X-POSITION: Nicieza Body-Slides From "Age of Apocalypse" to "Deadpool & Cable"
The tagline for one1990s wrestling promotion was “Where the Big Boys Play!” Wonder what they’d think of Archie Andrews?
Following a recent uptick in pro-wrestling appreciation by the comics industry, Archie Comics has released a digital collection of its wrestling-themed stories. Given the cover image and title, Archie & Friends Wrestle Maniacs, Archie gives a bit of a nod to WWE’s Wrestlemania and Hulk Hogan (whose fans are “Hulkamaniacs”).
Many fans were surprised when it was announced last month that former pro wrestler CM Punk will make his Marvel writing debut in February’s Thor Annual #1, but of course the connection between comics and wrestling goes way back: Icons like the Ultimate Warrior, Mick Foley, Raven, Christopher Daniels, Booker T and Tony Atlas have all tried their hands at comics. However, it isn’t a one-way street, as one pro wrestler has used his passion for comics to inform an entire wrestling promotion: Philadelphia’s CHIKARA.
The man behind it, Mike Quackenbush, started wrestling in 1994, and made a name for himself on the independent scene during the Attitude Era and became a promoter in 2002 when he founded CHIKARA. Over the years, he has wrestled around the world against top names like CM Punk, Jushin Thunder Liger, Cesaro and Colt Cabana. But with CHIKARA Quackenbush has expanded into writing complex geek-infused storylines featuring throwbacks to comics and movies, including one memorable entrance involving a DeLorean.
On Saturday, CHIKARA will present Tomorrow Never Dies, live in Philadelphia and on iPPV, so I spoke with Quackenbush about his passion for comics and wrestling.
Legal | The Japanese publisher Square Enix has filed a counterclaim against SNK Playmore, asking Osaka District Court to rule that its manga Hi Score Girl doesn’t infringe on copyrights held by the video game company. Earlier this year, SNK brought criminal copyright violation charges against Square Enix after learning Hi Score Girl contains more than 100 unauthorized images of characters from SNK Playmore games. The manga has been put on hold because of the dispute. [Anime News Network]
Conventions | Who’s buying, and how much are they spending, at conventions? Rob Salkowitz mines the numbers from a recent Eventbrite poll of convention-goers to get some answers: Most people spend between $100 and $500 per person; cosplayers actually spend a bit more than average; and women shell out more money at conventions, while men spend more online. [ICv2]
You’d imagine that professional wrestling would be a natural fit for comics. The characters and storylines are larger than life. Undead cowboys! Evil clowns! Heroes carrying two-by-fours against a red, white and blue backdrop! Masked, underdog heroes who can fly around the ring like they have the proportional agility of a spider! Both even went through similar phases in the ’90s, with superstars taking on grim-and-gritty personae while indies made a mark with strange, unconventional ideas. So how come wrestling comics aren’t quite so prominent?
Hello and welcome to Shelf Porn. Today’s collection comes from true-crime author and journalist Sean, who shares his and his wife’s love of comics, art and professional wrestling.
If you’d like to see your collection on Robot 6, you can find all the necessary details at the end of this post.
And now here is Sean!
Conventions | Marking San Francisco’s third year without WonderCon, pop-culture critic Peter Hartlaub relates the feelings of “confusion, withdrawal and anger” experienced by local fans, and explains why city leaders should care whether the convention ever returns from Anaheim. [SFGate]
Creators | Gary ODD Edmund combined two things he loved, comics and “marijuana culture,” to come up with the comic The Bud. While weed may be the news hook in this story, the numbers are interesting as well, as Edmund claims to have made $10,000 last year selling The Bud at comics conventions, where he typically moves 200 to 300 copies per event. He is now at the point where it’s worth his while to drop other projects to make more time for The Bud, and he figures his Bud-related income will at least triple this year. Can’t make it to a comic con? There’s a digital version as well, available via indie publisher CCP Comics. The digital release of The Bud (on 4/20, of course) drew so much traffic it crashed CCP’s website. [AOL Jobs]
Taker or Lesner? Bryan or Hunter? Wyatt or Cena? Yes, it’s once again Wrestlemania weekend, and like last year I reached out to several folks in the comic community to get their take on the WWE’s signature event. Our panel shared their thoughts, opinions, hopes and dreams for tomorrow’s big card, which for the first time will be available via the WWE Network. So let’s just cross our fingers that we get to see the entire card.
Let’s meet our panel:
James Hornsby is the cartoonist behind Botched Spot, the webcomic that satirizes pro-wrestling culture, be it televised products, dirt sheets or fandom. He also makes “Over Like Olav,” a comic that focuses on his own characters, Olav and Rad Bad DeBone, as they make their way through the wrestling world. Check out his work at www.jameshornsby.com or www.botchedspot.com, follow him on Twitter @BotchedSpot, and see him on Facebook at facebook.com/botchedspot.
Legal | The creator of the Islamic superhero comic The 99 says he hasn’t been officially notified of a reported ban of the animated adaptation of his comic in Saudi Arabia. “Nobody ever contacted me, nobody ever asked me any questions,” Naif Al Mutawa says. There have been numerous Twitter campaigns against me for a while now and so for me it’s not new. Maybe it is true this time, but I find it very difficult to believe that a group as influential and high profile as them [Saudi Arabia’s Permanent Committee for Scholarly Research and Ifta] wouldn’t recognize the good that The 99 has done for Muslims around the world.” He adds that the comic has been available in Saudi Arabia for seven years, while the cartoon has been airing for two and a half years, making the timing of a ban “a bit weird.” [Gulf Business]
Legal | A dancer seriously injured last month during a performance of the Broadway musical Spider-Man: Turn Off the Dark insists the accident was caused by malfunctioning equipment and not, as the show’s producers contend, by human error. Daniel Curry made the claim in documents filed Monday in Manhattan Supreme Court that seek to prevent the production from altering or destroying the computerized stage lift before his experts can inspect the equipment in preparation for a potential civil lawsuit. He’s also requesting maintenance records and any internal reports about the accident. The 23-year-old Curry was injured during the Aug. 15 performance of Spider-Man when his leg was pinned in an automated trap door. According to court papers, he suffered fractured legs and a fractured foot, and has had to undergo surgeries and unspecified amputations. [New York Daily News, The New York Times]
Comics strips | Matt Saracini looks at the impact on Australian cartoonists of a cost-cutting decision by media giant News Corp. Australia to replace individual comics pages in their largest newspapers with one national page. In the process, some more expensive locally produced strips were jettisoned in favor for cheaper syndicated ones from overseas, like Garfield and The Phantom. News Corp. owns more than a hundred daily, weekly, biweekly and triweekly newspapers. [SBS.com]
Creators | Syrian cartoonist Ali Ferzat, now living in Kuwait after troops loyal to Syrian President Bashar al-Assad attacked him and broke both his hands, talks about his decision to portray al-Assad explicitly in his cartoons, rather than sticking to more generic themes like freedom and human rights: “It was a big decision to start to draw Bashar and, yes, I was scared of what might happen, particularly when I was attacked. But I had a responsibility to do what I did. If I am not prepared to take risks I have no right to call myself an artist. If there is no mission or message to my work I might as well be a painter and decorator.” [The Guardian]
It’s the first Saturday in August, and what does that mean? Shelf Porn! Today’s shelves come from Willie, who shows us his comics, Lucha Libre masks and Hiro, the comic-guarding dog.
If you’d like to see your collection featured here on Shelf Porn, check out the submission instructions for complete details.
And now let’s hear from Willie.
Graphic novels | April was a slow month for new graphic novel releases, so the BookScan Top 20 had plenty of room for some backlist titles. The Walking Dead dominated, of course, but the 10th volume of Sailor Moon was there for a second month and actually moved up a notch. And the first volume of Saga came in at No. 12, perhaps because people were curious as to what all the fuss is about. [ICv2]
Editorial cartoons | Nick Anderson, the Pulitzer Prize-winning cartoonist for the Houston Chronicle, has responded to Texas Gov. Rick Perry’s criticism of Jack Ohman’s cartoon with a cartoon of his own. [Comic Riffs]
Conventions | Jeff Smith, Brian Wood, Sean Murphy and Raina Telgemeier are the headline guests at the Maine Comics Arts Festival in Portland on May 19. [Foster’s Daily Democrat]
CM Punk might have had a rough Sunday taking on the Undertaker and his unbeaten streak at Wrestlemania, but his week seems to be getting better: The WWE has released a new shirt for the former WWE champion designed by Beasts of Burden artist Jill Thompson.
Thompson is no stranger to the wrestling world, having designed gear for Daniel Bryan and having teamed with Mick Foley for a couple of wrestling-themed kids’ books. And Punk,a comics fan, recently penned the intro to the Avengers vs. X-Men hardcover. Now where’s that Marvel book they once talked about?
A few years back, to celebrate the WWE’s annual Wrestlemania event, I reached out to several comic folks who I knew were wrestling fans to get their predictions on how the matches would go. It was a lot of fun; so much fun that apparently I let three years go by before doing it again (in my defense, I had a baby somewhere in those three years, so … yeah).
In any event, this year I got my act together enough to reach out to some of my Robot 6 colleagues, as well as several members of the comics community, to once against ask: Rock or Cena? Brock or Triple H? Undertaker or Punk? Scholars or Funk? Our panel shared their thoughts, opinions, hopes and dreams for tomorrow’s big pay-per-view event.
WWE fans have been wondering all week who CM Punk would choose to fight at the WWE’s next pay-per-view event — his old nemesis John Cena or the as-yet-undefeated (at least under his current gimmick) Ryback. But here’s something else to wonder about: Was he Team Cyclops or Team Captain America?
No doubt we’ll find out in a few short weeks, as Punk drops one of his vintage “pipe bombs” on comics fans. The WWE Champion has been tapped to write the introduction to the Avengers vs. X-Men hardcover, due in stores Nov. 7.
“I worked really hard to get to where I’m at and it’s cool to be afforded opportunities like this. To me, it’s hard work paying off and I’m having a lot of fun right now,” Punk told USA Today’s Brian Truitt.