Rob Liefeld Looks Back on Deadpool's Real Secret Origin
Film, Comic Books
“Over the years, when he heard somebody liked other artists more than his work, he was really non-competitive. The thing, though, that I think a lot of people never got about Jack was that Jack wasn’t really competitive with most other comic book artists, because in his mind, they had a different job description. When John Buscema sat down to draw an issue of Fantastic Four — and, actually, nothing I’m about to say is knocking John Buscema in any way, or any of the artists I’m going to mention here — his goal was to do an issue of the Fantastic Four. When Jack sat down to do an issue of Fantastic Four, in his mind his job description was to create a new universe, three spinoffs and take comics to another level.”
Note: The original version of this post misattributed the comment. It’s been edited to correct that, and to provide a fuller quote.
The planned April 3 presentation was to feature host Chris Gore and other comedians reading “aloud the weirdest and wildest fan fiction found on the Internet,” a description that was met with a barrage of angry tweets and blog posts over the past several days.
“Hey WonderCon, mocking fanfiction isn’t mocking words on a page,” one person tweeted. “It’s mocking the people who wrote it. You know … BULLYING?” Another wrote, “If you wish to have a panel on fanfiction, it should be to celebrate not mock it. Fanfic is a vital part of fan culture.”
However, both WonderCon organizers and Gore stressed that the purpose of “Fan Fic Theatre” was never to mock the authors or their work.
Batgirl heads from Burnside to Anaheim with series artist Babs Tarr’s program cover for WonderCon 2015.
The convention’s Toucan blog unveils the cover, along with a glimpse into Tarr’s creative process — and a hint that a T-shirt may be on the way. The program books will be given free to attendees at WonderCon Anaheim, held April 3-5 at the Anaheim Convention Center.
The now standard “What’s your next big storyline about?” approach to interviewing wasn’t created by the comics Internet. But before news sites existed, those conversations did take longer to reach the public. This weekend, one arrived after a 26-year delay.
Flying Color Comics retailer and Free Comic Book Day founder Joe Field wrote in with a curious discovery from his archives: a video interview conducted with Marvel writer and executive editor Mark Gruenwald at the 1988 Wonderful World of Comics Convention in Oakland, California, a precursor to today’s WonderCon.
Conventions | WonderCon Anaheim has announced the first round of guests for its April 3-5 show: Neal Adams, Becky Cloonan, Aaron Kuder, Kevin Maguire and Dustin Nguyen. [Toucan Blog]
Publishing | Magnetic Press is looking for a marketing assistant. [Magnetic Press]
Retailers | The Laughing Ogre chain has announced its Lansdowne, Virginia, location (Phoenix Comics & Toys) has lost its lease and will close Dec. 18. That store is managed by chain co-owner Gary Dills, the former ComicsPRO treasurer named as the subject of an investigation into a possible misuse of organization funds. The chain has two other locations, in Fairfax, Virginia, and Columbus, Ohio. [Laughing Ogre, via Bleeding Cool]
Conventions | Marking San Francisco’s third year without WonderCon, pop-culture critic Peter Hartlaub relates the feelings of “confusion, withdrawal and anger” experienced by local fans, and explains why city leaders should care whether the convention ever returns from Anaheim. [SFGate]
Creators | Gary ODD Edmund combined two things he loved, comics and “marijuana culture,” to come up with the comic The Bud. While weed may be the news hook in this story, the numbers are interesting as well, as Edmund claims to have made $10,000 last year selling The Bud at comics conventions, where he typically moves 200 to 300 copies per event. He is now at the point where it’s worth his while to drop other projects to make more time for The Bud, and he figures his Bud-related income will at least triple this year. Can’t make it to a comic con? There’s a digital version as well, available via indie publisher CCP Comics. The digital release of The Bud (on 4/20, of course) drew so much traffic it crashed CCP’s website. [AOL Jobs]
Most businesses caught up in a social-media firestorm over a product might’ve issued an apology or hunkered down and quietly waited for the controversy to pass, but not Tankhead Custom Tees.
The Murrieta, California-based company was thrust into the spotlight this week after a photo taken at WonderCon Anaheim of one of its T-shirt designs — “I Like Fangirls How I Like My Coffee […] I Hate Coffee” — was posted on Twitter, drawing intense criticism from fans and creators alike. Allison Baker, MonkeyBrain Comics co-founder and a CBR columnist, pointed to the image as an example of “what chauvinism looks like,” while writer Greg Rucka unleashed his fury on both the person selling the shirt and those who support its sentiment: “What in the name of everlovingfuck is the matter with you?”
In a Facebook post responding to “some bad word on our fan girl shirt,” Tankhead insists “a certain few bloggers” who have accused the company of sexism “completely ignored our other variant shirt on display or didn’t even bother to ask our take on it.” The statement is accompanied by a photo of a similar T-shirt that replaces “Fangirls” with “Fanboys.”
Politics | Framing the controversy as part of a larger political battle between South Carolina’s lawmakers and its public universities, The Washington Post wades into the ongoing saga surrounding the House of Representatives’ vote to reduce funding to two schools after they selected gay-themed books for their summer reading programs. The newspaper uses as its entry point the Monday performances in Charleston of Fun Home, the musical adaptation of the Alison Bechdel graphic novel that was chosen last summer by the College of Charleston, drawing the ire of a South Carolina Christian group and conservative lawmakers. The Post reports that several state legislators suggested they viewed the staging of the musical as “a deliberate provocation,” and will seek to cut even more funding in response. The South Carolina Senate has yet to vote on the state budget, which includes the cuts to the schools. [The Washington Post]
Since making his comics debut in 2003 with IDW’s CSI: Crime Scene Investigation, the artist has gone on to draw more than 2,000 pages and covers for the publisher on titles ranging from Angel to Land of the Dead to Clive Barker’s The Great and Secret Show. However, Rodriguez is best known for his lengthy collaboration with author Joe Hill on the bestselling horror series Locke & Key.
“I’m deeply honored to start this new journey with my long term friends and partners from IDW Publishing. I’m excited, thrilled and thankful,” he said in a statement. “This is not only a major step in my professional career — over time, Ted Adams, Chris Ryall and everyone from the IDW team have become close friends of mine, making me feel part of a family. It’s both amazing and challenging to start this new stage in our creative collaborations, sharing a common vision: passion for art and comics, deep love for storytelling, high standards in personal and professional relationships. I hope to be able to give my very best in projects to come, and the few things we’ve already discussed hinted a path of amazing possibilities! It’s somehow overwhelming, it can’t get better than this.”
Rodriguez’s next IDW project is Little Nemo: Return to Slumberland, a collaboration with Eric Shanower announced last year at Comic-Con International. The eight-issue miniseries is scheduled to debut in August; an eight-page ashcan was distributed over the weekend at WonderCon.
Dark Horse will bring three con-exclusive variant covers to WonderCon April 18-20, as well as two limited-edition hardcovers.
The first issues of both Buffy the Vampire Slayer Season 10 and Angel & Faith Season 10 each get a variant, by Tomb Raider art director Brian Horton and Angel & Faith artist Steve Morris, respectively. They cost $5 each, and you’re limited to five copies of each.
Usagi Yojimbo artist Stan Sakai has drawn a variant cover for Dark Horse’s upcoming The Witcher comic, based on the video game of the same name. All proceeds from the sale of this limited-edition variant will benefit Stan and Sharon Sakai.
Finally, they will be selling limited hardcovers collecting the recent Itty Bitty Hellboy miniseries by Art Baltazar and Franco, and The Last of Us: American Dreams by Faith Erin Hicks and Neil Druckmann.
Check out the covers after the jump.
If you’re out East and attending Awesome Con, you can find a variant cover for the Adventure Time 2014 Annual #1, which sports a cover by Ian McGinty. At Wonder Con, you can find several variant covers, including Bravest Warriors 2014 Annual #1 by Sam Lavagnino (he’s the voice of CatBug on the Bravest Warriors show), Herobear and the Kid: Saving Time #1 by Mike Kunkel, Lumberjanes #1 by Jess Fink and Translucid #1 by Dan Duncan.
Check them out below, along with BOOM!’s signing and panel schedules for each con. Both conventions are scheduled for April 18-20.
Conventions | Although convention organizers rolled out an altered name — WonderCon Anaheim — and logo when they confirmed two weeks ago that the event will return to Anaheim, California, again next year, they insist they haven’t close the door on San Francisco. “We still want to get back to the Bay Area. […] We are in touch with [the Moscone Center organizers] fairly regularly and we have an open dialogue,” says David Glanzer, director of marketing and public relations. “They haven’t given up on us, either.” The convention was uprooted from the Moscone Center in 2012 first because of remodeling and now because of scheduling conflicts. WonderCon Anaheim will be held April 18-20. [Publishers Weekly]
Digital comics | I spoke with Archie Comics Co-CEO Jon Goldwater and iVerse Media CEO Michael Murphey about the new “all-you-can-eat” digital service, Archie Unlimited. [Good E-Reader]
Conventions | WonderCon organizers have announced that next year’s show, set for April 18-20, will again be held in Anaheim, California. This will be the third year for the event at that location, after having been uprooted from its longtime home at San Francisco’s Moscone Center first because of remodeling and now because of scheduling conflicts. [Los Angeles Times]
Publishing | Nick Barrucci, CEO and publisher of Dynamite Entertainment, looks back on 10 years in the business, and discusses some upcoming comics, including J. Michael Straczynski’s Twilight Zone and the new kids’ line Li’l Dynamites. [Previews World]
Whether WonderCon stays in Anaheim is still up in the air, but no doubt it’s already becoming a favorite event for Southern California. Year Two already appears exponentially more successful than last year, when WonderCon first took up residence in Disney Town.
Three-day badges and badges for Friday and Saturday sold out early, when last year you could easily do a walk-up on any day. The fast acceptance of WonderCon is at least in part due to those burned out on Comic-Con International or frustrated at the five-second sellout looking for a local alternative. It’s not just a good substitute, it’s a great convention. It also had the first big comics announcements of the year to kick off convention season. Looking through coverage here at Comic Book Resources and beyond, there were plenty of things that ranged from boring to intriguing to exciting, but three stood head and shoulders above the rest because of their potential to appeal to larger audiences.
With comics sales on the rise, these publishing moves not only do their part in boosting momentum but in helping the gradual shift of social perception of the comics form. Comics like these always excite me because it’s a reminder of the unique reach comics can have in grabbing people’s attention when the right pieces are in place. More and more these days, there are comics for anyone and when innovative thinking is applied as it is here, they stand a better chance in reaching people that don’t make it a habit of seeking out comics. Of course, comics have long had a problem getting these kinds of things right, so as we’ll see there are challenges, but the potential is exciting.
In what Lucasfilm and Dark Horse call “the biggest event in the history of Star Wars comics,” the publisher revealed over the weekend at WonderCon it will adapt George Lucas’ rough-draft original screenplay for the 1977 blockbuster.
Debuting in September, the eight-issue miniseries will be written by LucasBooks Executive Editor J.W. Rinzler and drawn by Mike Mayhew.
Lucas’ original version, called The Star Wars, featured elements that found their way, in substantially altered form, into ground-breaking movie franchise: “lazer swords,” Jedi Annikin Starkiller, General Luke Skywalker, an alien Han Solo, and evil Sith Knights.
“I’m not sure where I first read about The Star Wars—it was years and years ago — but the idea of Luke Skywalker being an older Jedi General, and Han Solo being a six-foot-tall lizard, turned my Star Wars fan brain on its side,” longtime Star Wars editor Randy Stradley said in a statement. “I always assumed this would be one of those stories that would be ‘lost to history,’ so getting to work on bringing it to life is kinda like a dream come true.”