X-O Manowar
Food or Comics? | Creator Owned Hero Sammiches
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Graeme McMillan
Here’s the thing: I really can’t decide if I want to spend part of my $15 this week on Before Watchmen: Minutemen #1 (DC, $3.99). On the one hand, it’s a new Darwyn Cooke comic, and on almost every other occasion, I’d be all over that. But on the other … It’s Before Watchmen. And I don’t even mean that in the “I have moral qualms about DC’s ‘ownership’ and use of the characters” sense — although I do — but in the “I didn’t actually LIKE Watchmen that much, so why should I be interested in a prequel?” sense. Let’s table that one, then, and wait and see what happens in the store. Instead, I’ll grab Earth 2 #2 (DC, $2.99), the new Simon Spurrier book Extermination #1 (BOOM!, $1) and the weirdly-coming-out-a-month-before-the-movie Amazing Spider-Man Movie Adaptation #1 (Marvel, $2.99), if only because it’s been years since I’ve read a comic book adaptation of a movie and I want to support Marvel’s odd apparently-spoiling-itself plan.
If I had $30, I’d put Spidey back on the shelf and grab the final DMZ collection (Vol. 12: The Five Nations of New York, DC $14.99). I’ve been following the collections of Brian Wood’s series for awhile, and have been patiently awaiting this one since the series wrapped in single issues awhile back. Don’t spoil it for me, please.
Splurge-wise, I’d likely pick up the GI Joe, Vol. 2: Cobra Command, Part 1 TP (IDW, $17.99). The movie may have been put back, but I don’t care; IDW’s Joe comics are my brand of military machismo, and I dropped off the single issues in favor of collections as soon as this crossover started. Time to get caught back up and try not to think about poor Channing Tatum.
What Are You Reading? with David Harper
Hello and welcome to What Are You Reading?, where each week we detail what comics and other stuff have been on our reading piles. Our special guest today is David Harper, associate editor over at the recently redesigned Multiversity Comics.
To see what David and the Robot 6 crew have been reading, click below.
Valiant goes exclusive with comiXology for digital comics
ComiXology announced this morning it will be the exclusive digital distributor for Valiant Entertainment‘s comics, both the relaunched titles and the 1990s originals.
Valiant will release its comics digitally the same day as print, beginning today with X-O Manowar #1, written by Robert Venditti and illustrated by Cary Nord. (Here’s a preview.) The other relaunch titles are Harbinger #1, due out on June 6; Bloodshot #1, on July 11; and Archer & Armstrong #1, on Aug. 8.
ComiXology will also carry digital editions of three classic storylines:
- X-O Manowar (1992) #0-6, by Jim Shooter, Bob Layton, Barry Windsor-Smith, and Joe Quesada
- Harbinger (1992) #0-6, by Jim Shooter and David Lapham
- Bloodshot (1993) #0-4, by Kevin VanHook and Don Perlin
The Valiant relaunch has been one of the most-hyped comics events of the season, and with good reason. Founded by former Marvel Editor-in-Chief Jim Shooter, Valiant was the No. 3 comics publisher in the United States in the 1990s. Its line featured a strong set of characters in an interconnected universe, all fleshed out by a creative team headed by Shooter and former Marvel hands Barry Windsor-Smith and Bob Layton. Valiant Entertainment, which purchased the rights to the Valiant comics in 2007, is relaunching four of the original titles with updated characters and story lines, and plans are in the works for at least two more.
Venditti and the Valiant staff outlined their plans for the four relaunch titles at the Valiant panel at Chicago Comic & Entertainment Expo, and at that time, Publisher Fred Pierce said the 1990s comics would be available in digital format and eventually in print as well. More digital editions of the older titles, including Archer & Armstrong, Rai, Ninjak, Shadowman, Eternal Warrior and Quantum & Woody, are in the works.
Food or Comics? | Spiritwurst
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Graeme McMillan
Well done, DC: For the second time, I’m suckered in by your wave of new launches. This week, if I had $15, I’d drop a chunk of that on Dial H #1, Earth-2 #1 and Worlds’ Finest #1 (All DC, Dial H and Worlds’ Finest both $2.99, Earth-2 $3.99). What can I say? I really love the DC Multiverse as a concept, and I’m curious to see what the new Dial H is like.
If I had $30, I’d add some more new launches in there: Jim McCann and Rodin Esquejo’s Mind The Gap looks like a lot of fun (Image, $2.99), as does the first issue of New Mutants/Journey Into Mystery crossover Exiled #1 (Marvel, $2.99). On the recommendation of many, I’m also going to grab The Spider #1 (Dynamite, $3.99) to try out David Liss’ writing; I had a lot of people say good things about his Black Panther, so I’m looking forward to this new book.
Should I feel the urge to splurge, DC have again won the day: Spirit World HC (DC, $39.99)? Genre stories by Jack Kirby from my favorite period of his work that I’ve never seen before, including some that have never been reprinted before? Seriously, there’s no way I couldn’t want this book.
Comics A.M. | Heavy rains damage comics at Pittsburgh’s ToonSeum
Comics | Heavy rains and a leaky roof led to the loss of between $20,000 and $25,000 worth of comics and books that Pittsburgh’s ToonSeum was storing temporarily in a warehouse. “I guess the best way to put it, the warehouse was where we kept things that did not individually have high value, but put together [were] worth a large amount,” said Executive director Joe Wos, who believes that most of the material can be replaced eventually. [Pittsburgh Post-Gazette]
Publishing | The digital comics distributor comiXology has hired Marc Goldberg as its chief technology officer. Goldberg formerly served as CTO for the Viacom-owned “multiplatform premium entertainment channel” EPIX. [comiXology Blog]
The Middle Ground #91 | Second time around
The unexpected thing about catching up on the output of the original Valiant line wasn’t that it made me more optimistic and enthusiastic about the upcoming relaunch of X-O Manowar and the entire Valiant Universe; part of me had been expecting that reaction based on the pedigree of those involved with the relaunch, if nothing else. What was a surprise, though, was that reading early issues of books like X-O and Harbinger made me think about the benefits of revivals and characters outlasting their original creators. Continue Reading »
Comics A.M. | Order of the Stick and the $1 million Kickstarter model
Publishing | Three million-dollar Kickstarter drives, including Rich Burlew’s $1.2 million campaign for The Order of the Stick, make the fund-raising site look like a pot of gold to some folks, but it’s not that easy: Suw Charman-Anderson, who;s contemplating a Kickstarter drive herself, looks at the factors that make the big money-makers so successful. [Forbes]
Editorial cartoons | The New York Times has responded to Daryl Cagle’s criticism of its hiring policy and fees for editorial cartoonists, saying the newspaper will delay bringing political cartoons back to its Sunday review section until editors have had time to revisit their policies. [The Cagle Post]
Editorial cartoons | For those who want a look at the bigger picture, Columbia Journalism Review surveys the landscape of editorial cartooning and in particular, the economics of syndication. [Columbia Journalism Review]
The Middle Ground #86 | X-O Manosnob
I was never a Valiant reader; they came around when I was in one of my then-periodic outs with comics as a medium and an industry, which were generally down to either distaste for what was happening to once favorite characters (Hal Jordan had gone insane?) or a depressing lack of money that’d restrict my purchases to whatever Grant Morrison was writing and little else. But even if I’d been paying more attention, I’m not sure that I would’ve jumped in with both feet and hoped for the best. Continue Reading »





