot’s Micro Munny figures that will leave your pocketbook wanting.
In addition to the above blood-splattered Punisher, Rocketboy has also produced custom takes on Thor, Captain America and Wolverine. In the past he’s done other designs such as an Archangel and a great Hulk using a Marshall figure and more. If you want one, head to Rocketboy’s website or Facebook page and drop a line.
“When I work for DC, anything I create I get a piece of. Lucius Fox, for example, who was in the last trilogy of Batman movies played by Morgan Freeman, bought my new house. At Marvel, I did see a check off The Wolverine, the current film. But as a rule I don’t any of the ancillary money off of all of the toys and soaps and shampoos and skateboards and God knows what else that features the character.”
— veteran writer and editor Len Wein, who co-created the Batman supporting character Lucius Fox and the wildly popular Wolverine, talking about his compensation for film adaptations during a Television Critics Association panel for the upcoming PBS miniseries Superheroes: A Never-Ending Battle.
According to TheWrap, Wein said that although there have been six movies featuring Wolverine, “esoteric rules” mean that he was only compensated for the most recent one, because it was named for the character. The requirements are so strict that he didn’t receive a check for 2009’s X-Men Origins: Wolverine.
We’ve seen comic-book superheroes take the movie world by storm, but Italian art teacher Zach Roper has taken the trend one step further by creating some inspired mash-ups mixing Marvel heroes with recent cult hits.
“After seeing the recent Wolverine movie and being (once again) disappointed at another halfhearted adaptation, I got to thinking about which directors would be perfect for my favorite comic book characters,” Roper tells ROBOT 6. “I’ve begun working on some sketches of how these characters might appear in each of the films, and here they are!”
Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]
Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]
The sum-e art used for the The Wolverine movie posters was something striking and evocative of the Japanese locale that director James Mangold and star Hugh Jackman were going for, but a New York City street artist has done something surprisingly simple that kicks it up a notch.
As you can see in the photo above, street artist Poster Boy NYC has extended the reach of the clawed mutant by adding the character’s near trademark three slash marks to neighboring posters hung next to this one in a subway terminal. Great for Wolverine, not so great for Despicable Me 2 and those other advertisers.
Although he’s not attending Comic-Con International this year, Sean Murphy is keeping busy. The Brooklyn-based cartoonist, who’s illustrating the Vertigo series The Wake, has opened his doors to do a limited number of commissions. It’s rare for Murphy to accept private commissions, but he’s hoping to help fund the purchase of a house. Whatever the reason, these are a chance for fans to see Murphy draw something he seldom does in comics — superheroes.
While Murphy has work like Batman/Scarecrow: Year One and Teen Titans: Cold Case to his credit, he’s best known for non-superhero projects like Joe the Barbarian, American Vampire and Punk Rock Jesus. These commissions — four have been released so far — show Murphy doing Marvel and DC’s top heroes, from Batman to Wolverine to the Punisher. Oh, and also … Tom Waits.
Although Red Robin’s television spots for its Wolverine-themed burgers have been getting a lot of play, the winner of the award for best tie-in has to go to the ESPYs and Minnesota Vikings running back Adrian Peterson.
In the commercial for ESPN’s Excellence in Sports Performance Yearly Award, the enthusiastic nominee reads a copy of Chris Claremont and Frank Miller’s Wolverine #1 as his teammate Matt Kalil explains, “You can shoot him, stab him, set him on fire — Wolverine takes a beating and keeps coming back.” Naturally, that leaves an opening for Peterson to bring up his nomination for best comeback … and to don a football helmet, festooned with the mutant’s trademark hair and sideburns. There’s also a funny cameo by The Wolverine star Hugh Jackman.
The ESPYs ceremony airs Thursday at 9 p.m. ET/PT on ESPN. The Wolverine premieres July 26.
Shout! Factory has debuted the trailer for Marvel Knights Animation’s Wolverine: Origin, the motion-comic adaptation of the 2001-2002 limited series that, as the title suggests, revealed the early years of the ubiquitous Marvel mutant. It was written by Paul Jenkins from a story by Jenkins, Joe Quesada and Bill Jemas, and illustrated by Andy Kubert and Richard Isanove.
Wolverine: Origin is the ninth title produced by Shout! Factory since 2009, joining the likes of Inhumans, Spider-Woman: Agent of S.W.O.R.D., Iron Man: Extremis, Black Panther and, most recently, Astonishing X-Men: Unstoppable. It will be available on DVD beginning July 9 for $14.97.
The timing of the release couldn’t be better, considering that director James Mangold’s The Wolverine premieres July 26.
As we’re on an unintentional licensing and merchandising spree, it seems only fitting to cap off the day with perhaps one of the stranger, but certainly most delicious, tie-ins: Red Robin’s Wolverine-themed hamburgers.
Not that Red Robin, although that would be wonderfully bizarre. No, this is the Colorado-based restaurant chain whose name is usually followed by “Yummmmm!“ (seriously, you can’t think “Red Robin” without hearing that in your head). The company has partnered with 20th Century Fox’s The Wolverine to create two gourmet burgers inspired by the film.
We’ve featured Brooklyn-based illustrator PJ McQuade before because of his frequently comics-friendly work. His latest piece, created for the MF Gallery’s 10th anniversary exhibition, is something of a show-stopper: a mash-up that seems to have struck McQuade purely because of the awesomeness of the sideburns on both Quint in Steven Spielberg’s Jaws and Wolverine. Thinking about it, it was inevitable, really. The original painting is already sold, but you can buy a print of this from McQuade’s Etsy storefront.
My favorite part of the design is the tribute to that much-missed (by some of us nostalgic old farts, anyway) feature of old Marvel comics, the corner box. This lovingly rendered image of the late great Robert Shaw is also available from McQuade’s Etsy shop, if you’d like the disembodied head of a salty old sea dog semi-permanently staring you out from the cover of your laptop/dash of your speedboat/whatever. I know I do. And now I’ve got a mysterious longing for sushi, too.
While I’m not a big fan of the ubiquitous Wolverine, I am a follower of Jock, whose artwork on titles ranging from Hellblazer and The Losers to Green Arrow: Year One and Detective Comics has brought me great joy over the years (even when the story disappointed; I’m looking at you, Faker). So when it was announced last week that Jock will be tackling Marvel’s Savage Wolverine as artist and writer beginning in September, I knew immediately that I would be ignoring my reservations about the character and buying the three-issue arc.
As if my appetite needed further whetting, this afternoon Jock revealed on Instagram what I think is the first look at his story — in the form of a page layout. Now I really, really hope that when Marvel collects the arc, which apparently finds Logan in the far-flung future, the publisher includes the artist’s roughs as bonus material.
Just like “the Eiffel Tower in Paris and the Statue of Liberty in New York City,” the Wolverine statue “would be a major boon for tourism in the city,” writes Brian LaBelle in his petition on Change.org. “It is also important because it is what is commonly referred to as a ‘catalyst project,’ meaning it will spur greater growth on the downtown of Alberta’s capital city and create numerous spin-off projects in much the same way that the X-Men comic book spun off dozens of other successful books.”
The petition couldn’t come at a better time, as there’s already a project happening to revitalize the downtown area of Edmonton — and build a new arena for the NHL’s Edmonton Oilers. A commenter suggests that perhaps the petition is a parody and “provides a clear example of how poorly conceived the current Arena deal with [Oilers owner Daryl] Katz is.” I can only hope that isn’t the case, as I’ve never been to Edmonton myself, but a statue of Wolverine would certainly be enough to get me to renew my passport and head north.