Wonder Woman Archives - Robot 6 @ Comic Book Resources
Following DC Comics’ solicitations over the past few months has been fairly intriguing. The company’s West Coast move in early 2015 looms over all its actions, and makes it hard to gauge whether a new series or new creative team is a long-term commitment or a brief burst of experimentation. Moreover, that makes it tempting to say that anything you don’t like — or, for that matter, anything you do like — might be gone by April.
Oh, well. A little paranoia can’t hurt, but we’re not here to talk about that. Open a window to the November solicits and read along!
November brings new creative teams for Wonder Woman (the Finches and Richard Friend), Superman/Wonder Woman (Peter Tomasi and Doug Mahnke) and Supergirl (Mike Johnson, Kate Perkins and Emanuela Lupacchino). I’m still in wait-and-see mode on the Finches. However, after several years of reading Tomasi and Mahnke’s work, I feel like I know what’s coming from them. S/WW should look great, as Mahnke is no stranger to either Superman or Wonder Woman, having drawn JLA and various issues of the New 52 Justice League. I suppose I’m cautiously optimistic about Tomasi, because this is the sort of book that plays to his strengths. He’s good at reconciling and unifying different perspectives on characters, and that’s pretty much what S/WW has always had to overcome. Ironically, it’ll probably be less of a concern in the absence of Azzarello and Chiang, but I suspect Tomasi will keep those elements around.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Gail Simone brought to a close her tenure as Batgirl writer and helped kick off the digital-first Sensation Comics Featuring Wonder Woman series this week. Both issues were well within her comfort zone, featuring large casts of characters locked in spirited combat a la Wonder Woman #600 and Secret Six #36. Both had callbacks to previous Simone successes, one of which pleased this longtime fan immeasurably. (No spoilers, but let’s just say she’s a Bird of Prey I didn’t think I’d see in the New 52.) Perhaps most importantly, both showed their headliners fully in control of their respective situations. For Batgirl that came at the end of a long, somewhat depressing series of subplots, and in Sensation it was a well-executed rebuttal to anyone who thinks Wonder Woman can’t be as hardcore as her gothic-avenger colleague.
If you made it through all of the Comic-Con International coverage without reading a description of the footage from Batman v Superman: Dawn of Justice shown during the Warner Bros. presentation, or seeing blurry photos and shaky video surreptitiously captured by cellphone, then you’ve been spectacularly diligent and restrained. Not wanting to ruin that impressive streak, I’ll toss out a halfhearted spoiler warning for this clip, but I think you’re fairly safe to watch it ….
It’s of course from the gang at How It Should Have Ended, who undercut the gritted teeth and steely glares most of us expect from Zack Snyder’s film with a bit of humor and, naturally, coffee. Watch the short video below.
Legal | The Japanese magazine Monthly Big Gangan has put the series Hi Score Girl on hold following allegations by the game company SNK Playmore that the manga is using its characters without authorization. The publisher, Square Enix, already recalled the five volumes of the series published so far and stopped releasing the manga digitally. [Anime News Network]
Creators | Gail Simone and Ethan Van Sciver talk about bringing Wonder Woman to Gotham City in their two-part story for DC Comics’ new digital first anthology Sensation Comics Featuring Wonder Woman. [Hero Complex]
Creators | Sonny Liew, creator of Malinky Robot and the artist of The Shadow Hero (written by Gene Luen Yang) was born in Malaysia, went to school in Singapore, then went to college in the United Kingdom and art school in the United States on his way to becoming a comics creator. There wasn’t much of a homegrown comics scene when Liew was growing up, so he read mostly imports, but that’s changing, and his newest project is an anthology featuring creators from the region. [The Malay Mail]
Comic-Con International has come and gone, and like every year, we’re left with a metric ton of announcements, hints, speculations, sneak previews, leaked footage and open questions.
There also seemed to be more pre-convention announcements than I can remember seeing in previous years. If the past week or so of frenzied news wasn’t enough, panel coverage and from is still rolling out. Based on the past several years, we should see those continue to be doled out for the next week or two.Comic-Con is truly a month-long event, maybe almost two months when all is said and done. So it’s understandable if it’s sometimes difficult to keep track of what was announced when or to even remember that awesome thing I was so excited about a week ago but can’t name now.
There are plenty that stuck with me, however; I’ve already written about comiXology’s DRM-free titles, and some of Image’s upcoming titles, and there were plenty of others. Of course, I can’t mention all of the cool things to emerge from Comic-Con — that would just be a near duplication of everything we’ve heard about for about a month now. So instead, here are six (more) things from Comic-Con I can remember thinking were extra-awesome:
Aquaman may have been the most toxic superhero in 2013, but this year McAfee has decreed that Superman is kryptonite.
Hold your jokes about Zack Snyder’s Man of Steel or the New 52 costume redesign. We’re talking about the software-security company’s second annual study of which online superhero searches result in the most bad links (such as to viruses, malware and websites containing malicious software used to steal passwords and personal information).
After three years, Brian Azzarello and Cliff Chiang are wrapping up their Wonder Woman run. Starting with November’s Issue 36, the new creative team will be writer Meredith Finch and her husband, artist David Finch.
While it would be silly to pass judgment completely on the Finches four months before their debut, I have to say my initial reaction wasn’t entirely positive. Consider the creative teams on the four main books of Diana’s Trinitarian brothers. Although detoured by the “Doomed” crossover, Action Comics’ team of writer Greg Pak and artist Aaron Kuder has been well-received. Superman just kicked off the Geoff Johns/John Romita Jr. era. Detective Comics picked up Francis Manapul and Brian Buccellato after their stylish success on The Flash; and Batman features the unstoppable Scott Snyder and Greg Capullo. For that matter, Azzarello/Chiang was one of several distinct creative teams that debuted as part of the initial New 52 relaunch and set itself apart instantly from any DC house style. Besides Snyder/Capullo on Batman and Manapul/Buccellato on Flash, there were Jeff Lemire and Travel Foreman on Animal Man, J.H. Williams and W. Haden Blackman on Batwoman, Joshua Hale Fialkov and Andrea Sorrentino on I Vampire, Dan DiDio and Keith Giffen on OMAC, and Snyder and Yanick Paquette on Swamp Thing. Accordingly, Azzarello and Chiang have seemed right at home helming Wonder Woman.
By contrast, as a writing/drawing team the Finches are an unknown quantity. Meredith Finch has written a few one-shots; and since coming to DC from Marvel, David Finch’s projects have been plagued by delays.
Now, these may all turn out to be moot points. The Finches may have the perfect take on Wonder Woman. They are certainly very enthusiastic, even if he has been a bit tone-deaf. We won’t know for sure how their Wonder Woman will read until this fall — but I can still offer some historical perspective, and maybe a little advice.
Continue Reading »
Jamie McKelvie may be spending his days working on his new creator-owned series The Wicked + The Divine, but that doesn’t mean he’s not still thinking about superheroes from time to time. The artist, who had a successful run at Marvel on Young Avengers, The Defenders and X-Men: Season One, has unveiled an Iron Man redesign he came up with the other night, just for fun.
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
For a character who had just debuted a couple of years earlier, the prospect of a Wonder Woman newspaper strip was a clear sign of the Amazing Amazon’s immense popularity. However, in the crowded, competitive field of newspaper comics — where the first Batman newspaper strip lasted only about three years, ironically because it was vying for space against the successful Superman strip — Wonder Woman couldn’t establish herself. Still, IDW has restored what history has all but forgotten, and this August the publisher will reprint the strip’s 19-month run.
I’ve seen a few weeks’ worth of these strips here and there over the years, and they’re a lot like the Golden Age comics. This is hardly surprising, since they were written by creator William Moulton Marston and drawn by original artist Harry G. Peter. However, the newspaper format apparently allowed Marston and Peter to open up their storytelling styles, allowing for a slightly different pace and a more long-form approach.
The original Wonder Woman comic strip will be collected for the first time in August in IDW Publishing’s 196-page hardcover Wonder Woman: The Complete Newspaper Strip 1943-1944.
It’s part of the March 2013 partnership with DC Entertainment and the Library of American Comics that includes the Superman and Batman comic strip collections. Unlike the other two superheroes, who had lengthy tenures in newspapers (even if the Caped Crusader’s was broken up into three major runs), Wonder Woman’s was short-lived, lasting only from May 1, 1943 to Dec. 1, 1944.
Toronto residents may have noticed a host of classic heroes, from Wonder Woman to Astro Boy to the Fantastic Four, are now protecting the city’s streets. At least that’s what many of the neighborhood watch signs insist.
According to CBC News, an artist calling himself Andrew Lamb has “hacked” as many as 70 of the signs, pasting over the familiar houses-with-eyeballs icons with the even more familiar figures from comic books, television and movies (Mr. Rogers, Cliff Huxtable and Dale Cooper, among them).
“I walked by and thought those signs would be much better with a superhero up there,” he told CBC News. “The first one was a splash page — a common thing in comic books, a bunch of superheros popping out at you. Then came Batman and Robin, RoboCop, Beverly Hills Cop, and then it snowballed.”
Lamb acknowledges his project is “technically illegal” — he’s received just two vandalism complaints — but he doesn’t believe it’s “ethically or morally wrong.”
You can see more photos of his handiwork below, and on Lamb’s Instagram account.
Considering that the July solicitations also previewed September’s Futures End tie-ins, and the final issue of Forever Evil arrives this week after being scheduled originally for March, the August listings feel like just one more ingredient in a jumbled publishing stew. When it’s all done, maybe we’ll see that it’s all worked together. Now, though, we might have to wait until the October solicits for a clearer picture of where DC’s superhero line is going.
In the wake of the New 52′s various revisions, the Grant Morrison-written The Multiversity miniseries seems like an artifact — if not a relic — from the pre-relaunch days. Like the Morrison-written Batman Incorporated, it was originally conceived in that environment, when legacy characters abounded and beloved Silver Age elements were reemerging. Of course, with Earth 2, Worlds’ Finest, Forever Evil and Futures End, parallel worlds have hardly been absent from the New 52; so perhaps The Multiversity is meant to expand that storytelling device even further. I get the feeling that many things are about to change (again) for DC’s shared superhero line, and if some Morrison-infused characters are going to be part of that, I hope they stick around for a while.
“I felt a lot of pressure taking on this icon and knowing that Wonder Woman means so much to so many people. When I’m drawing her, I try to think about what that character is and make sure that I am paying respect to what other people feel about her. I’m trying to draw a character; I’m trying to draw a living, breathing person and make them feel as alive as I can to the reader. It’s funny when people come up to me and say they really like the way I draw her. They appreciate that she’s not oversexualized. That’s really a decision that an artist has to make — and it’s a lot of decisions. It’s not just, ‘Hey, whoops, my pen slipped and she’s suddenly too sexy.’ You’ve got to draw that thong bikini, you’ve got to draw those big boobs and all that stuff. I feel like we have to check ourselves and say, ‘Well, is this really accomplishing telling the story that we want to tell?’”
– artist Cliff Chiang, talking with CBR TV about developing his take on DC’s Wonder Woman
This past week (ish), DC Entertainment was so pervasive in the television upfronts, it almost made me forget the company still publishes comics. Joining Arrow on the 2014/2015 TV schedule will be adaptations of The Flash, iZombie and Constantine, as well as the Bat-prequel Gotham. (And hey, that was Caity “Black Canary” Lotz reprising her role as Don’s pregnant-hippie “niece” on Sunday’s Mad Men!) Moreover, we’ve now seen a moody black-and-white photo of Ben Affleck as Batman, standing next to his new Batmobile and ready to dominate the next Superman movie; and The CW has shown us a nifty little clip of the Flash in action.
While I’m prepared to like all of these shows, and certainly willing to give them reasonable opportunities to succeed, once again they remind me that no comic — and certainly no superhero comic — can be adapted to live-action with complete fidelity. Indeed, by taking its cue directly from the comics of the ‘40s and ‘50s, the old Adam West/Burt Ward Batman show was one of the more faithful projects. Likewise, the pilot of the Lynda Carter Wonder Woman series didn’t go too far from Diana’s earliest adventures in All Star Comics #8 and Sensation Comics #1. However, I don’t think that approach would work these days.
It’s not often that we see superheroes enjoying some quiet time and communing with nature, most likely because that would make for some incredibly boring comic books. However, the concept leads to some lovely images, as photographer and digital artist Benoit Lapray demonstrates in his series “The Quest for the Absolute.”
Dropping costumed characters into (mostly) serene settings, Lapray creating scenes of Thor strolling in a lush forest, Spider-Man resting at the side of a winding mountain road, the Silver Surfer pondering a deep valley, Wonder Woman perching in the spray of a waterfall, and more.
Check out some of the images below, and more on Lapray’s website.