Yen Press Archives - Robot 6 @ Comic Book Resources
Yen Press announced at New York Comic Con a late of new licenses that includes Prison School, adaptations of the light novels Chaika, The Coffin Princess and Trinity Seven, and a new project from Svetlana Chmakova.
The Hachette Book Group imprint will also reissue Kaoru Mori’s Emma — previously released as part of DC Comics’ CMX line — in a series of five hardcover omnibus editions.
A full list of the announcements, and their descriptions, can be found below.
Walt Disney Animation has premiered an adorable two-minute clip from Big Hero 6 that highlights the relationship between young Hiro and his robot Baymax, and has me looking forward to the Nov. 7 release of the film.
Even from the limited glimpses we’ve gotten of them, the characters are already appealing. I sure would be down for reading more stories about them. However, Marvel has no plans to release any comic books in conjunction with the premiere of Big Hero 6 — no reprints of the original stories that inspired from the movie, no new comics … nothing.
As the first Disney animated movie to take advantage of the House of Mouse’s $4 billion purchase of the House of Ideas, you’d think this would be pretty exciting for Marvel, and something it would want to promote. And yet, Marvel is surprisingly quiet about Big Hero 6.
There are no plans to reprint the 1998 original Sunfire & Big Hero 6 miniseries by Scott Lobdell and Gus Vazquez, or the 2006 follow-up Big Hero 6 by Chris Claremont and David Nakayama . Asked about that last week by Comic Book Resources, Marvel Editor-in-Chief Axel Alonso explained, “The characters and stories that have appeared in our comics are very different from what they are in the film. Releasing material that would be viewed as movie tie-in product would be a disservice to filmgoers. We wanted the Disney folks to be able to create their own unique style and story, unencumbered by those older stories.”
Publishing | The latest BookScan numbers reveal June was a good month for manga in bookstores, with eight volumes of Attack on Titan making the top 20 — a new record. The first volume topped the list, which means new readers are still discovering Hajime Isayama’s dark fantasy. Overall, manga had a slight edge, with 11 titles, and all three volumes of Saga were on the list, but only one volume of The Walking Dead. And despite the Amazon-Hachette battle, the Yen Press title Sword Art Online: Aincrad made the chart. [ICv2]
Publishing | ICv2 and Comichron’s John Jackson Miller joined forces to calculate the size of the entire comics market, including the direct market, bookstore and digital channels, and both single issues and graphic novels. Inevitably some things get left out, such as subscription services, sales to libraries and the juggernaut that is the Scholastic Book Fair, but it’s a good snapshot. The bottom line: $850 million in 2013. [Comichron]
Retailing | A federal judge has issued a temporary restraining order halting the $21.4 million purchase of retail chain Hastings Entertainment by Joel Weinshanker, president and sole shareholder of Wizkids parent National Entertainment Collectibles Association. The order was granted at the request of two Hastings shareholders who sued to stop the sale, insisting the price paid for the retailer is too low; it will remain in effect until a hearing can be held on June 12. Hastings issued a statement Monday pledging to “vigorously dispute these claims.” Hastings operates a chain of 149 stores that sells books, comics, video games and more. [Amarillo Globe-News, via ICv2]
Retailing | Amazon may be charging full price for Hachette’s graphic novels as part of its continuing contract dispute with the publisher, but Barnes & Noble has leaped into the breach with big discounts and a buy-two-get-one-free promotion on Hachette’s Yen Press manga and Little, Brown’s Tintin books. [ICv2]
Retailing | Amazon’s war with Hachette has taken an odd turn: The retail giant has restored discounts and preorders for Marvel (which uses Hachette as its distributor), and the shipping delays are gone, but it seems to have doubled down on Hachette imprint Yen Press. [ICv2]
Retailing | Heidi MacDonald reports on Diamond Comic Distributors’ year-to-date sales figures, and it’s a bit of a mixed bag, with sales of monthly comics down but graphic novels and merchandise up, for a slight uptick in overall sales. Another interesting statistic: The number of individual Diamond accounts (which is generally regarded as a measure of the number of comics shops) is up 1.3 percent for 2014 so far; last year’s increase was 3 percent over the entire year. She also reports on the numbers for this year’s Free Comic Book Day; retailers ordered 4.65 million comics, and most were happy with the way the day went. [Publishers Weekly]
Publishing | Both Marvel and the manga publisher Yen Press are caught in the middle of the Amazon/Hachette dispute: Hachette is accusing Amazon of suppressing sales of Hachette titles in order to force the publisher to agree to its terms, according to The New York Times. Marvel uses Hachette as its distributor and Yen is a Hachette imprint; ICv2 found evidence that several of Amazon’s cited tactics, which include shipping delays and lower discounts, were being used on their titles. In fact, Amazon is offering no discount at all on Yen Press titles at the moment. [ICv2]
Comics sales | ICv2 runs the numbers on April comics sales, and The Amazing Spider-Man #1 is the spring phenom: After three months of no comic selling more than 100,000 copies, ASM #1 sold more than 500,000, thanks in no small part to its nearly 50 variant and retailer custom covers, generating a record $3.19 million. Two other comics, Superior Spider-Man #31 and Batman #30, also hit the six-figure mark. ICv2 has the numbers for the top 300 comics and graphic novels as well. [ICv2]
Yen Press unveiled its digital distribution plans for Square Enix manga on Monday — and while the implementation is news, the basic concept isn’t; Yen announced at New York Comic Con 2012 that it would be the exclusive worldwide digital distributor for Square Enix. The digital manga model has shifted quite a bit since then, though, and what was announced yesterday was a bit different from what one would have expected a year and a half ago.
Here’s how it will work: Full volumes will be sold as e-books through Amazon, Apple, Barnes & Noble, Google and Kobo, while individual chapters (some being published simultaneously with their release in Japan) will be available through those platforms and via the Yen Press iOS app, which is limited to North America, according to Kurt Hassler, Yen Press’ vice president and publishing director. “The Yen Plus magazine, our previous ‘streaming’ service, was closed following the December issue of the magazine to pave the way for individual chapter availability by virtue of these various platforms,” he said in an email to ROBOT 6.
Publishing | Tom Spurgeon writes the definitive obituary of PictureBox, which announced Monday it will stop publishing at the end of the year. He also polls other small-press comics publishers for their reactions. [The Comics Reporter]
Digital comics | Yen Press is bringing its digital manga magazine Yen Plus to an end; the December issue will be the final one. The magazine was launched as a print anthology in August 2008 and switched to digital-only format in 2010. When it began serializing Soul Eater NOT, Yen Plus became the first magazine to publish manga chapters worldwide at the same time they came out in Japan (Shonen Jump does simultaneous release, but only to a restricted region). [Anime News Network]
Another, written by Yukito Ayatsuji, art by Hiro Kiyohara, Yen Press, 720 pages, $29.99
Another is a ghost story in which no one is quite sure who the ghost is — or if they themselves are the ghost.
It’s told through the eyes of 15-year-old Koichi Sakakibara, who has been shipped off to stay with his grandparents in the country while his scientist father is conducting research abroad; his mother died shortly before he was born. The school year starts off inauspiciously for Koichi, as he suffers from a collapsed lung and misses the first few days of school.
While he is in the hospital, Koichi meets and briefly talks to a girl with an eye patch, Mei Misaki, and when he finally gets to school, he learns that Mei is in his class. He is intrigued by her and tries to start a friendship, but everyone else acts as if she isn’t there. The other students are friendly to him, but they don’t seem to even see Mei, and Koichi begins to wonder if she is real.
(Mild spoilers ahead)
Awards | Stephen Collins’ The Gigantic Beard That Was Evil won the inaugural 9th Art Award, announced Sunday during the Edinburgh International Book Festival. Presented by Graphic Scotland, the prize recognizes the year’s best English-language graphic novel. The other finalists were: Building Stories, by Chris Ware; Days of the Bagnold Summer, by Joff Winterhart; Naming Monsters, by Hannah Eaton; and The Nao of Brown, by Glyn Dillon. [9th Art Award]
Manga | Raina Telgemeier’s comic about Barefoot Gen has attracted attention in Japan, where one city recently removed the manga from elementary-school classrooms, claiming it’s too violent for children (the manga depicts the bombing of Hiroshima). “I was lucky to have adults in my life who were willing to discuss the violent subject matter with me, and help me put the story in historical context, and clarify things I might not yet understand,” Telgemeier told The Asahi Shimbun. “After I finished volume 1 of Barefoot Gen, I was deeply upset. (But) as a child, I believed that if people simply saw what war was all about, they would take care that it wouldn’t happen anymore.” [The Asahi Shimbun]
Retailing | Naruto topped the May BookScan chart of graphic novels sold in bookstores, followed by two volumes of The Walking Dead, the latest volume of Sailor Moon, and Yen Press’ latest Twilight adaptation New Moon. Just three volumes total of The Walking Dead made the Top 20 (down from eight last month), and as usual, DC and Marvel got clobbered: DC had three titles on the list (two volumes of Court of Owls and Watchmen) while Marvel had one (Hawkeye), and none was above No. 15. Or to put it another way: Vol. 14 of Dance in the Vampire Bund, a high-numbered volume in a fairly niche manga series, placed higher than every Big Two book on BookScan last month. [ICv2]
Creators | With the second issue of their digital-only comic The Private Eye recently released, writer Brian K. Vaughan and artist Marcos Martin talk about their story, why they decided to do it digitally, and what the response has been so far. [The Verge]
As the trend accelerates toward publishing manga simultaneously in Japan and North America, Yen Press has scored a coup: This week, the company released the long-awaited 30th chapter of Highschool of the Dead digitally on the same day it came out in Japan.
That’s big news for fans of the series, which follows a group of high-school students and their nurse through a zombie apocalypse. It’s serialized in Dragon Age magazine but has been on hiatus for two years, which has given Yen Press time to catch up with the Japanese releases; the seventh volume was released in the United States in July.
Chapter 30 was published Tuesday in Japan, and Yen quickly made it available on a number of e-book platforms: iTunes Bookstore, Kindle, Nook and Google Play. Interestingly, they didn’t put it in their app, although the first seven volumes are available there. UPDATE: Yen Press publishing director Kurt Hassler says that the chapter will be available in the app shortly.
Highschool of the Dead is one of Yen’s more popular manga, so the decision to make the new chapter widely available at a reasonable price on release day makes an enormous amount of sense — especially with the long break since the last chapter. Thanks to Shonen Jump, there seems to be a mini-trend toward chapter-by-chapter, rather than volume-by-volume, releases. This makes a lot of sense, as that’s how most series come out first in Japan.
Manga | Yen Press announced a number of new manga licenses over the weekend at SakuraCon, including the manga series based on the Square Enix game Kingdom Hearts. The company will re-release some of the manga originally published by Tokyopop and publish some of the newer series as well. [Anime News Network]
Creators | Christopher Irving interviews, and Seth Kusher photographs, The Walking Dead creator Robert Kirkman: “I am certain that I will never be able to top it, and I’m coming to grips with that. It’s somewhat disconcerting that something I created when I was 23 will be something I’m remembered for when I die, when I’m 35 (or whenever it is). …I’ll be 34 in a little bit, so I wasn’t being too optimistic for myself.” [Graphic NYC]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.
If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.
If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?
Welcome to What Are You Reading?, our weekly look at the comics, books and other things we’ve been perusing of late. Our guest today is Tyler James (@tylerjamescomic), the publisher of ComixTribe, which is both an online resources for comic creators and a new creator-owned imprint. Tyler is also the writer of the superhero murder mystery The Red Ten, which goes on sale Dec. 19, and the organizer of the annual 30 Characters Challenge, in which writers and artists attempt to create 30 characters in just 30 days, one for every day in November (it’s under way now at 30characters.com).
Here’s what Tyler and the Robot 6 crew are reading this week: