Wonder Woman Archives - Robot 6 @ Comic Book Resources
Comics | Check your longboxes, folks: Copies of Marvel’s Sunfire & Big Hero 6 #1, from 1998, with a CGC grade of 9.8 are selling for $450 and up ahead of the premiere of the Disney animated film, and even non-graded copies are good for $25 or more. [ICv2]
Creators | Captain Marvel writer Kelly Sue DeConnick talks about the character, and her reaction to the newly announced Marvel film: “I feel so proud of her, like Carol is this person who lives in my head, and ‘look what you did, girl!’ It feels like a friend just got a promotion.” [Speakeasy]
Publishing | Chris Butcher announced that, after three years as marketing director, he’s left UDON Entertainment to focus more fully on his work for the Toronto store The Beguiling (where he’s manager) and the Toronto Comic Arts Festival (where he’s festival director). [Comics212]
Legal | Disney on Tuesday asked a panel of the 10th U.S. Circuit Court of Appeals to dismiss a two-year-old lawsuit by Stan Lee Media claiming the copyright to such Marvel superheroes as Spider-Man, the Avengers and the X-Men. A lawyer for Stan Lee Media, which no longer connected to its namesake, argued a federal judge in Colorado erred last year in dismissing the 2012 complaint, but Disney countered that the copyright claims have been addressed time and again by the courts. “This is their seventh bite of a rotten apple,” Disney attorney Jim Quinn said after the hearing. The three-judge panel hasn’t issued its decision. [The Associated Press]
Manga | The finale of Masashi Kishimoto’s Naruto, which will run in an upcoming issue of Shonen Jump (both the Japanese and the North American editions), will be two chapters long, with the second appearing in full color, the manga magazine announced. Naruto was at one time the bestselling graphic novel in the United States and is still one of the top selling manga in the country. [Anime News Network]
French manufacturer Orangina Schweppes has partnered with DC Entertainment to produce special cans for its Oasis fruit-drink brand featuring some of the publisher’s most iconic superheroes.
According to The Ephemerist, the promotion is tied to the 75th anniversary of Batman, here portrayed by Mangue Debol. He’s joined by Ramon Tafraise as The Flash, Fambougeoise as Wonder Woman and Orange Presslé as Superman. It’s worth noting that all four heroes seem to be wearing a variation of their New 52 costumes, which don’t often appear in licensing efforts.
You can see closeups at Geek Art.
There’s a lot more than gender differentiating Wonder Woman from her fellow first generation superheroes that have, against all odds, survived to the modern day. More so than even Superman and Batman, the only other heroes whose comics have been in continuous publication since their creation, Wonder Woman is a character with sharp, often difficult to reconcile (or even wrestle with) contradictions built into her.
Foremost among those contradictions is the fact that, as Tim Hanley alludes to in the subtitle of Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, the character is universally known, to the point that she’s practically omnipresent in pop culture, but that knowledge tends to be pretty shallow.
That is, everyone knows Wonder Woman, but relatively few know much of anything about her. Her name and costume, her bullet-blocking bracelets and magic lasso, maybe her invisible jet, but that’s about it, really. Curious indeed.
Conventions | ReedPOP Senior Vice President Lance Fensterman talks about how New York Comic Con reached 151,000 attendees this year, what went well, what could have gone better, and what he learned for next time. The new badges and check in/check out system, introduced last year, let producers know exactly how long people stayed at the show, and that turned into a nice surprise for two attendees: “There was a couple [last year] who literally spent every minute that was possible at New York Comic Con for three and a half days. We reached out to them and did something special for them—gave them a bunch of free stuff and free tickets because they were at the show longer than anyone who wasn’t paid to be at the show.” [ICv2]
Political cartoons | Egyptian cartoonists Mohamed Anwar and Andeel discuss the difficulty of critiquing Egyptian president Abdel Fatah al-Sisi, who doesn’t tolerate dissent; Anwar is a cartoonist for a mainstream newspaper and pulls some punches as the tradeoff for reaching a wide audience, while Andeel has moved over to the alternative press, where he can speak more freely. [The Guardian]
Jae Lee’s work on Superman/Batman has simultaneously been among the most unique and divisive of DC Comics’ New 52. After years working on Marvel’s adaptation of Stephen King’s The Dark Tower, Lee’s return to superhero work has found a balance between iconic and creepy; while his style might seem tailor-made for the likes of Batman and Catwoman, his depiction of Superman has been both haunting and boyish in all the various main- and alternate-universe incarnations.
And now, DC is using those designs as the basis for a line of collectible figures.
If there were any doubt that every party you attend this month will essentially be a forest of Groots, take a glance at Fandango’s annual survey of movie-inspired Halloween costumes, which found the breakout star of Guardians of the Galaxy is the top choice this year among men.
Maleficent leads among women, followed by Katniss from The Hunger Games, Mystique from X-Men: Days of Future Past, Black Widow from The Avengers/Captain America: The Winter Soldier, and Gamora from Guardians of the Galaxy.
In the aftermath of the controversy about a pair of sexist shirts licensed by DC Comics, celebrated artist Bill Sienkiewicz has created a his own revised design for the “Superman Does It Again” tee.
His version includes a second image, on the back of the shirt, with the Man of Steel’s “Score!” answered with Wonder Woman’s “Fail!!” — and an Amazonian fist to the Kryptonian’s jaw. “Maybe a bit too on the nose,” the New Mutants and Elektra: Assassin artist wrote on his Facebook page, “but there you go …”
Two licensed T-shirts featuring DC Comics’ Trinity have sparked accusations of sexism among online fans.
The first shirt, as reported at DC Women Kicking Ass and spotted by CBR contributor Tamara Brooks this past weekend at Long Beach Comic Con, depicts Superman and Wonder Woman in a passionate embrace with the caption, “Score! Superman Does It Again!” As takedowns of that shirt began to circulate on social media, another one, bearing the phrase “I’m Training to Be Batman’s Wife,” was brought into the discussion.
Both shirts present undeniably sexist messages: The former positions the most prominent female superhero as a prize to be won, stripping away the character’s 75 years of nuance and feminist themes. The latter would be perfectly acceptable if it had only stopped before that final word; the assumption that the goal of any woman’s training would be to become someone’s wife is antiquated at best.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Anyone seeking an antidote to recent Wonder Woman-related idiocy need look no farther than Jill Lepore’s story “The Last Amazon” in the Sept. 22 issue of The New Yorker.
I don’t know whether it was cartoonist J. Bone’s intent, but I like the suggestion that his “sun-friendly” Superman costume is a send-up of the not-exactly-convincing justification for Starfire’s skimpy costume — namely, that she draws her power from the sun and, therefore, needs to expose as much skin as Earth laws will allow. Heck, these new threads could even work as a response to those who miss those signature red trunks in the New 52 design.
Despite what you might believe, the problem isn’t that female superheroes are oversexualized in comics and on film — no, according to Fox & Friends, it’s they’re not being sexualized enough.
In a particularly odd segment of Sunday’s show that frequently tipped into full-on parody, co-host Clayton Morris began by worrying that test footage from Genndy Tartakovsky’s animated Popeye movie signifies the “wussifying” of the classic character, as he doesn’t sport his iconic pipe and tattoos.
Artist Juan Carlos Ruiz Burgos recently added the above Zatanna illustration to his deviantART gallery, drawing our attention to his occasional series of frankly amazing tributes to the classic Saturday Evening Post covers using DC Comics characters.
In addition to Zatanna, surrounded on stage by white rabbits, there’s a heartwarming depiction of Clark Kent casually reading The Daily Planet as a little boy gapes in awe at Action Comics #1, The Joker and Harley Quinn on the run like Bonnie and Clyde, Wonder Woman listening thoughtfully to a little girl, and an autumnal Poison Ivy piece that’s probably not safe for work.
Graphic novels | Sales of graphic novels are up 10 percent so far this year compared to the same period in 2013, according to Neilsen BookScan, which tracks sales in bookstores and other general retail channels. In terms of unit sales, that’s about 5.6 million books sold this year, as opposed to 5.1 million in 2013. The trend is echoed by Diamond Comic Distributors’ numbers for the direct market, which show graphic novels up 3.8 percent in dollars and 5.8 percent in unit sales year to date. [Publishers Weekly]
Creators | Alison Bechdel is having a busy week: Following the news that she has been awarded a prestigious MacArthur Foundation fellowship, she announced her new book: The Secret to Superhuman Strength, a memoir of her obsession with exercise and a history of American fitness fads, to be published in 2017 by Houghton Mifflin Harcourt. [The New York Times]
Superman is the world’s greatest superhero, Wonder Woman is the world’s greatest superheroine. They have so much in common — their superpowers, their costume colors, their hobbies, their social organizations — that they seem perfect for each other … if only it weren’t for that nosy reporter friend, or girlfriend, or wife, or object-of-his-affection that’s kept the Man of Steel more or less spoken for over the course of his 75-year career.
I suppose that’s why Superman and Wonder Woman so often become a couple in various out-of-continuity stories like Kingdom Come and Injustice, and a large part of why DC Comics decided to use its 2011 reboot as an opportunity to make the pair a super-powered power couple, one of the more dramatic, non-sartorial changes in either characters’ milieus the reboot has so far introduced.