GIANT-SIZE X-POSITION: Duggan Brings Deadpool & Cable Together in "Uncanny Avengers"
After three years, Brian Azzarello and Cliff Chiang are wrapping up their Wonder Woman run. Starting with November’s Issue 36, the new creative team will be writer Meredith Finch and her husband, artist David Finch.
While it would be silly to pass judgment completely on the Finches four months before their debut, I have to say my initial reaction wasn’t entirely positive. Consider the creative teams on the four main books of Diana’s Trinitarian brothers. Although detoured by the “Doomed” crossover, Action Comics’ team of writer Greg Pak and artist Aaron Kuder has been well-received. Superman just kicked off the Geoff Johns/John Romita Jr. era. Detective Comics picked up Francis Manapul and Brian Buccellato after their stylish success on The Flash; and Batman features the unstoppable Scott Snyder and Greg Capullo. For that matter, Azzarello/Chiang was one of several distinct creative teams that debuted as part of the initial New 52 relaunch and set itself apart instantly from any DC house style. Besides Snyder/Capullo on Batman and Manapul/Buccellato on Flash, there were Jeff Lemire and Travel Foreman on Animal Man, J.H. Williams and W. Haden Blackman on Batwoman, Joshua Hale Fialkov and Andrea Sorrentino on I Vampire, Dan DiDio and Keith Giffen on OMAC, and Snyder and Yanick Paquette on Swamp Thing. Accordingly, Azzarello and Chiang have seemed right at home helming Wonder Woman.
By contrast, as a writing/drawing team the Finches are an unknown quantity. Meredith Finch has written a few one-shots; and since coming to DC from Marvel, David Finch’s projects have been plagued by delays.
Now, these may all turn out to be moot points. The Finches may have the perfect take on Wonder Woman. They are certainly very enthusiastic, even if he has been a bit tone-deaf. We won’t know for sure how their Wonder Woman will read until this fall — but I can still offer some historical perspective, and maybe a little advice.
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On the first day of HeroesCon 2014, the 32nd edition of the Charlotte, North Carolina, comics convention founded and still run by Shelton Drum, I tried to cover a lot of ground in taking photographs. When possible I found out about the current or upcoming projects in the pipeline for the creators photographed.
“For me, above anything else, the quality of my work is imperative. The level of sacrifice required to do this job can only be justified by being proud of its final result. Yet, all my effort as the artist would be insignificant without the care and talent of my most pivotal collaborator; the colorist. By resisting to align its royalties and recognition policy on Marvel, it has become excessively difficult to secure the best colorists for DC projects. In this digital day and age, where often the entire comic visual is a two person operation, it seem aberrant that one of the two won’t receive the royalties or exposure respect they fully deserve. It’s about time we revisit that royalty pie split. And if we find the courage to slaps some annoying last minute advertisement banner on the cover, certainly adding the colorist name there shouldn’t be that challenging.”
– Yanick Paquette, former Swamp Thing artist currently working on Wonder Woman: Earth One, sharing on Facebook part of his response to DC Comics’ recent talent survey.
Although a new profile of Grant Morrison closes with the promise of the third and final volume of Seaguy in 2014, his collaborator Cameron Stewart cautions excited fans that “It’s still a long way off.”
Published ahead of Morrison’s appearance at the Edinburgh International Book Festival, the Guardian article focuses primarily on the newly retitled Wonder Woman: The Trial of Diana Prince, and touches upon some recent personal losses, his dispute with Rebellion over the Zenith rights and — seemingly out of nowhere — his, let’s say, complicated history with Mark Millar before ending on the long-awaited conclusion of Seaguy.
“It’s honestly the best I’ve ever written,” he says of the saga that began in 2004. “It never sold well, but it’s my thing. I want Seaguy to remain as my statement about life and death and the universe.”
But while The Guardian asserts the final miniseries, presumably still titled Seaguy Eternal, is “due out next year,” Stewart suggests that timeline is a bit optimistic.
“INB4 everyone assuming Seaguy 3 is done or even a work in progress, when I have still not even received a script,” he wrote this morning on Twitter. “Which isn’t to say I’ve been sitting around waiting for a script that isn’t coming — I’ve been busy, so has Grant. It’s still a long way off.”
Also of note from the Morrison interview:
While Grant Morrison’s remarks about bondage, submission and eroticism in early Wonder Woman comics may receive widespread attention, his more subdued comments in a new interview may actually shed the most light on his long-awaited take on the Amazing Amazon.
Talking to USA Today about Wonder Woman: Earth One, his 120-page graphic novel with artist Yanick Paquette, the writer explains that, “I’m really focusing a lot more on the mother and daughter story in it between Hippolyta and Diana. I want it to be that kind of book, a story about women.”
With all of the hustle and bustle and early announcements, it may be a little difficult to believe, but Preview Night is still a day away, and Comic-Con International doesn’t officially begin until Thursday. By that time, we should be fully exhausted.
But before we experience information overload, let’s take a look at some of the pre-convention information trickling in, ranging from trolley schedules to etiquette and survival guides to where to live it up while in San Diego:
• Entertainment Weekly highlights ‘five comics to watch” during Comic-Con: Marvel’s Inhuman and “Inhumanity,” Grant Morrison and Yanick Paquette’s Wonder Woman: Earth One, DC’s “Villains Month,” the 10th anniversary of The Walking Dead, and Jeff Lemire’s Trillium.
• The San Diego Metropolitan Transit System has increased trolley service on the Green Line, which provides direct transportation to the stations in front of the San Diego Convention Center. Service also will be expanded throughout Comic-Con; see a complete rundown on the MTS website.
My first thought when Wonder Woman with Grant [Morrison] was mentioned was ‘I don’t want her to be dressed as an American flag.’ Not because an American flag is wrong but it made no sense. She’s coming from such a rich, wonderful culture with so much iconography (Greek culture), so why does she not use that, and why would she dress up as a flag? She’s not Captain America. But at the same time, I understood that this kind of iconic color/texture is something that’s recognizable, so in that aspect it does have value. If I could reach the same design with a few differences, but make it so it’s not coming from the flag, it’s coming from a natural extension of her culture, I could live with this.
– Wonder Woman: Earth One artist Yanick Paquette, on redesigning her costume from the ground up
Wonder Woman’s costume gets a lot of attention every time someone tries to change it, but usually the discussion is about how much skin it is or isn’t covering. That’s old and tired, and I’m glad Paquette is thinking about it for a different reason. I’d argue it’s the right reason.
One of the things that seems to stump a lot of Wonder Woman writers is her mission: What the hell is she supposed to be doing in our world? Is she a warrior or an ambassador of peace? Are those mutually exclusive descriptions or can she be both at once?
I think she can be both, in the same way that in her early years she could be a bondage fetishist while also advocating freedom. People who know a lot more about bondage than I do tell me it can be an incredibly liberating experience. Likewise, some of the biggest peace advocates I know have been career soldiers. It’s a strange dichotomy, but it’s real, and I can see it working in All-Star Comics #8, the first appearance of Wonder Woman.
“It’s not a comic about superheroes punching each other. It’s about the sexes and how we feel about one another, and what a society of women cut off from the rest of the world for 3,000 years might look like, and what kind of sexuality, what kind of philosophy, what kind of science would that have developed, and how would that impact our world if it actually suddenly became apparent that these women existed. So for me, that was always the original Wonder Woman story, but when you hear it retold, there’s a lot of potential in there to talk about the way we live today and the way the sexes view one another, especially in an age when pornography has become so ubiquitous, to go back to this sort of strange eroticism that Martson had. I think it is a really interesting way to talk about the issues we have in the world today.”
– Grant Morrison, discussing Wonder Woman: Earth One, his upcoming 120-page original graphic novel with artist Yanick Paquette
The nominees have been announced for the 2013 Joe Shuster Awards, and faithful readers of Robot 6 will notice many familiar names on the list, including Fiona Staples, Brandon Graham, Jim Zubkavich, Ryan North and Darwyn Cooke. As you can see from that sampling, the nominees are broad in terms of styles and genres.
Named in honor of Superman co-creator Joe Shuster, the awards recognize the best of the Canadian comics world; nominees must be either Canadian citizens or permanent residents in Canada. The nominees are chosen by a committee and the winners by a jury, so there is no public vote. The awards will be presented Aug. 25 at a location to be announced later.
And with no further ado, here are the nominees:
• Isabelle Arsenault – Jane, le renard & moi (La Pastèque)
• Patrick Boutin-Gagné – Brögunn (Soleil)
• Stuart Immonen – All-New X-Men #1-4, AvX: VS #1, #6, Avenging Spider-Man #7, Secret Avengers #21 (Marvel Comics)
• Yanick Paquette – Swamp Thing #5, 7-9, 13-14 (DC Comics)
• Ramón K. Pérez – John Carter and the Gods of Mars #1-5, AvX:VS #6 (Marvel Comics)
• Fiona Staples – Saga #1-8 (Image Comics)
• Marcus To – Batwing #9-15, 0, The Flash #10,15, Huntress #4-6 (DC Comics)
Hello and welcome to What Are You Reading?, our look at what comics and other things we’ve been perusing lately. Today our special guests are Caleb Goellner, Buster Moody and Ryan Hill, the creative team of Task Force Rad Squad, the hot new comic find of 2013. Especially if you were ever a Power Rangers fan. Or even if you weren’t, as Moody and Hill’s art is just kind of wonderful on its own. Our old friend and former colleague Graeme says it “pretty much does for Power Rangers what Jeffrey Brown’s Incredible Change-Bots does for Transformers,” and that’s a very apt description. You can download it yourself here, and pay whatever you think is fair.
And to see what Task Force Rad Squad + the Robot 6 Irregulars are reading, click below …
No small amount of drama accompanies the March solicitations, thanks to Gail Simone’s unexpected dismissal from Batgirl. There’s also turnover at Swamp Thing and Birds of Prey, potential clues to the end of “Death of the Family,” and the usual I-remember-this! commentary on collections.
FOLLOW THE BOUNCING BALL
The big stories are the departures of Simone from Batgirl and Scott Snyder and Yanick Paquette from Swamp Thing. It seems particularly odd in Simone’s case because it leaves the fate of Batgirl’s current antagonist in the hands of a different writer. Maybe that means Simone’s original plans for him didn’t go over particularly well with DC, or maybe it’s something totally unrelated. Either way, looks like it’ll be at least another month (in January’s Issue 16, her last issue) before we learn anything significant. At any rate, Ray Fawkes writes two issues of Batgirl starting with Issue 18.
As of March, Jim Zubkavich is your new Birds of Prey writer, Andy Kubert draws the lead story in Batman #18, and Trevor McCarthy draws Batwoman #18. Also, in a move that threatens to have me try out Phantom Stranger, the very fine J.M. DeMatteis comes aboard as co-writer with Issue # (guest-drawn by the equally fine Gene Ha and Zander Cannon).
While I don’t think there have been any official announcements about it, word is trickling out that Grant Morrison’s “putting the sex back into Wonder Woman” project is going to be Wonder Woman: Earth One. Bleeding Cool poses it as a question, but on the most recent 3 Chicks Review Comics podcast, Greg Rucka confirms it. He also says the gig was originally going to be his.
“I, at one point, was supposed to write Wonder Woman: Earth One,” he says. ” J.H. [Williams] was going to draw it.” Unfortunately, “I was told I was not going to do it. Dan DiDio called me and told me he was giving it to someone else. And I said if you take that away from me I can no longer work for you because I have taken many a job for you, sir, on the promise of doing this and now you’re taking it away and I can no longer accept your promises any more. He had his reasons for doing it; this is not me throwing stones. This is just the way things shook out.”
August brings the preludes to the Swamp Thing/Animal Man crossover that writers Scott Snyder and Jeff Lemire have been talking about for awhile now, as Team Red and Team Green take on The Rot. According to Lemire, the crossover, Rotworld, is an “epic superhero/horror story” that he’s been working with Snyder on for the past year. “Buddy Baker and Alec Holland join forces to lead a pre-emptive strike deep into The Rot, the consequences of which will tear both of their worlds apart forever,” he said on his blog.
The crossover runs through each title’s 17th issue and will feature art by regular series artists Yanick Paquette and Steve Pugh, who worked together on the above joining covers for Animal Man #12 and Swamp Thing #12.
Via Buzzfeed, DC Comics has revealed what the new Swamp Thing looks like. The antler-sporting version of the character makes his debut on the cover to Swamp Thing #8 by artist Yanick Paquette.
Hello and welcome to What Are You Reading?, our weekly look at what the Robot 6 crew has been reading lately. Today our special guest is Jamaica Dyer, creator of Weird Fishes and Fox Head Stew, which can be read over at MTV Geek. She also recently did a concert report in comic form from San Francisco’s Noisepop for Spin Magazine.
To see what Jamaica and the Robot 6 crew have been reading, click below.