Wonder Woman Archives - Page 2 of 19 - Robot 6 @ Comic Book Resources
The Internet is littered with the corpses of dead Wonder Woman movie pitches; heck, just within the last couple of weeks, Chronicle writer Max Landis let it be known during a Reddit AMA session that he intends to approach Warner Bros. soon. This morning, U.K. comics creator Nigel Auchterlounie posted this on his blog, linking to it on Twitter with the wise words “I’ve worked out how to do a #WonderWoman, took half an hour. DC could probably do better if they spent all day on it”.
For 30 minutes’ work, it’s not bad at all. That opening image reminded me of Zenith Book One: Tygers, so I asked him if it was a deliberate reference. He replied, “No. It must have been a subconscious thing. I loved Zenith so it is up there somewhere.” Auchterlounie stresses that this isn’t the movie the studio should make, but if he can come up with this on the spot in one morning, how hard can it be for Warner Bros. to figure it out with people working on the project full time? It’s a fair point: Both Warner’s television and movie wings have crashed multiple versions of Wonder Woman in recent years. Clearly people there have developed a severe case of the Yips over this character, while every comic reader slaps their forehead in disbelief.
Arriving on shelves Wednesday, Wonder Woman, Vol. 3: Iron not only collects issues 0 and 13-18 of the DC Comics series but also includes such behind-the-scenes material as Cliff Chiang’s character designs for Orion and a rough sketch for the zero issue splash page. While much of the art debuted last year at New York Comic Con during the “Concept to Page” panel, the trade paperback also features Jim Lee’s take on Orion, which DC has provided exclusively to ROBOT 6, along with some of Chiang’s art. You can see it all below.
Typically when we report about the costumed characters on Hollywood Boulevard or in New York City’s Times Square, it’s because of their alleged misbehavior: assault, theft, all-out civil war. But this time the superheroes are actually, well, the heroes.
Los Angeles’ KABC reports that on Friday, well-known character impersonators Jennifer Wenger and Christopher Dennis (aka Wonder Woman and Superman) were taping a segment for Jimmy Kimmel Live when Wenger was attacked by a cowboy boot-wearing transient who’s apparently infamous for bad behavior.
“She got in my face and she flipped my lip, and then punched me in the face,” Wenger told KABC. And that’s when the Man of Steel stepped in. “I’m then reflecting all of her boot throws,” Dennis explained. “She actually hits Wonder Woman again with a boot. I reflected it and it just kind of ricocheted off my arm and hit her in the face.”
If DC Comics can do 3D covers for Villains Month and Marvel can release Deadpool variants, it seems like they could make room on their publishing slates for, oh, I don’t know, a series that depicts some of their most recognizable characters on classic album covers.
That request isn’t as random as it seems (well, maybe it is), as artist Robert Jiménez painted Wonder Woman, Batgirl, Catwoman, Doctor Strange and Lobo on LP sleeves for an art show, and they’re pretty amazing. Unfortunately, he’s already sold the originals, but he hopes to create more soon.
Check out some of the pieces below, and the rest on Jiménez’s website.
Conventions | Next week, Salt Lake City will get its first comics convention, Salt Lake Comic Con, which has already sold a reported 23,000 tickets (the event’s website says 20,000). But founder Dan Farr expects attendance to far exceed 40,000, surpassing the 33,000 recorded for New York Comic Con’s inaugural year.[Deseret News, The Salt Lake Tribune]
Conventions | Oni Hartstein, the co-founder of Intervention, talks about why she established the Washington, DC-area convention and why its DIY aspect sets it apart. [Comic Riffs]
The character-specific capsule collections, each containing 30 to 35 pieces, will roll out over the next six months, beginning this month with Tweety. The final collection, based around Superman, will arrive in stores in February.
The collections, which include silk-screened T-shirts, dresses and tote bags priced from $98 to $202, will be available at online locations like Bloomingdales.com, as well as Lester’s, Singer22 and the Lauren Moshi flagship store in Los Angeles. “These iconic characters are part of my childhood and the Lauren Moshi customer can really relate to them,” Moshi told Women’s Wear Daily.
You can see more pieces from the Wonder Woman collection below.
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So find out what we thought about Thunderbolts, Wonder Woman, Herobear and the Kid, Vibe and more.
Although a new profile of Grant Morrison closes with the promise of the third and final volume of Seaguy in 2014, his collaborator Cameron Stewart cautions excited fans that “It’s still a long way off.”
Published ahead of Morrison’s appearance at the Edinburgh International Book Festival, the Guardian article focuses primarily on the newly retitled Wonder Woman: The Trial of Diana Prince, and touches upon some recent personal losses, his dispute with Rebellion over the Zenith rights and — seemingly out of nowhere — his, let’s say, complicated history with Mark Millar before ending on the long-awaited conclusion of Seaguy.
“It’s honestly the best I’ve ever written,” he says of the saga that began in 2004. “It never sold well, but it’s my thing. I want Seaguy to remain as my statement about life and death and the universe.”
But while The Guardian asserts the final miniseries, presumably still titled Seaguy Eternal, is “due out next year,” Stewart suggests that timeline is a bit optimistic.
“INB4 everyone assuming Seaguy 3 is done or even a work in progress, when I have still not even received a script,” he wrote this morning on Twitter. “Which isn’t to say I’ve been sitting around waiting for a script that isn’t coming — I’ve been busy, so has Grant. It’s still a long way off.”
Also of note from the Morrison interview:
Publishing | The Archie gang has canceled a (fictional) trip to Russia because of that country’s draconian anti-gay laws. One law would allow the arrest of foreigners suspected of being gay or “pro-gay,” while another defines any pro-gay statement as pornography and therefore makes it a criminal act to make such statements in front of anyone under the age of 18. Archie cartoonist Dan Parent, who created Riverdale’s first openly gay character, Kevin Keller, is taking a stand in his own way: “Russia should be boycotted, so much so that actually in an upcoming special four-issue story arc I’m writing the Archie gang are going to take a world tour to four countries. Russia was to be one of them. But they’re not going there now. They just can’t and they won’t. They love and support Kevin.” [Back2Stonewall]
After teasing us in recent weeks with glimpses of “Tales of Metropolis, Starring Lois Lane” and “Metal Men,” DC Entertainment has announced that, beginning Tuesday, it will be adding the animated shorts from the second season of DC Nation to YouTube and the DC Comics videos page.
That means those of us who aren’t glued to Cartoon Network on Saturday mornings will soon get to enjoy “Tales of Metropolis,” Art Baltazar and Franco’s “Super Pets” and Robert Valley’s stylish Charger-driving Wonder Woman in their entirety.
While Grant Morrison’s remarks about bondage, submission and eroticism in early Wonder Woman comics may receive widespread attention, his more subdued comments in a new interview may actually shed the most light on his long-awaited take on the Amazing Amazon.
Talking to USA Today about Wonder Woman: Earth One, his 120-page graphic novel with artist Yanick Paquette, the writer explains that, “I’m really focusing a lot more on the mother and daughter story in it between Hippolyta and Diana. I want it to be that kind of book, a story about women.”
Warner Bros. Consumer Products and DC Entertainment have teamed with sportswear company Under Armour for a line of apparel designed “to empower athletes and unleash their alter egos.” Called, appropriately enough, Alter Ego, the collection is inspired by DC superheroes like Superman, Batman and Wonder Woman.
The collection expands on Under Armour’s earlier custom Gotham Rogues collection, inspired by the football team uniforms in The Dark Knight Rises, and the a limited-edition Man of Steel baselayer T.
“Superhuman feats are accomplished by athletes every day. Whether it’s achieving a personal goal or competing on the field, we wanted to enable athletes to feel like a super hero and show off their alter ego,” Under Armour’s Glenn Silbert said in a statement. “Our partnership with Warner Bros. Consumer Products and the resulting Alter Ego collection has exceeded our expectations, and we look forward to expanding this concept, as well as our long-term partnership.”
The first part of “Trinity War” (in last week’s Justice League #22) relied rather significantly on the changes the New 52 relaunch facilitated: Superman, Wonder Woman, and Billy Batson/Shazam (hereinafter “Billy/Shazam,” or maybe just “Captain Marvel”) each acted in ways incompatible with long relationships.
In the old days, Superman and Wonder Woman would have been close friends, Superman and Captain Marvel would have had a unique (almost mentor-protegé) relationship, and Wonder Woman and Captain Marvel would at least have had some Greek mythology in common. However, the main conflicts of “TW” Part 1 depended on Wonder Woman being more of a warrior than an ambassador, Superman trusting her hostility, and Billy/Shazam not knowing either of them that well. As such, it appeared to exemplify the freedom a relaunch confers, specifically to ignore the restrictions of previous developments to put these characters quickly on opposing sides.
In other words, one might reasonably have seen Part 1 as a) realizing the New 52 allowed for a particular Shocking Event and b) working backward to create the conditions that would lead to said Event. “Because we can do this, how do we do it?”
As the finishing touches are put on Comic-Con International ahead of Preview Night, The Hollywood Reporter releases an interview with DC Entertainment President Diane Nelson that’s a blend of polite sidestepping of delicate or unannounced subjects — the departure from Warner Bros. of her boss Jeff Robinov, Man of Steel 2, the long-developing Justice League movie — and insight into how the media giant views the DC properties.
Naturally, given the outlet, much of the discussion involves film and television, with Nelson addressing why she thinks Man of Steel succeeded while Green Lantern didn’t, and why DC’s movie plans have been developing so slowly, the conversation veers a little closer to comic books when she’s asked what five characters she’d like to seen on the screen.
“Sandman is right on top,” Nelson responds. “I think it could be as rich as the Harry Potter universe. Fables. Metal Men. Justice League. And yes, I’m going to say it: Aquaman.”
With a tone somewhat reminiscent of Grayson: Earth One, director Leo Kei Angelos‘ short film First Impressions presents a vision of Wonder Woman in setting absent of costumes, unless you count a glimpse of her trademark tiara.
Written by Angelos and George H. Ruiz, the premise of the short is pretty simple: Diana (played Hailey Bright) is on a first date with an unnamed guy (Chester See) when she’s accosted by street thugs and the menacing Suited Man, who for some reason has been hired to retrieve her phone. If you’re thinking the Suited Man looks awfully familiar, that’s because he’s played by Doug Jones, best known for his roles in Hellboy, Hellboy II: The Golden Army and Pan’s Labyrinth.
Needless to say, the antagonists’ encounter with the butt-kicking, bullet-catching Diana doesn’t go well. Be sure to watch to the end for a nod to her “friends.”