Wonder Woman Archives - Page 2 of 22 - Robot 6 @ Comic Book Resources
I don’t know whether it was cartoonist J. Bone’s intent, but I like the suggestion that his “sun-friendly” Superman costume is a send-up of the not-exactly-convincing justification for Starfire’s skimpy costume — namely, that she draws her power from the sun and, therefore, needs to expose as much skin as Earth laws will allow. Heck, these new threads could even work as a response to those who miss those signature red trunks in the New 52 design.
Despite what you might believe, the problem isn’t that female superheroes are oversexualized in comics and on film — no, according to Fox & Friends, it’s they’re not being sexualized enough.
In a particularly odd segment of Sunday’s show that frequently tipped into full-on parody, co-host Clayton Morris began by worrying that test footage from Genndy Tartakovsky’s animated Popeye movie signifies the “wussifying” of the classic character, as he doesn’t sport his iconic pipe and tattoos.
Artist Juan Carlos Ruiz Burgos recently added the above Zatanna illustration to his deviantART gallery, drawing our attention to his occasional series of frankly amazing tributes to the classic Saturday Evening Post covers using DC Comics characters.
In addition to Zatanna, surrounded on stage by white rabbits, there’s a heartwarming depiction of Clark Kent casually reading The Daily Planet as a little boy gapes in awe at Action Comics #1, The Joker and Harley Quinn on the run like Bonnie and Clyde, Wonder Woman listening thoughtfully to a little girl, and an autumnal Poison Ivy piece that’s probably not safe for work.
Graphic novels | Sales of graphic novels are up 10 percent so far this year compared to the same period in 2013, according to Neilsen BookScan, which tracks sales in bookstores and other general retail channels. In terms of unit sales, that’s about 5.6 million books sold this year, as opposed to 5.1 million in 2013. The trend is echoed by Diamond Comic Distributors’ numbers for the direct market, which show graphic novels up 3.8 percent in dollars and 5.8 percent in unit sales year to date. [Publishers Weekly]
Creators | Alison Bechdel is having a busy week: Following the news that she has been awarded a prestigious MacArthur Foundation fellowship, she announced her new book: The Secret to Superhuman Strength, a memoir of her obsession with exercise and a history of American fitness fads, to be published in 2017 by Houghton Mifflin Harcourt. [The New York Times]
Superman is the world’s greatest superhero, Wonder Woman is the world’s greatest superheroine. They have so much in common — their superpowers, their costume colors, their hobbies, their social organizations — that they seem perfect for each other … if only it weren’t for that nosy reporter friend, or girlfriend, or wife, or object-of-his-affection that’s kept the Man of Steel more or less spoken for over the course of his 75-year career.
I suppose that’s why Superman and Wonder Woman so often become a couple in various out-of-continuity stories like Kingdom Come and Injustice, and a large part of why DC Comics decided to use its 2011 reboot as an opportunity to make the pair a super-powered power couple, one of the more dramatic, non-sartorial changes in either characters’ milieus the reboot has so far introduced.
“I dislike the phrase ‘strong female character.’ Perhaps it began as a way to applaud the few realistic and complex female characters among the flat ones that merely play a role (mother, love interest, damsel in distress) in a hero’s story. But we never hear ‘strong male character’ because that idea is default. Almost as if the idea that a female character could be strong is so unusual, so unexpected, that it’s noteworthy. It’s also become a way to justify that lack of female characters in stories. ‘Yeah, there’s only one female character in this show/comic/book, but she’s STRONG!’ Variety, diversity, complexity are more important than ‘strength,’ whatever that word means.”
— Shannon Hale, co-creator of the graphic novel Rapunzel’s Revenge and author of the novel Dangerous and the children’s book Princess in Black, in an interview before her appearance at Salt Lake Comic Con. Growing up, Hale was a fan of the Wonder Woman television series, but she never read comics because, she says, “I thought they weren’t for girls and simply didn’t have access to them.”
Note: Due to my travel schedule, the Futures Index is taking a break this week. There will be a double dose next week to get us back on track.
Something I didn’t mention in last week’s post about The Multiversity #1 is the persistent notion that corporate-controlled characters have, for lack of a better phrase, “lives of their own.” In other words, we know how Superman, et al., are “supposed” to act, based on common, recurring elements, which are ostensibly independent of any particular creative team. Because The Multiversity offers a prime opportunity to play around with those elements and the expectations they engender, this week I wanted to go a little more in that direction.
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We begin with Batman, and specifically a scene from the now-classic Batman: The Brave and the Bold cartoon. “Legends of the Dark Mite,” written by Bat-guru Paul Dini, features a brief-but-incisive dig not just at fans, but at the corporate culture which has nurtured the Caped Crusader over these past 75 years. See, Bat-Mite wants to see his hero fight a supervillain, but Batman just wants the little guy to vamoose, and suggests the imp summon Calendar Man. Yadda yadda yadda, Calendar King has killer Easter Bunnies.
Arrow Season 2.5, which debuted Monday, will alternate weeks with The Flash: Season Zero. Set between the second and third seasons of the hit television series, Arrow is penned by executive producer Marc Guggenheim and staff writer Keto Shimizu, and illustrated by Joe Bennett and Jack Jadson. The Flash: Season Zero, meanwhile, takes place between the events of the pilot and the second episode, and is written by Andrew Kreisberg, Brooke Eikmeier and Katherine Walczak, with art by Phil Hester and Eric Gapstur.
Last week saw the return of Sensation Comics to store racks, as DC Comics repurposed the long-defunct title for a new Wonder Woman anthology series, featuring stories by rotating creative teams that debut online as part of the publisher’s digital-first initiative. It’s a strategy the company previously used for similar anthologies Legends of the Dark Knight and the soon-ending Adventures of Superman.
It’s a great idea, and one well past due. Unlike Batman and the Man of Steel, Wonder Woman has long been confined to a single solo title, with fewer miniseries, specials and one-shots, and is more often subject to drastic new directions, due to a perceived notion the character needs to be “fixed.”
The current Wonder Woman series is a good example of this, with Brian Azzarello, Cliff Chiang and company reintroducing the character with an “Everything you thought you knew was wrong!” origin, accompanied by a weird and dark backstory for the Amazons, and a London setting for the heroine.
Last time I checked in with Wonder Woman, the title character was the demigod daughter of Zeus and Hippolyta and had become the goddess of war, dispatching her foes with magic swords — and when she’s really in a pinch, she takes off her power-dampening Amazon bracelets, which allows her to “power-up” into a sort of glowing Super-Wonder Woman.
Following DC Comics’ solicitations over the past few months has been fairly intriguing. The company’s West Coast move in early 2015 looms over all its actions, and makes it hard to gauge whether a new series or new creative team is a long-term commitment or a brief burst of experimentation. Moreover, that makes it tempting to say that anything you don’t like — or, for that matter, anything you do like — might be gone by April.
Oh, well. A little paranoia can’t hurt, but we’re not here to talk about that. Open a window to the November solicits and read along!
November brings new creative teams for Wonder Woman (the Finches and Richard Friend), Superman/Wonder Woman (Peter Tomasi and Doug Mahnke) and Supergirl (Mike Johnson, Kate Perkins and Emanuela Lupacchino). I’m still in wait-and-see mode on the Finches. However, after several years of reading Tomasi and Mahnke’s work, I feel like I know what’s coming from them. S/WW should look great, as Mahnke is no stranger to either Superman or Wonder Woman, having drawn JLA and various issues of the New 52 Justice League. I suppose I’m cautiously optimistic about Tomasi, because this is the sort of book that plays to his strengths. He’s good at reconciling and unifying different perspectives on characters, and that’s pretty much what S/WW has always had to overcome. Ironically, it’ll probably be less of a concern in the absence of Azzarello and Chiang, but I suspect Tomasi will keep those elements around.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Gail Simone brought to a close her tenure as Batgirl writer and helped kick off the digital-first Sensation Comics Featuring Wonder Woman series this week. Both issues were well within her comfort zone, featuring large casts of characters locked in spirited combat a la Wonder Woman #600 and Secret Six #36. Both had callbacks to previous Simone successes, one of which pleased this longtime fan immeasurably. (No spoilers, but let’s just say she’s a Bird of Prey I didn’t think I’d see in the New 52.) Perhaps most importantly, both showed their headliners fully in control of their respective situations. For Batgirl that came at the end of a long, somewhat depressing series of subplots, and in Sensation it was a well-executed rebuttal to anyone who thinks Wonder Woman can’t be as hardcore as her gothic-avenger colleague.
If you made it through all of the Comic-Con International coverage without reading a description of the footage from Batman v Superman: Dawn of Justice shown during the Warner Bros. presentation, or seeing blurry photos and shaky video surreptitiously captured by cellphone, then you’ve been spectacularly diligent and restrained. Not wanting to ruin that impressive streak, I’ll toss out a halfhearted spoiler warning for this clip, but I think you’re fairly safe to watch it ….
It’s of course from the gang at How It Should Have Ended, who undercut the gritted teeth and steely glares most of us expect from Zack Snyder’s film with a bit of humor and, naturally, coffee. Watch the short video below.
Legal | The Japanese magazine Monthly Big Gangan has put the series Hi Score Girl on hold following allegations by the game company SNK Playmore that the manga is using its characters without authorization. The publisher, Square Enix, already recalled the five volumes of the series published so far and stopped releasing the manga digitally. [Anime News Network]
Creators | Gail Simone and Ethan Van Sciver talk about bringing Wonder Woman to Gotham City in their two-part story for DC Comics’ new digital first anthology Sensation Comics Featuring Wonder Woman. [Hero Complex]
Creators | Sonny Liew, creator of Malinky Robot and the artist of The Shadow Hero (written by Gene Luen Yang) was born in Malaysia, went to school in Singapore, then went to college in the United Kingdom and art school in the United States on his way to becoming a comics creator. There wasn’t much of a homegrown comics scene when Liew was growing up, so he read mostly imports, but that’s changing, and his newest project is an anthology featuring creators from the region. [The Malay Mail]
Comic-Con International has come and gone, and like every year, we’re left with a metric ton of announcements, hints, speculations, sneak previews, leaked footage and open questions.
There also seemed to be more pre-convention announcements than I can remember seeing in previous years. If the past week or so of frenzied news wasn’t enough, panel coverage and from is still rolling out. Based on the past several years, we should see those continue to be doled out for the next week or two.Comic-Con is truly a month-long event, maybe almost two months when all is said and done. So it’s understandable if it’s sometimes difficult to keep track of what was announced when or to even remember that awesome thing I was so excited about a week ago but can’t name now.
There are plenty that stuck with me, however; I’ve already written about comiXology’s DRM-free titles, and some of Image’s upcoming titles, and there were plenty of others. Of course, I can’t mention all of the cool things to emerge from Comic-Con — that would just be a near duplication of everything we’ve heard about for about a month now. So instead, here are six (more) things from Comic-Con I can remember thinking were extra-awesome:
Aquaman may have been the most toxic superhero in 2013, but this year McAfee has decreed that Superman is kryptonite.
Hold your jokes about Zack Snyder’s Man of Steel or the New 52 costume redesign. We’re talking about the software-security company’s second annual study of which online superhero searches result in the most bad links (such as to viruses, malware and websites containing malicious software used to steal passwords and personal information).