X-Men Archives - Robot 6 @ Comic Book Resources
In the past year, both Loki and Superman have dropped by Sesame Street to teach the beloved characters valuable (and not at all sinister) lessons, and this week it’s Magneto’s turn. Or is that Gandalf’s?
Appearing alongside Sir Cookie Monster, Ian McKellen is tasked with telling young viewers what the word resist means. But considering that Cookie Monster doesn’t even know, it’s up to the actor to explain, using a couple of vaguely familiar examples.
“Say there was something you really loved, and it pulled you towards it like some sort of powerful magnet,” says the Master of Magnetism. “If you were able to control yourself and not go near it, you would resist it.”
Distractotron has released the appropriately titled “X-Men Epic Cosplay Video,” featuring a wide range of Marvel’s mutant — and mutant-adjacent characters — from Archangel and Scarlet Witch to Omega Red and Apocalypse. There are even anti-mutant protestors, and I’m pretty sure I spotted Doug Ramsey.
Shot at DragonCon by Blake Faucette, Justin Reich and Micah Moore, it includes animation by Reich, and a lot of slow-motion effects. Fair warning: The confrontation between the Beast and Toad is the stuff of nightmares. Don’t believe me? Just look below …
Although 2006’s X-Men: The Last Stand is likely nobody’s favorite installment of the franchise, there are plenty of fans who’d like to get their hands on at least one piece of memorabilia from the Fox film: Wolverine’s adamantium claws. And on Tuesday they’ll get their chance.
The 10.5-inche resin blades used by star Hugh Jackman are expected to go for as much as $23,550 (£15,000) at the biannual pop culture sale held in London by Christie’s auction house.
Years before his breakthrough works such as Why I Hate Saturn, Kyle Baker was an intern at Marvel. And although he was admittedly a poor fit for superhero comics, his editors saw something in the artist and gave him an outlet in It’s Genetic, a series of one-panel comics for the company’s promotional magazine Marvel Age.
Although Baker would go on to do different things, these early illustrations demonstrate how Baker — to say nothing of Marvel — wasn’t afraid to poke fun at one of the company’s biggest properties. Take this for instance:
Tear up your holiday wishlist, because the chances are that whatever was on it is nowhere cool as this device from Ellusionist, which allows you to launch actual fireballs — “magnificent balls of fire,” as the manufacturer calls them — from the palms of your hands, as if you’re X-Men foe Pyro or Prince Zuko of the Fire Nation. Seriously.
As the website cautions, the Pyro Fireshooter by Adam Wilber is not a toy. Definitely not. It’s a pyrotechnic gadget for adults who … want to look badass, and possibly set things on fire. Magnificent balls of fire!
The website contains all the details — four individually triggered barrels, flash cotton or paper packs, etc. — along with a pretty cool video (which, alas, isn’t embeddable) and the price: $174 each, which seems pretty reasonable. Not that I’ve bought a lot of handheld fireball launchers, mind you …
Ruby quartz doesn’t sound that unattainable, but finding sunglasses similar to what X-Men leader Cyclops wears is harder than you might think. Freelance editor/journalist Rachel Edidin has written an excellent buying guide for Cyclops fans who want to look like the cinematic Scott Summers.
“I own a lot of red sunglasses – in fact, for a long time, all the sunglasses I owned were red,” Edidin admits. “It’s part homage, part aesthetic preference (red sunglasses are cool, okay?), and part security blanket: Cyclops is a character I identify pretty closely with for a lot of reasons, and the sunglasses have become a pretty central touchstone for that metaphor. (Plus, everyone needs at least one ridiculous visual affectation, right?)”
Kia Motors, which previously partnered with DC Entertainment for a line of Justice League-themed Optimas, is now sinking its claws into Wolverine. Or rather, Wolverine is sinking his claws into a Kia.
The Korean automaker has produced a one-off Sorento that brandishes the popular antihero’s signature claws — and claw marks — to help promote the Blu-ray and DVD release of Fox’s X-Men: Days of Future Past in Australia. The car also will be displayed in January at Melbourne Park for the duration of the Australian Open, which is sponsored by Kia.
All-New X-Men #33, Fantastic Four #12, Inhuman #7 and Wolverine and the X-Men #11 include the phrase “Created By Stan Lee and Jack Kirby,” while Death of Wolverine: Deadpool & Captain America #1 states, “Captain America Created By Joe Simon and Jack Kirby.” The credits pages can be found below.
Added with no fanfare, the credits follow a settlement agreement announced last month, ending the five-year-old fight between Marvel and Kirby’s children over the copyrights to 45 characters created or co-created by their father — among them, the Avengers, the X-Men and the Fantastic Four.
Neither side has commented publicly on their agreement beyond the joint statement, issued even as the U.S. Supreme Court was expected to decide whether it would consider an appeal by the Kirby heirs: “Marvel and the family of Jack Kirby have amicably resolved their legal disputes, and are looking forward to advancing their shared goal of honoring Mr. Kirby’s significant role in Marvel’s history.”
For X-Men fans nostalgic for the 1990s — those halcyon days when Storm was clad in white and yellow, Cyclops was fitted with unnecessary straps, and Colossus still sported pointy shoulder-thingies — Funko is releasing a line of Marvel Classic X-Men Pop! Vinyl bobble-heads.
Available in November, the set features 3.75-inch figures of the aforementioned Cyclops, Storm and Colossus, plus Professor X, Magneto and Mystique, all in their ’90s finest. You can check them all out below.
According to the Dayton (Ohio) Daily News, a man called police to report his $140,000 comic-book collection was stolen from his apartment Thursday after he split with his girlfriend.
He apparently was told to leave the apartment while she moved out, and when he returned there was some kind of physical altercation with her family — the specifics of which weren’t revealed. Afterward, he discovered his box of comics, including X-Men #1, was gone.
That, of course, raises a few questions: Was that 1963’s The X-Men #1, or 1991’s X-Men #1 (I’m guessing the former)? Was it a long box, which holds about 250 to 300 comics, or something larger? What other presumably Silver Age or even Golden Age comics were among that little treasure trove? And why, for the love of Galactus, would you leave something so valuable in your apartment while your ex, or your ex’s family, moves out items in the aftermath of a clearly unpleasant breakup?
Police haven’t charged any suspects.
Marvel’s X-Men titles have by far the highest number of iconic female characters in all of comics — whether it be the superhero genre or elsewhere. It’s thanks in no small part to the work of writer Chris Claremont and artists like John Byrne and Paul Smith, but man others followed, and added to the ensemble, including Joss Whedon and John Cassaday, who created Abigail Brand. And now artist Kris Anka is paying tribute to these X-Men in an expansive, limited-edition print called “Ladies of X 2.”
In the first major update to its Uncanny X-Men: Days of Future Past mobile game, Glitchsoft has added Storm and Polaris as playable characters.They can be unlocked with the completion of the third level.
What’s more, the game is available for 99 cents from the App Store for the duration of Comic-Con International.
Marvel and Wizard World have unveiled Jorge Molina‘s exclusive variant cover for the 100th Anniversary X-Men Special #1, which will be given free to VIP attendees of the Aug. 1-3 Wizard World San Antonio Comic Con.
Limited to 3,000 copies, the variant is the latest entry in a deal between Marvel and Wizard World in which a limited-edition cover will be available at each of the 16 Wizard World Comic Con events scheduled this year. Previous variants in the series featured work by Neal Adams, Greg Horn, Michael Golden, David Mack, Mike Grell, John Tyler Christopher and J.G. Jones.
In an interesting analysis, Eriq Gardner of The Hollywood Reporter sees signs the U.S. Supreme Court might consider the five-year dispute between Jack Kirby’s heirs and Marvel over the copyrights to many of the company’s most popular characters.
The Second Circuit Court of Appeals in August upheld a 2011 ruling that Kirby’s Marvel creation in the 1960s were work for hire, and therefore not subject to copyright reclamation by his children. (They had filed 45 copyright-termination notices in September 2009, seeking to reclaim what they saw as their father’s stake in such characters as the Avengers, the X-Men, the Fantastic Four and the Incredible Hulk; Marvel fired back with a lawsuit.) In their March petition to the Supreme Court, the Kirby heirs took aim at the Second Circuit’s “instance and expense” test, arguing that it “invariably finds that the pre-1978 work of an independent contractor is ‘work for hire’ under the 1909 Act.”
Gardner points out the the justices discussed the petition at a May conference, and then requested that Marvel respond (the company initially didn’t file a response). Those p0tential portents were followed by a pair of friend-of-the-court briefs: one filed by Bruce Lehman, former director of the U.S. Patent and Trademark Office, on behalf of himself, former U.S. Register of Copyrights Ralph Oman, the Artists Rights Society and others, and the other by attorney Steven Smyrski on behalf of longtime Kirby friend Mark Evanier, Kirby historian John Morrow and the PEN Center USA.
Art dealer Sal Abbinanti has unveiled two new Alex Ross lithographs that will be available next month at Comic-Con International.
Ross, who’s been reaching back into Marvel history for a series of variant covers celebrating the publisher’s 75th anniversary, here depicts the 1970s X-Men lineup and a fairly timeless Captain America. The renowned artist recently tackled both subjects in a pair of variants, capturing Xavier’s first students in a later era.