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Comics A.M. | Con’s response to cosplayer sparks backlash

Cherry City Comic Con

Cherry City Comic Con

Conventions | Ross Lincoln gathers up the threads of a story that’s been unfolding over social media for the past few days: A cosplayer expressed concern that the Facebook cosplay gallery for the inaugural Cherry City Comic Con in Salem, Oregon, featured significantly more women in costume than men. Displeased by the dismissive reply from the administrator of the Facebook page, she sent a private message asking for a refund of her convention registration fee, explaining, “I don’t think this will be a safe place for female cosplayers.” Organizer Mark Martin posted that request on his personal Facebook page with the response, “despite the no touch policy, the family friendly policy, the 3 security guards at all times, and the fact that you’re bat-shit crazy? Refunded!”

Several prominent cosplayers picked up on that, and it became a cause celebre on Twitter and Facebook for a couple of days; meanwhile, things got more complicated with sock puppets and a possibly fictitious con representative getting involved. In the end, Martin apologized; to give organizers their due, the convention includes a harassment policy in its official rules and policies. The con will take place on May 10-11. The Daily Dot has more. [The Escapist]

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SDCC ’13 | IDW Publishing rolls out Comic-Con exclusives

idw exclusives

A limited edition of the Artist’s Edition: Best of EC Covers Portfolio, two new Locke & Key pewter replicas and a glitter variant for My Little Pony: Friendship Is Magic #9 are among the highlights of IDW Publishing’s exclusive merchandise for Comic-Con International.

All of the convention-exclusive items will be available at the publisher’s booth, along with limited advance copies of the highly anticipated Superman: The Silver Age Newspaper Dailies, Vol. 1, and Berkeleyworks: The Art of Berkeley Breathed: From Bloom County and Beyond.

See the full rundown below:

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SDCC ’12 | A roundup of news and announcements from Friday

Comic-Con International kicked into full gear Friday in a bustling second day that was capped off last night with the presentation of the 24th annual Will Eisner Comic Industry Awards. Here’s the highlights of the announcements emerging from the second day — and a few holdovers from the first day — of the San Diego convention:

• During its annual “Cup O’ Joe” panel, Marvel teased post-Avengers Vs. X-Men plans that include: A+X, described as “the opposite of [AvX: VS],” by such creators as Jeph Loeb, Dan Slott, Dale Keown and Ron Garney; Avengers Vs. X-Men: Consequences, a five-issue miniseries written by Kieron Gillen that addresses the effects of the summer crossover; Marvel NOW! Point One, featuring Nick Fury Jr.; and an October one-shot called Avengers Vs. X-Men: Babies, by Skottie Young.

• After initially dismissing Kickstarter as a potential source of money for the stalled Goon animated movie, creator Eric Powell teased he plans to launch a campaign on the crowd-funding website.

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SDCC ’12 | A roundup of news and announcements from Thursday

Sandman

Thursday may have started a bit slow in the news department, but it sure ended with a huge bang. Here’s a roundup of announcements that hit today from Comic-Con International in San Diego:

• Neil Gaiman announced via video that he will write a new Sandman miniseries that will detail what happened to Morpheus to allow him to be so easily captured in The Sandman #1. J.H. Williams III will provide the art. “It was a story that we discussed telling for Sandman‘s 20th anniversary,” Gaiman said, “but the time got away from us. And now, with Sandman‘s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told.” The series will be published by Vertigo sometime next year.

• Mark Waid, Shane Davis and Max Brooks will team to create Shadow Walk, a graphic novel coming out next year from Legendary Comics.

• Legendary will also publish the Majestic Files by J. Michael Straczynski, which will feature art by Geoff Shaw and Matt Banning.

• Terry Moore will write a Strangers in Paradise prose novel to coincide with the comic’s 20th anniversary next year. He also plans to do an all-ages comic after Rachel Rising finishes in 30-40 issues.

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Robot Love | I ♥ learning from comics

Agents of Atlas

Agents of Atlas

Editor’s Note: With Valentine’s Day right around the corner, we’ve declared this the week of Robot Love and resurrected I ♥ Comics. In one of our favorite features, various comics creators, bloggers, retailers and fans discuss the things they love about the medium.

Today we welcome our guest Jeff Parker, creator of The Interman, co-creator of Mysterius: The Unfathomable and writer of a lot of Marvel’s comics — Agents of Atlas, Age of the Sentry, X-Men First Class: Finals and Exiles.

by Jeff Parker

These comics we read can make us smart. Or at least, able to kill Seat 28D during the InFlight Trivia Challenge.

Comics have an inordinately facile ability to get information into the reader’s head. A few years ago I was in Washington, D.C. running around looking at monuments and the like, and I took the once-a-week tour of the Federal Reserve building. It’s surprisingly cool, do it when you’re there on a Thursday sometime. At the end of the tour they gave out a COMIC BOOK that attempted to explain how the Fed works. It was badly drawn, weakly colored, and yet- it actually got across to me some understanding of the mysterious process by which the Fed sets interest rates and influences economic growth or tries to thwart inflation. I was impressed that they took the steps to make a comics giveaway, and it made me happy to retrace the steps they must have gone through. As the guide of the day had explained, one of the big hurdles the people in the Federal Reserve have is trying to explain to the public how they do what they do. The job description requires some understanding of economic theory and process to even get to the nuts and bolts. They obviously spent a lot of time trying to figure out what delivery system could get the curious up to speed, and they arrived at a flimsy newsprint comic with no coated stock cover. And I still have it. They also showed a film about the Fed, but the comic still did a better job distilling the information.

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