X-Men: First Class
Did you know that there is a U.S. government website to help you complete common New Year’s resolutions? Seriously, take a look; it’s the “U.S. Government’s Official Web Portal” and there’s a lot of benign but helpful info about getting a passport or a story about a wedding dress made out of a parachute, but yeah, in the middle of that is a helpful list of the most common New Year’s resolutions with links to a website or brochure that could offer helpful information and suggestions.
Last year, when I carved my own New Year’s resolutions into internet stone, I was incredibly thankful for the comments left with the list. Helpful and commiserating readers shared ideas on how to succeed, suggestions on what to read and joined in fist-shaking at the lure of Apple products. So while I may not know how much your savings bond has gained interest, I can help out with some simple comic book reading resolutions and hopefully can inspire others to make their own. I also have a kick ass cosplay pic in lieu of a touching WWII wedding tale. So there’s that.
Want to know which resolution I miserably failed at last year? Keep reading, true believers!
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My son is 10 and a romantic, as all 10-year-olds surely have the right to be. How then do I speak to him of this world’s masterminds who render you a supporting actor in your own story? How do I speak of the Sentinels whose eyes melt history, until the world forgets that in 1962, the quintessential mutants of America were black?
—from a New York Times op-ed piece on Matthew Vaughn’s X-Men: First Class by Atlantic contributor Ta-Nehisi Coates. In the piece, Coates praises the film as “the most thrilling movie of the summer…narratively lean, beautifully acted and, at all the right moments, visually stunning” — and at the same time finds the makeup of the film’s mutant heroes and anti-heroes an unintentionally revealing glimpse into the American psyche. “Here is a period piece for our postracial times — in the era of Ella Baker and the Rev. Dr. Martin Luther King Jr., the most powerful adversaries of spectacular apartheid are a team of enlightened white dudes.”
Coates elaborates on both points, and more besides, on his blog. “It is easily one of my top five comic book movies ever, and significantly better than any of the other X-movies to date,” he writes, even after comparing it unfavorably to the racially homogeneous but racially aware Mad Men and calling it “a period piece blind to its own period.” He also offers a quick take on the pros and cons of the film’s treatment of women, a point examined in depth by The Mary Sue’s Susana Polo.
Elsewhere on the “sociopolitical examinations of the latest X-movie” beat, ThinkProgress’ Matthew Yglesias agrees with a point of Polo’s and argues (twice) that Magneto’s out-and-proud Brotherhood of Mutants has a far more appealing message than Xavier’s accommodationist group; Ezra Klein disagrees, pointing out that Magneto’s agenda is a supremacist one, and wondering if the real dividing line between rival mutant camps would be one between those who could profit monetarily from their abilities (eg. Storm selling her rainmaking services to agribusiness conglomerates and drought-stricken nations) and those who couldn’t; and Adam Serwer connects the film with Avatar‘s enlightened-colonizer-goes-native storyline as “another example of the way the quest for racial innocence so permeates American culture that it’s almost unrecognizable.”
Everyone has a a particular favorite in the X-Men. I mean, there’s so many to choose from! The list of Marvel’s merry mutants goes on and on, so it’s not surprising that someone’s a fan of that one guy from issue #86, third from the left (his name was Vindaloo). You may not be able to stand Meggan from Excalibur, but trust me. Someone has a livejournal devoted to her. Super fans dress up like Jubilee and campaigned to get her back in the X-books. Through staff dedication and fan outcry, we have two volumes of the Essential Dazzler. I am certain there is a comic convention by-law where for every so many people, there has to be a question posed for the return of an obscure X-Men character. Bring back Chrome! There are an amazing amount of X-characters contained in the Marvel Universe (despite Wanda’s wishes) and all of them are facets to the unique jewel of the X-titles.
So, who’s the guy who asked for Azazel?
I didn’t think he had a fan club. I didn’t think people wanted to remember the unbelievable “The Draco” storyline he came from. And now, he’s in a movie? Why? Out of all the characters who have had better origins, purposes and basic character design, why in Cerebro’s name did they pick a cheesy self-styled Satan for one of their antagonists?
WARNING: We are spoiler free!
If you thought the first X-Men: First Class movie poster was kind of boring, you aren’t alone — the blog Super Punch thought so as well, so they held a contest to redesign it. You can see all the entries over there now, and they plan to reveal the winner later today.
Bryan Singer will move from directing to producing X-Men: First Class to enable 20th Century Fox to move quickly on the film, which the studio hopes to release next year, Deadline reports.
That means we could see a 2011 movie slate with Thor, The First Avenger: Captain America and X-Men: First Class — plus Green Lantern, courtesy of Warner Bros.
Singer, who directed the first two films in the X-Men franchise, announced in December that he had signed on to direct First Class (he’s also rumored to helm the sequel to X-Men Origins: Wolverine). However, according to Deadline, Fox is so pleased with the First Class script Jamie Moss (Street Kings) wrote from Singer’s treatment that the studio wants to push forward. But Singer is tied up this summer with Jack the Giant Killer, so he’ll join Lauren Shuler Donner and Simon Kinberg as a producer.
“Last December, Singer agreed to direct the First Class prequel after the studio sparked to his detailed treatment,” Deadline’s Mike Fleming wrote, “with the studio knowing full well Singer would likely make the other movie first. The willingness to wait changed when execs flipped for Moss’s script.”
Singer told the Los Angeles Times last week that while the prequel will deal with the early days of Xavier’s School for Gifted Youngsters, the focus will be on the relationship between Charles Xavier and Magneto.
“Just doing younger mutants is not enough,” Singer told the newspaper. “The story needs to be more than that. I love the relationship between Magneto and Xavier, these two men who have diametrically opposite points of view but still manage to be friends — to a point. They are the ultimate frenemies.”