REVIEW: "DC Universe: Rebirth" #1 Makes the Future of DC Comics Look Genuinely Bright
The past 15 years have brought about one of the strongest — and broadest — generations of new comic creators since the medium’s inception in the early 1900s. For that you can credit the groundswell acceptance of manga, the opening of doors to more genres thanks to the graphic novel format, and a generation of children brought up on comics, cartoons and countless other artistic entertainment. One of those is cartoonist Hope Larson.
Larson started out in comics during her junior year at Chicago’s School of the Art Institute, when renowned cartoonist Scott McCloud happened upon her personal art website and posted on his blog that she should be doing comics. Shortly after that, Lea Hernandez invited her to contribute a webcomic to girlamatic.com. Although Larson calls the comic she did there a failure, it put her on a path toward a career in comics. Hand-made minicomics soon followed, as well as stories in several anthologies including Flight. Her first full-length book, Salamander Dream (2005), was originally serialized as a webcomic. In the following years, she completed three more books, coming to the attention of book publishers and the wider young-adult market.
Following a move west from her native North Carolina with her husband, Larson resumed work on her biggest project yet: a graphic novel adaptation of Madeline L’Engle’s classic sci-fi novel A Wrinkle In Time. It’s Larson’s first adaptation, and one she chose out of love of the book; but while her drawing board might be full with the adaptation, her keyboard is keeping busy as she finishes the script of a new YA comic series, to be illustrated by Tintin Pantoja, that is her first attempt at a series, mixing the magical girl genre of manga with her own takeaway of superheroes.