Marvel history is filled with grudges, the kind that aren’t settled with harsh words and tough love over warm tea. Nope, they’re settled with fists — or sometimes claws, hammers or psychic blasts. WeLoveFine celebrates three of these ongoing rivalries with some new shirts featuring playbills for the brawl-to-end-all: Professor X vs. Magneto, Thor vs. Loki and Wolverine vs. Sabretooth.
I have it on good authority that they’re hoping to do more of them, so who would you like to see next? Spider-Man vs. Doctor Octopus? Captain America vs. The Red Skull? Howard the Duck vs. Dr. Bong? Share your ideas in the comments section.
Are you getting excited? New teasers and trailers are being released almost every day now. The countdown to Summer Movie Season is officially on, and the big blockbusters adapting comics are looking promising. Iron Man 3 has an armada of armors flying around; can’t really go wrong there. The Wolverine has ninjas as far as the eye can see. And the bearded and brooding Man of Steel might even end up being good. Throw in a little Kick-Ass 2 and RED 2, sprinkle with R.I.P.D. and 300: Rise of an Empire, and top it off with 2 Guns, and you’ve got yourself one fun summer.
While we still get clunkers, the ratio of good to suck has definitely improved. It used to be that the old chestnut response to a movie adapted from a novel could be more often than not applied to movies adapted from comics: The book was better. And it’s often still true. But there are times when the movies do it better than comics, and while that’s great for the filmmakers and audiences, in a way it’s an indictment on the comics-makers.
Comics offer more boundless creativity than almost any medium. With comics, there’s no studio executive, no creation-by-committee made up of shareholders and board members with less experience creating and telling stories than their companies’ interns. It’s why Tony Stark being an alcoholic doesn’t fly with Disney and was removed from Iron Man 3. Comics can still include collaboration and compromise but they can just as easily be the result of a single voice. Even with the most heavy-handed editorially mandated comics, they’re still created by a fraction of people needed to make a Hollywood movie. Comics are generally more spontaneous, imaginative and clever than most major studio movies. But sometimes, Hollywood gets the jump on comics.
Happy Saturday and welcome to Shelf Porn, where fans show us their collections. Today’s shelves come from Nicholas in Illinois, who shows us his comics, action figures, statues and other collectibles.
If you’d like to submit your collection, find all the details on how to do that here.
And now let’s turn things over to Nicholas …
YouTube link-clicking has replaced channel-surfing in my house these days, so I happened upon this fantastic video from science guy Vsauce called “Is Your Red the Same As My Red?” It’s about color comparison, qualia, the explanatory gap and the theory of mind, and it’s a fantastic watch at around 10 minutes. So check it out when you’re in a Mr. Wizardy or Bill Nye-ish sort of mood and learn why painting a room with a spouse can become quite a challenge when no one can really explain what an off-white means to them.
This, of course, got me thinking about comics. Despite the basic “refracted light” of basic character bios, I’m pretty sure not every fan sees the same characters on the page. Our own influences, when we started reading, what popular culture was thinking at the time, there are so many exterior conditions that can bring a hero or villain to popularity or disuse that I can’t imagine what it’s like for the House of Ideas to try to single out a “new hit” to promote. Take Rogue, for example: At heart, she’s a scrappy Southern gal who can’t touch anyone for fear of draining their life force. Pretty basic, but when colored by the reader’s perception, this could be a metaphor for trauma survivors, an example of teenage physical anxieties, just a dangerous “bad girl” who tantalizes you by being actually physically dangerous, or a number of things. All of these reasons can catch the imaginations of fans and keep them reading, each for their own purposes.
Hello and welcome to What Are You Reading?, where the Robot 6 crew talks about the death of … oh, wait, we already did that. In fact, nobody brought up [REDACTED] in their write-up this week. But they did talk about a bunch of other comics.
Our guest this week is cartoonist and teacher Ben Towle, creator of Oyster War, Midnight Sun, Amelia Earhart: This Broad Ocean and much more. Check out his website for all kinds of fun art and pin-ups (Alien Legion!).
To see what Ben and the Robot 6 crew have been reading, click below.
Creators | Laura Sneddon talks to Neal Adams about his life in comics, including the time Stan Lee offered him the opportunity to work on any comic Marvel published: “I said, ‘Ohh okay, I see. So what’s your worst-selling title?’ He said, ‘X-Men, we’re gonna cancel it in two issues.’ I said, ‘You know what, I’d like to do X-Men.’ He said, ‘I just told you we’re gonna cancel it in two issues.’ I say, ‘Well fine! You know for two issues I will do X-Men. And that will be fine.’ He said, ‘Well okay. We’ll [write/run] it as long as we can, we’ll make you a deal. You can do X-Men, then we cancel it, then you gotta work on an important book like the Avengers.’” [The New Statesman]
Love stinks. Yeah, yeah.
It’s the ugly truth and a catchy song, but neither of those makes the statement any less real for the Marvel Universe. If I ever found myself trapped in the funny pages of my favorite Marvel comic, the first thing I’d do is move out of New York City. The second would be to never, ever fall in love. It’s just bad news, a death sentence, a waste of time that will only be written and rewritten at the first sign of a sales slump or a lazy story. Lust is one thing, one-night stands, longing looks, flings and things are all a different story, but love? Real, true, committed love? The kind that some believe you only see in fiction? Don’t look for it in the pages of Spider-Man.
More sad truths persist: There’s just not a lot of profit in true love. The Stable Adventures of Spider-Man and His Wife is way too long to grace a comic cover and doesn’t grab our attention as much as an unanswered question will; the romantic chase is what keeps readers tuned in, but even that can sour if it’s not shaken and stirred from time to time. Look at Rogue and Gambit! They’ve been Will-They-Won’t-They since they laid eyes on one another and became such a staple of shipping hearts of ’90s children (like myself) that their very characterization withered on the vine. They lost all sense of who they were without one another but still couldn’t commit to a permanent relationship. And those who have? The merry, married Marvel heroes?
It’s not pretty. If I was the Beaubier-Jinadus, I would have made a very firm pre-nup. Is there any hope for a happy Valentine’s Day for these newlyweds? Read on!
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Crater XV HC (Top Shelf, $19.95): I’ve been following (and loving) the serialization of Kevin Cannon’s follow-up to Far Arden in the digital pages of Double Barrel, but I know that I’ll be picking up this hardcover collection of the further adventures of sea dog Rusty Shanks nonetheless. The Canadian space program deserves no less.
In The Days of the Mob HC (DC Comics, $39.99): To say that Kirby’s 1970s take on the organized-crime world of the 1930s is something I’ve been longing to read since I first discovered its existence would be an understatement, so I’m definitely looking forward to this deluxe reprint, complete with material that wasn’t in the original edition.
Indigo Prime: Anthropocalypse TP (Rebellion/2000AD, $24.99): John Smith’s cosmic authorities are one of comics’ most secret treasures, I think, especially when he’s paired with an artist like Edmund Bagwell, who brings a wonderful Euro-Kirby influence to the stories in this collection. Really looking forward to this one.
Relish: My Life in the Kitchen GN (First Second, $17.99): As a sucker for good autobiographical comics and also good food writing, the idea of Lucy Knisley creating a food-centric memoir — complete with recipes! — is far too good to ignore. I love that publishers like First Second are publishing work like this.
Solo Deluxe Edition HC (DC Comics, $49.99): Even though I own most of these issues from their original appearance, the oversized hardcover format is waaaay too tempting when you consider some of the material this book has up its 500+ page sleeve: Paul Pope covering Kirby! Brendan McCarthy channeling Ditko as only he could! The amazing Darwyn Cooke issue! The only thing that could make this better would be if it included work completed on follow-up issues before the plug had been pulled … But maybe that can appear in a second volume, one day…
Although tickets for this year’s Comic-Con International don’t go on sale until Feb. 16, it’s likely they’ll go fast, and many fans who want to attend will have to look for other ways to get a badge.
Here’s one of those alternative opportunities: WeLoveFine is holding an X-Men & Wolverine Design Contest, with the grand prize being a trip to San Diego for this year’s. All you have to do to enter is design a T-shirt featuring the X-Men that’s good enough to impress the judges — one of whom is legendary X-Men writer Chris Claremont.
Claremont, one of comics’ “Iron Men,” knows a thing or two about the X-Men, and he worked with some of the industry’s best artists during his almost 200-issue run on Uncanny X-Men. So it’s a bit intimating, to say the least, but if you’re up for the challenge, then best of luck … we hope you survive the experience.
More details on the contest can be found below.
Over the course of eight-plus seasons of NBC’s The Office, we’re learned a lot about Dwight Schrute: He operates a successful beet farm, and a not-so-successful bed and breakfast, he’s served as a volunteer deputy sheriff, his grandfather may or may not be a Nazi war criminal.
But last night’s episode provided viewers with perhaps the greatest revelation of all: As a child, Dwight spent time at a special school for children hated and feared by humanity for no other reason than … they are mutants!
That chapter from Dwight’s past surfaced as he interviewed candidates for a job at Dunder Mifflin — a pool that included his cousin Mose, his former babysitter/lover, and one of his classmates from “X-Men School.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this Wednesday, it’d be all Image for me – starting with Nowhere Men #3 (Image, $2.99). The Beatles as a scientific supergroup, through the lens of Dr. Strangelove? Let’s do this. I’ve been a big fan of Nate Bellegarde for a while, and this book finally seems to capture what’s unique about him – his comedy, his stark scientific acumen, and his humanism. After that I’d get Glory #32 (Image, $3.99). Beautiful cover by Ricken here, and reads like a great manga building up to some epic battle. After that I’d get Brian Wood and Ming Doyle’s Mara #2 (Image, $2.99). I tried to hold back my expectations before reading Issue 1, and I was blown away – so now Issue 2 has something to prove. Finally, I’d get Invincible #100 (Image, $3.99) (Cory Walker’s cover, if you want to know!). I’ve said it before, but I’ll say it again: I think Invincible is better than The Walking Dead. No need to compare the two really, though, because no matter how you cut it, this series is great … and what Kirkman and Ottley have planned for the 100th issue looks to be unique – both for the promised deaths and the promise of seeing what could have been had Mark Grayson chosen differently.
If I had $30, I’d make up for lost time and get Brian Ralph’s Cave-In (Drawn & Quarterly, $14.95) . I’m reticent to admit this, but I’ve never read this book. I loved Daybreak, but never found a copy or the motivation to seek out more … but this Wednesday that will change.
For splurging, I already have most of this in the single issues, but I can’t help but splurge on the new collection X-Men: Mutant Massacre (Marvel, $34.99). This was my first crossover in comics, buying back-issues before I discovered events like Crisis on Infinite Earths and Secret Wars. In my rose-colored glasses, it’s an ideal crossover for not being too overbearing and relating to a conflict or situation that isn’t superhero-specific. Love the Morlocks, love Uncanny X-Men and the associated books around this time, so I’m buying this and spending an evening enjoying it all over again.
So here I was, gentle reader, tapping away at the keyboard this morning, polishing up my thoughts on Wolverine’s current employment trajectory and comparing it to a popular comedian from the ’80s when I got a message from my distinguished colleague, Mr. Tom Bondurant.
“Why is Marvel releasing solicits Friday afternoon, like the Pentagon doing a big document-dump?” he asked via Twitter, causing me to drop everything and run to my favorite and most trusted news source, this very website. Lo and behold, Tom was right, and Marvel’s solicitations for April had gone up just in time for the weekend. Normally, these are released in a timely fashion, as we comic book fans and retailers have a rhythm worked out for peculiar way we look forward to, order and then receive comics. Having these guys show up on a Friday and, more telling, having them seemingly reiterate information we learned throughout the week feels as if that rhythm is mutating somehow — that we might get previews for events in a different way and that Marvel promotions might be delivered to us differently in the months to come. This could either be the herald of a new way to talk about our future in our present about comics that have come out in the past, like trades or reprints, or it could be a very busy week at the Bullpen and they only got this list out today.
Either way, April is waiting. Read on!
Legal | Both Warner Bros. and automobile customizer Mark Towle have filed for summary judgment in the studio’s 2011 copyright-infringement lawsuit against Towle, whose Gotham Garage sold several replicas of the Batmobile. Warner, the parent company of DC Comics, claims the design of the Batmobile is its intellectual property, while Towle argues that copyright law does not regard a “useful object,” such as a car, as a sculptural work and therefore the design can’t be copyrighted. [The Hollywood Reporter]
Crime | Police in Lincoln, Nebraska, are investigating the theft of 600 X-Men comics, dating back to the 1970s, from the communal storage area of an apartment building. [Journal Star]
If you’re a comics fan who came of age in the ’90s watching the terribly animated X-Men cartoon as part of the Fox Kids Saturday morning lineup, you’ll likely appreciate this video, which recreates the show’s opening using action figures and stop-motion animation. According to Kyle Roberts’ YouTube page, he used more than 4,000 pictures, and “spent two months rotoscoping and animating all of the special effects.” Add to that the work done by Nathan Poppe on the doodle-style background, and the theme song recreated by Colin Nance and Zach Zellar.
And on top of all of that, there’s a mildly amusing framing sequence. Still, though, the stop-motion credits sequence is the star of the show.
Now that more books are out and more of the lineup is being revealed, letting us know what’s in store, we’re in a better position to understand Marvel NOW! This week was a big one as All-New X-Men hit the stands with Fantastic Four, Thor: God of Thunder and the possibly underrated X-Men Legacy. The two X-books are important. and I might talk a little about the books as we go along, but the reason why is because, before today, I had no idea what on Earth Marvel’s Merry Mutants were going to be doing. We knew the school was intact, but … that was it? What about this semi-villain team that Scott’s in? He seems to want mutant unity, but has he crossed the line into superiority? Is he just the bad guy now or are we getting two “social justice” stories, two ways of handling the issue of being hated and feared? We may not have gotten all the answers, but there’s a lot more to go on than what we had by the end of AvX: Consequences.
We’re going to be waist deep in Marvel NOW! by the end of the month, so the questions about the new landscape can be more specific instead of just “Wait and see the first issue!” Looking at the solicitations, we start to put what we’re seeing this month with what will be happening three months from now and, like focusing a telescope, stories and characters are becoming more clear.
Despite being in a better position, there’s still going to be a lot of questions and some I’d even like ot pose to you, Dear Reader, as we take a stroll through February 2013 and see what Marvel will be putting to the printed page. Let’s take a look!